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Meanwhile Trees

Page 5

by Mark Waldron


  Marcie is all light of course and buzzing honey,

  though quite as quiet as my open hand

  and my old forgotten blood

  who sings to himself

  as he trundles about

  picking up oxygen

  spending it wisely

  driving the pump that pumps him round

  picking it up again

  spending it wisely

  singing the red corpuscle song.

  The made-bees are quite as quiet as the blown-mice

  (all my house is glass),

  and Marcie is just about as clean as any window

  ever was.

  No so sorry dirt at all for me to make my home in.

  VIII Don’t talk to me about ghosts,

  Manning yelled with a laugh

  as the prop juddered to a halt

  and the Le Rhône engine let loose

  an ostentatious culminating ‘BOUM!’

  Manning then swung elegantly down

  from the Sopwith Pup cockpit,

  walked around the wing,

  came to a mock-shocked wobbly stop

  and with his mouth ajar stood

  quite motionless before me

  on the upper-class and foppish grass.

  A little while passed,

  until it became quite evident to me

  that he had either forgotten his lines

  or he pretended to have forgotten them,

  or, as I now firmly believe,

  he was pretending to have forgotten lines

  that he never actually had.

  2

  So, as I say,

  there he positioned himself

  as the light began to slowly fold itself away

  into the dark’s sober briefcase,

  and all the while his expression remained

  as blank but also as disarming

  as that of, say, a turnip.

  As I stared back at him,

  as I returned post-haste

  his stare, though now bedecked

  in the splashy garb

  of my own unexciting boat race,

  I began to feel myself subjected

  to the first in a long procession

  of differing emotions

  which would proceed to march

  through my consciousness, saluting

  in the fashion of squaddies

  who process past their king.

  3

  The first emotion I entertained (as one might

  entertain a shy and unassuming guest at tea)

  was a mild embarrassment at his behaviour.

  Then, as time went on, I became increasingly

  more mortified, until, out of all that

  itchy awkwardness

  there sprang a fragile and unexpected shoot

  of mirth as a silky stem

  might rise proud from a stimulated bean.

  And as that bean’s

  associated root bored its fidget way

  down into my ticklish mind I found I must

  soon produce a twiggy cough whose purpose

  was to camouflage a raspberry-like splutter

  behind which pressed a proper, full-blown

  belly-laugh.

  4

  I entered next,

  step by hesitant step,

  a state of respectful awe,

  not just at the fellow’s gall,

  not just at the fact he had

  the wherewithal

  to hold his pose,

  but at what seemed to be

  the dreadful weight

  of that which his dumbness

  seemed so eloquently

  to yammer.

  And soon it was that I admit

  I suddenly began to weep,

  to bawl, to cry

  not as I have ever caterwauled

  before or since but silently

  as though a sliding sluice had lifted

  and let the pity that I felt

  for Manning and which had

  backed up all this time inside me,

  pour from my eyes and nose

  and mouth and ears in a

  monstrous waterfall of

  amalgamated tears each single

  one of which stood in for some

  specific incidence of misery.

  And as the tears flowed

  so freely from me, as though

  a distraught torrent burst

  from a busted dam, an absurd

  and yet unnerving fear began

  to run along its boiling side

  like a Schützenpanzer halftrack

  rattling on the tarmac

  of a barely moonlit,

  barely flak-lit, near

  pitch-black Ruhr valley road.

  A fear that the pressure of those

  backed-up tears had for all

  these years powered

  a rusty dynamo

  that had furnished me with just

  enough get-up-and-go to rise

  each day from my bed, and that

  once the reservoir was spent

  I might never summon

  enough spirit to do so again!

  5

  So finally it was that a bitter little dread began

  to gather as a vapour in the near-emptied

  bladder of that sorrow. An anxiety that I must

  surely neither move nor speak and break

  this spell he’d cast. And it was only many

  minutes after darkness fell, to the extent that

  his form had been entirely obscured for

  a substantial chapter of time, that I felt able

  to creep backwards out of the scene and away

  as the world’s alternate, piddling and barbarous

  truths came down upon me as a dawn.

  6

  If you’re anything like me you’ll be wondering

  if Manning was still there the following day.

  Well the fact is that he was. There was no way

  that I might ascertain if he’d stolen off to spend

  the night ensconced in a hostelry or with some

  confederate perhaps in a nearby abode, and

  returned that morning with a hot and fortifying

  breakfast lolling supine in his belly only to adopt

  the same posture and open-mouthed expression

  once again, but I can vouch with certainty

  that when I found him in the field beside

  his machine at approximately 6.15 AM, he

  certainly gave the appearance of having been

  positioned there right through the night,

  as the dew which had formed on the grass

  and on the Sopwith Pup had also formed on him,

  and I was able to distinguish no tell-tale trace

  of footprints leading up to his position.

  I hesitate to mention this, but I swear I also

  could detect a damp expanse on the front

  portion of his britches, a darkened territory

  which continued down the entirety of his right

  thigh, as far as the top of his boot and which

  might indicate his having remained in place

  for many hours with no opportunity

  to relieve himself since before his flight

  began (though I should add that I wouldn’t

  put it past him to contrive even such an

  outrageous diversion as a means of misleading

  those of us who were his witnesses).

  7

  It was only when

  some time had passed

  that I espied a small boy,

  perhaps nine years

  of age or so,

  stood some little

  way away from me.

  And when that boy,

  who had also chosen

  not to approach

  Manning, decided

  to take his leave,

  I fabricated

/>   from the material

  of my presence there

  a departure of my own

  (as a Japanese might

  construct a queer

  though wanting toad

  from a folded piece

  of paper)

  and when I returned

  a second time,

  at approximately noon

  of that same day,

  Manning and his aircraft

  had disappeared,

  as had any tracks

  they might have left,

  the dew having

  long since dispersed

  beneath the heat

  of the sun.

  In fact Manning

  had left behind him

  to my great and

  continuing amazement

  no trace of his presence,

  no scintilla of suggestion

  that he’d had any more

  substance as my own

  unravelling breath.

  His failure to leave

  at the very least a relic,

  some trinket souvenir

  through which I might

  touch, through which

  I might palpate my own

  inchoate self excites me

  far more than I am able

  to express.

  IX Enter a Ghost Smelling Minty

  Holy-moly,

  the ghost is only gaseous!

  Though I might care for him

  he is mostly ghostly,

  largely see-through,

  his weightless,

  his ungravid, airy dong

  will do nothing for the world

  that’s rude for it,

  being made of earth and hot,

  being all bark, all bite,

  its stuff dug

  from the horny old ground.

  And who digged it?

  Well, it did. Down there

  in the filthy night. Just saying.

  * * *

  The Common Quail

  I heard this great story the other day.

  At least I’m pretty sure it was a great story,

  and I think I heard it the other day.

  Actually, I’m almost certain it was great

  because I remember thinking, wow,

  now that is a great story, and also

  I’m pretty sure it was the other day

  because I remember it was raining

  and it was certainly raining the other day.

  You know what, I really want to say

  the story had a quail in it, but then

  I also really don’t want to say it had

  a quail in it. Those feathers that a quail

  has, that brown and beige plumage looks

  so right in the context of the lingering

  atmosphere of the story, but also viewed

  another way it just seems so wrong with

  it’s One Two-Three call, and that kind of

  roundish shape quails have – I don’t know,

  I just can’t be sure either way. You know

  that thing when you say to your friends

  in the pub how you read a fascinating

  article about our education system in

  the West, and why it’s so totally fucked,

  and they go like, ‘Wow, what did the article

  say?’ and you realise you can’t remember

  a single thing it said, except the residue of

  that feeling of revelation you experienced

  when you read it is still with you, and maybe

  it’s that that’s the important thing.

  The Lawn Sprinkler

  The sprinkler’s simple engine

  that sputters through its repetitive routine

  is powered by that water which

  it distributes; just as the thickness of the tongue’s

  compelled to clever flutter

  by those words which, as they pass over it, it speaks.

  First off,

  take note of my bespoke rabbit-folk,

  pale, no meat on ’em (a transient enthusiasm)

  as they burst from squiggly silos,

  nibbling, nibbling, nibbling, liebling. Nibbling.

  Then see how my consort bod escorts me

  in its tight suit like a goon, and look how I leaf

  so slowly through your autonomous scent

  in the labyrinthine library of your presence.

  This world is like edible earth to me: edible, certainly,

  but full in the sense of crammed.

  Me, I am but a pin – sharp, slid into it, new; or I’m old,

  a blunt socket that receives existence’s

  three-pronged plug that sucks my polished electricity.

  (I fill myself also, as a dog fills its wallop.)

  Me, I’m the national anthem of somewhere shaky.

  You, you’re as neat as a particle.

  I don’t particularly mean you to touch me exactly.

  About the Author

  Mark Waldron was born in New York. He grew up in London where he now lives with his wife and son. He began writing poetry in his early 40s and published two collections with Salt, The Brand New Dark (2008) and The Itchy Sea (2011). His third collection, Mean-while, Trees, was published by Bloodaxe in 2016. The Brand New Dark was chosen for the Poetry Book Society’s Next Generation Poets promotion in 2014.

  Copyright

  Copyright © Mark Waldron 2016

  First published 2016 by

  Bloodaxe Books Ltd,

  Eastburn,

  South Park,

  Hexham,

  Northumberland NE46 1BS.

  This ebook edition published in 2016.

  www.bloodaxebooks.com

  For further information about Bloodaxe titles

  please visit our website or write to

  the above address for a catalogue.

  Cover design: Neil Astley & Pamela Robertson-Pearce.

  The right of Mark Waldron to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988.

  This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly.

  ISBN: 978 1 78037 297 6 ebook.

 

 

 


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