The clerky cove next to Sybil took another lemon-drop, and looked at his pocket-watch. Now a five-pointed star appeared slowly amidst the funereal black of the screen, as Houston narrated his lingering escape from the grave. One of the jammed kino-bits had popped loose again, but another had jammed in the meantime, on the lower right. Sybil stifled a yawn.
The star brightened slowly as Houston spoke about his entry into American politics, presenting as his motive the desire to help his persecuted pet Cherokees. This was exotic enough, Sybil thought, but at its heart lay the same snicky humbugging politicians always talked, and the audience was growing restive. They would have liked more fighting, or perhaps more poetic talk about life with the Cherokees. Instead, Houston had settled into a litany of his election to some rude equivalent of Parliament, various obscure posts in provincial government, and all the while the star grew slowly, its edges branching elaborately, becoming the emblem of the government of Tennessee.
Sybil's eyelids grew heavy, fluttered, while the General blustered on.
Quite suddenly, Houston's tone changed, becoming lingering, sentimental, a honeyed lilt creeping into his drawl. He was talking about a woman.
Sybil sat up straighter, listening.
Houston had been elected Governor, it seemed, and had gotten himself some tin, and been cheery about it. And he'd found himself a sweetheart, some Tennessee gentry-girl, and married her.
But on the kino's screen, fingers of darkness crept in snake-like from the edges. They menaced the State Seal.
Governor and Mrs. Houston had scarcely settled in when wifey kicked over the traces, and fled back to her family. She'd left him a letter, Houston said, a letter that contained an awful secret. A secret he had never revealed, and had sworn to carry to his grave. "A private matter, of which a gentleman of honor cannot and should not speak. Black disaster struck me… " The newspapers—apparently they did have newspapers, in Tennessee—had attacked him. "The tattling mouths of libel poured their venom on me," Houston lamented, as the Greek shield with the raven appeared, and black kino-blobs—mud, Sybil supposed—began to spatter it.
Houston's revelations grew shocking. He'd actually gone through with it, had divorced his wife, of all the unlikely, awful things. Of course he'd lost his position in Government; outraged society had bounded him from office, and Sybil wondered why Houston had dared to mention such an ugly scandal. It was as if he expected his London audience to morally approve of a divorced man. Still, she noticed, the ladies seemed intrigued, and not entirely without sympathy perhaps. Even the fat mama fluttered at her double-chins with a fan.
General Houston was a foreigner, after all, half a savage by his own account; but when he spoke of his wife it was tenderly, as of a true love, a love slain by some cruel mysterious truth. His bellowing voice broke with unashamed emotion; he mopped at his forehead a bit, with a fancy handkerchief from his leopard-skin vest.
In truth, he wasn't a bad-looking cove, over sixty but that sort could be kinder to a girl. His confession seemed bold and manly, for he himself had brought the matter up: the divorce scandal and the secret letter from Mrs. Houston. He wouldn't stop talking about it, but neither would he tell them the secret; he'd pricked the curiosity of his audience—and Sybil herself was simply dying to know.
She chided herself, for being so cakey, for it was likely something stupid and simple, not half so deep and mysterious as he feigned. Likely his gentry-girl wasn't half so angelic as she'd looked. Likely she'd had her maiden virtue stolen from her by some good-looking Tennessee beau-trap, long before Raven Houston came along. Men had hard rules for their brides, if never for themselves.
Likely Houston had brought it all on himself. Perhaps he had beastly vile ideas about married life, come from living with savages. Or perhaps he'd milled his wife about with his fists—for Sybil fancied he'd be a right bully-rock, in his cups.
The kino came alive with harpies, meant to symbolize Houston's slanderers, those who'd smeared his precious honor with the ink of a gutter press. Nasty crooky-back things, crowding the screen in devilish black and red. As the screen whirred steadily, they twitched their cloven hooves. Never had she seen the like, some Manchester punch-card artist having gotten the gin-horrors sure… Now Houston was ranting about challenges and honor, by which he meant dueling, Americans being most famous duelists, who loved guns and shot each other at the drop of a hat… He'd have killed some of those newspaper rascals, Houston insisted loudly, if he hadn't been Governor, and on his dignity. So instead he'd thrown in his cards, and gone back to live with his precious Cherokees… He had a real head of steam up, now; he'd stoked himself so, it was almost frightening to watch. The audience was entertained, their reserve broken by his bulging eyes and veiny Texian neck, but none too far from disgust.
Maybe it had been something really dreadful that he'd done, Sybil thought, rubbing her hands together inside her rabbit-skin muff. Maybe it was lady's-fever, that he'd given his own wife a case of the glue. Some types of glue were horrible, and could make you mad, or blind, or crippled. Maybe that was the secret. Mick might know. Very likely Mick knew all about it.
Houston explained that he had left the United States in disgust, and gone to Texas, and at the word a map appeared, a sprawl of land in the middle of the continent. Houston claimed he'd gone there seeking land for his poor suffering Cherokee Indians, but it was all a bit confusing.
Sybil asked the clerky fellow next to her for the time. Only an hour had passed. The speech was a third gone. Her moment was coming.
"You must envision a nation many times the size of your home islands," said Houston, "with no roads greater than the grassy tracks of Indians. Without, at that time, a single mile of British railroad, and lacking the telegraph, or, indeed, Engine resources of any kind. As commander-in-chief of the Texian national forces, my orders had no courier more swift or more reliable than the mounted scout, his way menaced by the Comanche and Karankawa, by Mexican raiding-parties, and by the thousand nameless hazards of the wilderness. Small wonder then that Colonel Travis should receive my orders too late; and place his confidence, tragically, in the reinforcing-party led by Colonel Fannin. Surrounded by an enemy force fifty times his own. Colonel Travis declared his objective to be Victory or Death—knowing full well that the latter was a surely fated outcome. The defenders of the Alamo perished to a man. The noble Travis, the fearless Colonel Bowie, and David Crockett, a very legend among frontiersmen"—Messrs. Travis, Bowie, and Crockett each had a third of the kino screen, their faces gone strangely square with the cramped scale of their depletion—"bought precious time for my Fabian strategy."
More soldier talk. Now he stepped back from the podium and pointed up at the kino with his heavy polished cane. "The forces of Lopez de Santa Anna were arrayed as you see them here, with the woods upon his left flank and the San Jacinto river-marshes at his back. His siege engineers had dug in around the baggage-train, with emplacements of sharpened timber, represented thusly. By a forced march through Burnham's Ford, however, my army of six hundred had seized the wooded banks of Buffalo Bayou, unbeknown to enemy intelligence. The assault began with a brisk cannon-fire from the Texian center… Now we can witness the movement of the Texian light-cavalry… The shock of the foot-charge sent the enemy reeling in confusion, throwing his artillery, which was not yet limbered, into utter disarray." The kinotrope's blue squares and lozenges slowly chased the buckling red Mexican regiments through the checkered greens and whites of woods and swamps. Sybil shifted in her seat, trying to ease the chafing of her hoop-skirt. Houston's bloodthirsty boasting was finally reaching a climax.
"The final count of the fallen numbered two Texian dead, six hundred and thirty of the invader. The massacres of Alamo and Goliad were avenged in Santanista blood! Two Mexican armies utterly defeated, with the capture of fourteen officers and twenty cannon."
Fourteen officers, twenty cannon—yes, that was her cue. Her moment had come. "Avenge us. General Houston!" Sybil shrieked, her thr
oat constricted with stage-fright. She tried again, pulling herself to her feet, waving one arm, "Avenge us, General Houston!"
Houston halted, taken aback. Sybil shouted at him, shrilly. "Avenge our honor, sir! Avenge Britain's honor!" A babble of alarm rose—Sybil felt the eyes of the theatre crowd in upon her, shocked looks that people might give a lunatic. "My brother," she shouted, but fear had seized her, bad nerves. She hadn't expected it to be so frightening. This was worse than singing on stage, far worse.
Houston lifted both his arms, the striped blanket spreading behind him like a cloak. Somehow he calmed the crowd by the gesture, asserted command. Above his head, the kinotrope wound slowly down, its flickering domino-tricks whirring to a stop, leaving San Jacinto frozen in mid-victory. Houston fixed Sybil with a look of mingled sternness and resignation. "What is it, my dear young lady? What troubles you? Tell me."
Sybil gripped the back of the seat before her, closed her eyes tight, and sang it out. "Sir, my brother is in a Texian prison! We are British, but the Texians imprisoned him, sir! They seized his farm, and his cattle! They even stole the very railroad that he worked on, a British railroad, built for Texas… " Her voice was faltering, despite herself. Mick wouldn't like that, he would scold her performance… The thought put a jolt of vitality into her. She opened her eyes. "That regime, sir, the thieving Texian regime, they stole that British railroad! They robbed the workers in Texas, and the stockholders here in Britain, and paid us not a penny!"
With the loss of the kinotrope's bright play of images, the theatre's atmosphere had changed. Everything was quite different suddenly, oddly intimate and strange. It was as if she and the General were somehow framed together, two figures on a silvered daguerreotype. A young London woman, in her bonnet and elegant shawl, reaches up with eloquent distress to the old foreign hero; both part-players now, with the surprised eyes of the public silently fixed on them.
"You suffered because of the junta?" Houston said.
"Yes, sir!" Sybil cried, a practiced quaver stealing into her voice. Don't frighten them, Mick had said, but make them pity you. "Yes, the junta did it. They have flung my brother into their vile prison, for no crime, sir, but simply because my dear brother is a Houston man! He voted for you when you became President of Texas, sir! And he would vote for you today, although I fear very much they will kill him!" "What is your brother's name, my dear lady?" Houston asked.
"Jones, sir," Sybil quickly cried, "Edwin Jones of Nacogdoches, who worked for Hedgecoxe's Railway Company."
"I believe I know young Edward!" Houston declared, his surprise evident in his tone. He clutched his cane angrily and his heavy brows knotted.
"Listen to her, Sam!" came a sudden deep voice. Sybil, alarmed, turned to look. It was the man from the Argyll Rooms—the fat actor, with his red hair and brushed velvet waistcoat. "Those junta rascals appropriated the Hedgecoxe Railway! A pretty business, that, from a supposed British ally! Is this the gratitude they show, for years of British guidance and protection?" He sat back down.
"They're nothing but thieves and villains!" Sybil shouted alertly. She groped quickly in memory, picking up the thread. "General Houston! I'm a defenseless woman, but you're a man of destiny, a man of greatness! Can't there be justice for Texas, sir? Some redress for these affronts? Must my poor brother die there in misery, while cheats and tyrants steal our British property?"
But Mick's fine rhetoric was drowned; there were shouts from the audience, here and there, over a muttered undertone of surprise and approval. Loud boyish hooting came from the penny-gallery.
A bit of London fun, all told. Perhaps, Sybil thought, she had made some of them believe her story, and pity her. Most simply howled and joked a bit, pleased to see some unexpected liveliness.
"Sam Houston was always a true friend of Britain!" Sybil shrieked, into the crowd's upturned faces. The words half-lost, useless, she raised the back of her wrist to her damp forehead. Mick had given her no more lines, so she let the strength seep from her legs and fell back, eyes fluttering, half-sinking into her seat.
"Give Miss Jones air!" Houston commanded, an excited bellow. "The lady is overcome!" Sybil watched through half-closed lids as blurred figures haltingly gathered round her. Dark evening-jackets, a rustle of crinoline, gardenia perfume, and a masculine smell of tobacco—a man seized her wrist, and felt for a pulse there with pinching fingers. A woman fanned Sybil's face, clucking to herself. Oh heaven, Sybil thought, shrinking, the fat mama from the row before her, with that intolerable oily look of a good woman doing her moral duty. A little thrill of shame and disgust shot through her. For a moment she felt genuinely weak, sinking with a buttery ease into the warmth of their concern, a half-dozen busybodies muttering around her in a shared pretense of competence, while Houston thundered on above them, hoarse with indignation.
Sybil allowed them to get her to her feet. Houston hesitated, seeing it, and there was a light gallant scatter of applause for her. She felt pale, unworthy; she smiled wanly, and shook her head, and wished she were invisible. She leaned her head on the padded shoulder of the man who had taken her pulse. "Sir, if I could go, please," she whispered.
Her rescuer nodded alertly, a little fellow with clever blue eyes. His long greying hair was parted in the middle. "I shall see the lady home," he piped at the others. He shrugged into an opera cape, perched a tall beaver hat on his head, and lent her his arm. They walked together up the aisle, Sybil leaning on him heavily, unwilling to meet anyone's eyes. The crowd was roused, now. For the first time, perhaps, they were listening to Houston as a man, rather than as some sort of queer American exhibit.
Her little gentleman held dingy velvet aside for her as they emerged into the Garrick's chilly foyer, with its flaking gilt cupids and damp-marked faux-marble walls. " 'Tis very kind of you, sir, to help me so," Sybil offered, noting that her escort looked as though he might have money. "Are you a medical man?"
"I was a student once," he said, with a shrug. His cheeks were flushed, twin hot points of red.
"It gives a man a certain air of distinction," Sybil said, not for any particular purpose, but just to fill the silence. "Schooling of that sort, I mean."
"Hardly, madame. I wasted all my time versifying. I must say that you seem fit enough now. Very sorry to hear about that unfortunate brother of yours."
"Thank you, sir." Sybil looked at him sidelong. "I'm afraid it was very forward of me, but General Houston's eloquence earned me away."
He shot her an opaque glance, the look of a man who suspects that a woman is gulling him. "In all honesty," he said, "I do not entirely share your enthusiasm." He coughed explosively into a wadded handkerchief and wiped his mouth. "This London air will be the death of me."
"Nonetheless, I do thank you, sir, though I regret we've not been introduced… "
"Keats," he said, "Mr. Keats." He drew a ticking silver chronometer from his waistcoat, a many-dialed thing the size of a small potato, and consulted it. "I'm not familiar with the district," he said distantly. "I'd thought to hail you a cabriolet, but at this hour…"
"Oh, no, Mr. Keats, thank you, but I shall go by the underground."
His bright eyes widened. No respectable woman rode the underground unescorted.
"But you haven't told me your profession, Mr. Keats," she said, hoping to distract him.
"Kinotropy," Keats said. "The techniques employed here tonight are of some special interest! While the screen's resolution is quite modest, and the refresh-rate positively slow, remarkable effects have been secured, one presumes through algorithmic compression—but I fear that is all a bit technical." He put away his chronometer. "Are you entirely certain you wouldn't rather I attempted to hail a cab? Do you know London well, Miss Jones? I might escort you to the local omnibus stand—'tis a railless carriage, you see… "
"No, sir, thank you. You've been exceptionally kind."
"You're quite welcome," he said, his relief evident as he opened and held one of the half-glass doors to the street
. Just then a skinny boy sidled rapidly up behind them, brushed past, and out of the theatre without a word. He was draped in a long dirty coat of canvas, something a fisherman might wear. A singular thing to wear to a lecture, Sybil thought, though one saw queerer garments on the poor; the sleeves flapped emptily, as though the boy were hugging himself, against a chill perhaps. His gait was odd, bent-backed, as if he were drunk or ill.
"I say there! Young man!" Mr. Keats had produced a coin, and Sybil understood that he wished the boy to hail a cab for her, but now the wet eyes gleamed at them with alarm, the pale face hollowed by gaslight. Suddenly he bolted, something dark tumbling from beneath his coat, where it rolled into the gutter. The boy halted and looked warily back at them.
He'd dropped a hat, a top-hat.
He came trotting back, eyes still on them, snatched it up, stuffed it under his coat, and off again, into the shadows, though this time not nearly so rapidly.
" 'Pon my word," Mr. Keats said in disgust, "that fellow's a thief! That water-proof is stuffed with the hats of the audience!"
Sybil could think of nothing to say.
"I imagine the rascal took cruel advantage of that commotion you caused," Keats told her, his tone lightly etched with suspicion. "Pity! One never knows who to trust these days."
"Sir, I do believe I hear the Engine getting up steam for the kinotrope… "
And that was enough for him.
The installation of exhaust-fans, said the Daily Telegraph, had wrought a perceptible improvement in the atmosphere of the Metropolitan, though Lord Babbage himself held that a truly modern underground railway would operate on pneumatic principles exclusively, involving no combustion whatever, rather in the way mail was conveyed throughout Paris.
The Difference Engine Page 5
