“The old order changeth, yielding place to new,
And God fulfils himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself; what comfort is in me?
I have lived my life, and that which I have done
May He within himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seest—if indeed I go—
For all my mind is clouded with a doubt—
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow’d, happy, fair with orchard lawns
And bowery hollows crown’d with summer sea,
Where I will heal me of my grievous wound.”
So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look’d one black dot against the verge of dawn,
And on the mere the wailing died away.
But when that moan had past for evermore, The stillness of the dead world’s winter dawn Amazed him, and he groan’d, “The King is gone.” And therewithal came on him the weird rhyme, “From the great deep to the great deep he goes.”
Whereat he slowly turn’d and slowly clomb
The last hard footstep of that iron crag,
Thence mark’d the black hull moving yet, and cried:
“He passes to be king among the dead,
And after healing of his grievous wound
He comes again; but—if he come no more—
O me, be yon dark queens in yon black boat,
Who shriek’d and wail’d, the three whereat we
gazed
On that high day, when, clothed with living light,
They stood before his throne in silence, friends
Of Arthur, who should help him at his need?”
Then from the dawn it seem’d there came, but
faint
As from beyond the limit of the world,
Like the last echo born of a great cry,
Sounds, as if some fair city were one voice
Around a king returning from his wars.
Thereat once more he moved about, and clomb
Even to the highest he could climb, and saw,
Straining his eyes beneath an arch of hand,
Or thought he saw, the speck that bare the King,
Down that long water opening on the deep
Somewhere far off, pass on and on, and go
From less to less, and vanish into light,
And the new sun rose bringing the new year.
TO THE QUEEN
O LOYAL to the royal in thyself,
And loyal to thy land, as this to thee—
Bear witness, that rememberable day,
When, pale as yet and fever-worn, the Prince
Who scarce had pluck’d his flickering life again
From halfway down the shadow of the grave
Past with thee thro’ thy people and their love,
And London roll’d one tide of joy thro’ all
Her trebled millions, and loud leagues of man
And welcome! witness, too, the silent cry,
The prayer of many a race and creed, and clime—
Thunderless lightnings striking under sea
From sunset and sunrise of all thy realm,
And that true North, whereof we lately heard
A strain to shame us, “Keep you to yourselves;
So loyal is too costly! Friends—your love
Is but a burthen; loose the bond, and go.”
Is this the tone of empire? here the faith
That made us rulers? this, indeed, her voice
And meaning whom the roar of Hougoumont
Left mightiest of all peoples under heaven?
What shock has fool’d her since, that she should
speak
So feebly? Wealthier—wealthier—hour by hour!
The voice of Britain, or a sinking land,
Some third-rate isle half-lost among her seas?
There rang her voice, when the full city peal’d
Thee and thy Prince! The loyal to their crown
Are loyal to their own far sons, who love
Our ocean-empire with her boundless homes
For ever-broadening England, and her throne
In our vast Orient, and one isle, one isle,
That knows not her own greatness; if she knows
And dreads it we are fallen.—But thou, my Queen,
Not for itself, but thro’ thy living love
For one to whom I made it o’er his grave
Sacred, accept this old imperfect tale,
New-old, and shadowing Sense at war with Soul,
Ideal manhood closed in real man,
Rather than that gray king whose name, a ghost,
Streams like a cloud, man-shaped from mountain peak,
And cleaves to cairn and cromlech still; or him
Of Geoffrey’s book, or him of Malleor’s, one
Touch’d by the adulterous finger of a time
That hover’d between war and wantonness,
And crownings and dethronements. Take withal
Thy poet’s blessing, and his trust that Heaven
Will blow the tempest in the distance back
From thine and ours; for some are scared, who mark,
Or wisely or unwisely, signs of storm,
Waverings of every vane with every wind,
And wordy trucklings to the transient hour,
And fierce or careless looseners of the faith,
And Softness breeding scorn of simple life,
Or Cowardice, the child of lust for gold,
Or Labor, with a groan and not a voice,
Or Art with poisonous honey stolen from France,
And that which knows, but careful for itself,
And that which knows not, ruling that which knows
To its own harm. The goal of this great world
Lies beyond sight; yet—if our slowly-grown
And crown’d Republic’s crowning common sense,
That saved her many times, not fail—their fears
Are morning shadows huger than the shapes
That cast them, not those gloomier which forego
The darkness of that battle in the west
Where all of high and holy dies away.
A SELECTION OF POEMS
CHOSEN BY OSCAR WILLIAMS
THE KRAKEN
BELOW the thunders of the upper deep,
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep,
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumbered and enormous polypi
Winnow with giant fins the slumbering green.
There hath he lain for ages and will lie
Battening upo
n huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.
[publ. 1830]
MARIANA
“Mariana in the moated grange.”
—MEASURE FOR MEASURE
WITH blackest moss the flower-plots
Were thickly crusted, one and all;
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look’d sad and strange;
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, “My life is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, “The night is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen’s low
Came to her: without hope of change,
In sleep she seem’d to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, “The day is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
About a stone-cast from the wall
A sluice with blacken’d waters slept,
And o’er it many, round and small,
The cluster’d marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, “My life is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, “The night is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
All day within the dreamy house,
The doors upon their hinges creak’d;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek’d,
Or from the crevice peer’d about.
Old faces glimmer’d thro’ the doors,
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, “My life is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
The sparrow’s chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, “I am very dreary,
He will not come,” she said;
She wept, “I am aweary, aweary,
Oh God, that I were dead!”
[pub. 1830]
SONG
i
A SPIRIT haunts the year’s last hours
Dwelling amid these yellowing bowers:
To himself he talks;
For at eventide, listening earnestly,
At his work you may hear him sob and sigh
In the walks;
Earthward he boweth the heavy stalks
Of the mouldering flowers:
Heavily hangs the broad sunflower
Over its grave i’ the earth so chilly;
Heavily hangs the hollyhock,
Heavily hangs the tiger-lily.
ii
The air is damp, and hush’d, and close,
As a sick man’s room when he taketh repose
An hour before death;
My very heart faints and my whole soul grieves
At the moist rich smell of the rotting leaves,
And the breath
Of the fading edges of box beneath,
And the year’s last rose.
Heavily hangs the broad sunflower
Over its grave i’ the earth so chilly;
Heavily hangs the hollyhock,
Heavily hangs the tiger-lily.
[publ. 1830]
THE POET
THE poet in a golden clime was born,
With golden stars above;
Dower’d with the hate of hate, the scorn of scorn,
The love of love.
He saw thro’ life and death, thro’ good and ill,
He saw thro’ his own soul.
The marvel of the everlasting will,
An open scroll,
Before him lay: with echoing feet he threaded
The secretest walks of fame:
The viewless arrows of his thoughts were headed
And wing’d with flame,
Like Indian reeds blown from his silver tongue,
And of so fierce a flight,
From Calpe unto Caucasus they sung,
Filling with light
And vagrant melodies the winds which bore
Then earthward till they lit;
Then, like the arrow-seeds of the field flower,
The fruitful wit
Cleaving, took root, and springing forth anew
Where’er they fell, behold,
Like to the mother plant in semblance, grew
A flower all gold,
And bravely furnish’d all abroad to fling
The winged shafts of truth,
To throng with stately blooms the breathing spring
Of Hope and Youth.
So many minds did gird their orbs with beams,
Tho’ one did fling the fire.
Heaven flow’d upon the soul in many dreams
Of high desire.
Thus truth was multiplied on truth, the world
Like one great garden show’d,
And thro’ the wreaths of floating dark upcurl’d,
Rare sunrise flow’d.
And Freedom rear’d in that august sunrise
Her beautiful bold brow,
When rites and forms before his burning eyes
Melted like snow.
There was no blood upon her maiden robes
Sunn’d by those orient skies;
But round about the circles of the globes
Of her keen eyes
And in her raiment’s hem was traced in flame
WISDOM, a name to shake
All evil dreams of power—a sacred name.
And when she spake,
Her words did gather thunder as they ran,
And as the lightning to the thunder
&
nbsp; Which follows it, riving the spirit of man,
Making earth wonder,
So was their meaning to her words. No sword
Of wrath her right arm whirl’d,
But one poor poet’s scroll, and with his word
She shook the world.
[pub. 1830]
THE LADY OF SHALOTT
Part i
ON EITHER side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro’ the field the road runs by
To many-tower’d Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro’ the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil’d,
Slide the heavy barges trail’d
By slow horses; and unhail’d
The shallop flitteth silken-sail’d
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower’d Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers “ ’Tis the fairy
Lady of Shalott.”
Idylls of the King and a New Selection of Poems Page 34
