The Wolves and the Lamb

Home > Fiction > The Wolves and the Lamb > Page 6
The Wolves and the Lamb Page 6

by William Makepeace Thackeray


  Enter Lady K., Children, and CLARENCE.

  LADY K.—So, Miss Prior! this is what I hear, is it? A dancer in my house! a serpent in my bosom—poisoning—yes, poisoning those blessed children! occasioning quarrels between my own son and my dearest son-in-law; flirting with the footman! When do you intend to leave, madam, the house which you have po—poll—luted?

  MISS P.—I need no hard language, Lady Kicklebury: and I will reply to none. I have signified to Mr. Milliken my wish to leave his house.

  MILLIKEN.—Not, not, if you will stay. [To Miss P.]

  LADY K.—Stay, Horace! she shall NEVER stay as governess in this house!

  MILLIKEN.—Julia! will you stay as mistress? You have known me for a year alone—before, not so well—when the house had a mistress that is gone. You know what my temper is, and that my tastes are simple, and my heart not unkind. I have watched you, and have never seen you out of temper, though you have been tried. I have long thought you good and beautiful, but I never thought to ask the question which I put to you now:—come in, sir! [to CLARENCE at door]:—now that you have been persecuted by those who ought to have upheld you, and insulted by those who owed you gratitude and respect. I am tired of their domination, and as weary of a man's cowardly impertinence [to CLARENCE] as of a woman's jealous tyranny. They have made what was my Arabella's home miserable by their oppression and their quarrels. Julia! my wife's friend, my children's friend! be mine, and make me happy! Don't leave me, Julia! say you won't—say you won't—dearest—dearest girl!

  MISS P.—I won't—leave—you.

  GEORGE [without].—Oh, I say! Arabella, look here: here's papa a-kissing Miss Prior!

  LADY K.—Horace—Clarence my son! Shade of my Arabella! can you behold this horrible scene, and not shudder in heaven! Bulkeley! Clarence! go for a doctor—go to Doctor Straitwaist at the Asylum—Horace Milliken, who has married the descendant of the Kickleburys of the Conqueror, marry a dancing-girl off the stage! Horace Milliken! do you wish to see me die in convulsions at your feet? I writhe there, I grovel there. Look! look at me on my knees! your own mother-in-law! drive away this fiend!

  MILLIKEN.—Hem! I ought to thank you, Lady Kicklebury, for it is you that have given her to me.

  LADY K.—He won't listen! he turns away and kisses her horrible hand. This will never do: help me up, Clarence, I must go and fetch his mother. Ah, ah! there she is, there she is! [Lady K. rushes out, as the top of a barouche, with Mr. and Mrs. BONNINGTON and Coachman, is seen over the gate.]

  MRS. B.—What is this I hear, my son, my son? You are going to marry a—a stage-dancer? you are driving me mad, Horace!

  MILLIKEN.—Give me my second chance, mother, to be happy. You have had yourself two chances.

  MRS. B.—Speak to him, Mr. Bonnington. [BONNINGTON makes dumb show.]

  LADY K.—Implore him, Mr. Bonnington.

  MRS. B.—Pray, pray for him, Mr. Bonnington, my love—my lost, abandoned boy!

  LADY K.—Oh, my poor dear Mrs. Bonnington!

  MRS. B.—Oh, my poor dear Lady Kicklebury. [They embrace each other.]

  LADY K.—I have been down on my knees to him, dearest Mrs. Bonnington.

  MRS. B.—Let us both—both go down on our knees—I WILL [to her husband]. Edward, I will! [Both ladies on their knees. BONNINGTON with outstretched hands behind them.] Look, unhappy boy! look, Horace! two mothers on their wretched knees before you, imploring you to send away this monster! Speak to him, Mr. Bonnington. Edward! use authority with him, if he will not listen to his mother—

  LADY K.—To his mothers!

  Enter TOUCHIT.

  TOUCHIT.—What is this comedy going on, ladies and gentlemen? The ladies on their elderly knees—Miss Prior with her hair down her back. Is it tragedy or comedy—is it a rehearsal for a charade, or are we acting for Horace's birthday? or, oh!—I beg your Reverence's pardon—you were perhaps going to a professional duty?

  MR. B.—It's WE who are praying this child, Touchit. This child, with whom you used to come home from Westminster when you were boys. You have influence with him; he listens to you. Entreat him to pause in his madness.

  TOUCHIT.—What madness?

  MRS. B.—That—that woman—that serpent yonder—that—that dancing-woman, whom you introduced to Arabella Milliken,—ah! and I rue the day:—Horace is going to mum—mum—marry her!

  TOUCHIT.—Well! I always thought he would. Ever since I saw him and her playing at whist together, when I came down here a month ago, I thought he would do it.

  MRS. B.—Oh, it's the whist, the whist! Why did I ever play at whist, Edward? My poor Mr. Milliken used to like his rubber.

  TOUCHIT.—Since he has been a widower—

  LADY K.—A widower of that angel! [Points to picture.]

  TOUCHIT.—Pooh, pooh, angel! You two ladies have never given the poor fellow any peace. You were always quarrelling over him. You took possession of his house, bullied his servants, spoiled his children; you did, Lady Kicklebury.

  LADY K.—Sir, you are a rude, low, presuming, vulgar man. Clarence! beat this rude man!

  TOUCHIT.—From what I have heard of your amiable son, he is not in the warlike line, I think. My dear Julia, I am delighted with all my heart that my old friend should have found a woman of sense, good conduct, good temper—a woman who has had many trials, and borne them with great patience—to take charge of him and make him happy. Horace, give me your hand! I knew Miss Prior in great poverty. I am sure she will bear as nobly her present good fortune; for good fortune it is to any woman to become the wife of such a loyal, honest, kindly gentleman as you are!

  Enter JOHN.

  JOHN.—If you please, my lady—if you please, sir—Bulkeley—

  LADY K.—What of Bulkeley, sir?

  JOHN.—He has packed his things, and Cornet Kicklebury's things, my lady.

  MILLIKEN.—Let the fellow go.

  JOHN.—He won't go, sir, till my lady have paid him his book and wages. Here's the book, sir.

  LADY K.—Insolence! quit my presence! And I, Mr. Milliken, will quit a house—

  JOHN.—Shall I call your ladyship a carriage?

  LADY K.—Where I have met with rudeness, cruelty, and fiendish [to Miss P., who smiles and curtsies]—yes, fiendish ingratitude. I will go, I say, as soon as I have made arrangements for taking other lodgings. You cannot expect a lady of fashion to turn out like a servant.

  JOHN.—Hire the "Star and Garter" for her, sir. Send down to the "Castle;" anything to get rid of her. I'll tell her maid to pack her traps. Pinhorn! [Beckons maid and gives orders.]

  TOUCHIT.—You had better go at once, my dear Lady Kicklebury.

  LADY K.—Sir!

  TOUCHIT.—THE OTHER MOTHER-IN-LAW IS COMING! I met her on the road with all her family. He! he! he! [Screams.]

  Enter Mrs. PRIOR and Children.

  MRS. P.—My lady! I hope your ladyship is quite well! Dear, kind Mrs. Bonnington! I came to pay my duty to you, ma'am. This is Charlotte, my lady—the great girl whom your ladyship so kindly promised the gown for; and this is my little girl, Mrs. Bonnington, ma'am, please; and this is my Bluecoat boy. Go and speak to dear, kind Mr. Milliken—our best friend and protector—the son and son-in-law of these dear ladies. Look, sir! He has brought his copy to show you. [Boy shows copy.] Ain't it creditable to a boy of his age, Captain Touchit? And my best and most grateful services to you, sir. Julia, Julia, my dear, where's your cap and spectacles, you stupid thing? You've let your hair drop down. What! what!—[Begins to be puzzled.]

  MRS. B.—Is this collusion, madam?

  MRS. P.—Collusion, dear Mrs. Bonnington!

  LADY K.—Or insolence, Mrs. Prior!

  MRS. P.—Insolence, your ladyship! What—what is it? what has happened? What's Julia's hair down for? Ah! you've not sent the poor girl away? the poor, poor child, and the poor, poor children!

  TOUCHIT.—That dancing at the "Coburg" has come out, Mrs. Prior.

  MRS. P.—Not the darling's fault. It was to help her po
or father in prison. It was I who forced her to do it. Oh! don't, don't, dear Lady Kicklebury, take the bread out of the mouths of these poor orphans! [Crying.]

  MILLIKEN.—Enough of this, Mrs. Prior: your daughter is not going away. Julia has promised to stay with me—and—never to leave me—as governess no longer, but as wife to me.

  MRS. P.—Is it—is it true, Julia?

  MISS P.—Yes, mamma.

  MRS. P.—Oh! oh! oh! [Flings down her umbrella, kisses JULIA, and running to MILLIKEN,] My son, my son! Come here, children. Come, Adolphus, Amelia, Charlotte—kiss your dear brother, children. What, my dears! How do you do, dears? [to MILLIKEN'S children]. Have they heard the news? And do you know that my daughter is going to be your mamma? There—there—go and play with your little uncles and aunts, that's good children! [She motions off the Children, who retire towards garden. Her manner changes to one of great patronage and intense satisfaction.] Most hot weather, your ladyship, I'm sure. Mr. Bonnington, you must find it hot weather for preachin'! Lor'! there's that little wretch beatin' Adolphus! George, sir! have done, sir! [Runs to separate them.] How ever shall we make those children agree, Julia?

  MISS P.—They have been a little spoiled, and I think Mr. Milliken will send George and Arabella to school, mamma: will you not, Horace?

  MR. MILLIKEN.—I think school will be the very best thing for them.

  MRS. P.—And [Mrs. P. whispers, pointing to her own children] the blue room, the green room, the rooms old Lady Kick has—plenty of room for us, my dear!

  MISS P.—No, mamma, I think it will be too large a party,—Mr. Milliken has often said that he would like to go abroad, and I hope that now he will be able to make his tour.

  MRS. P.—Oh, then! we can live in the house, you know: what's the use of payin' lodgin', my dear?

  MISS P.—The house is going to be painted. You had best live in your own house, mamma; and if you want anything, Horace, Mr. Milliken, I am sure, will make it comfortable for you. He has had too many visitors of late, and will like a more quiet life, I think. Will you not?

  MILLIKEN.—I shall like a life with YOU, Julia.

  JOHN.—Cab, sir, for her ladyship!

  LADY K.—This instant let me go! Call my people. Clarence, your arm! Bulkeley, Pinhorn! Mrs. Bonnington, I wish you good-morning! Arabella, angel! [looks at picture] I leave you. I shall come to you ere long. [Exit, refusing MILLIKEN's hand, passes up garden, with her servants following her. MARY and other servants of the house are collected together, whom Lady K. waves off. Bluecoat boy on wall eating plums. Page, as she goes, cries, Hurray, hurray! Bluecoat boy cries, Hurray! When Lady K. is gone, JOHN advances.]

  JOHN.—I think I heard you say, sir, that it was your intention to go abroad?

  MILLIKEN.—Yes; oh, yes! Are we going abroad, my Julia?

  MISS P.—To settle matters, to have the house painted, and clear [pointing to children, mother, &c.] Don't you think it is the best thing that we can do?

  MILLIKEN.—Surely, surely: we are going abroad. Howell, you will come with us of course, and with your experiences you will make a capital courier. Won't Howell make a capital courier, Julia? Good honest fellow, John Howell. Beg your pardon for being so rude to you just now. But my temper is very hot, very.

  JOHN [laughing].—You are a Tartar, sir. Such a tyrant! isn't he, ma'am?

  MISS P.—Well, no; I don't think you have a very bad temper, Mr. Milliken, a—Horace.

  JOHN.—You must—take care of him—alone, Miss Prior—Julia—I mean Mrs. Milliken. Man and boy I've waited on him this fifteen year: with the exception of that trial at the printing-office, which—which I won't talk of NOW, madam. I never knew him angry; though many a time I have known him provoked. I never knew him say a hard word, though sometimes perhaps we've deserved it. Not often—such a good master as that is pretty sure of getting a good servant—that is, if a man has a heart in his bosom; and these things are found both in and out of livery. Yes, I have been a honest servant to him,—haven't I, Mr. Milliken?

  MILLIKEN.—Indeed, yes, John.

  JOHN.—And so has Mary Barlow. Mary, my dear! [Mary comes forward.] Will you allow me to introduce you, sir, to the futur' Mrs. Howell?—if Mr. Bonnington does YOUR little business for you, as I dare say [turning to Mr. B.], hold gov'nor, you will!—Make it up with your poor son, Mrs. Bonnington, ma'am. You have took a second 'elpmate, why shouldn't Master Horace? [to Mrs. B.] He—he wants somebody to help him, and take care of him, more than you do.

  TOUCHIT.—You never spoke a truer word in your life, Howell.

  JOHN.—It's my general 'abit, Capting, to indulge in them sort of statements. A true friend I have been to my master, and a true friend I'll remain when he's my master no more.

  MILLIKEN.—Why, John, you are not going to leave me?

  JOHN.—It's best, sir, I should go. I—I'm not fit to be a servant in this house any longer. I wish to sit in my own little home, with my own little wife by my side. Poor dear! you've no conversation, Mary, but you're a good little soul. We've saved a hundred pound apiece, and if we want more, I know who won't grudge it us, a good fellow—a good master—for whom I've saved many a hundred pound myself, and will take the "Milliken Arms" at old Pigeoncot—and once a year or so, at this hanniversary, we will pay our respects to you, sir, and madam. Perhaps we will bring some children with us, perhaps we will find some more in this villa. Bless 'em beforehand! Good-by, sir, and madam—come away, Mary! [going].

  MRS. P. [entering with clothes, &c.]—She has not left a single thing in her room. Amelia, come here! this cloak will do capital for you, and this—this garment is the very thing for Adolphus. Oh, John! eh, Howell! will you please to see that my children have something to eat, immediately! The Milliken children, I suppose, have dined already?

  JOHN.—Yes, ma'am; certainly, ma'am.

  MRS. P.—I see he is inclined to be civil to me NOW!

  MISS P.—John Howell is about to leave us, mamma. He is engaged to Mary Barlow, and when we go away, he is going to set up housekeeping for himself. Good-by, and thank you, John Howell [gives her hand to JOHN, but with great reserve of manner]. You have been a kind and true friend to us—if ever we can serve you, count upon us—may he not, Mr. Milliken?

  MILLIKEN.—Always, always.

  MISS P.—But you will still wait upon us—upon Mr. Milliken, for a day or two, won't you, John, until we—until Mr. Milliken has found some one to replace you. He will never find any one more honest than you, and good, kind little Mary. Thank you, Mary, for your goodness to the poor governess.

  MARY.—Oh miss! oh mum! [Miss P. kisses Mary patronizingly].

  MISS P. [to JOHN].—And after they have had some refreshment, get a cab for my brothers and sister, if you please, John. Don't you think that will be best, my—my dear?

  MILLIKEN.—Of course, of course, dear Julia!

  MISS P.—And, Captain Touchit, you will stay, I hope, and dine with Mr. Milliken? And, Mrs. Bonnington, if you will receive as a daughter one who has always had a sincere regard for you, I think you will aid in making your son happy, as I promise you with all my heart and all my life to endeavor to do. [Miss P. and M. go up to Mrs. BONNINGTON.]

  MRS. BONNINGTON.—Well, there, then, since it must be so, bless you, my children.

  TOUCHIT.—Spoken like a sensible woman! And now, as I do not wish to interrupt this felicity, I will go and dine at the "Star and Garter."

  MISS P.—My dear Captain Touchit, not for worlds! Don't you know I mustn't be alone with Mr. Milliken until—until—?

  MILLIKEN.—Until I am made the happiest man alive! and you will come down and see us often, Touchit, won't you? And we hope to see our friends here often. And we will have a little life and spirit and gayety in the place. Oh, mother! oh, George! oh, Julia! what a comfort it is to me to think that I am released from the tyranny of that terrible mother-in-law!

  MRS. PRIOR.—Come in to your teas, children. Come this moment, I say. [The Children pass quarrelling behind the character
s, Mrs. PRIOR summoning them; JOHN and MARY standing on each side of the dining-room door, as the curtain falls.]

  End of the Project Gutenberg EBook of The Wolves and the Lamb, by William Makepeace Thackeray *** END OF THIS PROJECT GUTENBERG EBOOK THE WOLVES AND THE LAMB *** ***** This file should be named 2797-h.htm or 2797-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/9/2797/ Produced by Donald Lainson; David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the addre
ss specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director [email protected] Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBo
oks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

 

‹ Prev