CONTENTS
Title Page
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Epilogue
Acknowledgments
Copyright
CHAPTER ONE
The grease-slicked hair is a dead giveaway—no pun intended.
So is the loose and faded leather coat, though not as much that as the sideburns. And the way he keeps nodding and flicking his Zippo open and closed in rhythm with his head. He belongs in a chorus line of dancing Jets and Sharks.
Then again, I have an eye for these things. I know what to look for, because I’ve seen just about every variety of spook and specter you can imagine.
The hitchhiker haunts a stretch of winding North Carolina road, bordered by unpainted split-rail fences and a whole lot of nothing. Unsuspecting drivers probably pick him up out of boredom, thinking he’s just some college kid who reads too much Kerouac.
“My gal, she’s waiting for me,” he says now in an excited voice, like he’s going to see her the minute we crest the next hill. He taps the lighter hard on the dash, twice, and I glance over to make sure he hasn’t left a ding in the panel. This isn’t my car. And I’ve suffered through eight weeks of lawn work for Mr. Dean, the retired army colonel who lives down the block, just so I could borrow it. For a seventy-year-old man he’s got the straightest back I’ve ever seen. If I had more time, I could’ve spent a summer listening to interesting stories about Vietnam. Instead I cleared shrubs and tilled an eight-by-ten plot for new rosebushes while he watched me with a surly eye, making sure his baby would be safe with this seventeen-year-old kid in an old Rolling Stones t-shirt and his mother’s gardening gloves.
To tell the truth, knowing what I was going to use the car for, I felt a little guilty. It’s a dusk blue 1969 Camaro Rally Sport, mint condition. Drives smooth as silk and growls around curves. I can’t believe he let me take it, yard work or no. But thank god he did, because without it I would have been sunk. It was something the hitchhiker would go for—something worth the trouble of crawling out of the ground.
“She must be pretty nice,” I say without much interest.
“Yeah, man, yeah,” he says and, for the hundredth time since I picked him up five miles ago, I wonder how anyone could possibly not know that he’s dead. He sounds like a James Dean movie. And then there’s the smell. Not quite rotten but definitely mossy, hanging around him like a fog. How has anyone mistaken him for the living? How has anyone kept him in the car for the ten miles it takes to get to the Lowren’s Bridge, where he inevitably grabs the wheel and takes both car and driver into the river? Most likely they were creeped out by his clothes and his voice, and by the smell of bones—that smell they seem to know even though they’ve probably never smelled it. But by then it’s always too late. They’d made the decision to pick up a hitchhiker, and they weren’t about to let themselves be scared into going back on it. They rationalized their fears away. People shouldn’t do that.
In the passenger seat, the hitchhiker is still talking in this faraway voice about his girl back home, somebody named Lisa, and how she’s got the shiniest blond hair and the prettiest red smile, and how they’re going to run off and get married as soon as he gets back hitching from Florida. He was working part of a summer down there for his uncle at a car dealership: the best opportunity to save up for their wedding, even if it did mean they wouldn’t see each other for months.
“It must’ve been hard, being away from home so long,” I say, and there’s actually a little bit of pity in my voice. “But I’m sure she’ll be glad to see you.”
“Yeah, man. That’s what I’m talking about. I’ve got everything we need, right in my jacket pocket. We’ll get married and move out to the coast. I’ve got a pal out there, Robby. We can stay with him until I get a job working on cars.”
“Sure,” I say. The hitchhiker has this sadly optimistic look on his face, lit up by the moon and the glowing dashlights. He never saw Robby, of course. He never saw his girl Lisa, either. Because two miles up the road in the summer of 1970, he got into a car, probably a lot like this one. And he told whoever was driving that he had a way to start an entire life in his coat pocket.
The locals say that they beat him up pretty good by the bridge and then dragged him back into the trees, where they stabbed him a couple of times and then cut his throat. They pushed his body down an embankment and into one of the tributary streams. That’s where a farmer found it, nearly six months later, wound around with vines, the jaw hanging open in surprise, like he still couldn’t believe that he was stuck there.
And now he doesn’t know that he’s stuck here. None of them ever seem to know. Right now the hitchhiker is whistling and bobbing along to nonexistent music. He probably still hears whatever they were playing the night they killed him.
He’s perfectly pleasant. A nice guy to ride with. But when we get to that bridge, he’ll be as angry and ugly as anyone you’ve ever seen. It’s reported that his ghost, dubbed unoriginally as the County 12 Hiker, has killed at least a dozen people and injured another eight. But I can’t really blame him. He never made it home to see his girl, and now he doesn’t want anyone else to get home either.
We pass mile marker twenty-three—the bridge is less than two minutes away. I’ve driven this road almost every night since we moved here in the hopes that I would catch his thumb in my headlights, but I had no luck. Not until I got behind the wheel of this Rally Sport. Before this it was just half a summer of the same damn road, the same damn blade tucked under my leg. I hate it when it’s like that, like some kind of horribly extended fishing trip. But I don’t give up on them. They always come around in the end.
I let my foot ease up on the gas.
“Something wrong, friend?” he asks me.
I shake my head. “Only that this isn’t my car, and I don’t have the cash to fix it if you decide to try to take me off the bridge.”
The hitchhiker laughs, just a little too loudly to be normal. “I think you’ve been drinking or something tonight, pal. Maybe you ought to just let me off here.”
I realize too late that I shouldn’t have said that. I can’t let him out. It’d be my luck that he’d step out and disappear. I’m going to have to kill him while the car is moving or I’ll have to do this all over again, and I doubt that Mr. Dean is willing to let the car go for too many more nights. Besides, I’m moving to Thunder Bay in three days.
There’s also the thought that I’m doing this to this poor bastard all over again. But that thought is fleeting. He’s already dead.
I try to keep the speedometer over fifty—too fast for him to really consider jumping out, but with ghosts you can never be sure. I’ll have to work fast.
It’s when I reach down to take my blade out from under the leg of my jeans that I see the silhouette of the bridge in the moonlight. Right on cue, the hitchhiker grabs the wheel and yanks it to the left. I try to jerk it back right and slam my foot on the brake. I hear the sound of angry rubber on asphalt and out of the corner of my eye I can see that the hitchhiker’s face is gone. No more easy Joe, no slicked hai
r and eager smile. He’s just a mask of rotten skin and bare, black holes, with teeth like dull stones. It looks like he’s grinning, but it might just be the effect of his lips peeling off.
Even as the car is fishtailing and trying to stop, I don’t have any flashes of my life before my eyes. What would that even be like? A highlight reel of murdered ghosts. Instead I see a series of quick, ordered images of my dead body: one with the steering wheel through my chest, another with my head gone as the rest of me hangs out the missing window.
A tree comes up out of nowhere, aimed right for my driver’s side door. I don’t have time to swear, just to jerk the wheel and hit the gas, and the tree is behind me. What I don’t want to do is make it to the bridge. The car is all over the shoulder and the bridge doesn’t have one. It’s narrow, and wooden, and outdated.
“It’s not so bad, being dead,” the hitchhiker says to me, clawing at my arm, trying to get me off the wheel.
“What about the smell?” I hiss. Through all of this I haven’t lost my grip on my knife handle. Don’t ask me how; my wrist feels like the bones are going to separate in about ten seconds, and I’ve been pulled off my seat so that I’m hovering over the stick shift. I throw the car into neutral with my hip (should have done that earlier) and pull my blade out fast.
What happens next is kind of a surprise: the skin comes back onto the hitchhiker’s face, and the green comes back into his eyes. He’s just a kid, staring at my knife. I get the car back under control and hit the brakes.
The jolt from the stop makes him blink. He looks at me.
“I worked all summer for this money,” he says softly. “My girl will kill me if I lose it.”
My heart is pounding from the effort of controlling the lurching car. I don’t want to say anything. I just want to get it over with. But instead I hear my voice.
“Your girl will forgive you. I promise.” The knife, my father’s athame, is light in my hand.
“I don’t want to do this again,” the hitchhiker whispers.
“This is the last time,” I say, and then I strike, drawing the blade across his throat, opening a yawning black line. The hitchhiker’s fingers come up to his neck. They try to press the skin back together, but something as dark and thick as oil floods out of the wound and covers him, bleeding not only down over his vintage-era jacket but also up over his face and eyes, into his hair. The hitchhiker doesn’t scream as he shrivels, but maybe he can’t: his throat was cut and the black fluid has worked its way into his mouth. In less than a minute he’s gone, leaving not a trace behind.
I pass my hand over the seat. It’s dry. Then I get out of the car and do a walk-around as best I can in the dark, looking for scratches. The tire tread is still smoking and melted. I can hear Mr. Dean’s teeth grinding. I’m leaving town in three days, and now I’ll be spending at least one of them putting on a new set of Goodyears. Come to think of it, maybe I shouldn’t take the car back until the new tires are on.
CHAPTER TWO
It’s after midnight when I park the Rally Sport in our driveway. Mr. Dean’s probably still up, wiry and full of black coffee as he is, watching me cruise carefully down the street. But he doesn’t expect the car back until morning. If I get up early enough, I can take it down to the shop and replace the tires before he knows any different.
As the headlights cut through the yard and splash onto the face of the house, I see two green dots: the eyes of my mom’s cat. When I get to the front door, it’s gone from the window. It’ll tell her that I’m home. Tybalt is the cat’s name. It’s an unruly thing, and it doesn’t much care for me. I don’t care much for it either. It has a weird habit of pulling all the hair off its tail, leaving little tufts of black all over the house. But my mom likes to have a cat around. Like most children, they can see and hear things that are already dead. A handy trick, when you live with us.
I go inside, take my shoes off, and climb the stairs by two. I’m dying for a shower—want to get that mossy, rotten feeling off my wrist and shoulder. And I want to check my dad’s athame and rinse off whatever black stuff might be on the edge.
At the top of the stairs, I stumble against a box and say, “Shit!” a little too loudly. I should know better. My life is lived in a maze of packed boxes. My mom and I are professional packers; we don’t mess around with castoff cardboard from the grocery or liquor stores. We have high-grade, industrial-strength, reinforced boxes with permanent labels. Even in the dark I can see that I just tripped over the Kitchen Utensils (2).
I tiptoe into the bathroom and pull my knife out of my leather backpack. After I finished off the hitchhiker I wrapped it up in a black velvet cloth, but not neatly. I was in a hurry. I didn’t want to be on the road anymore, or anywhere near the bridge. Seeing the hitchhiker disintegrate didn’t scare me. I’ve seen worse. But it isn’t the kind of thing you get used to.
“Cas?”
I look up into the mirror and see the sleepy reflection of my mom, holding the black cat in her arms. I put the athame down on the counter.
“Hey, Mom. Sorry to wake you.”
“You know I like to be up when you come in anyway. You should always wake me, so I can sleep.”
I don’t tell her how dumb that sounds; I just turn on the faucet and start to run the blade under the cold water.
“I’ll do it,” she says, and touches my arm. Then of course she grabs my wrist, because she can see the bruises that are starting to purple up all along my forearm.
I expect her to say something motherly; I expect her to quack around like a worried duck for a few minutes and go to the kitchen to get ice and a wet towel, even though the bruises are by no means the worst mark I’ve ever gotten. But this time she doesn’t. Maybe because it’s late, and she’s tired. Or maybe because after three years she’s finally starting to figure out that I’m not going to quit.
“Give it to me,” she says, and I do, because I’ve gotten the worst of the black stuff off already. She takes it and leaves. I know that she’s off to do what she does every time, which is to boil the blade and then stab it into a big jar of salt, where it will sit under the light of the moon for three days. When she takes it out she’ll wipe it down with cinnamon oil and call it good as new.
She used to do the same thing for my dad. He’d come home from killing something that was already dead and she’d kiss him on the cheek and take away the athame, as casually as any wife might carry in a briefcase. He and I used to stare at the thing while it sat in its jar of salt, our arms crossed over our chests, conveying to each other that we both thought it was ridiculous. It always seemed to me like an exercise in make-believe. Like it was Excalibur in the rock.
But my dad let her do it. He knew what he was getting into when he met and married her, a pretty, auburn-haired Wiccan girl with a strand of white flowers braided around her neck. He’d lied back then and called himself Wiccan too, for lack of a better word. But really, Dad wasn’t much of anything.
He just loved the legends. He loved a good story, tales about the world that made it seem cooler than it really was. He went crazy over Greek mythology, which is where I got my name.
They compromised on it, because my mom loved Shakespeare, and I ended up called Theseus Cassio. Theseus for the slayer of the Minotaur, and Cassio for Othello’s doomed lieutenant. I think it sounds straight-up stupid. Theseus Cassio Lowood. Everyone just calls me Cas. I suppose I should be glad—my dad also loved Norse mythology, so I might have wound up being called Thor, which would have been basically unbearable.
I exhale and look in the mirror. There are no marks on my face, or on my gray dress button-up, just like there were no marks on the Rally Sport’s upholstery (thank god). I look ridiculous. I’m in slacks and sleeves like I’m out on a big date, because that’s what I told Mr. Dean I needed the car for. When I left the house tonight my hair was combed back, and there was a little bit of gel in it, but after that fucking kerfuffle it’s hanging across my forehead in dark streaks.
“Y
ou should hurry up and get to bed, sweetheart. It’s late and we’ve got more packing to do.”
My mom is done with the knife. She’s floated back up against the doorjamb and her black cat is twisting around her ankles like a bored fish around a plastic castle.
“I just want to jump in the shower,” I say. She sighs and turns away.
“You did get him, didn’t you?” she says over her shoulder, almost like an afterthought.
“Yeah. I got him.”
She smiles at me. Her mouth looks sad and wistful. “It was close this time. You thought you’d have him finished before the end of July. Now it’s August.”
“He was a tougher hunt,” I say, pulling a towel down off the shelf. I don’t think she’s going to say anything else, but she stops and turns back.
“Would you have stayed here, if you hadn’t gotten him? Would you have pushed her back?”
I only think for a few seconds, just a natural pause in the conversation, because I knew the answer before she finished asking the question.
“No.”
As my mom leaves, I drop the bomb. “Hey, can I borrow some cash for a new set of tires?”
“Theseus Cassio,” she moans, and I grimace, but her exhausted sigh tells me that I’m good to go in the morning.
* * *
Thunder Bay, Ontario, is our destination. I’m going there to kill her. Anna. Anna Korlov. Anna Dressed in Blood.
“This one has you worried, doesn’t it, Cas,” my mom says from behind the wheel of the U-Haul van. I keep telling her we should just buy our own moving truck, instead of renting. God knows we move often enough, following the ghosts.
“Why would you say that?” I ask, and she nods at my hand. I hadn’t realized it was tapping against my leather bag, which is where Dad’s athame is. With a focused effort, I don’t take it away. I just keep tapping like it doesn’t matter, like she’s overanalyzing and reading into things.
“I killed Peter Carver when I was fourteen, Mom,” I say. “I’ve been doing it ever since. Nothing much surprises me anymore.”
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