“Holy Jesus,” she said, “he is young, rich, handsome, and a king’s brother; and for all these things the Fiend may tempt him to forget his God and throw away his soul. Holy Mother, give him good counsel!”
“Come, child, to your supper,” said Dame Elsie. “I have milked the goats, and everything is ready.”
CHAPTER III. THE GORGE
After her light supper was over, Agnes took her distaff, wound with shining white flax, and went and seated herself in her favorite place, on the low parapet that overlooked the gorge.
This ravine, with its dizzy depths, its waving foliage, its dripping springs and the low murmur of the little stream that pursued its way far down at the bottom, was one of those things which stimulated her impressible imagination, and filled her with a solemn and vague delight. The ancient Italian tradition made it the home of fauns and dryads, wild woodland creatures, intermediate links between vegetable life and that of sentiment and reasoning humanity. The more earnest faith that came in with Christianity, if it had its brighter lights in an immortality of blessedness, had also its deeper shadows in the intenser perceptions it awakened of sin and evil, and of the mortal struggle by which the human spirit must avoid endless woe and rise to endless felicity. The myths with which the colored Italian air was filled in mediæval ages no longer resembled those graceful, floating, cloud-like figures one sees in the ancient chambers of Pompeii, — the bubbles and rainbows of human fancy, rising aimless and buoyant, with a mere freshness of animal life, against a black background of utter and hopeless ignorance as to man’s past or future. They were rather expressed by solemn images of mournful, majestic angels and of triumphant saints, or fearful, warning presentations of loathsome fiends. Each lonesome gorge and sombre dell had tales no more of tricky fauns and dryads, but of those restless, wandering demons who, having lost their own immortality of blessedness, constantly lie in wait to betray frail humanity, and cheat it of that glorious inheritance bought by the Great Redemption.
The education of Agnes had been one which rendered her whole system peculiarly sensitive and impressible to all influences from the invisible and unseen. Of this education we shall speak more particularly hereafter. At present we see her sitting in the twilight on the moss-grown marble parapet, her distaff, with its silvery flax, lying idly in her hands, and her widening dark eyes gazing intently into the gloomy gorge below, from which arose the far-off complaining babble of the brook at the bottom and the shiver and sigh of evening winds through the trailing ivy. The white mist was slowly rising, wavering, undulating, and creeping its slow way up the sides of the gorge. Now it hid a tuft of foliage, and now it wreathed itself around a horned clump of aloes, and, streaming far down below it in the dimness, made it seem like the goblin robe of some strange, supernatural being.
The evening light had almost burned out in the sky; only a band of vivid red lay low in the horizon out to sea, and the round full moon was just rising like a great silver lamp, while Vesuvius with its smoky top began in the obscurity to show its faintly flickering fires. A vague agitation seemed to oppress the child; for she sighed deeply, and often repeated with fervor the Ave Maria.
At this moment there began to rise from the very depths of the gorge below her the sound of a rich tenor voice, with a slow, sad modulation, and seeming to pulsate upward through the filmy, shifting mists. It was one of those voices which seem fit to be the outpouring of some spirit denied all other gifts of expression, and rushing with passionate fervor through this one gate of utterance. So distinctly were the words spoken, that they seemed each one to rise as with a separate intelligence out of the mist, and to knock at the door of the heart.
Sad is my life, and lonely!
No hope for me,
Save thou, my love, my only,
I see!
Where art thou, O my fairest?
Where art thou gone?
Dove of the rock, I languish
Alone!
They say thou art so saintly,
Who dare love thee?
Yet bend thine eyelids holy
On me!
Though heaven alone possess thee,
Thou dwell’st above,
Yet heaven, didst thou but know it,
Is love.
There was such an intense earnestness in these sounds, that large tears gathered in the wide dark eyes, and fell one after another upon the sweet alyssum and maiden’s-hair that grew in the crevices of the marble wall. She shivered and drew away from the parapet, and thought of stories she had heard the nuns tell of wandering spirits who sometimes in lonesome places pour forth such entrancing music as bewilders the brain of the unwary listener, and leads him to some fearful destruction.
“Agnes!” said the sharp voice of old Elsie, appearing at the door, “here! where are you?”
“Here, grandmamma.”
“Who’s that singing this time o’ night?”
“I don’t know, grandmamma.”
Somehow the child felt as if that singing were strangely sacred to her, — a rapport between her and something vague and invisible which might yet become dear.
“Is’t down in the gorge?” said the old woman, coming with her heavy, decided step to the parapet, and looking over, her keen black eyes gleaming like dagger-blades into the mist. “If there’s anybody there,” she said, “let them go away, and not be troubling honest women with any of their caterwauling. Come, Agnes,” she said, pulling the girl by the sleeve, “you must be tired, my lamb! and your evening prayers are always so long, best be about them, girl, so that old grandmamma may put you to bed. What ails the girl? Been crying! Your hand is cold as a stone.”
“Grandmamma, what if that might be a spirit?” she said. “Sister Rosa told me stories of singing spirits that have been in this very gorge.”
“Likely enough,” said Dame Elsie; “but what’s that to us? Let ’em sing! — so long as we don’t listen, where’s the harm done? We will sprinkle holy water all round the parapet, and say the office of Saint Agnes, and let them sing till they are hoarse.”
Such was the triumphant view which this energetic good woman took of the power of the means of grace which her church placed at her disposal.
Nevertheless, while Agnes was kneeling at her evening prayers, the old dame consoled herself with a soliloquy, as with a brush she vigorously besprinkled the premises with holy water.
“Now, here’s the plague of a girl! If she’s handsome, — and nobody wants one that isn’t, — why, then, it’s a purgatory to look after her. This one is good enough, — none of your hussies, like Giulietta: but the better they are, the more sure to have fellows after them. A murrain on that cavalier, — king’s brother, or what not! — it was he serenading, I’ll be bound. I must tell Antonio, and have the girl married, for aught I see: and I don’t want to give her to him either; he didn’t bring her up. There’s no peace for us mothers. Maybe I’ll tell Father Francesco about it. That’s the way poor little Isella was carried away. Singing is of the Devil, I believe; it always bewitches girls. I’d like to have poured some hot oil down the rocks: I’d have made him squeak in another tone, I reckon. Well, well! I hope I shall come in for a good seat in paradise for all the trouble I’ve had with her mother, and am like to have with her, — that’s all!”
In an hour more, the large, round, sober moon was shining fixedly on the little mansion in the rocks, silvering the glossy darkness of the orange-leaves, while the scent of the blossoms arose like clouds about the cottage. The moonlight streamed through the unglazed casement, and made a square of light on the little bed where Agnes was sleeping, in which square her delicate face was framed, with its tremulous and spiritual expression most resembling in its sweet plaintive purity some of the Madonna faces of Fra Angelico, — those tender wild flowers of Italian religion and poetry.
By her side lay her grandmother, with those sharp, hard, clearly cut features, so worn and bronzed by time, so lined with labor and care, as to resemble one of the Fates in the pi
cture of Michel Angelo; and even in her sleep she held the delicate lily hand of the child in her own hard, brown one, with a strong and determined clasp.
While they sleep, we must tell something more of the story of the little Agnes, — of what she is, and what are the causes which have made her such.
CHAPTER IV. WHO AND WHAT
Old Elsie was not born a peasant. Originally she was the wife of a steward in one of those great families of Rome whose estate and traditions were princely. Elsie, as her figure and profile and all her words and movements indicated, was of a strong, shrewd, ambitious, and courageous character, and well disposed to turn to advantage every gift with which Nature had endowed her.
Providence made her a present of a daughter whose beauty was wonderful, even in a country where beauty is no uncommon accident. In addition to her beauty, the little Isella had quick intelligence, wit, grace, and spirit. As a child she became the pet and plaything of the Princess whom Elsie served. This noble lady, pressed by the ennui which is always the moth and rust on the purple and gold of rank and wealth, had, as other noble ladies had in those days, and have now, sundry pets: greyhounds, white and delicate, that looked as if they were made of Sèvres china; spaniels with long silky ears and fringy paws; apes and monkeys, that made at times sad devastations in her wardrobe; and a most charming little dwarf, that was ugly enough to frighten the very owls, and spiteful as he was ugly. She had, moreover, peacocks, and macaws, and parrots, and all sorts of singing-birds, and falcons of every breed, and horses, and hounds, — in short, there is no saying what she did not have. One day she took it into her head to add the little Isella to the number of her acquisitions. With the easy grace of aristocracy,20 she reached out her jeweled hand and took Elsie’s one flower to add to her conservatory, — and Elsie was only too proud to have it so.
Her daughter was kept constantly about the person of the Princess, and instructed in all the wisdom which would have been allowed her, had she been the Princess’s own daughter, which, to speak the truth, was in those days nothing very profound, — consisting of a little singing and instrumentation, a little embroidery and dancing, with the power of writing her own name and of reading a love letter.
All the world knows that the very idea of a pet is something to be spoiled for the amusement of the pet-owner; and Isella was spoiled in the most particular and circumstantial manner. She had suits of apparel for every day in the year, and jewels without end, — for the Princess was never weary of trying the effect of her beauty in this and that costume; so that she sported through the great grand halls and down the long aisles of the garden much like a bright-winged humming-bird, or a damsel-fly all green and gold. She was a genuine child of Italy, — full of feeling, spirit, and genius, — alive in every nerve to the finger-tips; and under the tropical sunshine of her mistress’s favor she grew as an Italian rosebush does, throwing its branches freakishly over everything in a wild labyrinth of perfume, brightness, and thorns.
For a while her life was a triumph, and her mother triumphed with her at an humble distance. The Princess was devoted to her with the blind fatuity with which ladies of rank at times will invest themselves in a caprice. She arrogated to herself all the praises of her beauty and wit, allowed her to flirt and make conquests to her heart’s content, and engaged to marry her to some handsome young officer of her train, when she had done being amused with her.
Now we must not wonder that a young head of fifteen should have been turned by this giddy elevation, nor that an old head of fifty should have thought all things were possible in the fortune of such a favorite. Nor must we wonder that the young coquette, rich in the laurels of a hundred conquests, should have turned her bright eyes on the son and heir, when he came home from the University of Bologna. Nor is it to be wondered at, that this same son and heir, being a man as well as a Prince, should have done as other men did, — fallen desperately in love with this dazzling, sparkling, piquant mixture of matter and spirit, which no university can prepare a young man to comprehend, — which always seemed to run from him, and yet always threw a Parthian shot behind her as she fled. Nor is it to be wondered at, if this same Prince, after a week or two, did not know whether he was on his head or his heels, or whether the sun rose in the east or the south, or where he stood, or whither he was going.
In fact, the youthful pair very soon came into that dreamland where are no more any points of the compass, no more division of time, no more latitude and longitude, no more up and down, but only a general wandering among enchanted groves and singing nightingales.
It was entirely owing to old Elsie’s watchful shrewdness and address that the lovers came into this paradise by the gate of marriage; for the young man was ready to offer anything at the feet of his divinity, as the old mother was not slow to perceive.
So they stood at the altar for the time being a pair of as true lovers as Romeo and Juliet: but then, what has true love to do with the son of a hundred generations and heir to a Roman principality?
Of course, the rose of love, having gone through all its stages of bud and blossom into full flower, must next begin to drop its leaves. Of course. Who ever heard of an immortal rose?
The time of discovery came. Isella was found to be a mother; and then the storm burst upon her and drabbled her in the dust as fearlessly as the summer wind sweeps down and besmirches the lily it has all summer been wooing and flattering.
The Princess was a very pious and moral lady, and of course threw her favorite out into the street as a vile weed, and virtuously ground her down under her jeweled high-heeled shoes.
She could have forgiven her any common frailty; of course it was natural that the girl should have been seduced by the all-conquering charms of her son, — but aspire to marriage with their house! — pretend to be her son’s wife! Since the time of Judas had such treachery ever been heard of?
Something was said of the propriety of walling up the culprit alive, — a mode of disposing of small family matters somewhat à la mode in those times. But the Princess acknowledged herself foolishly tender, and unable quite to allow this very obvious propriety in the case.
She contented herself with turning mother and daughter into the streets with every mark of ignominy, which was reduplicated by every one of her servants, lackeys, and court-companions, who, of course, had always known just how the thing must end.
As to the young Prince, he acted as a well-instructed young nobleman should, who understands the great difference there is between the tears of a duchess and those of low-born women. No sooner did he behold his conduct in the light of his mother’s countenance than he turned his back on his low marriage with edifying penitence. He did not think it necessary to convince his mother of the real existence of a union whose very supposition made her so unhappy, and occasioned such an uncommonly disagreeable and tempestuous state of things in the well-bred circle where his birth called him to move. Being, however, a religious youth, he opened his mind to his family-confessor, by whose advice he sent a messenger with a large sum of money to Elsie, piously commending her and her daughter to the Divine protection. He also gave orders for an entire new suit of raiment for the Virgin Mary in the family chapel, including a splendid set of diamonds, and promised unlimited candles to the altar of a neighboring convent. If all this could not atone for a youthful error, it was a pity. So he thought, as he drew on his riding gloves and went off on a hunting party, like a gallant and religious young nobleman.
Elsie, meanwhile, with her forlorn and disgraced daughter, found a temporary asylum in a neighboring mountain village, where the poor, bedrabbled, broken-winged song-bird soon panted and fluttered her little life away.
When the once beautiful and gay Isella had been hidden in the grave, cold and lonely, there remained a little wailing infant, which Elsie gathered to her bosom.
Grim, dauntless, and resolute, she resolved, for the sake of this hapless one, to look life in the face once more, and try the battle under other skies.
; Taking the infant in her arms, she traveled with her far from the scene of her birth, and set all her energies at work to make for her a better destiny than that which had fallen to the lot of her unfortunate mother.
She set about to create her nature and order her fortunes with that sort of downright energy with which resolute people always attack the problem of a new human existence. This child should be happy: the rocks on which her mother was wrecked she should never strike upon, — they were all marked on Elsie’s chart. Love had been the root of all poor Isella’s troubles, — and Agnes never should know love, till taught it safely by a husband of Elsie’s own choosing.
The first step of security was in naming her for the chaste Saint Agnes, and placing her girlhood under her special protection. Secondly, which was quite as much to the point, she brought her up laboriously in habits of incessant industry, — never suffering her to be out of her sight, or to have any connection or friendship, except such as could be carried on under the immediate supervision of her piercing black eyes. Every night she put her to bed as if she had been an infant, and, wakening her again in the morning, took her with her in all her daily toils, — of which, to do her justice, she performed all the hardest portion, leaving to the girl just enough to keep her hands employed and her head steady.
The peculiar circumstance which had led her to choose the old town of Sorrento for her residence, in preference to any of the beautiful villages which impearl that fertile plain, was the existence there of a flourishing convent dedicated to Saint Agnes, under whose protecting shadow her young charge might more securely spend the earlier years of her life.
Complete Works of Harriet Beecher Stowe Page 166
