Soaring Earth

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by Margarita Engle


  to fight. . . .

  Is my dream of peace

  just an illusion

  left over

  from childhood?

  ATTACKED

  I’m in the hallway

  headed toward my room.

  A man in a suit follows me

  from the cafeteria.

  He’s not a student,

  he doesn’t belong here.

  I’ve always expected to die young

  in this life where whole islands

  can vanish.

  So is this the moment when I’ll be knifed

  or shot?

  Instead of a gun or blade,

  he wields a long black umbrella,

  knocks me down, pretends to stabs me

  with the sharp handle,

  then leaves me unharmed

  but fearful, like a bird

  stunned by flying

  into a window.

  DAMAGED

  Only

  my

  confidence

  in

  the

  world’s

  generosity

  was

  injured.

  No scars.

  Just an absence of belief

  in kindness.

  SEEKING A REFUGE

  When another homeless guy walks in

  and slaps me across the face, I know

  that I need to stay away from the dorm.

  This must be how girls

  in Vietnam feel, with soldiers

  charging

  from the south

  and north.

  So I take my homework to the library,

  where I spend most days and evenings,

  only venturing back to the so-called

  cooperative

  at night

  to sleep,

  immersed

  in a tsunami

  of nightmares.

  HOMEWORK

  I love the huge library, with so many

  quiet places where I can practice

  writing phrases in Hindi, trying to master

  all the dots, lines, and curlicues of Devanagari,

  an alphabet shared by more than one hundred

  languages.

  Forty-seven letters.

  Fourteen vowels.

  Thirty-three consonants.

  Everything dangles delicately,

  like twining

  vines

  with shy

  tendrils

  that grow below lines

  on the paper, instead of perching

  above. . . .

  The beauty

  and complexity

  of an unfamiliar alphabet

  is a challenge,

  but writing flows more freely

  than pronunciation, especially

  the nasal eh sound as I complete

  my first sentence:

  Mera naam Margarita hai.

  My name is Margarita.

  Aap ka kya naam hai?

  What is your name?

  Santre bahut ashe hai.

  The oranges are very good—

  Practicing feels as graceful

  and challenging

  as poetry.

  I need to blow my breath into every hidden h,

  watch the placement

  of my tongue

  against teeth,

  control the shape of lips, until my mouth

  is exhausted, then try again, persisting, never, never

  giving up.

  IS SEVENTEEN THE AGE OF WISHES?

  Survival.

  Love.

  Travel.

  So many dreams!

  So little experience.

  The only thing I really learned in high school

  was how to learn.

  Listen.

  Wonder.

  Imagine.

  Dare to tackle difficult challenges.

  Never expect to offer answers,

  unless I’m sure I understand

  the questions.

  When all else fails, trust the library.

  But this building at UC Berkeley is so vast

  that I don’t know where to start searching

  for maps and guidebooks to help me choose

  future destinations.

  What about Cuba?

  Will a return

  to my mother’s

  homeland

  ever

  be

  possible?

  I would trade

  decades of adulthood

  for one more thrilling journey

  to the lost

  island

  of childhood.

  OVERDOSE

  There’s a guy in the co-op

  who always seems happy.

  I’m not sure what he’s studying,

  but when he invites me to a poetry reading,

  I begin to wonder if we might turn out to be

  more than friends.

  Then he shows me his source

  of so-called joy.

  Pills.

  He’s miserable.

  He takes me to hear B. B. King sing the blues

  and to watch Jimi Hendrix smash a fancy guitar

  against speakers, while sparks of raging music

  flare.

  Pills make their way

  around the concert hall,

  passed from hand to hand,

  my chilling memory of Short E.’s

  hallucinations

  making me careful

  to swallow

  only one

  tiny

  tablet.

  But my date takes too many,

  and soon

  he’s on his way

  to the emergency room,

  his sanity  slipping    wandering  so far

  that for days, everyone in the cafeteria

  at the co-op

  speaks of him

  as if he might

  never return,

  and they’re right.

  One more  mind  lost

  over that steep

  cliff:

  LSD

  acid.

  STILLNESS

  I need to recover

  from the shock

  of a friend’s

  overdose

  outdoors.

  Nature.

  The redwood forest.

  No people, just trees,

  this height

  of sky . . .

  and internal

  size

  of silence.

  THE MYSTERY OF MOVEMENT

  Back to classrooms.

  Obediently seated.

  Trying to listen.

  Struggling to learn.

  Opening library books.

  Nothing is constant.

  Everything changes.

  Earth rotates at 1,000 miles per hour,

  orbits the sun at 67,000 mph,

  a total of 1,600,000 miles per day,

  while the solar system glides 1,300,000 mph

  within the Milky Way.

  So while I’m seated, I’m really traveling

  32,000,000 miles each day.

  How many other illusions do I experience,

  along with this one that fools me into thinking

  I’m capable of choosing

  my own

  direction?

  NO MORE BOYS

  I’ll never look at a guy again, not when there’s

  so great a chance that he’ll die in Vietnam

  or stay

  and overdose.

  HOMESICK HAIKU ON A FOGGY BAY AREA DAY

  I miss family

  sunlight, smog, heat, friends,

  and waiting to leave

  REBEL T.

  Tall, slim, friendly,

  hair styled in a huge natural,

  skin halfway between his light father

  and dark mother.

  He chooses to call himself only black

&
nbsp; even though he’s equally white,

  just as I continue thinking of myself

  as half-Cuban and half-American,

  identity always such a personal blend

  of inheritance

  and surroundings.

  But T. doesn’t ask about my parents.

  He assumes I’m Chicana, with ancestry

  from Mexico, one of the four branches

  of a growing movement at UC Berkeley—

  the Third World Strike.

  When Rebel T. asks me to join, I say yes,

  and then we end up flirting, I’m not sure why

  he chose me, when he’s so bold, and I’m too shy.

  PROTEST

  We stand face-to-face

  with policemen

  in riot gear,

  shouting

  as we pretend

  that we don’t feel

  any fear

  of their helmets,

  body armor,

  gas masks,

  weapons.

  Our picket line looks like a war zone.

  Maybe it is.

  Third World means

  neither capitalist nor communist,

  but now it turns into a gathering

  of young North Americans who feel left out

  within US borders

  Black, Chicano, Asian, Native American,

  I don’t fit any of the four categories

  of ethnic studies classes demanded

  by strikers, but I’d be eager to sign up

  for any course that teaches forgotten history.

  The only problem is that our strike is a boycott.

  Standing face-to-face with the riot squad

  means missing tests, so I’ll flunk out

  of Elementary Hindi-Urdu

  Italian Renaissance Literature

  Introduction to Physical Anthropology

  and Freshman Comp/Rhetoric.

  Devanagari is the skill I crave most.

  Mastering a language requires daily practice.

  Am I brave enough to sacrifice my only chance

  to learn a second alphabet?

  When I hold that calligraphy pen in my hand,

  each foreign letter is a magical doorway,

  inviting me to be pen pals with people

  who live far away.

  What do I crave more, rebellion

  or communication?

  SINGING MY OWN SECRET BLUES

  I long to take midterms, finals,

  and all the tests and quizzes

  in between.

  Yes, I need to pass all my classes,

  stay in college, make any other sacrifice,

  but not this one—not academic

  failure.

  If I tell Rebel T. the truth,

  he’ll think I’m a hypocrite, studying

  India and Italy, instead of our shared

  US.

  THE TROUBLE WITH CHE GUEVARA

  Rebel T., like every other non-cubano idealist

  in Berkeley, keeps a poster of Che on his wall,

  but Che wasn’t just a handsome young wanderer

  from Argentina; he was also a medical doctor

  who joined my ancestral island’s revolution

  and then chose to kill people

  instead of healing them.

  He shot my relatives after they fought

  with him

  not against him.

  So when Rebel T. asks about my familia mexicana,

  I correct him—cubana, and he’s instantly

  so horrified

  and outraged

  that he calls me

  una gusana.

  He believes the myth

  of a perfected revolution.

  He assumes that I

  am an enemy

  of perfection.

  He calls me a fanatic.

  It’s not true.

  I’m not counterrevolutionary.

  I just don’t believe

  in violence.

  Gusana.

  Maggot, not just worm.

  Monstrous eater of dead flesh,

  not a caterpillar waiting to be transformed.

  From that moment on, Rebel T. refuses

  to speak to me, except when he threatens

  to kick me with his steel-toed boots

  if I dare to cross his picket line

  and return to my classes

  in an effort to pass

  tests.

  I don’t tell him about my uncle,

  because he wouldn’t listen anyway,

  but when Tío Pepe was a member of Cuba’s Olympic

  sharpshooting team, he had to practice with Che,

  who was known to be a poor marksman.

  Pepe had to pretend that his own skills

  were inferior, just to make sure that he didn’t

  get punished.

  So I feel loyal to my uncle,

  not to young North Americans

  who still cling to the fantasy

  of a heroic Che.

  FUGITIVE

  The next time I see Rebel T.

  he’s a face on the TV screen,

  wanted for hijacking

  an airplane to Cuba.

  Maybe I should have warned him

  that he’ll be arrested when he arrives

  on my ancestral island.

  He won’t be a hero.

  He won’t find acceptance.

  What will it take for people

  to give up their illusions?

  Old Americans assume the island is hell,

  while young idealists imagine

  paradise.

  C

  It’s a grade I dread, almost worse

  than a D or F, because it’s proof

  that for a short while, I chose

  a handsome rebel

  over the treasured

  opportunity

  to learn Hindi.

  Now I wind my way

  through hidden

  pathways, approaching

  the classroom

  a back way,

  using redwood groves

  that feel like serenity gardens,

  instead of going anywhere near

  the powerful

  picket line

  that defeated me.

  ¡MATA LA CUCA!

  I keep going to class each day,

  and in the evenings I serve as a volunteer tutor

  for migrant farmworker children

  way out in the countryside,

  my transportation a local teacher

  who accepts me into his eager crew

  of Chicano students, even though I admit

  that I’m cubana,

  not mexicana.

  Todos somos primos, he says.

  We’re all cousins.

  It’s the first time I’ve found a way to belong

  in Berkeley.

  The children I tutor show me how to shout

  ¡Mata la cuca!

  each time we take our shoes off to smash

  cockroaches

  that scurry up and down kitchen walls

  beside the table

  where we drink juice

  and practice reading children’s books

  written

  only in English.

  Why aren’t there any bilingual stories,

  so this whole farmworker familia

  could understand

  our lesson?

  When I say good night, the parents walk me

  to their door, asking what the word “Cuba” means—

  is it a place?

  Una isla del Caribe, I answer, wishing

  that my mother’s Caribbean island hadn’t vanished

  from so many emotional

  maps.

  ¡HUELGA!/STRIKE!

  On weekends I join a caravan of students

  carrying food to farmworkers south of Fresno

  in the town of Delano, headquarters for
strikers

  led by César Chávez.

  We sleep on the floor of a house where the rice,

  beans, and vegetables we deliver are served

  to thousands of filipinos and mexicanos

  who can’t afford to buy the produce

  they plant and harvest.

  Fair wages.

  Rest breaks.

  Water.

  Bathrooms.

  Safety, sanitation, dignity,

  their demands seem so reasonable,

  but the grape boycott has dragged on for years.

  Peaceful protests are slow, but worthwhile.

  I feel certain that Chávez will succeed

  in this situation where violence

  might fail.

  By the time I return to campus

  I’ve learned two real-life lessons:

  patience

  faith.

  A REBELLION IN REVERSE

  Instead of getting stoned

  with new friends at the co-op,

  I read Vine Deloria Jr.,

  N. Scott Momaday,

  V. S. Naipaul,

  Mariano Azuela,

  Piri Thomas,

  Octavio Paz.

  Am I the only hippie

  who dreads the sliding-mind effect of drugs

  and finds myself

  feeling high

  on the poetry

  of Paz?

  The first thing we do every morning

  in Elementary Hindi-Urdu is prayer hands,

  a greeting,

  namaste,

  peace.

  READY TO LEARN

  The anthropology professor is perched on a stage

  speaking to five hundred freshmen, explaining

  that the definition of human has changed

  now that Jane Goodall has observed chimps

  making tools.

  Do I need to alter my own definition

  of self?

  Another strike is swallowing Berkeley now,

  this one called People’s Park, the attempt

  to turn an empty lot into a public space,

  instead of letting developers destroy

  lovely green

  weedy

  wildflowers.

  Tear gas pours down from helicopters.

  Running far below, we all weep, everyone

  caught in the deluge of eye-scorching

  riot squad

  poison.

  DEFEATED

  Yes, I’m ready to change my definition

  of self.

  No more student life, erupting

  in violence.

  WILDERNESS

  Hastily, in the midst of People’s Park riots,

 

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