by Ray Bradbury
And this town, so old, from the year 1926, long before any of my men were born. From a year when I was six years old and there were records of Harry Lauder, and Maxfield Parrish paintings still hanging, and bead curtains, and "Beautiful Ohio," and turn-of-the-century architecture. What if the Martians took the memories of a town exclusively from my mind? They say childhood memories are the clearest. And after they built the town from my mind, they populated it with the most-loved people from all the minds of the people on the rocket!
And suppose those two people in the next room, asleep, are not my mother and father at all, But two Martians, incredibly brilliant, with the ability to keep me under this dreaming hypnosis all of the time.
And that brass band today? What a startlingly wonderful plan it would be. First, fool Lustig, then Hinkston, then gather a crowd; and all the men in the rocket, seeing mothers, aunts, uncles, sweethearts, dead ten, twenty wears ago, naturally, disregarding orders, rush out and abandon ship. What more natural? What more unsuspecting? What more simple? A man doesn't ask too many questions when his mother is soddenly brought back to life; he's much too happy. And here we all are tonight, in various houses, in various beds, with no weapons to protect us, and the rocket lies in the moonlight, empty. And wouldn't it be horrible and terrifying to discover that all of this was part of some great clever plan by the Martians to divide and conquer us, and kill us? Sometime during the night, perhaps, my brother here on this bed will change form, melt, shift, and become another thing, a terrible thing, a Martian. It would be very simple for him just to turn over in bed and put a knife into my heart. And in all those other houses down the street, a dozen other brothers or fathers suddenly melting away and taking knives and doing things to the unsuspecting, sleeping men of Earth ...
His hands were shaking under the covers. His body was cold. Suddenly it was not a theory. Suddenly he was very afraid.
He lifted himself in bed and listened. The night was very quiet The music had stopped. The wind had died. His brother lay sleeping beside him.
Carefully he lifted the covers, rolled them back. He slipped from bed and was walking softly across the room when his brother's voice said, "Where are you going?"
"What?"
His brother's voice was quite cold. "I said, where do you think you're going?"
"For a drink of water."
"But you're not thirsty."
"Yes, yes, I am."
"No, you're not."
Captain John Black broke and ran across the room. He screamed. He screamed twice.
He never reached the door.
In the morning the brass band played a mournful dirge. From every house in the street came little solemn processions bearing long boxes, and along the sun-filled street, weeping, came the grandmas and mothers and sisters and brothers and uncles and fathers, walking to the churchyard, where there were new holes freshly dug and new tombstones installed. Sixteen holes in all, and sixteen tombstones.
The mayor made a little sad speech, his face sometimes looking like the mayor, sometimes looking like something else.
Mother and Father Black were there, with Brother Edward, and they cried, their faces melting now from a familiar face into something else.
Grandpa and Grandma Lustig were there, weeping, their faces shifting like wax, shimmering as all things shimmer on a hot day.
The coffins were lowered. Someone murmured about "the unexpected and sudden deaths of sixteen fine men during the night--"
Earth pounded down on the coffin lids.
The brass band, playing "Columbia, the Gem of the Ocean," marched and slammed back into town, and everyone took the day off.
June 2001: --AND THE MOON BE STILL AS BRIGHT
It was so cold when they first came from the rocket into the night that Spender began to gather the dry Martian wood and build a small fire. He didn't say anything about a celebration; he merely gathered the wood, set fire to it, and watched it burn.
In the flare that lighted the thin air of this dried-up sea of Mars he looked over his shoulder and saw the rocket that had brought them all, Captain Wilder and Cheroke and Hathaway and Sam Parkhill and himself, across a silent black space of stars to land upon a dead, dreaming world.
Jeff Spender waited for the noise. He watched the other men and waited for them to jump around and shout. It would happen as soon as the numbness of being the "first" men to Mars wore off. None of them said anything, but many of them were hoping, perhaps, that the other expeditions had failed and that this, the Fourth, would be the one. They meant nothing evil by it. But they stood thinking it, nevertheless, thinking of the honor and fame, while their lungs became accustomed to the thinness of the atmosphere, which almost made you drunk if you moved too quickly.
Gibbs walked over to the freshly ignited fire and said, "Why don't we use the ship chemical fire instead of that wood?"
"Never mind," said Spender, not looking up.
It wouldn't be right, the first night on Mars, to make a loud noise, to introduce a strange, silly bright thing like a stove. It would be a kind of imported blasphemy. There'd be time for that later; time to throw condensed-milk cans in the proud Martian canals; time for copies of the New York Times to blow and caper and rustle across the lone gray Martian sea bottoms; time for banana peels and picnic papers in the fluted, delicate ruins of the old Martian valley towns. Plenty of time for that. And he gave a small inward shiver at the thought.
He fed the fire by hand, and it was like an offering to a dead giant, They had landed on an immense tomb. Here a civilization had died. It was only simple courtesy that the first night be spent quietly.
"This isn't my idea of a celebration." Gibbs turned to Captain Wilder. "Sir, I thought we might break out rations of gin and meat and whoop it up a bit."
Captain Wilder looked off toward a dead city a mile away. "We're all tired," he said remotely, as if his whole attention was on the city and his men forgotten. "Tomorrow night, perhaps. Tonight we should be glad we got across all that space without getting a meteor in our bulkhead or having one man of us die."
The men shifted around. There were twenty of them, holding to each other's shoulders or adjusting their belts. Spender watched them. They were not satisfied. They had risked their lives to do a big thing. Now they wanted to be shouting drunk, firing off guns to show how wonderful they were to have kicked a hole in space and ridden a rocket all the way to Mars.
But nobody was yelling.
The captain gave a quiet order. One of the men ran into the ship and brought forth food tins which were opened and dished out without much noise. The men were beginning to talk now. The captain sat down and recounted the trip to them. They already knew it all, but it was good to hear about it, as something over and done and safely put away. They would not talk about the return trip. Someone brought that up, but they told him to keep quiet. The spoons moved in the double moonlight; the food tasted good and the wine was even better.
There was a touch of fire across the sky, and an instant later the auxiliary rocket landed beyond the camp. Spender watched as the small port opened and Hathaway, the physician-geologist--they were all men of twofold ability, to conserve space on the trip--stepped out. He walked slowly over to the captain.
"Well?" said Captain Wilder.
Hathaway gazed out at the distant cities twinkling in the starlight. After swallowing and focusing his eyes he said, "That city there, Captain, is dead and has been dead a good many thousand years. That applies to those three cities in the hills also. But that fifth city, two hundred miles over, sir--"
"What about it?"
"People were living in it last week, sir."
Spender got to his feet.
"Martians," said Hathaway.
"Where are they now?"
"Dead," said Hathaway. "I went into a house on one street. I thought that it, like the other towns and houses, had been dead for centuries. My God, there were bodies there. It was like walking in a pile of autumn leaves. Like sticks and pi
eces of burnt newspaper, that's all. And fresh. They'd been dead ten days at the outside."
"Did you check other towns? Did you see anything alive?"
"Nothing whatever. So I went out to check the other towns. Four out of five have been empty for thousands of years. What happened to the original inhabitants I haven't the faintest idea. But the fifth city always contained the same thing. Bodies. Thousands of bodies."
"What did they die of?" Spender moved forward.
"You won't believe it."
"What killed them?"
Hathaway said simply, "Chicken pox."
"My God, no!"
"Yes. I made tests. Chicken pox. It did things to the Martians it never did to Earth Men. Their metabolism reacted differently, I suppose. Burnt them black and dried them out to brittle flakes. But it's chicken pox, nevertheless. So York and Captain Williams and Captain Black must have got through to Mars, all three expeditions. God knows what happened to them. But we at least know what they unintentionally did to the Martians."
"You saw no other life?"
"Chances are a few of the Martians, if they were smart, escaped to the mountains. But there aren't enough, I'll lay you money, to be a native problem. This planet is through."
Spender turned and went to sit at the fire, looking into it. Chicken pox, God, chicken pox, think of it! A race builds itself for a million years, refines itself, erects cities like those out there, does everything it can to give itself respect and beauty, and then it dies. Part of it dies slowly, in its own time, before our age, with dignity. But the rest! Does the rest of Mars die of a disease with a fine name or a terrifying name or a majestic name? No, in the name of all that's holy, it has to be chicken pox, a child's disease, a disease that doesn't even kill children on Earth! It's not right and it's not fair. It's like saying the Greeks died of mumps, or the proud Romans died on their beautiful hills of athlete's foot! If only we'd given the Martians time to arrange their death robes, lie down, look fit, and think up some other excuse for dying. It can't be a dirty, silly thing like chicken pox. It doesn't fit the architecture; it doesn't fit this entire world!
"All right, Hathaway, get yourself some food."
"Thank you, Captain."
And as quickly as that it was forgotten. The men talked among themselves.
Spender did not take his eyes off them. He left his food on his plate under his hands. He felt the land getting colder. The stars drew closer, very clear.
When anyone talked too loudly the captain would reply in a low voice that made them talk quietly from imitation.
The air smelled clean and new. Spender sat for a long time just enjoying the way it was made. It had a lot of things in it he couldn't identify: flowers, chemistries, dusts, winds.
"Then there was that time in New York when I got that blonde, what's her name?--Ginnie!" cried Biggs. "That was it!"
Spender tightened in. His hand began to quiver. His eyes moved behind the thin, sparse lids.
"And Ginnie said to me--" cried Biggs.
The men roared.
"So I smacked her!" shouted Biggs with a bottle in his hand.
Spender set down his plate. He listened to the wind over his ears, cool and whispering. He looked at the cool ice of the white Martian buildings over there on the empty sea lands.
"What a woman, what a woman!" Biggs emptied his bottle in his wide mouth. "Of all the women I ever knew!"
The smell of Biggs's sweating body was on the air. Spender let the fire die. "Hey, kick her up there, Spender!" said Biggs, glancing at him for a moment, then back to his bottle. "Well, one night Ginnie and me--"
A man named Schoenke got out his accordion and did a kicking dance, the dust springing up around him.
"Ahoo--I'm alive!" he shouted.
"Yay!" roared the men. They threw down their empty plates. Three of them lined up and kicked like chorus maidens, joking loudly. The others, clapping hands, yelled for something to happen. Cheroke pulled off his shirt and showed his naked chest, sweating as he whirled about. The moonlight shone on his crewcut hair and his young, clean-shaven cheeks.
In the sea bottom the wind stirred along faint vapors, and from the mountains great stone visages looked upon the silvery rocket and the small fire.
The noise got louder, more men jumped up, someone sucked on a mouth organ, someone else blew on a tissue-papered comb. Twenty more bottles were opened and drunk. Biggs staggered about, wagging his arms to direct the dancing men.
"Come on, sir!" cried Cheroke to the captain, wailing a song.
The captain had to join the dance. He didn't want to. His face was solemn. Spender watched, thinking: You poor man, what a night this is! They don't know what they're doing. They should have had an orientation program before they came to Mars to tell them how to look and how to walk around and be good for a few days.
"That does it." The captain begged off and sat down, saying he was exhausted. Spender looked at the captain's chest. It wasn't moving up and down very fast. His face wasn't sweaty, either.
Accordion, harmonica, wine, shout, dance, wail, roundabout, dash of pan, laughter.
Biggs weaved to the rim of the Martian canal. He carried six empty bottles and dropped them one by one into the deep blue canal waters. They made empty, hollow, drowning sounds as they sank.
"I christen thee, I christen thee, I christen thee--" said Biggs thickly. "I christen thee Biggs, Biggs, Biggs Canal--"
Spender was on his feet, over the fire, and alongside Biggs before anyone moved. He hit Biggs once in the teeth and once in the ear. Biggs toppled and fell down into the canal water. After the splash Spender waited silently for Biggs to climb back up onto the stone bank. By that time the men were holding Spender.
"Hey, what's eating you, Spender? Hey?" they asked.
Biggs climbed up and stood dripping. He saw the men holding Spender. "Well," he said, and started forward.
"That's enough," snapped Captain Wilder. The men broke away from Spender. Biggs stopped and glanced at the captain.
"All right, Biggs, get some dry clothes. You men, carry on your party! Spender, come with me!"
The men took up the party. Wilder moved off some distance and confronted Spender. "Suppose you explain what just happened," he said.
Spender looked at the canal. "I don't know, I was ashamed. Of Biggs and us and the noise. Christ, what a spectacle."
"It's been a long trip. They've got to have their fling."
"Where's their respect, sir? Where's their sense of the right thing?"
"You're tired, and you've a different way of seeing things, Spender. That's a fifty-dollar fine for you."
"Yes, sir. It was just the idea of Them watching us make fools of ourselves."
"Them?"
"The Martians, whether they're dead or not."
"Most certainly dead," said the captain. "Do you think They know we're here?"
"Doesn't an old thing always know when a new thing comes?"
"I suppose so. You sound as if you believe in spirits."
"I believe in the things that were done, and there are evidences of many things done on Mars. There are streets and houses, and there are books, I imagine, and big canals and docks and places for stabling, if not horses, well, then some domestic animal, perhaps with twelve legs, who knows? Everywhere I look I see things that were used. They were touched and handled for centuries, "Ask me, then, if I believe in the spirit of the things as they were used, and I'll say yes. They're all here. All the things which had uses. All the mountains which had names. And we'll never be able to use them without feeling uncomfortable. And somehow the mountains will never sound right to us; we'll give them new names, but the old names are there, somewhere in time, and the mountains were shaped and seen under those names. The names we'll give to the canals and mountains and cities will fall like so much water on the back of a mallard. No matter how we touch Mars, we'll never touch it. And then we'll get mad at it, and you know what we'll do? We'll rip it up, rip the skin off, and c
hange it to fit ourselves."
"We won't ruin Mars," said the captain. "It's too big and too good."
"You think not? We Earth Men have a talent for ruining big, beautiful things. The only reason we didn't set up hot-dog stands in the midst of the Egyptian temple of Karnak is because it was out of the way and served no large commercial purpose. And Egypt is a small part of Earth. But here, this whole thing is ancient and different, and we have to set down somewhere and start fouling it up. We'll call the canal the Rockefeller Canal and the mountain King George Mountain and the sea the Dupont sea, and there'll be Roosevelt and Lincoln and Coolidge cities and it won't ever be right, when there are the proper names for these places."
"That'll be your job, as archaeologists, to find out the old names, and we'll use them."
"A few men like us against all the commercial interests." Spender looked at the iron mountains. "They know we're here tonight, to spit in their wine, and I imagine they hate us."
The captain shook his head. "There's no hatred here." He listened to the wind. "From the look of their cities they were a graceful, beautiful, and philosophical people. They accepted what came to them. They acceded to racial death, that much we know, and without a last-moment war of frustration to tumble down their cities. Every town we've seen so far has been flawlessly intact. They probably don't mind us being here any more than they'd mind children playing on the lawn, knowing and understanding children for what they are. And, anyway, perhaps all this will change us for the better.
"Did you notice the peculiar quiet of the men, Spender, until Biggs forced them to get happy? They looked pretty humble and frightened. Looking at all this, we know we're not so hot; we're kids in rompers, shouting with our play rockets and atoms, loud and alive. But one day Earth will be as Mars is today. This will sober us. It's an object lesson in civilizations. We'll learn from Mars. Now suck in your chin. Let's go back and play happy. That fifty-dollar fine still goes."
