Supernatural Horror Short Stories

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Supernatural Horror Short Stories Page 14

by Flame Tree Studio


  “Well, sir – find anything, sir?” he asked, with a ghastly grin.

  “You were right about the porthole, Robert,” I said, and I gave him the promised sovereign. The carpenter did his work silently and skilfully, following my directions. When he had done he spoke.

  “I’m a plain man, sir,” he said. “But it’s my belief you had better just turn out your things, and let me run half a dozen four-inch screws through the door of this cabin. There’s no good never came o’ this cabin yet, sir, and that’s all about it. There’s been four lives lost out o’ here to my own remembrance, and that in four trips. Better give it up, sir – better give it up!”

  “I will try it for one night more,” I said.

  “Better give it up, sir – better give it up! It’s a precious bad job,” repeated the workman, putting his tools in his bag and leaving the cabin.

  But my spirits had risen considerably at the prospect of having the captain’s company, and I made up my mind not to be prevented from going to the end of the strange business. I abstained from Welsh rarebits and grog that evening, and did not even join in the customary game of whist. I wanted to be quite sure of my nerves, and my vanity made me anxious to make a good figure in the captain’s eyes.

  IV

  The captain was one of those splendidly tough and cheerful specimens of seafaring humanity whose combined courage, hardihood, and calmness in difficulty leads them naturally into high positions of trust. He was not the man to be led away by an idle tale, and the mere fact that he was willing to join me in the investigation was proof that he thought there was something seriously wrong, which could not be accounted for on ordinary theories, nor laughed down as a common superstition. To some extent, too, his reputation was at stake, as well as the reputation of the ship. It is no light thing to lose passengers overboard, and he knew it.

  About ten o’clock that evening, as I was smoking a last cigar, he came up to me, and drew me aside from the beat of the other passengers who were patrolling the deck in the warm darkness.

  “This is a serious matter, Mr. Brisbane,” he said. “We must make up our minds either way – to be disappointed or to have a pretty rough time of it. You see I cannot afford to laugh at the affair, and I will ask you to sign your name to a statement of whatever occurs. If nothing happens tonight we will try it again tomorrow and next day. Are you ready?” So we went below, and entered the state-room. As we went in I could see Robert the steward, who stood a little further down the passage, watching us, with his usual grin, as though certain that something dreadful was about to happen. The captain closed the door behind us and bolted it.

  “Supposing we put your portmanteau before the door,” he suggested. “One of us can sit on it. Nothing can get out then. Is the port screwed down?”

  I found it as I had left it in the morning. Indeed, without using a lever, as I had done, no one could have opened it. I drew back the curtains of the upper berth so that I could see well into it. By the captain’s advice I lighted my reading lantern, and placed it so that it shone upon the white sheets above. He insisted upon sitting on the portmanteau, declaring that he wished to be able to swear that he had sat before the door.

  Then he requested me to search the state-room thoroughly, an operation very soon accomplished, as it consisted merely in looking beneath the lower berth and under the couch below the porthole. The spaces were quite empty.

  “It is impossible for any human being to get in,” I said, “or for any human being to open the port.”

  “Very good,” said the captain calmly. “If we see anything now, it must be either imagination or something supernatural.”

  I sat down on the edge of the lower berth.

  “The first time it happened,” said the captain, crossing his legs and leaning back against the door, “was in March. The passenger who slept here, in the upper berth, turned out to have been a lunatic – at all events, he was known to have been a little touched, and he had taken his passage without the knowledge of his friends. He rushed out in the middle of the night and threw himself overboard, before the officer who had the watch could stop him. We stopped and lowered a boat; it was a quiet night, just before that heavy weather came on; but we could not find him. Of course, his suicide was afterwards accounted for on the ground of his insanity.”

  “I suppose that often happens?” I remarked, rather absently.

  “Not often – no,” said the captain; “never before in my experience, though I have heard of it happening on board of other ships. Well, as I was saying, that occurred in March. On the very next trip – What are you looking at?” he asked, stopping suddenly in his narration.

  I believe I gave no answer. My eyes were riveted upon the porthole. It seemed to me that the brass loop-nut was beginning to turn very slowly upon the screw – so slowly, however, that I was not sure it moved at all. I watched it intently, fixing its position in my mind, and trying to ascertain whether it changed. Seeing where I was looking, the captain looked, too.

  “It moves!” he exclaimed, in a tone of conviction. “No, it does not,” he added, after a minute.

  “If it were the jarring of the screw,” said I, “it would have opened during the day; but I found it this evening jammed tight as I left it this morning.”

  I rose and tried the nut. It was certainly loosened, for by an effort I could move it with my hands.

  “The queer thing,” said the captain, “is that the second man who was lost is supposed to have got through that very port. We had a terrible time over it. It was in the middle of the night, and the weather was very heavy; there was an alarm that one of the ports was open and the sea running in. I came below and found everything flooded, the water pouring in every time she rolled, and the whole port swinging from the top bolts – not the porthole in the middle. Well, we managed to shut it, but the water did some damage. Ever since that the place smells of sea-water from time to time. We supposed the passenger had thrown himself out, though the Lord only knows how he did it. The steward kept telling me that he cannot keep anything shut here. Upon my word – I can smell it now, cannot you?” he enquired, sniffing the air suspiciously.

  “Yes – distinctly,” I said, and I shuddered as that same odour of stagnant sea-water grew stronger in the cabin. “Now, to smell like this, the place must be damp,” I continued, “and yet when I examined it with the carpenter this morning everything was perfectly dry. It is most extraordinary – hallo!”

  My reading lantern, which had been placed in the upper berth, was suddenly extinguished. There was still a good deal of light from the pane of ground glass near the door, behind which loomed the regulation lamp. The ship rolled heavily, and the curtain of the upper berth swung far out into the state-room and back again. I rose quickly from my seat on the edge of the bed, and the captain at the same moment started to his feet with a loud cry of surprise. I had turned with the intention of taking down the lantern to examine it, when I heard his exclamation, and immediately afterwards his call for help. I sprang towards him. He was wrestling with all his might with the brass loop of the port. It seemed to turn against his hands in spite of all his efforts. I caught up my cane, a heavy oak stick I always used to carry, and thrust it through the ring and bore on it with all my strength. But the strong wood snapped suddenly and I fell upon the couch. When I rose again the port was wide open, and the captain was standing with his back against the door, pale to the lips.

  “There is something in that berth!” he cried, in a strange voice, his eyes almost starting from his head. “Hold the door, while I look – it shall not escape us, whatever it is!”

  But instead of taking his place, I sprang upon the lower bed, and seized something which lay in the upper berth.

  It was something ghostly, horrible beyond words, and it moved in my grip. It was like the body of a man long drowned, and yet it moved, and had the strength of ten men living; but I gripped it with a
ll my might – the slippery, oozy, horrible thing – the dead white eyes seemed to stare at me out of the dusk; the putrid odour of rank sea-water was about it, and its shiny hair hung in foul wet curls over its dead face. I wrestled with the dead thing; it thrust itself upon me and forced me back and nearly broke my arms; it wound its corpse’s arms about my neck, the living death, and overpowered me, so that I, at last, cried aloud and fell, and left my hold.

  As I fell the thing sprang across me, and seemed to throw itself upon the captain. When I last saw him on his feet his face was white and his lips set. It seemed to me that he struck a violent blow at the dead being, and then he, too, fell forward upon his face, with an inarticulate cry of horror.

  The thing paused an instant, seeming to hover over his prostrate body, and I could have screamed again for very fright, but I had no voice left. The thing vanished suddenly, and it seemed to my disturbed senses that it made its exit through the open port, though how that was possible, considering the smallness of the aperture, is more than any one can tell. I lay a long time upon the floor, and the captain lay beside me. At last I partially recovered my senses and moved, and instantly I knew that my arm was broken – the small bone of the left forearm near the wrist.

  I got upon my feet somehow, and with my remaining hand I tried to raise the captain. He groaned and moved, and at last came to himself. He was not hurt, but he seemed badly stunned.

  Well, do you want to hear any more? There is nothing more. That is the end of my story. The carpenter carried out his scheme of running half a dozen four-inch screws through the door of 105; and if ever you take a passage in the Kamtschatka, you may ask for a berth in that state-room. You will be told that it is engaged – yes – it is engaged by that dead thing.

  I finished the trip in the surgeon’s cabin. He doctored my broken arm, and advised me not to ‘fiddle about with ghosts and things’ any more. The captain was very silent, and never sailed again in that ship, though it is still running. And I will not sail in her either. It was a very disagreeable experience, and I was very badly frightened, which is a thing I do not like. That is all. That is how I saw a ghost – if it was a ghost. It was dead, anyhow.

  For the Blood is the Life

  F. Marion Crawford

  We had dined at sunset on the broad roof of the old tower, because it was cooler there during the great heat of summer. Besides, the little kitchen was built at one corner of the great square platform, which made it more convenient than if the dishes had to be carried down the steep stone steps broken in places and everywhere worn with age. The tower was one of those built all down the west coast of Calabria by the Emperor Charles V early in the sixteenth century, to keep off the Barbary pirates, when the unbelievers were allied with Francis I against the Emperor and the Church. They have gone to ruin, a few still stand intact, and mine is one of the largest. How it came into my possession ten years ago, and why I spend a part of each year in it, are matters which do not concern this tale. The tower stands in one of the loneliest spots in Southern Italy, at the extremity of a curving, rocky promontory, which forms a small but safe natural harbour at the southern extremity of the Gulf of Policastro, and just north of Cape Scalea, the birthplace of Judas Iscariot, according to the old local legend. The tower stands alone on this hooked spur of the rock, and there is not a house to be seen within three miles of it. When I go there I take a couple of sailors, one of whom is a fair cook, and when I am away it is in charge of a gnome-like little being who was once a miner and who attached himself to me long ago.

  My friend, who sometimes visits me in my summer solitude, is an artist by profession, a Scandinavian by birth, and a cosmopolitan by force of circumstances.

  We had dined at sunset; the sunset glow had reddened and faded again, and the evening purple steeped the vast chain of the mountains that embrace the deep gulf to eastward and rear themselves higher and higher towards the south. It was hot, and we sat at the landward corner of the platform, waiting for the night breeze to come down from the lower hills. The colour sank out of the air, there was a little interval of deep-grey twilight, and a lamp sent a yellow streak from the open door of the kitchen, where the men were getting their supper.

  Then the moon rose suddenly above the crest of the promontory, flooding the platform and lighting up every little spur of rock and knoll of grass below us, down to the edge of the motionless water. My friend lighted his pipe and sat looking at a spot on the hillside. I knew that he was looking at it, and for a long time past I had wondered whether he would ever see anything there that would fix his attention. I knew that spot well. It was clear that he was interested at last, though it was a long time before he spoke. Like most painters, he trusts to his own eyesight, as a lion trusts his strength and a stag his speed, and he is always disturbed when he cannot reconcile what he sees with what he believes that he ought to see.

  “It’s strange,” he said. “Do you see that little mound just on this side of the boulder?”

  “Yes,” I said, and I guessed what was coming.

  “It looks like a grave,” observed Holger.

  “Very true. It does look like a grave.”

  “Yes,” continued my friend, his eyes still fixed on the spot. “But the strange thing is that I see the body lying on the top of it. Of course,” continued Holger, turning his head on one side as artists do, “it must be an effect of light. In the first place, it is not a grave at all. Secondly, if it were, the body would be inside and not outside. Therefor, it’s an effect of the moonlight. Don’t you see it?”

  “Perfectly; I always see it on moonlight nights.”

  “It doesn’t seem it interest you much,” said Holger.

  “On the contrary, it does interest me, though I am used to it. You’re not so far wrong, either. The mound is really a grave.”

  “Nonsense!” cried Holger incredulously. “I suppose you’ll tell me that what I see lying on it is really a corpse!”

  “No,” I answered, “it’s not. I know, because I have taken the trouble to go down and see.”

  “Then what is it?” asked Holger.

  “It’s nothing.”

  “You mean that it’s an effect of light, I suppose?”

  “Perhaps it is. But the inexplicable part of the matter is that it makes no difference whether the moon is rising or setting, or waxing or waning. If there’s any moonlight at all, from east or west or overhead, so long as it shines on the grave you can see the outline of the body on top.”

  Holger stirred up his pipe with the point of his knife, and then used his finger for a stopper. When the tobacco burned well, he rose from his chair.

  “If you don’t mind,” he said, “I’ll go down and take a look at it.”

  He left me, crossed the roof, and disappeared down the dark steps. I did not move, but sat looking down until he came out of the tower below. I heard him humming an old Danish song as he crossed the open space in the bright moonlight, going straight to the mysterious mound. When he was ten paces from it, Holger stopped short, made two steps forward, and then three or four backward, and then stopped again. I know what that meant. He had reached the spot where the Thing ceased to be visible – where, as he would have said, the effect of light changed.

  Then he went on till he reached the mound and stood upon it. I could see the Thing still, but it was no longer lying down; it was on its knees now, winding its white arms round Holger’s body and looking up into his face. A cool breeze stirred my hair at that moment, as the night wind began to come down from the hills, but it felt like a breath from another world.

  The Thing seemed to be trying to climb to its feet helping itself up by Holger’s body while he stood upright, quite unconcious of it and apparently looking toward the tower, which is very picturesque when the moonlight falls upon it on that side.

  “Come along!” I shouted. “Don’t stay there all night!”

  It seemed
to me that he moved reluctantly as he stepped from the mound, or else with difficulty. That was it. The Thing’s arms were still round his waist, but its feet could not leave the grave. As he came slowly forward it was drawn and lengthened like a wreath of mist, thin and white, till I saw distinctly that Holger shook himself, as a man does who feels a chill. At the same instant a little wail of pain came to me on the breeze – it might have been the cry of the small owl that lives amongst the rocks – and the misty presence floated swiftly back from Holger’s advancing figure and lay once more at its length upon the mound.

  Again I felt the cool breeze in my hair, and this time an icy thrill of dread ran down my spine. I remembered very well that I had once gone down there alone in the moonlight; that presently, being near, I had seen nothing; that, like Holger, I had gone and had stood upon the mound; and I remembered how when I came back, sure that there was nothing there, I had felt the sudden conviction that there was something after all if I would only look back, a temptation I had resisted as unworthy of a man of sense, until, to get rid of it, I had shaken myself just as Holger did.

  And now I knew that those white, misty arms had been round me, too; I knew it in a flash, and I shuddered as I remembered that I had heard the night owl then, too. But it had not been the night owl. It was the cry of the Thing.

  I refilled my pipe and poured out a cup of strong southern wine; in less than a minute Holger was seated beside me again.

  “Of course there’s nothing there,” he said, “but it’s creepy, all the same. Do you know, when I was coming back I was so sure that there was something behind me that I wanted to turn around and look? It was an effort not to.”

  He laughed a little, knocked the ashes out of his pipe, and poured himself out some wine. For a while neither of us spoke, and the moon rose higher and we both looked at the Thing that lay on the mound.

 

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