“Then I got another surprise. When the detective examined the dead man’s clothes he found that the maker’s labels had been ripped out. When I got a look at his diary, later, I found the explanation of that. He had been tossing mental coins with himself, alternating between a determination to kill himself, and another to change his name and make a new place for himself in the world—putting his old life behind him. It was while he was considering the second plan that he had removed the markers from all of his clothing.
“But I didn’t know that while I stood there among those people. All I knew was that miracles were happening. I met the miracles half-way, not turning a hair, accepting everything as a matter of course. I think the police smelled something wrong, but they couldn’t put their hands on it. There was the dead man on the floor, with a prowler’s outfit in his pockets, a pocketful of stolen jewelry, and the labels gone from his clothes—a burglar’s trick. And there I was—a well-to-do Englishman whom the hotel people recognized as the room’s rightful occupant.
“I had to talk small just then, but after I went through the dead man’s stuff I knew him inside and outside, backward and forward. He had nearly a bushel of papers, and a diary that had everything he had ever done or thought in it. I put in the first night studying those things—memorizing them—and practicing his signature. Among the other things I had taken from his pockets were fifteen hundred dollars’ worth of traveler’s checks, and I wanted to be able to get them cashed in the morning.
“I stayed in Seattle for three days—as Norman Ashcraft. I had tumbled into something rich and I wasn’t going to throw it away. The letter to his wife would keep me from being charged with murder if anything slipped, and I knew I was safer seeing the thing through than running. When the excitement had quieted down I packed up and came down to San Francisco, resuming my own name—Edward Bohannon. But I held onto all of Ashcraft’s property, because I had learned from it that his wife had money, and I knew I could get some of it if I played my cards right.
“She saved me the trouble of figuring out a deal for myself. I ran across one of her advertisements in the Examiner, answered it, and—here we are.”
I looked toward Tijuana. A cloud of yellow dust showed in a notch between two low hills. That would be the machine in which Gorman and Hooper were tracking me. Hooper would have seen me set out after the Englishman, would have waited for Gorman to arrive in the car in which he had followed Gooseneck from Mexicali—Gorman would have had to stay some distance in the rear—and then both of the operatives would have picked up my trail.
I turned to the Englishman.
“But you didn’t have Mrs. Ashcraft killed?”
He shook his head.
“You’ll never prove it.”
“Maybe not,” I admitted.
I took a package of cigarettes out of my pocket and put two of them on the seat between us.
“Suppose we play a game. This is just for my own satisfaction. It won’t tie anybody to anything—won’t prove anything. If you did a certain thing, pick up the cigarette that is nearer me. If you didn’t do that thing, pick up the one nearer you. Will you play?”
“No, I won’t,” he said emphatically. “I don’t like your game. But I do want a cigarette.”
He reached out his uninjured arm and picked up the cigarette nearer me.
“Thanks, Ed,” I said. “Now I hate to tell you this, but I’m going to swing you.”
“You’re balmy, my son.”
“You’re thinking of the San Francisco job, Ed,” I explained. “I’m talking about Seattle. You, a hotel sneak-thief, were discovered in a room with a man who had just died with a bullet in his head. What do you think a jury will make out of that, Ed?”
He laughed at me. And then something went wrong with the laugh. It faded into a sickly grin.
“Of course you did,” I said. “When you started to work out your plan to inherit all of Mrs. Ashcraft’s wealth by having her killed, the first thing you did was to destroy that suicide letter of her husband’s. No matter how carefully you guarded it, there was always a chance that somebody would stumble into it and knock your game on the head. It had served its purpose—you wouldn’t need it. It would be foolish to take a chance on it turning up.
“I can’t put you up for the murders you engineered in San Francisco; but I can sock you with the one you didn’t do in Seattle—so justice won’t be cheated. You’re going to Seattle, Ed, to hang for Ashcraft’s suicide.”
And he did.
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
These are works of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
“Foreword” Copyright © 2016 by Julie M. Rivett; “Introduction” Copyright © 2016 by Richard Layman; “The House in Turk Street,” “The Girl with Silver Eyes,” and “The Golden Horseshoe” Copyright © 1924 by Pro-Distributors; renewed by Pro-Distributors as agent for Dashiell Hammett, whose interest was conveyed by will in 1984 to the Dashiell Hammett Literary Property Trust. All Rights Reserved.
Cover design by Jamie Keenan
978-1-5040-3598-9
Published in 2016 by MysteriousPress.com/Open Road Integrated Media, Inc.
180 Maiden Lane
New York, NY 10038
www.mysteriouspress.com
www.openroadmedia.com
All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
These are works of fiction. Names, characters, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
“Foreword” Copyright © 2016 by Julie M. Rivett; “Introduction” Copyright © 2016 by Richard Layman; “The House in Turk Street,” “The Girl with Silver Eyes,” and “The Golden Horseshoe” Copyright © 1924 by Pro-Distributors; renewed by Pro-Distributors as agent for Dashiell Hammett, whose interest was conveyed by will in 1984 to the Dashiell Hammett Literary Property Trust. All Rights Reserved.
Cover design by Jamie Keenan
978-1-5040-3598-9
Published in 2016 by MysteriousPress.com/Open Road Integrated Media, Inc.
180 Maiden Lane
New York, NY 10038
www.mysteriouspress.com
www.openroadmedia.com
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