Segunda, 136
“Sobre las olas,” 166
Segundo, 303
Soca, 68, 293, 351, 369 – 71
Segundo, Compay, 151
Soda Stereo, 344
Seis, 145, 361 – 62
Solares, 423
Seixas, Raul, 340
Son (Cuba), 19, 50, 53, 81 – 83, 99, 309 – 10,
“Se Kreyòl,” 262
371 – 76 ; birthplace of, 265; Buenta Vista
Selena, 401 , 431
Social Club and, 125; culture and, 372;
Semba, 356
growth of, 123; jazz and, 373; ostinatos
Sentimiento Muerto, 344
of, 373 – 74; popularity of, 181 – 82. See
Septeto, 362 – 63
also Clave
Serenatas, 347, 364 , 420
Son (Mexico), 14, 376 – 80 , 383 – 84; African
Seresta, 364 – 65
influence, 377; castas and banned sones,
“Seresta #5: Modinha,” 365
377 – 78; instrumentation of, 379; musi-
Sesquiáltera, 180, 198, 299, 365 – 66
cal style of, 379; regional styles, 376 – 77;
Sexteto, 362
son jarocho, 215, 309 – 10, 338, 376 – 77,
Sexteto Habanero, 363, 372
379, 382, 385 – 87
Sexuality: dance and, 366 – 68; in Latin Ameri-
Son 14, 374
can music, 366 – 68; lyrics and, 367; salsa
Son Calentano, 379, 380
and, 336, 354 – 55
Son-cha, 80
The Shakers, 343
Son Chapín. See Son Guatemalteco
Shakira, 86, 345
Son conjunto, 107 – 8
Shalins, Marshall, 132
Soneos, 305
Shearing, George, 224, 234
Sonero, 265 – 66, 373, 374
Shekere, 41
Sonero-salsero, 82
Shottische, 306
Sones, 144, 371, 376 – 78
Sicot, Weber, 192
Songo, 374, 390 – 92
Sidestepper, 345
Son Guatemalteco (Son Chapín), 182, 381
Siembra , 292, 294
Son huasteca, 198, 215, 328, 371, 376, 379,
Siku, 347, 368 – 69
381 – 83
Silva, Horondino José da, 445
Son Istmeño, 383 – 84
Silver, Horace, 217
Son jalisciense, 328, 371, 376, 384 – 85
Simon, Paul, 16
Son jarocho, 215, 309 – 10, 338, 376 – 77, 379,
Simon and Garfunkle, 300, 451
382, 385 – 87
Simons, Moisés, 339
Son montuno, 54, 111, 265, 387 – 90 , 391; lyr-
Sinaloa, 28 – 30
ics of, 388; roots of, 388 – 89
Sinatra, Frank, 57, 256, 418
Sonoro Matancera, 108
Siniestro Total, 344
“Son Para Despertar A Una Negrita,” 313
Sir George Records, 355
Son-salsa, 265
Ska, 330, 439
Son sexteto, 363
Slavery: African, 203 – 4; Bantu slaves,
“Sopa de Caracol” (Snail Soup), 197
228 – 30; in Brazil, 59 – 60; cajón and, 67;
Sosa, Mercedes, 9, 449
482 | Index
Soul music, 269, 369
Tavárez, Manuel, 137, 138, 315
Sound balance, 413 – 14
Taylor, Cecil, 217
Soviet Union, 403
Teatro callejero, 434
Spain, 112, 347; Cuba and, 121, 122; guitars
Teatro Carlos Gomes, 245
of, 186; villancico, 206, 442 – 44
Techno- cumbia, 89, 202, 302
Spinetta, Luis Alberto, 343
Technology, 211
Spok Frevo Orquesto, 174
Tecnobanda, 29 – 30, 209, 257 – 58
Spoons, 438
Tejada, Miguel Lerdo de, 252
Spottswood, Richard K., 316
Tejano music, 1, 24, 87, 107
“St. Louis Blues,” 428
Tema, 371
Stellio, Alexandre, 277
“Temporal,” 305
Stroessner, Alfredo, 298
Terán, Los Alegras de, 282
Strumming. See Gueado
Terno ensembles, 444
Suamell, Manuel, 110
Texas, 112 – 13
Sucu sucu, 411
The Texas Tornadoes, 401
Sudanista movement, 313
Tex-Mex, 399 – 402
Sugarhill Gang, 194
Tex-Mex rock, 87, 107
Sui, Arlen, 280
Thomas, Susan, 177 – 78
Sumac, Yma, 234, 300
Tico, 268
Sumaya, Manuel de, 450
Tico-Alegre All Stars, 146 – 47
Surdos, 37, 356, 392
Tierra, 87, 226
Suzano, Marcos, 296
Tierra Caliente, 380
Syncretism, 203 – 7
Tierra Tejana, 401
Szarán, Luis, 298
Tijuana, 258
Timba, 125, 264, 402 – 5
Tabou Combo, 192
Timbal, 53, 289, 405 – 7 , 416
Tambito, 116
Timbalada, 407 – 8
Tambora, 247
Timbale, 55, 78, 275
Tambora de rancho, 281
Timbale bell, 78
Tamborím, 37, 393 – 94
Timbau, 408
Tamborito, 380
Timberos, 404
Tambor mayor, 359
Time Unit Box System (TUBS), 98
“Tanga,” 146, 224, 225
Tin Pan Alley, 373
Tango, 6, 7, 32 – 34, 394 – 98 ; in Argentina, 6,
Tiple, 27, 185 – 86
7, 9 – 12, 394 – 98; electrotango, 12, 397;
Tizol, Juan, 317
flamenco, 189; golden age of, 397; ha-
Tizol, Ralph, 316
banera and, 189 – 90; instrumentation,
Tjader, Cal, 224, 234
395 – 96; international diffusion, 396; La
Toada, 152
Guradia Veija, 395 – 96; lyrics and song
Tobago, 369 – 71
of, 396; maxixe and, 245; milonga and,
Tololoche, 281
259; origins of, 394; plena and, 303; re-
Tonadas, 346, 409 – 10
surgence of, 397; in Uruguay, 434
Tonantzin, 198
Tango canción, 396
Topadas, 199
Tango nuevo, 12, 397
Torbellino, 102
Tanguma, Antonio, 282
“Tormento,” 137, 138
Tap dancing, 181
Tormo, Antonio, 8
Taquirari, 47, 398 – 99
Torres, George, 2
Index | 483
Tosh, Peter, 330
Valdés, Bebo, 146
Totonacs, 198
Valdes, Chucho, 226
Traje de charro, 237
Valdés, Gilbert, 164
Tres, 81, 107, 410 – 12
Valdez, Luis, 387
Tresillo, 38, 97, 259, 412 – 13
Vale, Antonio Cabán, 139
Trinidad, 68; soca, 68, 293, 351, 369 – 71
Vale, João do, 270
Trio Calaveras, 415
Valens, Ritchie, 226, 386 – 87, 432
Trio Las Panchos, 44 – 45 , 47, 415, 429
Valentin, Bobby, 267
Trio Matamoros, 421
Vallenato, 102 – 3, 134, 167, 275, 437 . See also
Trío Nordestino, 359, 413 – 14
Accordion
Trío Romántico, 44 – 45, 47, 339, 414 – 16
Vals criollo, 438
Tríos, 372
Valseado, 449
Tríos Borinquen, 316
Valse Créole, 243, 276
Triple, 408 – 9
&n
bsp; Vals/Valse, 14, 298, 383, 437 – 38
Troilo, Aníbal, 34, 260
Varela, Carlos, 313
Tropicália, 63, 270, 271, 340, 416 – 20
Vargas, Gaspar, 237
Trova Tradicional (Vieja Trova), 161, 420 – 22
Vargas, Silvestre, 237
Trujillo, Rafael Leonidas, 148, 247
Vargas, Wilfrido, 249
Trumpets, 384 – 85
Vasconcelos, Hélder, 359
TUBS. See Time Unit Box System
Vasconcelos, José, 214
Tumba domincana, 139
Vega, Carlos, 448
Tumbadoras, 53, 267, 423 – 24
Velasco, Tomás Torrejón y, 450
Tumbao, 362 – 63, 424 – 25
Velázquez, Consuelo, 254
Tunga-tunga, 13
Velez, Glen, 235
Velorio del angelito (wake of the little angel), 34
Ukelele, 76 – 77
Veloso, Ceatano, 271 , 340, 418
Ultraje a Rigor, 341
Venezuela, 30 – 31, 439 – 41 ; cuatro, 14, 69,
Umbigada, 229
118 – 19, 409, 440; joropo, 14, 103, 158,
Unified Black Movement. See Movimento
218 – 20; urban acoustic movement of,
Negro Unificado
440
United States (US), 1, 427 – 34 ; big bands, 317;
Ventura, Johnny, 248
calypso in, 69; corridos in, 431; Cuban
Verala, Carlos, 288
immigrants in, 430; cultural imperialism
“Verde Luz,” 139
in, 129 – 30; historical overview of trends
Vergara, Victorio, 275 – 76
in, 427 – 29; Los Angeles, Southern Cali-
Vieja Guardia (Old Guard), 10, 34
fornia, and the West Coast, 432; maria-
Vihuela, 119, 186, 199, 441 ; guitar and, 185;
chi in, 431; New York and Northeast,
mariachi and, 186, 441
429 – 30; protest song in, 310; Southeast,
Villa, Beto, 282, 431
430 – 31; Southwest, 431
Villa-Lobos, Heitor, 165 – 66, 263
Un Sabor Que Canta , 267
Villalón, Alberto, 421
Urbanization, 335
Villancico, 206, 442 – 44
Uruguay, 434 – 36
Villaverde, Cirilo, 451
US. See United States
Viloria, Angel, 248
Viola de gamba, 441
Vai Quem Vem, 407
Violão (guitar), 31, 356
Valasco, Juan Fernando, 156
Violão de Sete Cordas, 444 – 46
The Valderramas, 345
Violence, 196
484 | Index
Virgin Mary, 176
Yambú, 349
Virgin of Guadalupe, 198
Yanantin, 200
Vive Latino, 345
Yankee, Daddy, 306, 329 , 331, 332
Vives, Carlos, 104 – 5, 437
Yellowman, 330
Vocal Sampling, 389
Yerena, Pedro, 282
Vodou, 5, 165, 190, 261 – 62, 335
Yoruba, 230
Vodou Adjae , 190
Yuka, 423
Volcanto (Nicaragua), 446
Yupanqui, Atahualpa, 7 – 8 , 9, 202, 260, 300,
311, 449
Waddington, Andrucha, 170
Waila, 361
Zabumba, 23, 447 – 48
Wailer, Bunny, 330
Zacatlán, 378
Wake of the little angel. See Velorio del
Zamacueca, 78, 127, 448
angelito
Zamba, 7, 52, 328, 448 – 49
Walaycho, 85
Zampoña. See Siku
Waltz, 306. See also Vals/Valse
Zapata, Camilo, 279
Wanderléa, 340
Zapateado, 182, 198, 205, 376
War, 226
Zapateo, 78, 449 – 50
Watson, Ed, 369
Zaranbandas, 366, 381
Waynos. See Huayno
Zarandeo, 78
Webb, Chick, 231
Zárate, Raúl García, 8, 186
Williams, John, 298
Zarzuela, 2, 137, 450 – 51
Wilson, Herminio “El Diablo,” 119
Zavala, Iris, 45
Wilson, Woodrow, 247 – 48
Zé, Tom, 340
Women on the Verge of a Nervous Breakdown ,
Zé Pereiras, 74 – 75
126
Zizinha maxixe, 245
World Harp Festival, 297
Zouk, 38, 39, 191, 205, 243, 370, 452 – 54 ;
lyrics, 453; types of, 453
Xalapa Cathedral, 378
Zouk Machine, 452 – 53
X-GRANITO, 341
Zuela Crrada, 343
Xote, 168, 360 – 61
Zujovic, Edmundo Pérez, 286, 312
Document Outline
Table of Contents
Alphabetical List of Entries
Topical List of Entries Alphabetical List of Sidebars
Preface
Introduction
Popular Music
Popular Music Resources
Chronology of Latin American Popular Music
Entries A Accordion
Afoxé
Afro-Cuban
Afro-Dominican Fusion Music
Argentina Folkloric Music
Tango
Rock
Música Tropical and Regional Styles
Arpa (harp)
Axé Music
B Bachata
Baião
Bajo Sexto
Balada
Bambuco
Banda
Bandola
Bandolím
Bandoneón
Baquiné (also baquiní )
Batería
Batucada
Biguine
Bloco Afro
Bolero
Bolivia
Bomba
Bombo
Bongó
Boogaloo
Bossa Nova
Brazil Afro-Brazilian Music: Samba
Instrumental Music
Regional Music
MPB, Rock, Funk, and Rap
Bugalu
C Cajón
Calypso
Campana
Canción
Canción Ranchera
Canción Romántica
Carnival
Cavaquinho
Cencerro
Chacarera
Cha-Cha-Chá
Changüí
Charanga
Charango
Chicano Rock
Chicha
Chile
Chocalho
Choro
Cinquillo
Clave
Claves
Colombia
Comparsa
Conga
Conga Drum
Conjunto Cubano
Contradance
Contradanza
Coro
Corrido
Costa Rica
Cowbell
Cuarteto (Argentina)
Cuatro
Cuba Cultural Contact
The Colony in Transition: Sugar, Labor, and Independence
Music and Cultures in Contact
The Republic: The First 60 Years
Musical Innovation Post-1959
Recent Trends
Cubop
Cueca
Cuíca
Cultural Imperialism
Cumbia
D Danza The Puerto Rican Danza
San Juan and Ponce: Two Schools of Danza
The Prodigy of Juan Morel Campos
Danza in the 20th Century
Danza as Merengue in the Dominican Republic
Danzón
Danzonete
Décima
Descarga
Dominica
Dominican Republic
Dúo
Dupla
Dupla Caipira
E Ecuador
El Salvador
Estribillo
Estudiantina
F Filín
Flauta
Flute
Folk, Art, and Popular Music
Forró
French Guiana
Frevo Early History of Frevo
Nationalizing the Frevo
G Gaga
Gender in Latin American Popular Music
Gran orquesta
Guadeloupe
Guaguancó
Guajeo
Guajira
Guaracha
Guataca
Guatemala
Güira
Güiro
Guitar
Guitarra
Guitarrón
Gwo ka (Gwoka)
H Habanera
Haiti
Harp
Hip-Hop Stylistic Infl uences
The Advance of Hip-Hop in Latin America
Hip-Hop Themes in Latin America
Honduras
Huapango
Huayno
Hybridity and Cultural Syncretism
I Immigrant Music Visibility through National Awards and the Media
Assimilation versus Multiculturalism
J Jarabe
Jarana
Jazz
Joropo
K Konpa
L Lambada
Latin Jazz
Latin Rock
Laúd
Lundu
M Mambo
Maracas
Marcha
Mariachi
Marimba
Marímbula
Martinique and Guadeloupe
Maxixe
Mazouk
Merengue (Dominican Republic)
Méringue (Haiti)
Mexico National and Regional Musics
The Rock ‘n’ Roll Era
Música Grupera
Other Transnational Music Phenomena
Mexicanized Foreign Dance Music
Electronica
Milonga
Mizik Rasin
Modinha
Moña
Montuno
Mozambique
MPB
Música Popular Brasileira (MPB)
Música Sertaneja
Música Típica
Musique Créole
N Nicaragua
Norteño
Nueva Canción
Nueva Trova
O Orquesta
Orquesta Típica (Cuba)
P Pachanga
Pambiche
Panama
Pandeiro
Paraguay
Pasillo
Payada
Peru
Plena Beginnings
Stylistic Sources
Evolution
Polka
Porro
Pregonero
Encyclopedia of Latin American Popular Music Page 81
