“This athame is ours,” he says into my face, sweet smoke issuing from between rancid gums. “It’s like Obeah—it is intent, both yours and mine now, and whose do you think is stronger?”
Intent. Over his shoulder I see Anna, her eyes gone black and her body twisted, covered in the dress of blood. The wound on her arm has grown, and she lies in an oily puddle two feet across. She’s staring at the floor with a blank expression. Upstairs I see the tossed sofa and a pair of legs caught underneath. I taste my own blood in my mouth. It’s hard to breathe.
And then an Amazon comes out of nowhere. Carmel has jumped down the stairs, halfway down the wall. She’s screaming. The Obeahman turns just in time to catch an aluminum bat in the face, and it does more than it did to Anna, maybe because Carmel is way more pissed. It knocks him down onto his knees, and she strikes again and again. And she’s the prom queen who thought she wouldn’t do anything.
I don’t miss my chance. I stab my athame into his leg and he howls, but he manages to snake his arm out and get hold of Carmel’s leg. There’s a wet popping sound, and I finally see how he’s able to take such large bites of people: he’s got most of his jaw unhinged. He sinks his teeth into Carmel’s thigh.
“Carmel!” It’s Thomas, yelling as he limps his way down the stairs. He won’t get to her in time—not soon enough to keep her leg in one piece—so I throw myself at the Obeahman, and my knife goes into his cheek. I’ll saw his entire jaw off, I swear it.
Carmel is screeching and clinging to Thomas, who is trying to pull her from the crocodile. I twist my knife in his mouth, hoping to god that I’m not cutting her in the process, and he releases his bite with a wet smack. The entire house shakes with his fury.
Only it’s not his fury. This isn’t his house. And he’s weakening. I’ve sliced him open enough now that we’re wrestling in a sloppy mess. He’s managed to pin me down as Thomas drags Carmel out of the way, so he doesn’t see what I see, which is a hovering, dripping dress of blood.
I wish he did have eyes, so I could see the surprise in them when she grabs him from behind and tosses him with a crash into the banister. My Anna has lifted herself from her puddle, dressed for a fight, with writhing hair and black veins. The wound on her forearm is still bleeding. She’s not quite right.
On the staircase, the Obeahman comes slowly to his feet. He dusts himself off and bares his teeth. I don’t understand. The cuts in his side and his face, the wound in his leg, they aren’t bleeding anymore.
“You think you can kill me with my own knife?” he asks.
I look at Thomas, who has taken off his jacket to tie around Carmel’s leg. If I can’t kill him with the athame, I don’t know what to do. There are other ways to take down a ghost, but nobody here knows them. I can barely move. My chest feels like a bundle of loose twigs.
“It’s not your knife,” Anna replies. “Not after tonight.” She looks at me over her shoulder and smiles, just a little. “I’m going to give it back to him.”
“Anna,” I start, but I don’t know what else to say. As I watch, as we all watch, she lifts her fist and strikes down into the floorboards, sending splinters and pieces of cracked wood halfway to the ceiling. I don’t know what she’s doing.
And then I notice the soft, red glow, like embers.
There’s surprise on Anna’s face that changes to happy relief. The idea was a gamble. She didn’t know if anything would happen when she opened that hole in the floor. But now that it has, she bares her teeth and hooks her fingers.
The Obeahman hisses as she moves forward. Even when she’s weak, she’s got no equal. They trade blows. She twists his head around only to have him snap it right back again.
I have to help her. Never mind the clawing of my own bones inside my lungs. I haul myself over onto my stomach. Using my knife like a mountain climber’s pick, I heave and scrape across the floor.
As the house shifts, a thousand boards and rusted nails groan out of tune. And then there are the sounds that they make, crashing together, the noise dense enough to make me wince. I’m amazed that they don’t both shatter into bleeding pieces.
“Anna!” My voice is urgent but weak. I’m not taking in much air. They’re grappling with each other, grimaces of strain on their faces. She wrenches him to the right and left; he snarls and jerks his head forward. She reels backward and sees me, coming closer.
“Cas!” she shouts through gritted teeth. “You have to get out of here! You have to get everyone out!”
“I’m not leaving you,” I shout back. Or at least I think I do. My adrenaline is running low. I feel like the lights are blinking on and off. But I’m not leaving her. “Anna!”
She screams. While her attention was on me, the bastard unhinged his jaw, and now he’s attached himself to her arm, dug in like a snake. The sight of her blood on his lips makes me yell. I pull my legs up under myself and vault.
I grab him by the hair and try to push him away from her. The slice I made in his face flaps grotesquely with each movement. I cut him again and use the knife to pry his teeth up, and together we use everything we have to throw him. He hits the broken staircase and falls down, sprawled and stunned.
“Cassio, you have to go now,” she says to me. “Please.”
Dust is falling around us. She’s done something to the house, opened up that burning hole in the floor. I know it, and I know she can’t take it back.
“You’re coming with me.” I take her arm, but pulling her is like trying to pull a Greek column. Thomas and Carmel are calling to me near the door, but it seems like a thousand miles away. They’ll make it out. Their footsteps hammer down the front steps.
In the midst of it all, Anna is calm. She puts her hand against my face. “I don’t regret this,” she whispers. The look in her eyes is tender.
Then it hardens. She shoves me away, tosses me back across the room, the way I came. I roll, and feel the sick crumple of my ribs. When my head lifts, Anna is advancing on the Obeahman, still lying prone where we threw him at the foot of the stairs. She grabs him by one arm and one leg. He begins to stir as she drags him toward the hole in the floor.
When he looks with his stitched-over eyes and sees, he’s afraid. He rains down blows on Anna’s face and shoulders, but his punches don’t look angry anymore. They look defensive. Going backward, her foot finds the hole and sinks in, the firelight glow illuminating her calf.
“Anna!” I scream as the house really starts to shake. But I can’t get up. I can’t do anything but watch her sink lower, watch her drag him down while he screeches and claws and tries to get free.
I throw myself over and start to crawl again. I taste like blood and panic. Thomas’s hands are on me. He’s trying to pull me out, just like he did weeks ago, the first time I was in this house. But that feels like years ago now, and this time I fight him off. He gives up on me and runs for the stairs, where my mom is yelling for help as the house rattles. The dust is making it harder to see, harder to breathe.
Anna, please look at me again. But she is barely visible anymore. She has sunken so deep that only a few tendrils of hair still writhe above the floor. Thomas is back, yanking and dragging me out of the house. I take a slice at him with my knife, but I don’t mean it, even in my fear. When he pulls me over the front porch steps, my ribs scream as they bounce, and I’d like to stab him for real. But he’s done it. He’s managed to drag me to our defeated little pack at the edge of the yard. My mom is holding up Morfran, and Carmel’s hobbling on one leg.
“Let go of me,” I growl, or at least I think I growl. I can’t tell. I can’t talk well.
“Oh,” somebody says.
I push myself up to look at the house. It’s filled with red light. The whole thing throbs like a heart, casting a glow into the night sky. Then it implodes with a sick crash, the walls sucking in on themselves and collapsing, sending up mushrooms of dust and flying splinters and nails.
Someone covers me, protecting me from the blast. But I wanted to see i
t. I wanted to see her, one last time.
EPILOGUE
You wouldn’t think that people would believe that we all got so incredibly beat up—in so many interesting ways—from a bear attack. Especially not when Carmel is sporting a bite mark that is a spot-on match for wounds found at one of the most horrifying crime scenes in recent history. But I never fail to be surprised by what people will believe.
A bear. Right. A bear bit Carmel in the leg and I was thrown into a tree after heroically trying to get it off her. So was Morfran. So was Thomas. Nobody except Carmel got bit, or got clawed, and my mom was completely unharmed, but hey, things like that happen.
Carmel and I are still in the hospital. She needed stitches and she’s having to undergo rabies vaccinations, which sucks, but that’s the price of our alibi. Morfran and Thomas weren’t even admitted. I’m lying in a bed with my chest wrapped up, trying to breathe properly so I don’t get pneumonia. They ran blood work on my liver enzymes, because when I came in I was still a shade of banana, but there was no damage. Everything was functioning normally.
Mom and Thomas come to visit in a steady rotation, and they wheel Carmel in once a day so we can watch Jeopardy! Nobody wants to say that they’re relieved it wasn’t worse, or that we all came out lucky, but I know that’s what they’re thinking. They think that it could have been a lot worse. Maybe so, but I don’t want to hear it. And if it’s true, then they have only one person to thank for it.
Anna kept us alive. She dragged herself and the Obeahman into God only knows where. I keep thinking of things I could have done differently. I try to remember if there was another way it could have gone. But I don’t try too hard, because she sacrificed herself, my beautiful, stupid girl, and I don’t want that to have been for nothing.
There’s a knock at my door. I look over and see Thomas standing in the doorway. I press the button on my Posturepedic to sit up and greet him.
“Hey,” he says, pulling up a chair. “Aren’t you going to eat your Jell-O?”
“I effing hate green Jell-O,” I reply, and push it his way.
“I hate it too. I was just asking.”
I laugh. “Don’t make me hurt my ribs, you dick.” He smiles. I really am glad that he’s all right. Then he clears his throat.
“We’re sorry about her, you know,” he says. “Carmel and I. We kind of liked her, even if she was creepy, and we know that you—” He breaks off and clears his throat again.
I loved her. That’s what he was going to say. That’s what everyone else knew before I did.
“The house was, like, insane,” he says. “Like something out of Poltergeist. Not the first one. The one with the scary old guy.” He keeps on clearing his throat. “Morfran and I went back, after, to see if anything was still there. But there was nothing. Not even her leftover spirits.”
I swallow. I should be glad that they’re free. But that means she’s really gone. The unfairness of it almost chokes me for a second. I finally find a girl I could really be with, maybe the only girl in the world, and I had what? Two months with her? It’s not enough. After everything she went through—everything I went through—we deserve more than that.
Or maybe we don’t. Anyway, life doesn’t work like that. It doesn’t care about fair or unfair. Still, sitting in this hospital bed has given me plenty of time to think. Lately I’ve been thinking about a lot of things. Mostly about doors. Because that’s essentially what Anna did. She opened a door, from here to someplace else. And doors can be made to swing both ways, in my experience.
“What’s so funny?”
I look at Thomas, startled. I realize I’ve started to grin. “Just life,” I say with a shrug. “And death.”
Thomas sighs and tries to smile. “So, I guess you’ll be transferring out soon. Off to do what it is you do. Your mom said something about a Wendigo.”
I chuckle, then wince. Thomas joins in halfheartedly. He’s doing his best not to make me feel guilty for leaving, to make it seem like he doesn’t care one way or the other if I go.
“Where—” he starts, and looks at me carefully, trying to be delicate. “Where do you think she went?”
I look at my friend Thomas, at his sincere, earnest face. “I don’t know,” I say softly. There must be a devilish glint in my eye. “Maybe you and Carmel can help me figure it out.”
ACKNOWLEDGMENTS
It takes a lot to get a story into the world. To thank everyone involved could fill another book. So I’ll limit myself. Much of the credit goes to my agent, Adriann Ranta, and to my editor, Melissa Frain. You have both made Anna Dressed in Blood stronger. No book could ask for better champions. Thanks are also due to Bill and Mary Jarrett, the proprietors of the Country Cozy Bed and Breakfast in Thunder Bay, Ontario, for their hospitality and local knowledge. As usual, thanks to the street team, Susan Murray, Missy Goldsmith, and my brother, Ryan Vander Venter. Thanks to Tybalt, for being a good sport, and to Dylan, for luck.
And of course, thank you to the readers, of all types, everywhere. We need more of you.
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
ANNA DRESSED IN BLOOD
Copyright © 2011 by Kendare Blake
All rights reserved.
A Tor® Teen eBook
Published by Tom Doherty Associates, LLC
175 Fifth Avenue
New York, NY 10010
www.tor-forge.com
Tor® is a registered trademark of Tom Doherty Associates, LLC.
ISBN 978-0-7653-2865-6
First Edition: September 2011
eISBN 978-1-4299-8281-8
First Tor Teen eBook Edition: August 2011
Table of Contents
Title Page
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Epilogue
Acknowledgments
Copyright
Anna Dressed in Blood Page 24
