by Anne Edwards
DRAGON SEED, Metro-Goldwyn-Mayer, 1944
Based on the novel by Pearl S. Buck
Produced by Pandro S. Berman; Directed by Jack Conway and Harold S. Bucquet; Assistant Director, Al Shenberg; Technical Director, Wei F. Hsueh; Screenplay by Marguerite Roberts and Jane Murfin; Photography by Sidney Wagner; Special Effects by Warren Newcombe; Art Direction by Cedric Gibbons; Associate Art Director, Lyle R. Wheeler; Set Decorator, Edwin B. Willis; Associate Set Decorator, Hugh Hunt; Music by Herbert Stothart; Sound Recorder, Douglas Shearer; Film Editor, Harold F. Kress; Costumes by Valles; Costume Supervisor, Irene; Makeup by Jack Dawn.
WITHOUT LOVE, Metro-Goldwyn-Mayer, 1945
Based on the play by Philip Barry; as produced on the stage by The Theatre Guild, Inc.
Produced by Lawrence A. Weingarten; Directed by Harold S. Bucquet; Assistant Director, Earl McEvoy; Screenplay by Donald Ogden Stewart; Photography by Karl Freund; Special Effects by A. Arnold Gillespie and Danny Hall; Art Director, Cedric Gibbons; Associate Art Director, Harry McAfee; Set Decorator, Edwin B. Willis; Associate Set Decorator, McLean Nisbet; Music by Bronislau Kaper; Sound Recorder, Douglas Shearer; Film Editor, Frank Sullivan; Costume Supervision, Irene; Associate Costumer, Marion Herwood Keyes; Makeup by Jack Dawn; Montage, Peter Ballbusch.
UNDERCURRENT, Metro-Goldwyn-Mayer, 1946
Based on a story by Thelma Strabel
Produced by Pandro S. Berman; Directed by Vincente Minnelli; Assistant Director, Normal Elzer; Screenplay by Edward Chodorov; Photography by Karl Freund; Art Direction by Cedric Gibbons; Associate Art Director, Randall Duell; Set Decorator, Edwin B. Willis; Associate Set Decorator, Jack D. Moore; Music by Herbert Stothart; Sound Recorder, Douglas Shearer; Film Editor, Ferris Webster; Costumes by Irene; Makeup by Jack Dawn; Hairstyles by Sydney GuilarofF.
In 1946, Katharine Hepburn and Spencer Tracy made a short trailer for the Cancer Society.
THE SEA OF GRASS, Metro-Goldwyn-Mayer, 1947
Based on the novel by Conrad Richter
Produced by Pandro S. Berman; Directed by Elia Kazan; Assistant Director, Sid Sidman; Screenplay by Marguerite Roberts and Vincent Lawrence; Photography by Harry Stradling; Art Direction by Cedric Gibbons; Associate Art Director, Paul Groesse; Set Decorator, Edwin B. Willis; Music by Herbert Stothart; Sound Recorder, Douglas Shearer; Film Editor, Robert J. Kern; Costumes by Walter Plunkett; Makeup by Jack Dawn.
SONG OF LOVE, Metro-Goldwyn-Mayer, 1947
Based on the play by Bernard Schubert and Mario Silva
Produced by Clarence Brown; Directed by Clarence Brown; Assistant Director, Al Raboch; Screenplay by Ivan Tors, Irmgard Von Cube, Allen Vincent and Robert Ardrey; Photography by Harry Stradling; Special Effects by Warren Newcombe; Art Direction by Cedric Gibbons; Associate Art Director, Hans Peters; Set Decorator, Edwin B. Willis; Music by Bronislau Kaper; Sound Recorder, Douglas Shearer; Piano Recordings, Arthur Rubinstein; Orchestra, M.G.M. Symphony Orchestra; Conductor, William Steinberg; Chorus, St. Luke’s Boy Choir; Music Adviser, Laura Dubman; Film Editor, Robert J. Kern; Women’s Costumes by Walter Plunkett; Men’s Costumes by Valles; Costume Supervision by Irene; Makeup by Jack Dawn; Hairstyles by Sydney Guilaroff.
STATE OF THE UNION,* Metro-Goldwyn-Mayer, 1948 (a Liberty Film Production)
Based on the play by Howard Lindsay and Russel Crouse
Produced by Frank Capra; Associate Producer, Anthony Veiller; Directed by Frank Capra; Assistant Director, Arthur S. Black, Jr.; Screenplay by Anthony Veiller and Myles Connelly; Photography by George J. Folsey; Special Effects by A. Arnold Gillespie; Art Direction by Cedric Gibbons; Associate Art Director, Urie McCleary; Set Decorator, Emile Kuri; Music by Victor Young; Sound Recorder, Douglas Shearer; Film Editor, William Hornbeck; Costumes by Irene.
ADAM’S RIB, Metro-Goldwyn-Mayer, 1949
Based on an original story by Ruth Gordon and Garson Kanin
Produced by Lawrence Weingarten; Directed by George Cukor; Assistant Director, Jack Greenwood; Screenplay by Ruth Gordon and Garson Kanin; Photography by George J. Folsey; Special Effects by A. Arnold Gillespie; Art Direction by Cedric Gibbons; Associate Art Director, William Ferrari; Set Decorator, Edwin B. Willis; Associate Set Decorator, Henry Grace; Music by Miklos Rozsa; Sound Recorder, Douglas Shearer; Film Editor, George Boemler; Costumes by Walter Plunkett.
Song “Farewell, Amanda” by Cole Porter.
THE AFRICAN QUEEN, United Artists, 1951
Based on the novel by C. S. Forester
Produced by S. P. Eagle; Directed by John Huston; Assistant Director, Guy Hamilton; Screenplay by James Agee and John Huston; Photography by Jack Cardiff; Special Effects by Cliff Richardson; Second Unit Photography by Ted Scaife; Music by Alan Gray; Sound Recorder, John Mitchell; Film Editor, Ralph Kemplen; Production Managers, Leigh Aman, T. S. Lyndon-Haynes, Wilfred Shingleton and John Hoesli; Sound Editor, Eric Wood; Costumer for Miss Hepburn, Doris Langley Moore; Film Costumes by Connie De Pinna; Wardrobe Mistress, Vi Murray; Makeup by George Frost; Camera Operator, Ted Moore; Continuity, Angela Allen.
PAT AND MIKE, Metro-Goldwyn-Mayer, 1952
Based on an original story by Ruth Gordon and Garson Kanin
Produced by Lawrence Weingarten; Directed by George Cukor; Assistant Director, Jack Greenwood; Screenplay by Ruth Gordon and Garson Kanin; Photography by William Daniels; Special Effects by Warren Newcombe; Art Direction by Cedric Gibbons; Associate Art Director, Urie McCleary; Set Decorator, Edwin B. Willis; Associate Set Decorator, Hugh Hunt; Music by David Raskin; Sound Recorder, Douglas Shearer; Film Editor, George Boemler; Miss Hepburn’s Costumes by Orry-Kelly; Makeup by William Tuttle; Montage by Peter Ballbusch.
SUMMERTIME,* United Artists, 1955 (A Lopert Film Production)
Based on the play The Time of the Cuckoo by Arthur Laurents
Produced by Ilya Lopert; Associate Producer, Norman Spencer; Assistant to the Producer, Robert Kingsley; Directed by David Lean; Screenplay by David Lean and H. E. Bates; Photography by Jack Hildyard; Art Direction by Vincent Korda; Associate Art Directors, W. Hutchinson and Ferdinand Bellan; Music by Alessandro Cicognini; Sound Recorder, Peter Handford; Film Editor, Peter Taylor; Sound Editor, Winston Ryder; Hairstyles by Grazia de Rossi; Makeup by Cesare Gamberelli; Production Managers, Raymond Anzarut and Franco Magli; Camera Operator, Peter Newbrook; Continuity, Margaret Shipway.
THE RAINMAKER, Paramount, 1956
Based on the play by N. Richard Nash
Produced by Hal B. Wallis; Associate Producer, Paul Nathan; Directed by Joseph Anthony; Assistant Director, C. G. Coleman, Jr.; Screenplay by N. Richard Nash; Photography by Charles Lang, Jr.; Special Effects by John P. Fulton; Art Direction by Hal Pereira; Associate Art Director, Walter Tyler; Set Decorator, Sam Comer; Associate Set Decorator, Arthur Krams; Music by Alex North; Sound Recorders, Harold Lewis and Winston Leverett; Film Editor, Warren Low; Costumes by Edith Head; Makeup by Wally Westmore; Hairstyles by Nellie Manley; Technicolor Color Consultant, Richard Mueller.
THE IRON PETTICOAT, Metro-Goldwyn-Mayer, 1956 (A Benhar Production)
Based on an original story by Harry Saltzman
Produced by Betty E. Box; Directed by Ralph Thomas; Assistant Director, James H. Ware; Screenplay by Ben Hecht (name removed from credits); Photography by Ernest Steward; Art Direction by Carmen Dillon; Set Decorator, Vernon Dixon; Music by Benjamin Frankel; Sound Recorders, John W. Mitchell and Gordon K. McCallum; Sound Editor, Roger Cherrill; Film Editor, Frederick Wilson; Costumes by Yvonne Caffin; Makeup by W. T. Partleton; Production Manager, R. Denis Holt; Camera Operator, H.A.R. Thompson; Continuity, Joan Davis.
THE DESK SET,* Twentieth Century-Fox, 1957
Based on the play by William Marchant; as produced on the stage by Robert Fryer and Lawrence Carr
Produced by Henry Ephron; Directed by Walter Lang; Assistant Director, Hal Herman; Screenplay by Phoebe and Henry Ephron; Photography by Leon Shamroy; Special Effects by Ray Kellogg; Art Direction by Lyle Wheeler; Associate Art Director, Maurice Ransford; Set Decorator, Walter M. S
cott; Associate Set Decorator, Paul S. Fox; Music by Cyril J. Mockridge; Musical Director, Lionel Newman; Orchestrator, Edward B. Powell; Sound Recorders, E. Clayton Ward and Harry M. Leonard; Film Editor, Robert Simpson; Costumes by Charles le Maire; Makeup by Ben Nye; Hairstyles by Helen Turpin; Color Consultant, Leonard Doss; Cinemascope Lenses by Bausch & Lomb.
SUDDENLY LAST SUMMER, Columbia Pictures, 1959 (A Horizon [G.B.]) Limited Production in association with Academy Pictures and Camp Films
Based on the short play by Tennessee Williams
Produced by Sam Spiegel; Directed by Joseph L. Mankiewicz; Assistant Director, Bluey Hill; Screenplay by Gore Vidal and Tennessee Williams; Photography by Jack Hildyard; Special Effects by Tom Howard; Production Supervisor, Bill Kirby; Production Designer, Oliver Messel; Art Direction by William Kellner; Set Decorator, Scott Slimon; Music by Buxton Orr and Malcolm Arnold; Sound Recorders, A. G. Ambler and John Cox; Film Editor, Thomas G. Stanford; Editorial Consultant, William W. Hornbeck; Assembly Editor, John Jympson; Costumes for Miss Hepburn by Norman Hartnell; Costumes for Miss Taylor by Jean Louis; Associate Costumer, Joan Ellacott; Makeup by David Aylott; Hairstyles by Joan White; Camera Operator, Gerry Fisher; Construction Manager, Dewey Dukelow; Continuity, Elaine Schreyeck.
LONG DAY’S JOURNEY INTO NIGHT, Embassy, 1962
Based on the play by Eugene O’Neill
Co-Producers, Ely Landau and Jack J. Dreyfus, Jr.; Directed by Sidney Lumet; Screenplay by Eugene O’Neill; Photography by Boris Kaufman; Music by Andre Previn; Film Editor, Ralph Rosenblum; Production Designer, Richard Sylbert; In Charge of Production, George Justin; Costumes by Motley.
GUESS WHO’S COMING TO DINNER, Columbia, 1967 (A Stanley Kramer Production)
Produced by Stanley Kramer; Associate Producer, George Glass; Directed by Stanley Kramer; Assistant Director, Ray Gosnell; Original Screenplay by William Rose; Photography by Sam Leavitt; Special Effects by Geza Gaspar; Process Photography by Larry Butler; Production Designer, Robert Clat-worthy; Set Decorator, Frank Tuttle; Music by Frank de Vol; Sound Recorders, Charles J. Rice, Robert Martin; Film Editor, Robert C. Jones; Costumes by Joe King; Wardrobe Supervisor, Jean Louis; Song “Glory of Love” by Billy Hill, sung by Jacqueline Fontaine.
THE LION IN WINTER, Avco Embassy, 1968 (A Martin Poll Production)
Based on the play by James Goldman
Produced by Martin Poll; Executive Producer, Joseph E. Levine; Associate Producer, Jane C. Nusbaum; Directed by Anthony Harvey; Assistant Director, Kip Govvans; Screenplay by James Goldman; Photography by Douglas Slocombe; Art Direction by Peter Murton; Set Decorator, Peter James; Music by John Barry; Sound Recorder, Simon Kaye; Film Editor, John Bloom; Production Supervisor, John Quested; Production Manager, Basil Appleby; Costumes by Margaret Furse; Makeup by William Lodge; Hairstyles by A. G. Scott.
TPIE MADWOMAN OF GHAILLOT, Warner Brothers-Seven Arts, 1969 (An Ely Landau-Bryan Forbes Production, a Commonwealth United Corporation Film)
Based on the play by Jean Giraudoux, as translated into English by Maurice Valency.
Produced by Ely Landau; Executive Producer, Henry T. Weinstein; Associate Producer, Anthony B, Ungar; Directed by Bryan Forbes; Assistant Director, Louis-Alain Pitzeie; Screenplay by Edward Anhalt; Photography by Claude Renoir and Burnett Guffey; Production Designer, Ray Simm; Art Direction by Georges Petitot; Set Decorator, Dario Simoni; Music by Michael J. Lewis; Orchestrator, Wally Scott; Sound Recorder, Janet Davidson; Sound Mixer, Bill Daniels; Film Editor, Roger Dwyre; Wardrobe Designed by Rosine Dela-mare; Makeup by Monique Archambault; Hairstyles by Alex Archambault; Production Manager, Henri Jacquillard; Song “The Lonely Ones” by Michael J. Lewis and Gil King.
TROJAN WOMEN, Cinerama Releasing, 1971, based on the tragedy by Euripides
Produced by Michael Cacoyannis and Anis Nohra; Executive Producer, Josef Shaftel; Director, Michael Cacoyannis; Assistant Directors, Stavros Konst antarakos, Jose Maria Ochoa and Roberto Cirla; Screenplay by Michael Cacoyannis; Photography by Alfio Contini; Production Supervisor, Carlo Las-tricati; Production Assistant, Derek Horne; Location Manager, Paco Lara; Special Effects, Basilio Cortijo; Art Direction by Nicholas Georgiadis; Assistant Art Directors, Alistair Livingstone, Roman Calatayud; Music, Mikis Theodorakis; Sound, Mikes Damalas; Sound Mixer, Gordon McCallum; Sound Editor, Alfred Cox, G.B.F.E.; Assembly Editor, Russell Woolnough; Coordinator, Yannoulla Wakefield; Continuity, Margarita Pardo; Camera Operator, Maurizio Scanzani; Makeup by Francesco Freda; Hairstyles by Adalgisa Favella; Wardrobe by Annalisa Nasalli Rocca.
ROOSTER GOGBURN, Universal Pictures, 1975
Based on a character from the novel True Grit by Charles Portis
Produced by Hal B. Wallis; Directed by Stuart Millar; Assistant Director, Pepi Lenzi; Screenplay by Martin Julien; Photography by Harry Stradling, Jr.; Editor, Robert Swink; Music by Laurence Rosenthal; Art Direction by Preston Ames; Set Decoration by George Robert Nelson; Sound by Leonard S. Peterson and John Garter; Second Unit Director, Michael Moore; Stunt Coordinator, Jerry Gatlin.
OLLY OLLY OXEN FREE, Sanrio Film Distribution release of a Rico Lion production, 1978
Based on a story by Maria L. de Ossio, Eugene Poinc and Richard A. Colla
Produced by Richard A. Colla; Executive Producer, Don Henderson; Directed by Richard A. Colla; Executive in charge of production, James M. Colla; Screenplay by Eugene Poinc; Photography by Gayne Rescher; Editor, Lee Burch; Production Design by Peter Wooley; Music by Bob Alcivar; Costumes by Edith Head.
ON GOLDEN POND, Universal, 1981
Based on the play by Ernest Thompson
Produced by Bruce Gilbert; Directed by Mark Rydell; Screenplay by Ernest Thompson; Production Designer, Stephen Grimes; Set Decorator, Jane Bogart; Cinematographer, Billy Williams; Production Mixer, David Ronne; Sound Editor, Victoria Rose Sampson; Music by Dave Grusin; Film Editor, Robert L. Wolfe; Costumes by Dorothy Jeakins; Rerecording Mixer, Richard Portman.
THE ULTIMATE SOLUTION OF GRACE QUIGLEY, MGMjUA and Cannon Films release of a Golan-Globus production for Northbrook Films, 1984
Produced by Menahem Golan and Yoram Globus; Executive Producers, A. Martin Zweiback and Adrienne Zweiback; Directed by Anthony Harvey; Screenplay by A. Martin Zweiback; Camera (M.G.M. color), Larry Pizer; Editor, Bob Raetano; Music by John Addison; Costumes by Ruth Morley; Associate Producer, Christopher Pearce.
NARRATIONS:
WOMEN IN DEFENSE, released by the Office of War Information, Distributed by the War Activities Committee of the Motion Picture Industry; Copyright 1941. 11 minutes, sound, black and white, 16mm
RESOLVED TO BE FREE, documentary sponsored by the Society for Savings in conjunction with the State Bicentennial Committee, produced by Ellsworth Grant, June, 1974. 30 minutes
Footnotes
* Released as FREE TO LIVE in Great Britain
* Released as THE WORLD AND HIS WIFE in Great Britain
* Released as SUMMER MADNESS in Great Britain
* Released as HIS OTHER WOMAN in Great Britain
THEATER CHRONOLOGY
SUMMER STOCK: The Edwin H. Knopf Stock Company, Baltimore, Maryland, 1928. Also in company—Mary Boland, Kenneth MacKenna, Alison Skipworth, Dudley Digges, Violet Heming and Robert Montgomery.
THE CZARINA by Melchior Lengyel and Lajos Biro
THE CRADLE SNATCHERS by Russell Medcraft and Norma Mitchell
THE BIG POND by George Middleton and A. E. Thomas
Produced by Edwin H. Knopf and William P. Farnsworth; Staged by Edwin H. Knopf.
THESE DAYS by Katharine Clugston
Opened: November 12, 1928, Cort Theatre, New York
Produced by Arthur Hopkins; Staged by Arthur Hopkins; Settings by Robert Edmond Jones.
HOLIDAY by Philip Barry
Opened: November 26, 1928, Plymouth Theatre, New York
Produced by Arthur Hopkins; Staged by Arthur Hopkins.
DEATH TAKES A HOLIDAY by Alberto Casella, adapted by Walter Ferris
Opened: October, 1929, Adelphi Theatre, Philadel
phia
Produced by Lee Shubert; Staged by Lawrence Marston; Settings by Rollo Wayne.
A MONTH IN THE COUNTRY by Ivan Turgenev
Translated by M. S. Mandell
Opened: March 17, 1930, Guild Theatre, New York
Produced by The Theatre Guild, Inc.; Acting Version and Direction by Rouben Mamoulian; Settings and Costumes by M. S. Dobuzinsky; Executed by Raymond Sovey.
SUMMER STOCK: The Berkshire Playhouse, Stockbridge, Massachusetts, June–July 1930
THE ADMIRABLE CRICHTON by Sir James M. Barrie
Produced by Alexander Kirkland and F. Cowles Strickland
THE ROMANTIC YOUNG LADY by Martinez Sierra (Don Grego:rio Sierra and Marie Lejárrago)
ROMEO AND JULIET by Shakespeare
ART AND MRS. BOTTLE (or THE RETURN OF THE PURITAN) by Benn W. Levy
Opened: November 18, 1930, Maxine Elliott Theatre, New York
SUMMER STOCK: Ivoryton, Connecticut, 1931
Katharine Hepburn had supporting roles in three plays: JUST MARRIED by Adelaide Matthews and Anne Nichols, THE CAT AND THE CANARY by John Willard and THE MAN WHO CAME BACK by Jules Eckcert Goodman.
