by Jeff Lindsay
The marina was deserted and I went blithely through the gate in the chain-link fence, past a sign that said only boat owners permitted on docks. I tried to feel guilty about violating such an important command, but it was beyond me.
The lower half of the sign said no fishing off docks or in marina area, and I promised myself that I would avoid fish-
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ing at all costs, which made me feel better about breaking the other rule.
The Osprey was five or six years old and showed only a few signs of wear from the Florida weather. The deck and rails were scrubbed clean and I was careful not to leave scuff marks as I climbed aboard. For some reason the locks on boats are never very complicated. Perhaps sailors are more honest than landlubbers. In any case, it took only a few seconds for me to pick the lock and slip inside the Osprey. The cabin did not have the musty smell of baked mildew that so many boats get when they are sealed up even for a few hours in the sub-tropical sun. Instead there was a faint tang of Pine-Sol in the air, as though someone had scrubbed so thoroughly that no germs or odors could hope to survive.
There was a small table, a galley, and one of those little TV/
VCR units on a railed shelf with a stack of movies beside it: Spider-Man, Brother Bear, Finding Nemo. I wondered how many boys MacGregor had sent over the side to find Nemo. I dearly hoped that soon Nemo would find him. I stepped to the galley area and began to open drawers. One was filled with candy, the next with plastic action figures. And the third was absolutely crammed with rolls of duct tape.
Duct tape is a wonderful thing, and as I know very well, it can be used for many remarkable and useful things. But I did think that having ten rolls of it stuffed in a drawer on your boat was a bit excessive. Unless, of course, you were using it for some specific purpose that required a great deal of it.
Perhaps a science project involving multiple young boys?
Just a hunch, of course, based on the way I use it—not on young boys, of course, but on upstanding citizens like, for instance . . . MacGregor. His guilt had started to seem very D E A R LY D E V O T E D D E X T E R
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likely, and the Dark Passenger flicked his dry lizard tongue with anticipation.
I went down the steps into the small forward area the salesman probably called the stateroom. It wasn’t a terribly elegant bed, just a thin foam-rubber pad on a raised shelf. I touched the mattress and it crackled under the fabric; a rubber casing.
I rolled the mattress to one side. There were four ring bolts screwed into the shelf, one on each corner. I lifted the hatch beneath the mattress.
One might reasonably expect to find a certain amount of chain on a boat. But the accompanying handcuffs did not strike me as being quite so nautical. Of course, there might be a very good explanation. It was possible that MacGregor used them on quarrelsome fish.
Under the chain and handcuffs there were five anchors.
That could very well be a good idea on a yacht that was meant to cruise around the world, but it seemed a bit much for a small weekend boat. What on earth could they be for? If I was taking my little boat out into the deep water with a series of small bodies I wished to dispose of cleanly and completely, what would I do with so many anchors? And, of course, when you put it that way, it seemed obvious that the next time MacGregor went cruising with a little friend he would come back with only four anchors under the bunk.
I was certainly gathering enough small details to make a very interesting picture. Still life without children. But so far I had not found anything that could not be explained away as massive coincidence, and I needed to be absolutely sure. I had to have one overwhelmingly conclusive piece of evidence, something so completely unambiguous that it would satisfy the Harry Code.
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I found it in a drawer to the right of the bunk.
There were three small drawers built into the bulkhead of the boat. The interior of the bottom one seemed to be a few inches shorter than the other two. It was possible that it was supposed to be, that it was shortened by the curve of the hull.
But I have studied humans for many years now, and this has made me deeply suspicious. I pulled the drawer all the way out and, sure enough, there was a small secret compartment on the back end of the drawer. And inside the secret compartment—
Since I am not actually a real human being, my emotional responses are generally limited to what I have learned to fake.
So I did not feel shock, outrage, anger, or even bitter resolve.
They’re very difficult emotions to do convincingly, and there was no audience to do them for, so why bother? But I did feel a slow cold wind from the Dark Backseat sweep up my spine and blow dry leaves over the floor of my lizard brain.
I could identify five different naked boys in the stack of photographs, arranged in a variety of poses, as if MacGregor was still searching for a defining style. And yes indeed, he really was a spendthrift with his duct tape. In one of the pictures, the boy looked like he was in a silver-gray cocoon, with only certain areas exposed. What MacGregor left exposed told me a great deal about him. As I had suspected, he was not the kind of man most parents would wish for a scout-master.
The photos were good quality, taken from many different angles. One series in particular stood out. A pale, flabby naked man in a black hood stood beside the tightly taped boy, almost like a trophy shot. From the shape and coloring of the body I was quite sure the man was MacGregor, even though D E A R LY D E V O T E D D E X T E R
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the hood covered his face. And as I flipped through the pictures I had two very interesting thoughts. The first was, Aha!
Meaning, of course, that there was absolutely no doubt about what MacGregor had been doing, and he was now the lucky Grand Prize Winner in the Dark Passenger’s Clearinghouse Sweepstakes.
And the second thought, somewhat more troubling, was this: Who was taking the pictures?
There were too many different angles for the pictures to have been taken automatically. And as I flipped through them a second time I noticed, in two shots that had been snapped from above, the pointy toe of what looked like a red cowboy boot.
MacGregor had an accomplice. The word sounded so very Court TV, but there it was and I could not think of a better way to say it. He had not done all this alone. Someone had gone along and, if nothing else, had watched and taken pictures.
I blush to admit that I have some modest knowledge and talent in the area of semiregular mayhem, but I had never before run into anything like this. Trophy shots, yes—after all, I had my little box of slides, each with single drop of blood on them, to commemorate every one of my adventures. Perfectly normal to keep some kind of souvenir.
But to have a second person present, watching and taking pictures, turned a very private act into a kind of performance.
It was absolutely indecent—the man was a pervert. If only I had been capable of moral outrage, I am quite sure I would have been full of it. As it was, though, I found myself more eager than ever to get viscerally acquainted with MacGregor.
It was stiflingly hot on the boat, and my wonderfully chic 1 6
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foul-weather suit was not helping. I felt like a bright yellow tea bag. I picked several of the clearest pictures and put them in my pocket. I returned the rest to their compartment, tidied the bunk, and went back up into the main cabin. As far as I could tell from peeking out the window—or did I have to call it a porthole?—there was no one lurking about and observing me in a furtive manner. I slipped out the door, making sure it locked behind me, and strolled off through the rain.
From the many movies I have seen over the years, I knew very well that walking in the rain is the correct setting for reflecting on human perfidy, and so I did just that. Oh that wicked MacGregor and his shutterbug friend. How could they be such vile wretches. That sounded about right, and it was all I could come up w
ith; I hoped it was enough to satisfy the formula. Because it was far more fun to reflect on my own perfidy, and how I might feed it by arranging a playdate with MacGregor. I could feel a rising tide of dark delight flooding in from the deepest dungeons of Castle Dexter and building up at the spillways. And soon it would pour out on MacGregor.
There was no longer any room for doubt, of course. Harry himself would acknowledge that the photographs were more than enough proof, and an eager chuckle from the Dark Backseat sanctified the project. MacGregor and I would go exploring together. And then the special bonus of finding his friend in the cowboy boots—he would have to follow MacGregor as soon as possible, of course; no rest for the wicked. It was like a two-for-the-price-of-one sale, absolutely irresistible.
Filled with my happy thoughts, I didn’t even notice the rain as I strode manfully and rapidly back to my car. I had a great deal to do.
C H A P T E R 3
It is always a bad idea to follow a regular routine, particularly if you are a homicidal pedophile who has come to the attention of Dexter the Avenger. Happily for me, no one had ever given MacGregor this vital bit of information, and so it was quite easy for me to find him leaving his office at 6:30 pm, as he did every day. He came out the back door, locked it, and climbed into his big Ford SUV; a perfect vehicle for hauling people around to look at houses, or for carrying bundled-up little boys down to the dock. He pulled out into the traffic and I followed him home to his modest concrete-block house on S.W. 80th Street.
There was quite a bit of traffic going by the house. I turned onto a small side street half a block away and parked unobtrusively where I had a good view. There was a tall, thick hedge running down the far side of MacGregor’s lot that would keep the neighbors from seeing anything that went on in his yard. I sat in my car and pretended to look at a map for about ten minutes, just long enough to scheme and be sure 1 8
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that he wasn’t going anywhere. When he came out of his house and began to putter around the yard, shirtless and wearing a pair of battered madras shorts, I knew how I would do it. I headed for home to get ready.
In spite of the fact that I normally have a robust and healthy appetite, I always find it difficult to eat before one of my little adventures. My interior associate quivers with rising anticipation, the moon burbles louder and louder in my veins as the night slides over the city, and thoughts of food begin to seem so very ordinary.
And so instead of enjoying a leisurely high-protein dinner, I paced my apartment, eager to begin but still cool enough to wait, letting Daytime Dexter melt quietly into the background and feeling the intoxicating surge of power as the Dark Passenger slowly took the wheel and checked the controls. It was always an exhilarating sensation to allow myself to be pulled into the backseat and let the Passenger drive. Shadows seem to grow sharper edges and the darkness fades into a lively gray that brings everything into much sharper focus. Small sounds become loud and distinct, my skin tingles, my breath roars in and out, and even the air comes alive with smells that were certainly not noticeable during the boring and normal day. I was never more alive than when the Dark Passenger was driving.
I forced myself to sit in my easy chair and I held myself in, feeling the Need roll over me and leave behind a high tide of readiness. Each breath felt like a blast of cold air sweeping through me and pumping me up bigger and brighter until I was like an enormous invincible beacon of steel ready to slash through the now-dark city. And then my chair became a stu-
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pid little thing, a hiding place for mice, and only the night was big enough.
And it was time.
Out we went, into the bright night, the moonlight hammering at me and the dead-roses breath of the Miami night blowing across my skin, and in almost no time at all I was there, in the shadows cast by MacGregor’s hedge, watching and waiting and listening, just for now, to the caution that curled around my wrist and whispered patience. It seemed pathetic that he could not see something that gleamed as brightly as I did, and the thought gave me another surge of strength. I pulled on my white silk mask and I was ready to begin.
Slowly, invisibly, I moved from the darkness of the hedge and placed a child’s plastic piano keyboard beneath his window, putting it under a gladiolus bush so it would not be seen immediately. It was bright red and blue, less than a foot long, and only had eight keys, but it would repeat the same four melodies endlessly until the battery died. I switched it on and stepped back into my place in the hedge.
“Jingle Bells” played, and then “Old MacDonald.” For some reason, a key phrase was missing in each song, but the little toy piped on and into “London Bridge” in the same cheerfully lunatic tone.
It was enough to make anyone crazy, but it probably had an extra effect on someone like MacGregor who lived for children. At any rate, I certainly hoped so. I had quite deliberately chosen the little keyboard to lure him out, and I sincerely hoped, in fact, that he would think he had been found out—and that a toy had come from Hell to punish him. After all, why shouldn’t I enjoy what I do?
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It seemed to work. We were only on the third repetition of
“London Bridge” when he came stumbling out of his house with a look of wide-eyed panic. He stood there for a moment, gaping around, his receding reddish hair looking like it had gone through a storm and his pale belly hanging slightly over the waist of his dingy pajama bottoms. He did not look terribly dangerous to me, but of course I was not a five-year-old boy.
After a moment, in which he stood with his mouth open, and scratched himself, and looked like he was modeling for a statue of the Greek god of Stupidity, MacGregor located the source of the sound—“Jingle Bells” again by now. He stepped over and bent slightly to touch the little plastic keyboard and did not even have the time to be surprised before I had a noose of fifty-pound-test fishing line pulled tight around his throat. He straightened and thought he might struggle for a moment. I pulled tighter and he changed his mind.
“Stop fighting,” we said in our cold and commanding Passenger voice. “You’ll live longer.” And he heard his future in the words and thought he might change it, so I pulled hard on his leash and held it like that until his face turned dark and he dropped to his knees.
Just before he passed out completely I eased the pressure.
“Now do as you’re told,” we said. He didn’t say anything; he just choked in a few large and painful breaths, so I tweaked the line a touch. “Understand?” we said, and he nodded so I let him breathe.
He did not try to fight anymore as I frog-marched him into the house for his car keys and then back out into his big SUV.
I climbed into the seat behind him, holding the leash in a very D E A R LY D E V O T E D D E X T E R
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tight grip and allowing him only enough breath to stay alive, for now.
“Start the car,” we told him, and he paused.
“What do you want?” he said in a voice that was rough with new-made gravel.
“Everything,” we said. “Start the car.”
“I have money,” he said.
I pulled hard on his cord. “Buy me a little boy,” we said. I held it tight for a few seconds, too tight for him to breathe and just long enough to let him know that we were in charge, we knew what he had done, and we would let him breathe only at our pleasure from now on, and when I loosened the line again he had nothing to say.
He drove as we told him to, back up S.W. 80th Street to Old Cutler Road and then south. There was almost no traffic this far out, not at this time of night, and we turned into a new development that had been going up on the far side of Snapper Creek. Construction had halted due to the owner’s conviction for money laundering, and we would not be disturbed. We guided MacGregor through a half-built guard booth, around a small traffic circle, east toward the water, and to a halt beside a s
mall trailer, the temporary office of the site, now left to teen thrill seekers and others, like me, who only wanted a little privacy.
We sat for just a moment, enjoying the view—moon over the water, with pedophile in noose in the foreground, very beautiful.
I got out and pulled MacGregor out after me, pulled him hard so that he fell to his knees and clawed at the line around his neck. For a moment I watched him choking and drooling 2 2
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in the dirt, his face turning dark again and his eyes going red.
Then I pulled him to his feet and pushed him up the three wooden steps and into the trailer. By the time he had recovered enough to know what was going on, I had him tied to the top of a desk, hands and feet secured with duct tape.
MacGregor tried to speak and just coughed instead. I waited; now there was plenty of time. “Please,” he said finally, in a voice like sand on glass, “I’ll give you whatever you want.”
“Yes, you will,” we said, and saw the sound of it cut into him, and even though he couldn’t see it through my white silk mask we smiled. I took out the photos I had taken from his boat and showed them to him.
He stopped moving completely and his mouth hung open.
“Where did you get those?” he said, sounding rather petulant for someone who was about to be cut into small pieces.
“Tell me who took these pictures.”
“Why should I?” he said.
I used a pair of tin snips and cut off the first two fingers of his left hand. He thrashed and screamed and the blood came, which always makes me angry, so I shoved a tennis ball into his mouth and cut off the first two fingers of his right hand.
“No reason,” I said, and I waited for him to slow down just a little bit.
