Brise Marine 911;
Cantique de saint Jean 1038;
Hérodiade 623;
Le Tombeau d’Edgar Poe 1021–22;
M’introduire dans ton histoire 936
Malory, Thomas: 663; Morte d’Arthur 588, 698
Man in White Spats, the: II 53–54
Manning, Frederic: 591; The Middle Parts of Fortune 473, 1219
Mantegna, Andrea: St. Sebastian 488; The Agony in the Garden 1132
Mardersteig, Giovanni: edition of Four Quartets II 298; edition of The Waste Land II 298;
emends quotation from Dante II 300
Marivaux, Pierre de: 637; La Vie de Marianne 608
Marlowe, Christopher: 457; Amores 492;
Dido, Queen of Carthage 543, 544;
Dr. Faustus 1201, II 66, 142, 219;
Hero and Leander 623, 648;
The Jew of Malta 402, 472, 536, 543;
The Passionate Shepherd to His Love 1190;
Tamburlaine 1187
Marshall, John: 367
Marston, John: 488, 714–15; Antonio’s Revenge 492;
Entertainment of Alice 404, 488–89;
What You Will 496
Marvell, Andrew: A Dialogue between the Soul and Body 1085; The Garden 398, 524;
An Horatian Ode 1101;
The Mower to the Glowworms 880, 1125;
The Nymph Complaining for the death of her Faun II 223;
To his Coy Mistress 73, 381, 392, 471, 653, 842, 1186–87;
Upon Appleton House 1196, 1199
Mary Queen of Scots: 928
Marx, Groucho: II 203
Masefield, John: 859, 1195
Mason, A. E. W.: The Four Feathers 485
Massinger, Philip: The Roman Actor 833
Masterman, C. F. G.: From the Abyss 1077–78, 1090
Masters, Edgar Lee: praised by Pound 366; The Conversation 749;
John Horace Burleson 433;
O Glorious France 470, 914, 936;
Thomas Trevelyan 919
Maurras, Charles: L’Avenir de l’Intelligence 828
Mayne Reid, Thomas: 689, 777
Menasce, Jean de: translates The Waste Land 572, 589; translates parts of Ash-Wednesday II 421–23
Mencken, H. L.: Prejudices 941
Menninger, Karl: II 222
Meredith, George: 430–31, 600, 1152; A Ballad of Fair Ladies in Revolt 1104–1105;
To Colonel Charles 538;
France.—December 1870 1197;
Hymn to Colour 609;
Love in the Valley 473;
Lucifer in Starlight 433, II 60;
Modern Love 1122, 1146;
The Night-Walk 1125;
The Woods of Westermain 442
Merrill, Stuart: 444, 460; Pastels in Prose 382, 385, 404, 444, 451, 823, 946, 949, 1087, 1108, 1110, 1149–50, 1178
Meynell, Alice: 778
Michelangelo: “wilfully lived in sadness” 380
Middleton, Thomas: 457; disputed authorship of The Revenger’s Tragedy 476;
(with William Rowley) The Changeling 481;
A Game at Chesse 621, 786;
Michaelmas Term 678, 872;
Women Beware Women 73, 630, 636;
Your Five Gallants 694
Migne, J. P.: Patrologica Latina et Graeca 858
Mill, John Stuart: 533
Milton Academy: II 68
Milton, John: “master of free verse” 362; L’Allegro 604;
Areopagitica 1096, II 288;
Comus 1003, 1077, 1096, 1106, 1126, 1154, 1171;
Letter to a Friend 1038;
Lycidas 969, 1107, II 52;
On the Lord General Fairfax II 226;
On the Morning of Christ’s Nativity 491, 934–35, 1154;
Paradise Regained 752, 1092, 1120, 1166, II 63;
Il Penseroso 539, 918, 1082;
Samson Agonistes 390, 767, 806, 940;
Sonnet 1 (“O nightingale, that on yon bloomy spray”) 545–46;
Sonnet 8 (When the assault was intended to the City) II 227;
Sonnet 10 (To the Lady Margaret Ley) 665;
Sonnet 12 (“I did but prompt”) 1140;
Sonnet 16 (On his Blindness) II 217
PARADISE LOST: I – 388, 523, 879, 1125, (II) 227; II – 718, 1076, 1086, 1138, 1166, 1171, (II) 70;
III – 747, 752, 880, 1113, 1139, 1147;
IV – 73, 498, 628, 1077, 1118, 1134–35;
V – 1096, 1150–51;
VI – 1170;
VII – 1094, 1118, 1140;
VIII – 1104;
IX – 939, 948, 1110, 1125, 1136, 1142, 1147, 1197;
X – 664, 744, 1114;
XI – 616, 935, 1023, 1094, 1138;
XII – 663, 1166, 1187
Mirrlees, Emily (Mappie): II 76, 174
Mirrlees, Hope: 1036, 1196, 1209, II 75, 174, 198; Paris 548, 698, 718, 738, 748
modernism: 663, 972; “aversion to” 1200;
“foul word modernist” 432;
“horrid term
modernist” 1223
Mond, Alfred: 509–10
Monnier, Adrienne: French translation of Prufrock 399
Monro, Harold: Strange Meetings 531, 1015; Trees 753
Monroe, Harriet: publishes The Love Song of J. Alfred Prufrock 364–65, 370, 373–74; The Ocean Liner 982;
You and I 483
Montaigne, Michel de: “scepticism to the utmost limit” 1126
Monteith, Charles: 440, 783, 1215
Moore, Marianne: My Apish Cousins 743, 967; Poetry 892, 1053;
Spenser’s Island 1034
More, Paul Elmer: 386, 731, 987, 1090; on The Waste Land 576–77;
punctuating poetry 607;
stages of his journey 945, 1017;
comments on Hell 1166–67;
Shelburne Essays 380, 386, 502;
The Great Refusal 401, 415, 614, 685, 693, 1006–1107, 1015, 1017, 1020, 1029, 1111, 1156;
Mr. Eliot’s Return 576, 731
Moréas, Jean: 461
Morley, F. V. (Frank): II 219; Bolovian Club 397;
copy of Poems (1920) 708;
editor at Saturday Review of Literature 727;
as American publisher 763, 931;
compiling the Criterion 798;
proposes publication of Sweeney Agonistes as a book 798;
and Hodgson 838;
Scotland tour with TSE 853;
bricklaying 864;
US publication of Four Quartets 885–88, 896–97, 975, 994, II 483–84;
“commentary on E. Coker” 927;
conversations with TSE 960;
son accepts The Country Walk for The Family News 1199, II 605;
and Noctes Binanianæ II 207–209, 220, 268, 286–87;
Pike’s Farm II 167;
moves to Connecticut II 208;
“push and initiative” II 219;
Fable XIV 812;
Literary Britain 926;
The Mark of the Spider is 666 208;
My One Contribution to Chess II 219
Morley, Susanna: II 39
Morrell, Ottoline: 396, 435–36, 459, 508, 817, 1115; Garsington Manor 368, 459;
pacifism 485;
recommends Dr. Vittoz 548;
and The Hollow Men II 417;
and Ash-Wednesday II 422
Morris, William: The Æneids of Virgil 1007; The Blue Closet 738, 970;
The Earthly Paradise 624, 736, 753–54;
The Hollow Land 715;
The Life and Death of Jason 625, 685, 1172
Munich: 601, 604–605
Murray, Gilbert: “fixed forms” of Greek tragedy 785
Murry, John Middleton: 377, 574, 645, 1099
Nerval, Gérard de: Aurélia 661, 1008; El Desdichado 398, 706, 1044;
Le Rêve et la Vie 612;
Vers dorés 719
Newman, John Henry: The Dream of Gerontius 469, 481, 937; Sermon on Divine Calls 481
Nichols, Robert: II 56; “reading of poets” II 253
> Nietzsche, Friedrich: 405; Beyond Good and Evil 1139;
The Birth of Tragedy 437, 609, 1078, 1080, 1094, 1139
Nijinsky, Vaslav: 1035, 1156–57
nonsense: nonsense words II 61
Noyes, Alfred: II 180–81
nursery rhymes: Mother Goose II 197; “Boys and girls come out to play” II 61, 163;
“Four and twenty blackbirds” 1204;
“Here we go round the mulberry bush” 722–724;
“Little boy blue” 1201;
“London Bridge is broken down” 704;
“Mary had a little lamb”, II 72;
“Michael Finigan” II 264;
“One finger one thumb” II 62;
“Robin and Richard were
two pretty men”, II 201;
“Sing a song of sixpence” 657, II 277;
“Twinkle, twinkle, little star” 720;
“When the wind blows the cradle will rock” 398;
“With rings on her fingers and bells on her toes” II 169
Oesterley, W. O. E.: 719
Orage, A. R.: 1148; The New Age 516;
mysticism 1036
originality: “deplored as a fault” 356; John Butler Yeats on 369;
“one test of a man’s originality is the success of his borrowing” 431;
“saturation which sometimes combusts spontaneously into originality” 491;
“the most original thing that I have done” 799;
Wilfred Owen 914;
“arriving at originality” 967;
Laforgue 1108;
“Novelty of form or idiom is not something that we should seek” 1227
Orwell, George: Prufrock and Other Observations as “starting-point of modern literature” 369
Osgood, Samuel: 383
Ovid: Heroides 500; Metamorphoses 73, 74–75, 501, 503, 627–28, 662–63, 738, 1156
Owen, Wilfred: 1053; The Parable of the Old Man and the Young 470–71;
Strange Meeting 914, 1008
Oxford University: lack of female society 378; “not quite alive” 1133
Paderewski, Ignace: 403
Page, Patricia Shaw: II 165
Paris: 603, 1175–76; “ce n’est pas un accident” 457;
Bastille Day 822;
“full spring” 1129
Pascal, Blaise: 912, 927, 1024–25; fragmentary 707;
ennui 739;
on humility 939;
“Le silence éternel de ces espaces infinis” 1093;
Pensées 939, 946, 1138, 1140
Patañjali: The Yoga-Darsana 907
Pater, Walter: 646, 910; influence on TSE 386;
Appreciations 395;
Marius the Epicurean 386–87, 511, 622, 705, 769, 949, 1152;
Studies in the History of the Renaissance 612, 689–90, 703, 921, 945–46, 981, 998, 1082, 1112, 1134
Patmore, Brigit: My Friends When Young 396
Peacock, Thomas Love: The War Song of Dinas Vawr 1071; Melincourt 501
Peele, George: The Old Wives’ Tale 852–53
Péguy, Charles: 457; À nos amis, à nos abonnés 513, 914
Perse, St.-John: 414, 418, 634, 708, 742, 913; “poetry in what is called prose” 445–46;
translation of Part I of The Hollow Men 711;
influence on TSE 763;
St. Léger Léger 1014
Pervigilium Veneris: 385, 422, 628, 705
Petrarch: Seven Penitential Psalms 915; Triumphs 1115
Petronius: Satyricon 591–94, 621
Philippe, Charles-Louis: Bubu de Montparnasse 378–79, 382, 387, 412–16, 420, 423, 520, 603, 1116, 1209; Marie Donadieu 413, 416, 423
Phillips, Percival: 821
Piper, John: II 221
Plato: “oyster” 968; Philebus 540, 839;
The Republic 660
Plutarch: Life of Mark Antony 445, 474, 490, 617;
Life of Paulus Æmilius 821
Poe, Edgar Allen: TSE reads at the dentist 486, 1186; The Assignation 482, 486, 496, 608, 625–26;
The Bells 933;
The City in the Sea 482, 697, 1003;
The Conqueror Worm 380, 943, 1097;
For Annie 840–41;
Ligeia 624, 1186–87;
Israfel 915;
The Murders in the Rue Morgue 494, 501–502, 504, 544, 667, 697;
The Narrative of Arthur Gordon Pym 684;
The Raven 842, 1135;
Shadow—A Parable 625, 1012;
The Sleeper 692, 696–97;
To Helen 608, II 228;
Ulalume 827
Poetry Bookshop: 364, 368, 380, 727
Poincaré, Henri: 435, 1069–70
Pope, Alexander: II 368, 385; “better not to try to compete with” 581;
“cannot improve on” 642;
gardening 1214;
The Dunciad 473, 623, 641, 1171–72, II 213, 288;
Epistle to Bathurst 1164, 1171;
Epistle to Cobham 606;
Epistle to Dr. Arbuthnot 647, 649, II 227;
Epistle to Miss Blount 383;
An Essay on Criticism 524, 1059, 1098;
An Essay on Man 1128, 1214;
The First Book of Statius His Thebais II 60;
The First Epistle of the First Book of Horace Imitated 511;
Iliad 492, 1171–72;
Imitations of Horace 646;
Let Newton Be! 1216;
Moral Essays 472;
Odyssey 501, 1049, 1101, 1108, 1137, 1151;
Of the Characters of Women 645, 1060;
The Rape of the Lock 394, 612, 625–26, 649–50, 770, 1026, 1126, 1146;
Thebais 1119;
To a Lady 644;
To Mr. Murray 1190
popular song: The Ballad of Casey Jones 796; By the Watermelon Vine (with My Evaline) 598;
The Cubanola Glide 1112;
“I want someone to treat me rough” 598, 635;
“O the moon shines bright on Mrs. Porter” 655;
The Reconstructed Rebel 960;
“There is a sausage gun” 828;
The Subway Express 1112;
Under the Bamboo Tree 812–15
Possum: “feigning death” II 37; “very unpleasant odour” II 37;
possible title for Criterion II 37;
“Old Possum’s Book of ‘Flowers shown to the Children’” II 38
Pound, Dorothy: 553, 580, 673, II 37
Pound, Ezra: meets TSE 360; scout for Poetry (Chicago) 365;
TSE submissions to Poetry beginning with The Love Song of J. Alfred Prufrock 365–66, 1155–56;
Catholic Anthology 366, 373, 427, 1156, 1168;
advocacy of TSE 367, 374, 400–401, 426;
publication of Prufrock and Other Observations 367–69;
censorship 440, 1114–15;
Little Review 455–56, 516;
French and Italian poetry 458–65, 499, 522, 532;
TSE’s Poems (1920) 465–66, 509–11, 537; 529, 540, 544, 546;
translation of Dans Le Restaurant 526;
The Cantos compared to The Waste Land 580;
TSE sends The Hollow Men 713;
assists Binyon with translation of Dante 995;
walking tour in France (1919) 1017;
“cadence reproduction” in TSE’s early poems 1183;
annotation of Song to the Opherian 1183–84;
Improper Verses II 253–56;
“Podesta” II 256
AND THE WASTE LAND: reads drafts in Paris 549; correspondence and “surgery” 550–56, 579–82;
advocacy 557–63;
comments on 541, 569–70, 579;
despair: 582, 585–86;
last words on TSE 586;
re-discovery of
the drafts 586; “il miglior fabbro” 594–95;
annotation of the drafts 608–706, II 359–62;
annotation of possible “Interludes” 1183–90
WRITINGS: “Blandula, Tenulla, Vagula” 769; Cantico del Sole 768;
The Cantos 398, 546, 550, 578, 968
(for individual cantos, see below);
Canzon 537;
Cathay 470;
Cavalcanti 487;
A Draft of XI Cantos 706;
A Draft of XXX Cantos 580, 942;
Et Faim Sallir le Loup des Boys 673;
Exile’s Letter 763;
La Fraisne 939;
The Gipsy 534;
Heather 741;
Homage to Sextus Propertius 532, 546, 580;
Hugh Selwyn Mauberley 458, 546, 678, 877, 940;
Literary Essays (ed. TSE) 487, 594, 681;
The Natural Philosophy of Love (tr. from Remy de Gourmont) 644, 667, 1127;
Near Perigord 482, 594;
Notes on Elizabethan Classicists 741;
A Pact 1040;
Personae 476
Pervigilium Veneris 385, 422;
The Pisan Cantos 956;
The Plunge 765;
Provença 426;
The Return 753, 1041;
Ripostes 402, 470, 734;
Sage Homme 551–52, 555;
Salutation the Second 516, 741;
The Seafarer 470, 485;
Selected Poems (ed. TSE) 516, 532, 741, 1221;
Sestina: Altaforte 619;
Silet 734;
Social Credit 956;
Sonnets and Ballate of Guido Cavalcanti 733, 743, 836, 1020;
Speech for Psyche in the Golden Book of Apuleius 778;
The Spirit of Romance 385, 422, 465, 595, 622, 1011;
The Poems of T. S. Eliot Volume I Page 199
