by James Hilton
Smith said he must go, if Ponderby would excuse him.
"GO? Not yet, surely—wait till the others come—don't like to be left alone, Smithy."
"I'm sorry, but I really must go now."
Then Ponderby raised his head and stared.
"Right you are, then . . . but, good God, what's the matter? Been in a fight or something?"
"I've got to go. Good night, Ponderby."
"Nighty night, Smithy. And don't think I'll ever forget what you've done."
You won't and neither will anyone else, Smith reflected, picking up his bag and hat in the lobby and walking out of the house. Nobody saw him. The night was warm and dark. He wondered why Ponderby had asked if he had been in a fight, and at the first shop window he stopped and tried to catch his reflection in the glass. He smiled—he had forgotten to comb his hair; it showed even under his hat, rumpled as if—well, yes, as if he had been in a fight. That was easy to repair, since he carried a pocket comb, and at the same time he took out his handkerchief to wipe the perspiration from his forehead. Then he did more than smile, he actually laughed, because of the colour of the handkerchief afterwards. He had forgotten to clean off the makeup. All the way across Fulverton, then, he must have been looking like that—if anyone had seen him, but nobody had—until Ponderby. Oh yes, there was the man with the gun—but it had been very dark just there, under the viaduct. He wiped off the makeup and threw the handkerchief over a fence.
He knew they would go to Fulverton Station first of all, especially for the night train to London; but he was not such a fool as to do anything so obvious. There was a station about twelve miles away, on a different line—Crosby Magna it was called; if he walked throughout the night he would be near the place by dawn and could take the first train wherever it went. He did not feel particularly tired; the whiskey had fortified him, and a certain rising exultation as he left the outskirts of Fulverton kept him tramping at a steady three miles an hour. It must be just about the close of the second performance by now; they would be taking curtain calls, then chattering in the dressing-rooms, looking forward to the usual Saturday supper at the lodging-house. A decent crowd; he had been happy with them. He began to look back upon that life with a certain historic detachment; it was all over, and it would have had to be over soon, anyway, for a reason that now, for the first time, he admitted to himself. He had been growing too fond of that girl; gradually but insidiously the feeling had been growing in him, so that soon the only freedom he could have found would have been either away from her or with her altogether; it would soon have become impossible to keep on seeing her continually and meaninglessly in trains, dining-rooms, theatre back-stages: impossible much longer to have suppressed the anxieties he had already begun to feel about all the chance contacts of their daily lives—whether she would be in or out at a certain hour, or would happen to sit next to him here or there, or who the man was who met and talked with her so long after the show. Such things had not mattered to him at first, partly because he had been so humble about himself—why should she bother about him at all, what had he to offer? She loved life, she loved people—be honest about it, she loved men. He had even, at first, experienced a sardonic pleasure in seeing her warm to the chance encounters that fill the spare moments of stage life—his look, as he said good-night to her when he was going home to bed and she to a party somewhere, had often contained the message—Have a good time, you've done all you can for me, the rest I must do myself; so thank you again and good luck.
That was his message to her now, as he walked from Fulverton to Crosby Magna and heard the chime of midnight from a distant clock. But he knew that it could not have been so had he stayed with the company, so that actually his leaving was well timed, an escape from bondage that would soon have become intolerable.
He reached Crosby Magna towards dawn—a small deserted country station on a single line. There was a time-table pasted up from which he discovered that the first train was a local to Fellingham at ten minutes past five. He had over an hour to wait, and spent it leaning against his bag on the station platform. He felt rather drowsy; it was pleasant to rest there, with the sunrise on his face. Presently he realized that a man was staring down at him.
"Waiting for the train, sir?"
"Yes."
"It's due in now. I'll get you a ticket. Where to, sir?"
"Er . . . Fellingham . . . single . . ."
He dragged himself to his feet and followed the man into the small booking-hall.
"Fellingham, there you are, sir. Not travelling with the company this time?"
"WHAT?"
"Couldn't help recognizing you, sir—I was at the theatre in Fulverton last night. Very funny indeed you was, sir—funniest bit in the whole show. Well, here's your train, sir."
He insisted on carrying Smith's bag and choosing a compartment for him, though the train was practically empty. It was, indeed, one of those trains that seem to exist for no reason at all except to wander through the English countryside at hours when no one wants to travel, stopping here and there at places where no one could possibly have any business, especially on a Sunday morning, and all with an air of utter vagrancy, like that of cattle browsing or a woman polishing her nails—a halt here for several minutes, then an interval of movement, even a burst of speed, then a slow-down to hardly a pace at all, and so on. Fellingham was only forty-odd miles from Crosby Magna, but the journey, according to the time- table, would take over two hours. But it was pleasant enough to look out of the window on field and farmstead in the early morning, the lonely roads disappearing into a hazy distance, a stop for the guard to throw out a parcel to a man who stood by a crossing gate waiting for it, long manoeuvres of shunting in and out of sidings to detach various empty wagons. No sound when the train stopped save that of the brakes creaking off the wheels and the breeze rippling the grasses in near-by fields. Whenever he put his head out of the window at a station, another head, red-haired and a boy's, was leaning out three coaches in front, and this somehow began to suggest that he and the boy were alone on the train—final survivors of something or else first pioneers of something else.
Presently the horizon began to show a long, low-lying cloud, but a few further miles revealed it as a line of hills—rather high hills, they looked, but he knew they could not be, because there were no high hills in that part of England.
Of course he would not go all the way to Fellingham; that would make the trail too easy, especially after the porter at Crosby Magna had recognized him—unfortunate, that had been. He would get out at some intermediate station and make his way elsewhere across country.
The train had stopped again by the time the hills became clear—a station called Worling. He thought this would do as well as any other, and was just about to jump down to the platform when his bag flew open, spilling some of the contents on to the compartment floor; by the time he had them repacked the train was off again. But it did not really matter; one place was as good as another.
The train cantered on, like horses now more than cattle, steadily, at a good pace, as if anxious to reach some friendly stable; the track wound more closely into the uplands and soon entered a long shallow valley under a ridge that rose rather steeply at one point into two rounded summits; you could not tell which was the higher, but neither was very high—maybe seven or eight hundred feet, with a saucer-shaped hollow between. Just under the hill the roofs of a village showed amongst the trees, but the train turned capriciously away from it, choosing to stop at a station called Rolyott that was nothing but a shed in the middle of fields. He got out there, handing his ticket to the solitary porter, who stared at it for a moment and then said something about Fellingham being three stations further on; Smith smiled and said that was all right, and as the train moved off again the red-headed boy who was always looking out of the window saw him smiling and smiled back. That made him feel suddenly cheerful. And besides, the air was warm, blended with scents of hay and flowers, and the tree-hidden villag
e looked tempting even at the end of a long road; he set out, walking briskly. A few hundred yards from the station, withdrawn into a hedge so that no one could see it save by search or chance, a broken signpost pointed to the ground, and he had to climb through nettles to decipher its stained and weather-worn letters: "To Beachings Over, 1 Mile."
He walked on, murmuring the name to himself, as he always did with names—Beachings Over, Beachings Over; and then Beachings Over came into view—a group of gray old cottages fronting a stream over which slabs of stone made bridges. There was a square-towered church as well, a public-house called for some undiscoverable reason the "Reindeer"—a ledge in the stream where the water sparkled as it curled over green reeds. And beyond the village rose the sunlit ridge—one hill now quite clearly higher than the other, but only a little higher, and between them that gentle turfy hollow.
He crossed one of the stone bridges. A man coming out of a house stared with friendly curiosity and said "Good morning." A fluff of wind blew a line of hollyhocks towards him. An old man was clipping a yew hedge along the vicarage wall. A sheep-dog stirred in the shade and opened a cautious eye as he passed. He felt: This is home; if they will let me stay here, I shall be at peace. He turned off the road by a path towards an open field that climbed steeply. Near at hand was a cottage, with a buxom elderly woman tending the garden. "There'll be a nice view from the top this morning," she said knowingly as he came near. "Five counties they say you can see, on a clear day." He smiled and then she said: "Leave your bag here if you like—it'll be quite safe."
"Good idea. . . . Thanks very much. And could I—perhaps—trouble you for a glass of water?"
"Water if you like, sir, but cider if you prefer."
"Well, yes, indeed, if it's no trouble."
"No trouble at all, sir—I'll just have to go round to the stillage."
"STILLAGE?"
"That's where we keep it, sir, being that cool off the stone, you'll be surprised."
She came back with a pint-sized mug, which he drained gratefully.
"Glad you're enjoying it, sir—it's good cider, that I do say, though I brewed it myself."
He wondered if he should offer to pay her, but she saw his look of hesitation and added with swift tact: "Don't you worry, sir— you're very welcome. Maybe when you've climbed up and down again you'll feel like some cold beef and pickles and a nice raspberry tart—we serve meals, you know, all day on Sundays."
"You get many visitors?"
"Hardly a one, but we're ready for 'em if they come. Gentleman once told me this was the prettiest village in all England."
"Certainly it might be. . . . Well, thank you again—perhaps I will want that meal."
He resumed the climb, feeling glowingly free after the drink and without his bag. The sky was dappled with clouds like sails, the smell of earth and grass rose in a hot sweetness. He walked steadily, stopping only to look back when a chime floated upwards from the church tower; Beachings Over, its gardens and roofs, lay in the fold of the valley as if planted there. He climbed on till the ridge was close at hand, beyond the next field and the next stone wall, the two hills curving against the sky. After a little time he reached the saddle between, and there, hidden till the last moment, lay a pool of blue water, blown into ripples under passing cloud shadows. It looked so cool he took his clothes off and bathed—there in sight of all the five counties, so it amused him to think. Then he lay in the sun till he was dry, feeling the warmth of sun and cider soaking into every nerve. Presently he dressed, found a shady spot under a tree, and closed his eyes.
The sun on his face woke him; it had moved round the sky but was near the horizon and no longer hot. His glance followed the curve of the hill and came to rest on the already graying pool; he was surprised to see a girl there, perched on a jutting rock and paddling her feet. He watched her for a moment, quietly fitting the picture into his mind before recognition came, and with it a curious mounting anger because he suddenly knew why it was he had grown so desperately in love with her; it was because she had made him so, because she followed him about everywhere, because, from the moment of their first meeting, she had never let him go— despite all acting and casual behaviour and false appearances. And she had followed him even to Beachings Over.
Aware that he was watching her, she turned and then came towards him, high-stepping barefoot over the grass.
"Smithy—you're really awake? Why did you run off like that? Were you ill? What's been the matter? . . . The woman at the cottage said you were here—said you'd left your bag, so you'd have to come down, but I didn't want to wait, and yet I have waited—hours— while you've been asleep. . . ."
"I'm—I'm—sorry."
"For keeping me waiting? It's MY fault—I could have wakened you any time, but you looked so tired and you hadn't shaved—I guessed you'd been out all night somewhere."
"But I'm so terribly sorry—no, not for that—for what happened before then—at the theatre—"
"Oh, THAT? Darling, you shouldn't ever have taken it on, but it didn't matter—got the biggest laugh in the whole show—Margie even said he'd change the part if Ponderby could do it that way, but he was afraid he couldn't. Anyhow, he's going to keep in the bit where the door-knob comes off—that's good for a laugh any time."
"But do they think I did it DELIBERATELY?"
"I told them you did—I swore you fixed the whole thing with Ponderby just for a gag; Ponderby said you had too, I made him— they all thought it was marvellous, but then they think you ARE marvellous, anyhow."
"MARVELLOUS?"
"Well, you know—unpredictable. One of those shy ones who suddenly blaze out and startle everybody and then go shy again. What'll you do next? Maybe fly the Atlantic like those two fellows. Maybe murder somebody or elope with a duchess. It's all part of being a gentleman. You're privileged—like the boys on Boat Race Night."
"Paula—why do you talk like that?"
"Well, it's true, isn't it?" She bent over him. "There's such an indefinable je ne sais quoi about you, darling."
"What did you follow me here for?"
"To bring you back, of course."
"But I'm not coming back."
"Oh, it's only Sunday evening—there's no show-till six tomorrow night in Polesby—you don't have to make up your mind till tomorrow afternoon."
"I'm not coming back. I CAN'T go back. Don't you realize how I felt—"
"I know—don't try to tell me—I saw you on the stage and I was the only person who knew for certain you weren't acting—because I'd seen you like that before, in the shop at Melbury. Remember?"
He said grimly: "It wouldn't be very easy to forget—any more than last night."
"Except that you're not BOUND to go on the stage, ever again, so what does it matter? Whereas at Melbury you were like that all the time—except with me."
"Yes, except with you."
"Maybe there's something about me too—so far as you're concerned."
He moved restlessly. "There was something then, but there's a barrier between us now, compared with how we were in those days."
"There's only this between us, Smithy—I remember when you needed me, and I'm sure I'm not going to hang around when you don't need me any more. But I thought you might need me today—that's why I'm here."
"I feel just the opposite—you were so generous when I DID need you I've hated to feel you could still do things out of pity as you're doing now."
"That's not just the opposite—it's the same."
"It's why I've kept away from you, anyhow, because I CAN do without you, I know I can, I MUST."
"Oh God, don't boast. I can do without you too, for that matter. Let's be independent as hell. Let's each fly in different directions and wonder why for the rest of our lives." She began to pull on her stockings. "Aren't you hungry?"
"Now you mention it."
"Let's go down. The woman at the cottage said she could give us—"
He interrupted, laughing: "I know. Col
d beef and pickles and raspberry tart."
"I said we'd have it."
"You're right about that."
He helped her to her feet and they stared about them for a moment.
"Smithy, how DID you manage to find such a heavenly place?"
"As so many things happen—pure chance. My bag flew open as I was going to get out of the train somewhere else. How did you find I was here?"
"Darling, it was so EASY. I asked at Fulverton Station, and they said you hadn't been there, so of course I thought of Crosby Magna—"
"OF COURSE? Why of course?"
"Well, it was pretty obvious you'd think it WASN'T so obvious—and then the porter there remembered you, and the guard remembered you'd walked towards the village, and the woman at the cottage said you were up here staring at the five counties,—it IS five, isn't it?—everybody remembered you, old boy. You aren't terribly good at making people forget you."
"They certainly won't forget my performance last night."
"Back again on the same old subject? I told you they all thought it was marvellous."
"Then why did they think I didn't stay for the second show?"
"I told them it was because you suddenly got scared of how Margie would take it—I said it was just like you, to put on a gag like that and then get scared about it."
"Seems to me you thought of EVERYTHING."
They began the descent amidst the gathering twilight, striding down upon Beachings Over as from the sky. A curl of blue smoke rose from the huddle of roofs, the church bell was ringing for evening service. Something in the calm of that darkening panorama kept them silent till they were within sight of the cottage; then she said: "Oh, by the way—I told the woman you were my husband."
"Why?"
"Because she'd have thought it queer for me to be chasing up a hill after any man who wasn't."
