Paul Scheerbart

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  tainly won’t bring in a cent — so no one can accuse me of greed if I build

  them. But the astronomers and opticians wil rejoice.

  If you build several observatories at once, you can’t make them al the

  size of Cologne Cathedral, but I would like each one of them to be three

  times the size of Cologne Cathedral — with huge, cathedral-sized confer-

  ence rooms and imposing libraries.

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  If people no longer have to even think about the basic necessities of

  life — and we won’t have to, once we have Perpets to take care of every-

  thing without our lifting a finger — then of course people wil have to con-

  cern themselves with more distant matters — you can’t keep on admiring

  the things of this earth forever.

  And so people wil have no choice but to concern themselves with astral

  affairs.

  And this is what I’m finding most delightful in this entire fantastical

  wheel business . . . .

  27 January 1908

  Of course, it wil also be necessary to found a major newspaper right

  away. Founding the paper, in fact, wil take precedence over al other

  projects.

  A daily, of course!

  The United States of Europe is what I’d like to cal it — politics, being a

  commercial mat er, wil appear in the classifieds section — the local section

  wil be dropped. And al its pages wil be fil ed with literature, technology,

  art, and science.

  This wil be a good starting point for discussing major plans — while

  incidentally providing energetic support for literature.

  I’m afraid, however, that literature is the last thing that can be supported

  with money.

  And this depresses me.

  I’d almost like to hope the wheel doesn’t work. Literature would be

  helped more by the wheel’s not working than by its working — this I know

  for a fact.

  I simply do not believe that a period of economic upswing can have a

  beneficial effect on literature.

  Just look at the vibrant development of literature in the first half of the

  nineteenth century — and then its decline in the second half when every-

  thing was on the rise economical y. I’m thinking only of German litera-

  ture here. In other countries, the very same phenomenon can be observed

  in similar eras when other factors are not involved — as in the Italian

  Renaissance . . . .

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  29 January 1908

  There might also be a large new publishing house with enormous capital

  holdings devoted only to the design of a book — not what is meant to be read.

  30 January 1908

  Next thing you know, someone wil be tel ing me he wants to found the-

  aters. Theaters don’t develop wel beneath the gleam of gold either — gold

  is better for developing variety houses.

  I’m real y get ing tired of thinking up al these big plans — suddenly I

  can’t help thinking of the drawbacks of this new era. And al at once I am

  surrounded by darkness and shadow — where for so long there was only light.

  After al , the Age of Satire has not yet come to an end.

  But if after the invention of the Perpet things were to become even more

  humdrum than before — then one should beware of actual y completing

  the invention.

  For this reason, I am rather glad that the thing stil doesn’t work today.

  And it’s not going to be working tomorrow either — I’d bet on it.

  This reassures me a little.

  • • •

  These notes make it clear how violently I was gripped by this idea; it just

  wouldn’t let me go. True, I often saw the comical in al of this, but some-

  times the comical aspects eluded me.

  My experiments with the primitive model proved inconclusive; I hadn’t

  the faintest notion of craftsmanship. And fortunately I lacked the money to

  charge others with the task of implementing al the things I was dreaming

  up. Had I been in a position to do so, I might have given up the whole idea

  rather quickly, for wheel c did in fact obstruct the whole thing, being un-

  able to move in the direction of the arrow and at times bringing the entire

  system to a halt.

  Of al this, however, I stil had only the vaguest inkling; I hadn’t yet

  grasped it, and so my imagination went on working, “against my wil .” I

  kept trying to do away with wheel c altogether but had no idea how this

  could be managed.

  What’s more, the technical side of the thing did not interest me at al ,

  since I had never in my life been much concerned with technical matters

  and had never taken any interest in mechanics.

  Although I kept drawing the wheel system, at least fifty times a day, in

  al its possible variations and kept thinking about it, my imagination kept

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  soaring off in other directions, assuming as finished something that was far

  from complete.

  The slanted orientation of the carriage within the wheel gave me par-

  ticular pleasure, and I populated al the highways with fabulous vehicles

  that seemed to me far more fun than automobiles and carriages with their

  primitive little wheels down below.

  And then the exhibition park kept me busy for almost al of February.

  Here are a few notes on that:

  7 February 1908

  In the garden, if we set up freestanding wal s made of wire and cover them

  with climbing plants, we can produce avenues similar to the ones created

  with square-pruned trees during the rococo period.

  Vine-covered wal s of this sort can serve to create arbors and terraces

  in the vil a style. How strange that no one has ever thought of employing

  such easily produced horticultural devices.

  Large-scale terrace architecture can thus be — simulated — by means

  of climbing plants on wire wal s — the effect wil be magnificent when

  applied in hil y terrain.

  11 February 1908

  A garden with rearrangeable parts.

  Transportable hedges.

  Transportable terraces.

  And above al : transportable flowerbeds.

  Evening il umination by means of glass plates lit from below.

  Flower baskets hanging from chains.

  Enormous masts covered with blossoming flowers in baskets of earth

  that can be moved — hoisted up and down — and also rotated slowly

  around the mast. The flowers should dangle far down out of these baskets.

  Adjustable flower wal s made of wire.

  Wal s to provide shelter from the wind.

  Everything that can be moved must be given pride of place in the gar-

  den: plants on large pedestals that can be driven around — with Perpets.

  “Moveable” lighting.

  Floating flowerbeds in the ponds.

  Large mechanical fans with glittering glass insets.

  Etc. etc. etc.

  •

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  13 February 1908

  When you have machines that can function in perpetuity through the appli-

  cation of weights, you can undertake changes to the terrain in the grandest

  possible style — then you wil truly have acquired the ability to organize

  the greatest mountain chains any way you like — according to rhythmic

  relationships, lowe
ring and elevating them.

  Colossal spatial art can be created in this way.

  And the Harz is very wel suited as a place for erecting smal -scale

  models.

  Of course, these models wil have to be larger than anything we have

  ever seen in the field of architecture; the pyramids in the land of the pha-

  raohs wil look like toys compared to these models in the Harz.

  15 February 1908

  Large canal and dam projects should of course not be undertaken without

  forethought. This is why model constructions for the “large” projects of the

  future are to be put on view in the Harz. The finest of what the architec-

  tural spatial arts have to offer must be included.

  Enormous streets — gigantic terraces —

  And ravine architecture . . . .

  17 February 1908

  The Bode Valley in the Harz can be left just as it is — for the sake of

  contrast — and perhaps the Brocken as wel .

  As for the rest, we’l be able to demonstrate the effect produced by

  400-meter-high vertical wal s. And these wal s can be sculptural y orna-

  mented. And within these sculptural ornaments, vil as can be built that can

  be reached only by elevator.

  Entire landscapes should be reserved for dramatic tower architecture.

  And of course machines must be invented for constructing buildings.

  These machines wil then build the largest towers without a single human

  hand having to stir.

  Only the wheels wil work — without pause.

  It is somewhat wearying and enervating to imagine such a construc-

  tion process; this alone could easily provide material for several thousand

  utopian novels.

  •

  219

  19 February 1908

  Everything that the regal garden architecture of the sixteenth, seventeenth,

  and eighteenth centuries was aiming to achieve can now be produced

  in entirely new dimensions — even sweeping curves wil be given their

  due — not only rectangular shapes — and crystal ine forms as wel . . . .

  Countless models for buildings and vil as must be created — along with

  model cities, of course — the cities that were not created by using models

  wil be converted to storage sites for goods and raw materials.

  Anyone who supposes that my architecture park in the Harz might seem

  in any way strange to me, is very much in error — the only things I think of

  as odd are the so-cal ed “modern” cities — their demise wil be balsam for

  my soul.

  • • •

  As you can see, in sketching out these fantasy constructions I gave both

  Europe and America short shrift; constructing a Panama Canal struck me

  as a pure bagatel e — a few months should suffice for this — in my estimation.

  February 1908 was rather a serious month; within me, a sort of fanati-

  cism was already taking root, and being contradicted by anyone at al was

  more than I could bear.

  Nevertheless my sense of humor did not entirely abandon me, as evi-

  denced by the fol owing little scene:

  The Barbarian General

  In the year 2050 A.D., there lived in the land of Germania a general who

  was wickeder than al the other generals of his time put together.

  At that time, the Europeans were waging a major bombing war against

  the Americans. Modern military science was able to celebrate the most

  spectacularly explosive victories. And the Americans merrily went on liv-

  ing al the same.

  Natural y this circumstance was quite vexing to the wickedest general

  of his time, who was commander-in-chief of Germania’s armed forces.

  And what did this cruel man, who went by the name of Kuhlmann,

  proceed to do?

  Kuhlmann devised a plan to inundate al of America.

  It was his intention to surround al of Europe with enormous floodwal s

  and then use two bil ion Perpets to squirt the Mediterranean and Baltic

  Seas into the Atlantic Ocean.

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  To this barbaric plan the response he received was a great outcry of

  horror; at once Germania made peace with America.

  Kuhlmann just sat there, utterly perplexed.

  Then an enterprising young impresario came into his room and said:

  “Your Excellency! Let us go on tour in America, where you can present

  your plan along with maps and ful models. We’l hit the jackpot, I guaran-

  tee it! Let’s set off at once.”

  The general did as the impresario suggested, and the Americans greatly

  enjoyed Kuhlmann’s performances.

  If only the impresario had not vanished along with the cashbox right

  after the last stop on this lecture tour, General Kuhlmann would have

  returned to Europe filthy rich.

  • • •

  But I digress.

  Given that it no longer appeared possible to me that our native lands

  and borders could go on existing — because everyone would constantly be

  tooling around in Perpets — militarism was destined to become defunct as

  wel — its only significance, it seemed to me, would be as a figure of fun in

  comic strips . . . .

  It struck me as a matter of far more serious concern that someone might

  undertake major dril ing projects that could produce internal injuries to the

  star Earth.

  But when I considered how splendidly the Earth has heretofore man-

  aged to shield its two polar lands, I thought:

  “Surely she knows what to do to prevent the worms creeping about on

  her surface from becoming a danger to her.”

  Al at once, however, I realized how impossible it would be to prevent

  al the mischief that would be made possible by Perpetua. That militarism

  would, first off, mount al its cannons on Perpetua — this much was clear.

  Eventual y the wheels would be trained to wage war al on their own,

  without human crews. And al this terrible mischief would no doubt be

  tolerated with amusement.

  But what about al the things that could be overturned by means of

  these perpetual machines? My God! Contemplating this, I began to feel a

  bit queasy.

  “And in consequence,” I said to myself, “won’t the inventor of this

  device be dealt with rather summarily? Suffering the wrath of al these

  threatened lands wil not be a trifling matter. The best thing would be

  221

  for me to withdraw in a timely fashion and live out the rest of my life

  incognito.”

  The most innocuous development, it seemed to me, would be the revo-

  lution in the horological industries.

  And yet — even there —

  A good ten thousand utopian novels could be penned about these

  immanent revolutions; the material could certainly not be covered in a mere

  one thousand novels.

  When I thought of the poor physicists, I was almost seized with pity;

  for so long they’d been such braggarts, putting on airs as the elucidators of

  the universe — and declaring with such vehemence that perpetual motion

  “violated the laws of nature” . . .

  And here I was composing long speeches intended to make it clear to

  these detested gentlemen once and for al , as gently as you please, that I

  found their conduct most peculiar, given that materialism, after al ,
had

  long since been debunked as “philosophical y impossible” — meaning

  that the “cosmic significance” of the physicist had been debunked along

  with it.

  “Al the physical things known to us,” I said, “are ‘psychic’ properties of

  the star Earth — including gravity — gravity above al , in fact. It is utterly

  improbable that these psychic properties of the star Earth are to be found

  anywhere else in our planetary system.”

  The Physicist, in other words, is to be attacked by the Psychicist — and

  slain.

  Let us not devote any more time to this mat er.

  • • •

  Physicists are constantly insisting that we do not know what electricity

  is — but they forget to mention that gravity is also utterly incomprehensible

  to us.

  The most amazing miracle of al time is that we are able to walk, sit,

  and lie down without flying out into space. It is not at al natural for two

  bodies to attract one another; and whether they also do so in the space that

  lies beyond the atmosphere of our Earth is something we don’t yet know.

  It certainly isn’t correct to speak of a cosmic gravitational force. In short,

  the word “force” ought to be confiscated from the physicists — they’ve

  certainly done enough harm with that word.

  And yet — for the moment I wish to speak only of what is relevant

  to the further development of the so-called invention — which of course,

  222

  like al inventions, ought instead to be referred to as a “discovery”: al

  this uncovering and inventing is surely not primarily the doing of us

  humans.

  Unfortunately, I gradual y moved away from the first notion without

  having sufficiently investigated its value or lack thereof. And immediately

  a great deal of confusion ensued, so I dropped the spokeless wheel and

  instead thought about a composition corresponding roughly to Figure 4.

  That this configuration would not work became clear to me soon enough,

  and I was growing tired of occupying myself with this business.

  Throughout March 1908 I wrote astral novelettes that were set on the

  asteroids, where “gravitational force” is neither as grave nor as forceful as

  on Earth.

  The possibility that on other stars there might be a completely different

  force or astral quality than gravity at work — it didn’t even cross my mind;

 

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