by Nick Hornby
I’ve got an onion now. A fucking onion. And some other stuff, beds, and tents and shit, because I’m not in a room by myself any more; the CCTV film isn’t controversial, so they don’t need anyone to keep an eye on it. But my chair’s by the onion, and it bores me shitless, because there’s nothing to think about onions, is there? So I don’t. I just sit here and think about what I’d like to do, apart from be Tiger Woods or Richard Branson.
After I Was Thrown in the River and Before I Drowned
DAVE EGGERS
Oh, I’m a fast dog. I’m fast-fast. It’s true and I love being fast I admit it I love it. You know fast dogs. Dogs that just run by and you say, ‘Damn! That’s a fast dog!’ Well, that’s me. A fast dog. Hoooooooo! I’m a fast fast dog. Hooooooooooooo! You should watch me sometime. Just watch how fast I go when I’m going my fastest, when I’ve really got to move for something, when I’m really on my way – man do I get going sometimes, weaving like a missile, weaving like a missile between trees and around bushes and then – pop! – I can go over a fence or a baby or a rock or anything because I’m a fast fast dog and I can jump like a fucking gazelle.
Hoooooooo! Man, oh man.
I love it, I love it. I run to feel the cool air cool through my fur. I run to feel the cold water come from my eyes. I run to feel my jaw slacken and my tongue come loose and flap from the side of my mouth and I go and go and go my name is Steven.
I can eat pizza. I can eat chicken. I can eat yogurt and rye bread with caraway seeds. It really doesn’t matter. They say, ‘No, no, don’t eat that stuff, you, that stuff isn’t for you, it’s for us, for people!’ And I eat it anyway, I eat it with gusto, I eat the food and I feel good and I live on and run and run and look at the people and hear their stupid conversations coming from their slits for mouths and terrible eyes.
I see in the windows. I see what happens. I see the calm held-together moments and also the treachery and I run and run. You tell me it matters, what they all say. I have listened and long ago I stopped. Just tell me it matters and I will listen to you and I will want to be convinced. You tell me that what is said is making a difference, that those words are worthwhile words and mean something. I see what happens. I live with people who are German. They collect steins. They are good people. Their son is dead. I see what happens.
When I run I can turn like I’m magic or something. I can turn like there wasn’t even a turn. I turn and I’m going so fast it’s like I was still going straight. Through the trees like a missile, through the trees I love to run with my claws reaching and grabbing so quickly like I’m taking everything.
Damn, I’m so in love with all of this.
I was once in a river. I was thrown in a river when I was small. You just cannot know. I was swimming, trying to know why I had been thrown in the river. I was six months old, and my eyes were burning, the water was bad. I paddled and it was like begging. The land on either side was a black stripe, indifferent. I saw the grey water and then the darker water below and then my legs wouldn’t work, were stuck in some kind of seaweed or spiderweb and then I was in the air.
I opened my burning eyes and saw him in yellow. The fisherman. I was lifted from the water, the water was below me. Then shivering on their white plastic boat bottom, and they looked at me with their moustaches.
I dried in the sun. They brought me to the place with the cages and I yelled for days. Others were yelling too. Everyone was crazy. Then people and a car and I was new at home. Ate and slept and it was dry, walls of wood. Two people and two girls, thin twins who sleep in the next room, with a doll’s house between them.
When I go outside I run. I run from the cement past the places and then to where the places end and then to the woods. In the woods are the other dogs.
I am the fastest. Since Thomas left I am the fastest. I jump the farthest too. I don’t have to yell any more. I can go past the buildings where the people complain, and then to the woods where I can’t hear them and just run with these dogs.
Hoooooooooooooooo! I feel good here, feel strong. Sometimes I am a machine, moving so fast, a machine with everything working perfectly, my claws grabbing at the earth like I’m the one making it turn. Damn, yeah.
Every day on the street I pass the same people. There are the men, two of them, selling burritos from the steel van. They are happy men; their music is loud and jangles like a bracelet. There are the women from the drugstore outside on their break, smoking and laughing, shoulders shaking. There is the man who sleeps on the ground with the hole in his pants where his ass shows raw and barnacled and brown-blue. One arm extended, reaching toward the door of the building. He sleeps so much.
Every night I walk from the neighbourhood and head to the woods and meet the others. It’s shadowy out, the clouds low. I see the blues jumping inside the windows. I want all these people gone from the buildings and moved to the desert so we can fill the buildings with water. It’s an idea I have. The buildings would be good if filled with water, or under water. Something to clean them, anything. How long would it take to clean all those buildings. Lord, no one knows any of this. So many of the sounds I hear I just can’t stand. These people.
The only ones I like are the kids. I come to the kids and lick the kids. I run to them and push my nose into their stomachs. I don’t want them to work. I want them to stay as they are and run with me, even though they’re so so slow. I run around them and around again as they run forward. They’re slow but they are perfect things, almost perfect.
I pass the buildings. Inside, the women are putting strands of hair behind their ears, and their older children are standing before the mirror for hours, moving tentatively to their music. Their fathers are playing chess with their uncles who are staying with them for a few months while things are straightened. They are happy that they are with each other, and I pass, my claws ticking on the sandpaper cement, past the man laying down with his arm reaching, and past the steel van with the music, and I see the light behind the rooftops.
I haven’t been on a rooftop but was once in a plane and wondered why no one had told me. That clouds were more ravishing from above.
Where the buildings clear I sometimes see the train slip through the sharp black trees, all the green windows and the people inside in white shirts. I watch from the woods, the dirt in my nails so soft. I just cannot tell you how much I love all this, this train, these woods, the dirt, the smell of dogs nearby waiting to run.
In the woods we have races and we jump. We run from the entrance to the woods, where the trail starts, through the black-dark interior and out to the meadow and across the meadow and into the next woods, over the creek and then along the creek until the highway.
Tonight is cool, almost cold. There are no stars or clouds. We’re all impotent but there is running. I jog down the trail and see the others. Six of them tonight – Edward, Franklin, Susan, Mary, Robert and Victoria. When I see them I want to be in love with all of them at once. I want us all to be together; I feel so good to be near them. We talk about it getting cooler. We talk about it being warm in these woods when we’re close together. I know all these dogs but a few.
Tonight I race Edward. Edward is a bull terrier and he is fast and strong but his eyes want to win too much; he scares us. We don’t know him well and he laughs too loud and only at his own jokes. He doesn’t listen; he waits to speak.
The course is a simple one. We run from the entrance through the black-dark interior and out to the meadow and across the meadow and into the next woods, along the creek, then over the gap over the drainpipe and then along the creek until the highway.
The jump over the drainpipe is the hard part. We run along the creek and then the riverbank above it rises so we’re ten, fifteen feet above the creek and then almost twenty. Then the bank is interrupted by a drainpipe, about four feet high, so the bank at eighteen feet is gapped for twelve and we have to run and jump the gap. We have to run and feel strong to make it.
On the banks of the creek, near the
drainpipe, on the dirt and in the weeds and on the branches of the rough grey trees are the squirrels. The squirrels have things to say; they talk before and after we jump. Sometimes while we’re jumping they talk.
‘He is running funny.’
‘She will not make it across.’
When we land they say things.
‘He didn’t land as well as I wanted him to.’
‘She made a bad landing. Because her landing was bad I am angry.’
When we do not make it across the gap, and instead fall into the sandy bank, the squirrels say other things, their eyes full of glee.
‘It makes me laugh that she did not make it across the gap.’
‘I am very happy that he fell and seems to be in pain.’
I don’t know why the squirrels watch us, or why they talk to us. They do not try to jump the gap. The running and jumping feels so good – even when we don’t win or fall into the gap it feels so good when we run and jump – and when we are done the squirrels are talking to us, to each other in their small jittery voices.
We look at the squirrels and we wonder why they are there. We want them to run and jump with us but they do not. They sit and talk about the things we do. Sometimes one of the dogs, annoyed past tolerance, catches a squirrel in his mouth and crushes him. But then the next night they are back, all the squirrels, more of them. Always more.
Tonight I am to race Edward and I feel good. My eyes feel good, like I will see everything before I have to. I see colours like you hear jetplanes.
When we run on the side of the creek I feel strong and feel fast. There is room for both of us to run and I want to run along the creek, want to run alongside Edward and then jump. That’s all I can see, the jump, the distance below us, the momentum taking me over the gap. Goddamn, sometimes I only want this feeling to stay.
Tonight I run and Edward runs, and I see him pushing hard, and his claws grabbing, and it seems like we’re both grabbing at the same thing, that we’re both grabbing for the same thing. But we keep grabbing and grabbing and there is enough for both of us to grab, and after us there will be others who grab from this dirt on the creek bed and it will always be here.
Edward is nudging me as I run. Edward is pushing me, bumping into me. All I want is to run but he is yelling and hitting me, trying to bite me. I am telling him that if we both just run and jump without bumping or biting we will run faster and jump farther. We will be stronger and do more beautiful things. He bites me and bumps me and yells things at me as we run. When we come to the bend he tries to bump me into the wide hard tree. I skid and then find my footing and keep running. I catch up to him quickly because I am faster and overtake him and we are on the straightaway and I gain my speed, I muster it from everywhere, I attract the energy of everything living around me, it conducts through the soil through my claws while I grab and grab and I gain all the speed and then I see the gap. Two more strides and I jump.
You should do this sometime. I am a rocket. My time over the gap is a life. I am a cloud, so slow, for an instant I am a slowmoving cloud whose movement is elegant, cavalier, like sleep.
Then it all speeds up and the leaves and black dirt come to me and I land and skid, my claws filling with soil and sand. I clear the gap by two feet and turn to see Edward jumping, and Edward’s face looking across the gap, looking at my side of the gap, and his eyes still on the grass, exploding for it, and then he is falling, and only his front paws land above the bank. He yells something as he grabs, his eyes trying to pull the rest of him up, but he slides down the bank.
He is fine but in the past others have been hurt. One dog, Wolfgang, died here, years ago. The other dogs and I jump down to help Edward up. He is moaning but he is happy that we were running together and that he jumped.
The squirrels say things.
‘That wasn’t such a good jump.’
‘That was a terrible jump.’
‘He wasn’t trying hard enough when he jumped.’
‘Bad landing.’
‘Awful landing.’
‘His bad landing makes me very angry.’
I run the rest of the race alone. I finish and come back and watch the other races. I watch and like to watch them run and jump. We are lucky to have these legs and this ground, and that our muscles work with speed and the blood surges and that we can see everything.
After we all run we go home. A few of the dogs live on the other side of the highway, where there is more land. A few live my way, and we jog together back, through the woods and out of the entranceway and back to the streets and the buildings with the blue lights jumping inside. They know as I know. They see the men and women talking through the glass and saying nothing. They know that inside the children are pushing their toys across the wooden floors. And in their beds people are reaching for the covers, pulling, their feet kicking.
I scratch at the door and soon the door opens. Bare white legs under a red robe. Black hairs ooze from the white skin. I eat the food and go to the bedroom and wait for them to sleep. I sleep at the foot of the bed, over their feet, feeling the air from the just-open window roll in cool and familiar. In the next room the thin twins sleep between their doll’s house.
The next night I walk alone to the woods, my claws clicking on the sandpaper cement. The sleeping man sleeps near the door, his hands praying between his knees. I see a group of men singing on the corner drunkenly but they are perfect. Their voices join and burnish the air between them, freed and perfect from their old and drunken mouths. I sit and watch until they notice me.
‘Get out of here, fuck-dog.’
I see the buildings end and wait for the train through the branches. I wait and can almost hear the singing still. I wait and don’t want to wait any more but the longer I wait the more I expect the train to come. I see a crow bounce in front of me, his head pivoting, paranoid. Then the train sounds from the black thick part of the forest where it can’t be seen, then comes into view, passing through the lighter woods, and it shoots through, the green squares glowing and inside the bodies with their white shirts. I try to soak myself in this. This I can’t believe I deserve. I want to close my eyes to feel this more but then realize I shouldn’t close my eyes. I keep my eyes open and watch and then the train is gone.
Tonight I race Susan. Susan is a retriever, a small one, fast and pretty with black eyes. We take off, through the entrance through the black-dark interior and out to the meadow. In the meadow we breathe the air and feel the light of the partial moon. We have sharp back shadows that spider through the long gray-green grass. We run and smile at each other because we both know how good this is. Maybe Susan is my sister.
Then the second forest approaches and we plunge like sex into the woods and take the turns, past the bend where Edward pushed me, and then along the creek. We are running together and are not really racing. We are wanting the other to run faster, better. We are watching each other in love with our movements and strength. Susan is maybe my mother.
Then the straightaway before the gap. Now we have to think about our own legs and muscles and timing before the jump. Susan looks at me and smiles again but looks tired. Two more strides and I jump and then am the slow cloud seeing the faces of my friends, the other strong dogs, then the hard ground rushes toward me and I land and hear her scream. I turn to see her face falling down the gap and run back to the gap. Robert and Victoria are down with her already. Her leg is broken and bleeding from the joint. She screams, then wails, knowing everything already.
The squirrels are above and talking.
‘Well, looks like she got what she deserved.’
‘That’s what you get when you jump.’
‘If she were a better jumper this would not have happened.’
Some of them laugh. Franklin is angry. He walks slowly to where they’re sitting; they do not move. He grabs one in his jaws and crushes all its bones. Their voices are always talking but we forget they are so small, their head and bones so tiny. The rest run away. He
tosses the squirrel’s broken form into the slow water.
We go home. I jog to the buildings with Susan on my back. We pass the windows flickering blue and the men in the silver van with the jangly music. I take her home and scratch at her door until she is let in. I go home and see the thin twins with their doll’s house and I go to the room with the bed and fall asleep before they come.
The next night I don’t want to go to the woods. I can’t see someone fall, and can’t hear the squirrels, and don’t want Franklin to crush them in his jaws. I stay at home and I play with the twins in their pyjamas. They put me on a pillowcase and pull me through the halls. I like the speed and they giggle. We make turns where I run into door frames and they laugh. I run from them and then toward them and through their legs. They shriek they love it. I want deeply for these twins and want them to leave and run with me. I stay with them tonight and then stay home for days. I stay away from the windows. It’s warm in the house and I eat more and sit with them as they watch television. It rains for a week.
When I come to the woods again, after ten days away, Susan has lost her leg. The dogs are all there. Susan has three legs, a bandage around her front shoulder. Her smile is a new and more fragile thing. It’s colder out and the wind is mean and searching. Mary says that the rain has made the creek swell and the current too fast. The gap over the drainpipe is wider now so we decide that we will not jump.
I race Franklin. Franklin is still angry about Susan’s leg; neither of us can believe that things like that happen, that she has lost a leg and now when she smiles she looks like she’s asking to die.
