But the black, lowering sky, as I turned my eyes upward, wore, doubtless, the same visage as when it frowned upon the ante-revolutionary New Englanders. The wintry blast had the same shriek that was familiar to their ears. The Old South Church, too, still pointed its antique spire into the darkness, and was lost between earth and heaven; and as I passed, its clock, which had warned so many generations how transitory was their life-time, spoke heavily and slow the same unregarded moral to myself. ‘Only seven o’clock,’ thought I. “My old friend’s legends will scarcely kill the hours ’twixt this and bed-time.”
Passing through the narrow arch, I crossed the court-yard, the confined precincts of which were made visible by a lantern over the portal of the Province House. On entering the bar-room, I found, as I expected, the old tradition-monger seated by a special good fire of anthracite, compelling clouds of smoke from a corpulent cigar. He recognized me with evident pleasure; for my rare properties as a patient listener invariably make me a favorite with elderly gentlemen and ladies, of narrative propensities. Drawing a chair to the fire, I desired mine host to favor us with a glass a-piece of whiskey punch, which was speedily prepared, steaming hot, with a slice of lemon at the bottom, a dark-red stratum of port wine upon the surface, and a sprinkling of nutmeg strewn over all. As we touched our glasses together, my legendary friend made himself known to me as Mr. Bela Tiffany; and I rejoiced at the oddity of the name, because it gave his image and character a sort of individuality in my conception. The old gentleman’s draught acted as a solvent upon his memory, so that it overflowed with tales, traditions, anecdotes of famous dead people, and traits of ancient manners, some of which were childish as a nurse’s lullaby, while others might have been worth the notice of the grave historian. Nothing impressed me more than a story of a black, mysterious picture, which used to hang in one of the chambers of the Province House, directly above the room where we were now sitting. The following is as correct a version of the fact as the reader would be likely to obtain from any other source; although, assuredly, it has a tinge of romance approaching to the marvellous.
In one of the apartments of the Province House there was long preserved an ancient picture, the frame of which was as black as ebony, and the canvas itself so dark with age, damp, and smoke, that not a touch of the painter’s art could be discerned. Time had thrown an impenetrable veil over it, and left to tradition, and fable, and conjecture, to say what had once been there portrayed. During the rule of many successive governors, it had hung, by prescriptive and undisputed right, over the mantel-piece of the same chamber; and it still kept its place when Lieutenant-Governor Hutchinson assumed the administration of the province, on the departure of Sir Francis Bernard.
The Lieutenant-Governor sat, one afternoon, resting his head against the carved back of his stately arm chair, and gazing up thoughtfully at the void blackness of the picture. It was scarcely a time for such inactive musing, when affairs of the deepest moment required the ruler’s decision; for, within that very hour, Hutchinson had received intelligence of the arrival of a British fleet, bringing three regiments from Halifax to overawe the insubordination of the people. These troops awaited his permission to occupy the fortress of Castle William, and the town itself. Yet, instead of affixing his signature to an official order, there sat the Lieutenant-Governor, so carefully scrutinizing the black waste of canvass, that his demeanour attracted the notice of two young persons who attended him. One, wearing a military dress of buff, was his kinsman, Francis Lincoln, the Provincial Captain of Castle William; the other, who sat on a low stool beside his chair, was Alice Vane, his favorite niece.
She was clad entirely in white, a pale, ethereal creature, who, though a native of New England, had been educated abroad, and seemed not merely a stranger from another clime, but almost a being from another world. For several years, until left an orphan, she had dwelt with her father in sunny Italy, and there had acquired a taste and enthusiasm for sculpture and painting, which she found few opportunities of gratifying in the undecorated dwellings of the colonial gentry. It was said that the early productions of her own pencil exhibited no inferior genius, though, perhaps, the rude atmosphere of New England had cramped her hand, and dimmed the glowing colors of her fancy. But observing her uncle’s steadfast gaze, which appeared to search through the mist of years to discover the subject of the picture, her curiosity was excited.
“Is it known, my dear uncle,” inquired she, “what this old picture once represented? Possibly, could it be made visible, it might prove a masterpiece of some great artist – else why has it so long held such a conspicuous place?”
As her uncle, contrary to his usual custom, (for he was as attentive to all the humors and caprices of Alice as if she had been his own best beloved child,) did not immediately reply, the young Captain of Castle William took that office upon himself.
“This dark old square of canvas, my fair cousin,” said he, ‘has been an heir-loom in the Province House from time immemorial. As to the painter, I can tell you nothing; but, if half the stories told of it be true, not one of the great Italian masters has ever produced so marvellous a piece of work, as that before you.’
Captain Lincoln proceeded to relate some of the strange fables and fantasies, which, as it was impossible to refute them by ocular demonstration, had grown to be articles of popular belief, in reference to this old picture. One of the wildest, and at the same time the best accredited accounts, stated it to be an original and authentic portrait of the Evil One, taken at a witch meeting near Salem; and that its strong and terrible resemblance had been confirmed by several of the confessing wizards and witches, at their trial, in open court. It was likewise affirmed that a familiar spirit, or demon, abode behind the blackness of the picture, and had shown himself, at seasons of public calamity, to more than one of the royal governors. Shirley, for instance, had beheld this ominous apparition, on the eve of General Abercrombie’s shameful and bloody defeat under the walls of Ticonderoga. Many of the servants of the Province House had caught glimpses of a visage frowning down upon them, at morning or evening twilight, – or in the depths of night, while raking up the fire that glimmered on the hearth beneath; although, if any were bold enough to hold a torch before the picture, it would appear as black and undistinguishable as ever. The oldest inhabitant of Boston recollected that his father, in whose days the portrait had not wholly faded out of sight, had once looked upon it, but would never suffer himself to be questioned as to the face which was there represented. In connection with such stories, it was remarkable that over the top of the frame there were some ragged remnants of black silk, indicating that a veil had formerly hung down before the picture, until the duskiness of time had so effectually concealed it. But, after all, it was the most singular part of the affair, that so many of the pompous governors of Massachusetts had allowed the obliterated picture to remain in the state-chamber of the Province House.
“Some of these fables are really awful,” observed Alice Vane, who had occasionally shuddered, as well as smiled, while her cousin spoke. “It would be almost worth while to wipe away the black surface of the canvas, since the original picture can hardly be so formidable as those which fancy paints instead of it.”
“But would it be possible,” inquired her cousin, “to restore this dark picture to its pristine hues?”
“Such arts are known in Italy,” said Alice.
The Lieutenant-Governor had roused himself from his abstracted mood, and listened with a smile to the conversation of his young relatives. Yet his voice had something peculiar in its tones, when he undertook the explanation of the mystery.
“I am sorry, Alice, to destroy your faith in the legends of which you are so fond,” remarked he; “but my antiquarian researches have long since made me acquainted with the subject of this picture – if picture it can be called – which is no more visible, nor ever will be, than the face of the long buried man whom it once represented. It was the
portrait of Edward Randolph, the founder of this house, a person famous in the history of New England.”
“Of that Edward Randolph,” exclaimed Captain Lincoln, “who obtained the repeal of the first provincial charter, under which our forefathers had enjoyed almost democratic privileges! He that was styled the arch enemy of New England, and whose memory is still held in detestation, as the destroyer of our liberties!”
“It was the same Randolph,” answered Hutchinson, moving uneasily in his chair. “It was his lot to taste the bitterness of popular odium.”
“Our annals tell us,” continued the Captain of Castle William, “that the curse of the people followed this Randolph wherever he went, and wrought evil in all the subsequent events of his life, and that its effect was seen likewise in the manner of his death. They say, too, that the inward misery of that curse worked itself outward, and was visible on the wretched man’s countenance, making it too horrible to be looked upon. If so, and if this picture truly represented his aspect, it was in mercy that the cloud of blackness has gathered over it.”
“These traditions are folly, to one who has proved, as I have, how little of historic truth lies at the bottom,” said the Lieutenant-Governor. “As regards the life and character of Edward Randolph, too implicit credence has been given to Dr. Cotton Mather, who – I must say it, though some of his blood runs in my veins – has filled our early history with old women’s tales, as fanciful and extravagant as those of Greece or Rome.”
“And yet,” whispered Alice Vane, “may not such fables have a moral; And methinks, if the visage of this portrait be so dreadful, it is not without a cause that it has hung so long in a chamber of the Province House. When the rulers feel themselves irresponsible, it were well that they should be reminded of the awful weight of a People’s curse.”
The Lieutenant-Governor started, and gazed for a moment at his niece, as if her girlish fantasies had struck upon some with mortal affairs, half in caprice, yet with a sensibility to human weal or woe. As he held the door for her to pass, Alice beckoned to the picture and smiled.
“Come forth, dark and evil Shape!” cried she. “It is thine hour!”
In the evening, Lieutenant-Governor Hutchinson sat in the same chamber where the foregoing scene had occurred, surrounded by several persons whose various interests had summoned them together. There were the Selectmen of Boston, plain, patriarchal fathers of the people, excellent representatives of the old puritanical founders, whose sombre strength had stamped so deep an impress upon the New England character. Contrasting with these were one or two members of the Council, richly dressed in the white wigs, the embroidered waistcoats and other magnificence of the time, and making a somewhat ostentatious display of courtier-like ceremonial. In attendance, likewise, was a major of the British army, awaiting the Lieutenant-Governor’s orders for the landing of the troops, which still remained on board the transports. The Captain of Castle William stood beside Hutchinson’s chair, with folded arms, glancing rather haughtily at the British officer, by whom he was soon to be superseded in his command. On a table, in the centre of the chamber, stood a branched silver candlestick, throwing down the glow of half a dozen wax lights upon a paper apparently ready for the Lieutenant-Governor’s signature.
Partly shrouded in the voluminous folds of one of the window-curtains, which fell from the ceiling to the floor, was seen the white drapery of a lady’s robe. It may appear strange that Alice Vane should have been there, at such a time; but there was something so child-like, so wayward, in her singular character, so apart from ordinary rules, that her presence did not surprise the few who noticed it. Meantime, the chairman of the Selectmen was addressing to the Lieutenant-Governor a long and solemn protest against the reception of the British troops into the town.
“And if your Honor,” concluded this excellent, but somewhat prosy old gentleman, “shall see fit to persist in bringing these mercenary sworders and musketeers into our quiet streets, not on our heads be the responsibility. Think, sir, while there is yet time, that if one drop of blood be shed, that blood shall be an eternal stain upon your Honor’s memory. You, sir, have written, with an able pen, the deeds of our forefathers. The more to be desired is it, therefore, that yourself should deserve honorable mention, as a true patriot and upright ruler, when your own doings shall be written down in history.”
“I am not insensible, my good sir, to the natural desire to stand well in the annals of my country,” replied Hutchinson, controlling his impatience into courtesy, “nor know I any better method of attaining that end than by withstanding the merely temporary spirit of mischief, which, with your pardon, seems to have infected elder men than myself. Would you have me wait till the mob shall sack the Province House, as they did my private mansion? Trust me, sir, the time may come when you will be glad to flee for protection to the King’s banner, the raising of which is now so distasteful to you.”
“Yes,” said the British major, who was impatiently expecting the Lieutenant-Governor’s orders. “The demagogues of this Province have raised the devil, and cannot lay him again. We will exorcise him, in God’s name and the King’s.”
“If you meddle with the devil, take care of his claws!” answered the Captain of Castle William, stirred by the taunt against his countrymen.
“Craving your pardon, young sir,” said the venerable Selectman, “let not an evil spirit enter into your words. We will strive against the oppressor with prayer and fasting, as our forefathers would have done. Like them, moreover, we will submit to whatever lot a wise Providence may send us, always, after our own best exertions to amend it.”
“And there peep forth the devil’s claws!” muttered Hutchinson, who well understood the nature of Puritan submission. “This matter shall be expedited forthwith. When there shall be a sentinel at every corner, and a court of guard before the town-house, a loyal gentleman may venture to walk abroad. What to me is the outcry of a mob, in this remote province of the realm? The King is my master, and England is my country! Upheld by their armed strength, I set my foot upon the rabble, and defy them!”
He snatched a pen, and was about to affix his signature to the paper that lay on the table, when the Captain of Castle William placed his hand upon his shoulder. The freedom of the action, so contrary to the ceremonious respect which was then considered due to rank and dignity, awakened general surprise, and in none more than in the Lieutenant-Governor himself. Looking angrily up, he perceived that his young relative was pointing his finger to the opposite wall. Hutchinson’s eye followed the signal; and he saw, what had hitherto been unobserved, that a black silk curtain was suspended before the mysterious picture, so as completely to conceal it. His thoughts immediately recurred to the scene of the preceding afternoon; and, in his surprise, confused by indistinct emotions, yet sensible that his niece must have had an agency in this phenomenon, he called loudly upon her.
“Alice! – Come hither, Alice!”
No sooner had he spoken than Alice Vane glided from her station, and pressing one hand across her eyes, with the other snatched away the sable curtain that concealed the portrait. An exclamation of surprise burst from every beholder; but the Lieutenant-Governor’s voice had a tone of horror.
“By Heaven,” said he, in a low, inward murmur, speaking rather to himself than to those around him, “if the spirit of Edward Randolph were to appear among us from the place of torment, he could not wear more of the terrors of hell upon his face!”
“For some wise end,” said the aged Selectman, solemnly, “hath Providence scattered away the mist of years that had so long hid this dreadful effigy. Until this hour no living man hath seen what we behold!”
Within the antique frame, which so recently had enclosed a sable waste of canvas, now appeared a visible picture, still dark, indeed, in its hues and shadings, but thrown forward in strong relief. It was a half-length figure of a gentleman in a rich, but very old-fashioned dress of embroide
red velvet, with a broad cuff and a beard, and wearing a hat, the brim of which overshadowed his forehead. Beneath this cloud the eyes had a peculiar glare, which was almost life-like. The whole portrait started so distinctly out of the background, that it had the effect of a person looking down from the wall at the astonished and awe-stricken spectators. The expression of the face, if any words can convey an idea of it, was that of a wretch detected in some hideous guilt, and exposed to the bitter hatred, and laughter, and withering scorn, of a vast surrounding multitude. There was the struggle of defiance, beaten down and overwhelmed by the crushing weight of ignominy. The torture of the soul had come forth upon the countenance. It seemed as if the picture, while hidden behind the cloud of immemorial years, had been all the time acquiring an intenser depth and darkness of expression, till now it gloomed forth again, and threw its evil omen over the present hour. Such, if the wild legend may be credited, was the portrait of Edward Randolph, as he appeared when a people’s curse had wrought its influence upon his nature.
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