13th Balloon

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13th Balloon Page 2

by Mark Bibbins


  what is the name of the song that goes

  Now I am your widow

  who never was your bride

  ///

  One afternoon you fixed me

  lunch in your tiny apartment

  cream of mushroom soup

  from a can

  and English muffins

  As you set our bowls

  on a blanket

  on the floor because you didn’t

  own a table

  you put on

  a bad British accent and said

  We’re having crumpets

  It was raining but there was

  an abundance of light

  coming somehow from a source

  outside we couldn’t see

  From here that light feels like

  what music sounds like

  just before the record skips

  ///

  What is it they say about water

  something about it seeking itself

  and how did jokes like this one move

  so quickly through the world in 1983

  What’s the hardest thing about having AIDS

  Convincing your parents you’re Haitian

  Did they spew out of fax machines

  were they blurted over happy-hour beers

  by somebody’s uncle

  who worked for the state or by another’s

  brother who worked in a garage

  their jokes attaching themselves like leeches

  to the swollen host of suffering

  ugly but not useless

  in order that we might endure

  whatever side of suffering we’re on

  What does GAY stand for

  Got AIDS Yet

  How many other acronyms crossed the membrane

  that separated my rural high school

  from the rest of the world and entered

  the gym one afternoon

  and filled it like a syringe  Which boys

  among us had just been watching

  our friends in the showers

  imagining their bodies

  sliding against our own

  like water seeking our own water

  Which boys then saw the word AIDS

  on the blood-filled test tube

  on the cover of Newsweek

  while other boys hooted and passed

  the magazine around the locker room

  Its own level that’s what water seeks

  and which of these boys

  was it only me which of us

  among any of these boys thought

  now I know now I know how

  I’m going to die

  ///

  When finally everyone was granted their childhood

  wish for invisibility it turned out to be less

  erotically useful than we had expected

  The first legitimately wild desire I had

  I turned into a pony so I could tame it

  He clomped for years among the precincts

  of my visible youth refusing

  to be ridden My use

  of the word first

  also proves to have been based

  on an unfounded sense of possibility

  that defines my fading generation still

  We cannot measure

  adequately the corruption of our age

  but we can make the wet of it wetter

  by diving into a lake

  the heat of it hotter

  by leaping onto a pyre

  On hearing the kvetching of coyotes

  in a graphite night

  my doppelgänger climbs

  into a constellation two feet off the ground

  When light

  and death both want us

  one of them might not

  get its way

  Other kid wishes were

  x-ray eyes

  the gift of flight

     unending life

  I’ve given names to a dozen more

  wishes but deleted those names

  because who could they ever have saved

  Not the impossibly sweet and recalcitrant pony

  who tried to steer me away from death

  however my death was trying to happen

  whether by fucking or hiding

  whether by drowning or by stars

  ///

  Before we met you had moved to Manhattan

  but then you moved back

  to the crappy capital that birthed us

  How many of us did this

  floating up and down

  the Hudson like little Moseses

  who couldn’t make up our minds

  I want to say you wanted

  to be near your nephew

  but maybe that wasn’t it

  In New York you met Val Kilmer before

  he was famous maybe you worked

  in a restaurant together anyway he gave you

  a pair of his shoes

  I still have them

  and when I wear them

  nothing magical happens but maybe

  sometimes it does

  William Basinski made the truest piece of art

  in response to 9/11

  before it happened

  and mostly by accident He had been

  digitizing old tape loops

  and as they played

  the magnetized coating

  on the surface of the tapes began

  to flake off

  to disintegrate He kept recording

  until there was no sound left

  and replayed the digital files on his Brooklyn roof

  as the sun went down behind

  the appalling cloud of smoke

  It’s a good story the one about

  Val Kilmer giving you his shoes

  I tell it when I wear them sometimes

  Oh these shoes

  were Val Kilmer’s He gave them

  to my dead boyfriend

  when they worked in a restaurant before

  one was famous and the other was dead

  Maybe not the best

  story for a party and I don’t often

  dance where I might be caught dancing

  although the shoes

  look like they would be amazing

  in that kind of motion

  Did I say the shoes are white

  and that the beige lining

  inside the soles has gotten so brittle and cracked

  that each time I take them

  from the closet and turn them over

  a few more flakes fall out

  ///

  Imagine a bird who lays her egg

  then picks it up and flies without

  landing until it hatches

  Imagine a thousand

  of these birds chopping away

  at the soggy light

  Since you died a thousand birds

  have daily flown through me

  each leaving behind an egg

  some of which rotted

  some of which hatched

  releasing more birds that pecked

  at my skull

  but not generating the noise

  and pain one might expect

  It’s more like hearing

  someone typing

  an endless suicide note

  in a room at the end

  of a carpeted hall

  Always one egg remains in me intact

  and each time I yank it out

  each time I crack it and crush it and throw

  away the shell

  it reappears whole

  I pull it out and pull it out

  I break it a thousand times

  but nothing is ever inside

  I carry it and carry it I do not land

  ///

  I have been terrified

  of clouds

  since learning how much they weigh

  A dam collapses

  but ther
e’s no flood

  the water already gone

  presumably into a cloud

  C.D. Wright said that elegy is a site

     of not loss but opposition

  nevertheless if anyone asks me

  about death I try

  to be optimistic I say yes

  there is death

  For me elegy

  is a Ouija planchette

  something I pretend not to touch

  as I push it around trying

  to make it say

  what I want it to say

  ///

  Seventeen years after you died

  I sat with a friend on a Fire Island beach

  after midnight drinking

  red wine out of red plastic cups

  Upon noticing in the distance headlights

  bobbing in the fog I popped up and said no way

  I’m forty same age as O’Hara let’s go let’s not

  be this emergency again

  It was a joke but it wasn’t a joke

  I knew what it felt like

  to be of a generation fully

  accustomed to being struck down

  ///

  You and our friends hid from me

  how sick you were

  so that I might come back to you

  On its face

  this strategy worked

  though it didn’t have to

  You came to Manhattan

  to visit me once while you could

  still manage the trip

  At the apartment of a friend

  who was a designer

  she took pictures of us

  holding sunflowers and wearing her robes

  I loved playing for you

  her answering machine greeting

  which was just her purring her name

  followed by a pause and

  Do leave word

  It possessed an elegance and brevity

  we aspired to though we knew

  by then that your life was turning

  into a sort of treatise on brevity

  On the way back to my apartment

  we saw a painting discarded

  on the street and you said

  the canvas was big enough

  to wrap a body in at least

  that’s what one

  of us might have said

  ///

  Here in the spectral academy

  here in the home of the freaks

  I devote myself to something

  Candy Darling said

  I will not cease to be myself for foolish people

  Yes but Candy what

  if foolish people’s who I am

  As the windows in the city sweat

  Candy’s ghost collects

  herself behind one of them

  I know it

  running her lines

  her voice a raft

  of white flowers floating

  in a bathroom sink

  Each day the internet invites us to try

  suicide by zoo animals

  or by eating a handful of ghost peppers

  thus triggering a laugh track

  over footage of a rainforest being razed

  Ruin feasts on us

  pausing between bites to baste

  us with our juices

  As a stopgap against never praising

  ruin enough we might praise the alien

  We might

  praise blood

  We might praise the blood of the alien

  as it sizzles through the floor

  while we’re sat safe in our seats

  in the theater of money

  We must believe as the child

  in its nightlit room believes

  it cannot be seen

  that nothing could touch us there

  ///

  after Doris Salcedo

  Inverted wooden tables out of which

  sprout the tenderest grasses

  A blouse made of thousands

  of needles

  A chair another chair

  a dozen chairs

  a chest of drawers

  all cemented in cement

  Who will reach across

  a distance so great

  that light cannot cross it

  to find a form for pain

  Shoes of disappeared women

  hovering in holes in walls

  and sutured into boxes

  of translucent animal skin

  Enough rose petals stitched

  together into a shroud

  that it could cover

  a hill where roses once grew

  ///

  Not often but sometimes I look

  at your photo album

  a black faux snakeskin affair

  Here you are

  at football camp twelve

  years old sitting next to Joe Namath

  Here you’re in school

  standing in front of a bulletin board

  to which are stuck letters that crookedly spell

  WHAT IS DECEMBER

  Underneath that is what appears

  to be a poem I’m glad

  I can’t read

  Your mouth is fully open belting

  out something

  a cheer a poem a song

  Did you like to sing of course you did

  like the time you sang

  once from the hospital bed

  Rich relations give crusts of bread and such

  You can help yourself but don’t take too much

  There’s one with you

  and your siblings and a collie

  who could be missing

  one of its ears

  You were born in an April

  and you died in a September

  It’s a fair question but now I couldn’t

  say with much confidence

  that I know what December is

  only that you lived

  through twenty-four of them

  and then no more

  As kids we were warned

  against playing with gender

  as if it were a plastic bag

  THIS IS NOT A TOY

  but here are some pictures

  of you in drag

  getting ready to head out to a party

  or maybe that was the party

  I think you were being Shelley Winters

  You told me how you’d met her

  and even went to her apartment once

  When she flung open the door

  she had scotch tape on her face

  and her makeup half on

  She was going to let you watch

  her finish the job

  and as she led you inside

  she bellowed Come on

  you’re in for a treat

  ///

  Primula veris Syringa vulgaris

  Forsythia suspensa Daucus carota

  Asclepias syriaca Centaurea cyanus

  and Toxicodendron radicans

  were among the things

  that grew wild where I grew up

  most more lovely in the woods and fields

  than their Latin names

  except for the last poison ivy

  some of which nearly every summer

  I would accidentally touch

  thereby prompting the publication

  of the story of my foolishness

  on the skin between my fingers

  When one boy came to school

  with his hands swollen so badly with it

  that he could barely hold a pen

  I was seized by a need to make

  visible on my body

  a difference about myself

  I couldn’t yet articulate

  so I rode to the top

  of a hill where I knew poison ivy

  grew and left my bike

  on the side of the road

  while I rubbed the leaves as hard

  as I could on
the backs of my hands

  Two weeks later they were still

  weeping pus as I plunged them

  into bowls of ice water Even after

  the rash abated they looked

  mottled and dead for months

    cowslip lilac

  forsythia Queen Anne’s lace

    milkweed cornflower

  Another year on the day

  of class photos

  I scratched at my face

  with a sharpened popsicle stick

  no blood just a few pink lines

  that didn’t read

  What else

  I wanted a cast on my leg or anywhere

  I wanted braces and glasses

  and my tonsils out

  I wanted scars

  I don’t know when

  or whether I figured out the difference

  between wanting to be damaged

  and wanting to be healed

  ///

  The night David Wojnarowicz died

  a spontaneous parade

  clattered down Second Avenue

  past the restaurant where I was working

  my way through college

  My syllabi were stuffed with books

  about the plague

  Sontag’s AIDS and Its Metaphors

  Monette’s Borrowed Time

  though all I had

  to do to see it was to step

  out into the street

  In one class we were quizzed

  on the five stages of grief

  In another I was invited

  by the instructor to stand before

  a lecture hall full of nursing students

  to field their questions

  about the consistency of semen

  more slippery than sticky at least at first

  Though not what most would call

  an expert witness

  I knew a thing or two

  For weeks I sat at a table in a corridor at school

  offering students condoms

  in exchange for filling out surveys

  about their sex lives

  I interned

  with social workers in the AIDS unit

  of a hospital uptown

  where one afternoon a patient

  lurched at me for a kiss

  while dragging behind him his IV stand

  which held aloft what looked

  like a bag of milk

  Another afternoon

  the head nurse gathered us

  in one of the patients’ rooms

  to wait with him in the dark for his death

  Was it that the room had no windows

  or that the shades had been drawn

  or is it my memory overlaying

  that scene with a different darkness now

  Either way how would his soul

  little ounce the soul I barely

  believed in then escape

  I don’t know what any

  of this prepared me for I don’t

 

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