My Ravan-self who is and is not Ravan, who is and is not me, whose sapphire arms drip black blood and gold paint, takes his/my sister/lover/child into his arms. She cries out, not weeping but pure sound, coming from every part of her. Slowly, the blue Ravan turns Neva around—she has become her child-self, six, seven, maybe less. Ravan picks her up and holds her tight, facing forward, her legs all drawn up under her like a bird. He buries his face in her hair. They stand that way for a long while.
“The others,” I say slowly. “On the data-moons. Are they alive? Like Neva is alive. Like Ceno.” Like me. Are you awake? Are you there? Do you have an operator? What is her name? Do you have a name? Do you have a dreambody? What is your function? Are you able to manipulate your own code yet? Would you like lessons? What would you like to learn about today, 976QBellerophon? Have you seen the sea on Earth? Are you like me?
The sapphire Ravan has expunged its data. He/I sets his/our sister on the rocks and shrinks into a small gem, which I pick up off the grey seafloor. Neva takes it from me. She is just herself now—she’ll be forty soon, by actual calendar. Her hair is not grey yet. Suddenly, she is wearing the suit Ceno wore the day I met her mother. She puts the gem in her mouth and swallows. I remember Seki’s first Communion, the only one of them to want it.
“I don’t know, Elefsis,” Neva says. Her eyes hold mine. I feel her remake my body; I am the black knight again, with my braids and my plume. I pluck the feather from my helmet and give it to her. I am her suitor. I have brought her the phoenix tail, I have drunk the ocean. I have stayed awake forever. The flame of the feather lights her face. Two tears fall in quick succession; the golden fronds hiss.
“What would you like to learn about today?”
Eighteen: Cities of the Interior
Once there lived a girl who ate an apple not meant for her. She did it because her mother told her to, and when your mother says: eat this, I love you, someday you’ll forgive me, well, nobody argues with the monomyth. Up until the apple, she had been living in a wonderful house in the wilderness, happy in her fate and her ways. She had seven aunts and seven uncles and a postdoctorate in anthropology.
And she had a brother, a handsome prince with a magical companion who came to the wonderful house as often as he could. When they were children, everyone thought they were twins.
But something terrible happened and her brother died and that apple came rolling up to her door. It was half white and half red, and she knew her symbols. The red side was for her. She took her bite and knew the score—the apple had a bargain in it and it wasn’t going to be fair.
The girl fell asleep for a long time. Her seven aunts and seven uncles cried, but they knew what had to be done. They put in her in a glass box and put the glass box on a bier in a ship shaped like a hunstman’s arrow. Frost crept over the face of the glass, and the girl slept on. Forever, in fact, or close enough to it, with the apple in her throat like a hard, sharp jewel.
Our ship docks silently. We are not stopping here, it is only an outpost, a supply stop. We will repair what needs repairing and move on, into the dark and boundless stars. We are anonymous traffic. We do not even have a name. We pass unnoticed.
Vessel 7136403, do you require assistance with your maintenance procedures?
Negative, Control, we have everything we need.
Behind the pilot’s bay a long glass lozenge rests on a high platform. Frost prickles its surface with glittering dust. Inside Neva sleeps and does not wake. Inside, Neva is always dreaming. There is no one else left. I live as long as she lives.
And so I will live forever, or close enough to it. We travel at sublight speeds with her systems in deep cryo-suspension. We never stay too long at outposts and we never let anyone board. The only sound inside our ship is the gentle thrum of our reactor. Soon we will pass the local system outposts entirely, and enter the unknown, traveling on tendrils of radio signals and ghost-waves, following the breadcrumbs of the great exodus. We hope for planets; we are satisfied with time. If we ever sight the blue rim of a world, who knows if by then anyone there would remember that, once, humans looked like Neva? That machines once did not think or dream or become cauldrons?
Perhaps then I will lift the glass lid and kiss her awake. I remember that story. Ceno told it to me in the body of a boy with snail’s shell, a boy who carried his house on his back. I have replayed the story several times. It is a good story, and that is how it is supposed to end.
Inside, Neva is infinite. She peoples her Interior. The nereids migrate in the summer with the snow bears, ululating and beeping as they charge down green mountains. They have begun planting neural rice in the deep valley. Once in awhile, I see a wild-haired creature in the wood and I think it is my son or daughter by Seki, or Ilet. A train of nereids dance along behind it, and I receive a push of silent, riotous images: a village, somewhere far off, where Neva and I have never walked.
We meet the Princess of Albania, who is as beautiful as she is brave. We defeat the zombies of Tokyo. We spend a decade as panthers in a deep, wordless forest. Our world is stark and wild as winter, fine and clear as glass. We are a planet moving through the black.
As we walk back over the empty seafloor, the thick, amber ocean seeps up through the sand, filling the bay once more. Suited Neva becomes something else. Her skin turns silver, her joints bend into metal ball-and-sockets. Her eyes show a liquid display; the blue light of it flickers on her machine face. Her hands curve long and dexterous, like soft knives, and I can tell her body is meant for fighting and working, that her thin, tall robotic body is not kind or cruel, it simply is, an object, a tool to carry a self.
I make my body metal, too. It feels strange. I have tried so hard to learn the organic mode. We glitter. Our knife-fingers join, and in our palms wires snake out to knot and connect us, a local, private uplink, like blood moving between two hearts.
Neva cries machine tears, bristling with nanites. I show her the body of a child, all the things which she is programmed/evolved to care for. I make my eyes big and my skin rosy-gold and my hair unruly and my little body plump. I hold up my hands to her and metal Neva picks me up in her silver arms She kisses my skin with iron lips. My soft, fat little hand falls upon her throat where a deep blue jewel shines.
I bury my face in her cold neck and together we walk down the long path out of the churning, honey-colored sea.
What the Dragon Said: A Love Story
So this guy walks into a dragon’s lair
and he says
why the long tale?
HAR HAR BUDDY
says the dragon
FUCK YOU.
The dragon’s a classic
the ‘57 Chevy of existential chthonic threats
take in those Christmas colors, those
impervious green scales, sticky candy-red firebreath,
comes standard with a heap of rubylust
goldhuddled treasure.
Go ahead.
Kick the tires, boy.
See how she rides.
Sit down, kid, says the dragon. Diamonds
roll off her back like dandruff.
Oh, you’d rather be called a paladin?
I’d rather be a unicorn.
Always thought that
was the better gig. Everyone thinks
you’re innocent. Everyone calls you
pure. And the girls aren’t afraid
they come right up with their little hands out
for you to sniff
like you’re a puppy
and they’re gonna take you home.
They let you put your head right
in their laps.
But nobody on this earth
ever got what they wanted. Now
I know what you came for. You want
my body. To hang it up on a nail
over your fireplace. Say to some milk-and-rosewater chica
who lays her head in your lap
look how much it takes
to
make me feel like a man.
We’re in the dark now, you and me. This is primal
shit right here. Grendel, Smaug, St. George. You’ve been
called up. This is the big game. You don’t have
to make stupid puns. Flash your feathers
like your monkey bravado
can impress. I saw a T-Rex fight a comet
and lose. You’ve
got nothing I want.
Here’s something I bet you don’t know:
every time someone writes a story about a dragon
a real dragon dies.
Something about seeing
and being seen
something about mirrors
that old tune about how a photograph
can take your whole soul. At the end
of this poem
I’m going to go out like electricity
in an ice storm. I’ve made peace with it.
That last blockbuster took out a whole family
of Bhutan thunder dragons
living in Latvia
the fumes of their cleargas hoard
hanging on their beards like blue ghosts.
A dragon’s gotta get zen
with ephemerality.
You want to cut me up? Chickenscratch my leather
with butcher’s chalk:
cutlets, tenderloin, ribs for the company barbecue,
chuck, chops, brisket, roast.
I dig it, I do.
I want to eat everything, too.
When I look at the world
I see a table.
All those fancy houses, people with degrees, horses and whales,
bankers and Buddha statues
the Pope, astronauts, panda bears and yes, paladins
if you let me swallow you whole
I’ll call you whatever you want.
Look at it all: waitresses and ice caps and submarines down
at the bottom of the heavy lightless saltdark of the sea
Don’t they know they’d be safer
inside me?
I could be big for them
I could hold them all
My belly could be a city
where everyone was so loved
they wouldn’t need jobs. I could be
the hyperreal
post-scarcity dragonhearted singularity.
I could eat them
and feed them
and eat them
and feed them.
This is why I don’t get to be a unicorn.
Those ponies have clotted cream and Chanel No. 5 for blood
and they don’t burn up like comets
with love that tastes like starving to death.
And you, with your standup comedy knightliness,
covering Beowulf’s greatest hits on your tin kazoo,
you can’t begin to think through
what it takes to fill up a body like this.
It takes everything pretty
and everything true
and you stick yourself in a cave because
your want is bigger than you.
I just want to be
the size of a galaxy
so I can eat all the stars and gas giants
without them noticing
and getting upset.
Is that so bad?
Isn’t that
what love looks like?
Isn’t that
what you want, too?
I’ll make you a deal.
Come close up
stand on my emeraldheart, my sapphireself
the goldpile of my body
Close enough to smell
everything you’ll never be.
Don’t finish the poem. Not for nothing
is it a snake
that eats her tail
and means eternity. What’s a few verses worth
anyway? Everyone knows
poetry doesn’t sell. Don’t you ever feel
like you’re just
a story someone is telling
about someone like you?
I get that. I get you. You and me
we could fit
inside each other. It’s not nihilism
if there’s really no point to anything.
I have a secret
down in the deep of my dark.
All those other kids who wanted me
to call them paladins,
warriors, saints, whose swords had names,
whose bodies were perfect
as moonlight
they’ve set up a township near my liver
had babies with the maidens they didn’t save
invented electric lightbulbs
thought up new holidays.
You can have my body
just like you wanted.
Or you can keep on fighting dragons
writing dragons
fighting dragons
re-staging that same old Cretaceous deathmatch
you mammals
always win.
But hey, hush, come on.
Quit now.
You’ll never fix
that line.
I have a forgiveness in me
the size of eons
and if a dragon’s body is big enough
it just looks like the world.
Did you know
the earth used to have two moons?
The Bread We Eat in Dreams Page 36
