“As soon as he came into the estate, Sir Hercules set about remodelling his household. For though by no means ashamed of his deformity — indeed, if we may judge from the poem quoted above, he regarded himself as being in many ways superior to the ordinary race of man — he found the presence of full-grown men and women embarrassing. Realising, too, that he must abandon all ambitions in the great world, he determined to retire absolutely from it and to create, as it were, at Crome a private world of his own, in which all should be proportionable to himself. Accordingly, he discharged all the old servants of the house and replaced them gradually, as he was able to find suitable successors, by others of dwarfish stature. In the course of a few years he had assembled about himself a numerous household, no member of which was above four feet high and the smallest among them scarcely two feet and six inches. His father’s dogs, such as setters, mastiffs, greyhounds, and a pack of beagles, he sold or gave away as too large and too boisterous for his house, replacing them by pugs and King Charles spaniels and whatever other breeds of dog were the smallest. His father’s stable was also sold. For his own use, whether riding or driving, he had six black Shetland ponies, with four very choice piebald animals of New Forest breed.
“Having thus settled his household entirely to his own satisfaction, it only remained for him to find some suitable companion with whom to share his paradise. Sir Hercules had a susceptible heart, and had more than once, between the ages of sixteen and twenty, felt what it was to love. But here his deformity had been a source of the most bitter humiliation, for, having once dared to declare himself to a young lady of his choice, he had been received with laughter. On his persisting, she had picked him up and shaken him like an importunate child, telling him to run away and plague her no more. The story soon got about — indeed, the young lady herself used to tell it as a particularly pleasant anecdote — and the taunts and mockery it occasioned were a source of the most acute distress to Hercules. From the poems written at this period we gather that he meditated taking his own life. In course of time, however, he lived down this humiliation; but never again, though he often fell in love, and that very passionately, did he dare to make any advances to those in whom he was interested. After coming to the estate and finding that he was in a position to create his own world as he desired it, he saw that, if he was to have a wife — which he very much desired, being of an affectionate and, indeed, amorous temper — he must choose her as he had chosen his servants — from among the race of dwarfs. But to find a suitable wife was, he found, a matter of some difficulty; for he would marry none who was not distinguished by beauty and gentle birth. The dwarfish daughter of Lord Bemboro he refused on the ground that besides being a pigmy she was hunchbacked; while another young lady, an orphan belonging to a very good family in Hampshire, was rejected by him because her face, like that of so many dwarfs, was wizened and repulsive. Finally, when he was almost despairing of success, he heard from a reliable source that Count Titimalo, a Venetian nobleman, possessed a daughter of exquisite beauty and great accomplishments, who was by three feet in height. Setting out at once for Venice, he went immediately on his arrival to pay his respects to the count, whom he found living with his wife and five children in a very mean apartment in one of the poorer quarters of the town. Indeed, the count was so far reduced in his circumstances that he was even then negotiating (so it was rumoured) with a travelling company of clowns and acrobats, who had had the misfortune to lose their performing dwarf, for the sale of his diminutive daughter Filomena. Sir Hercules arrived in time to save her from this untoward fate, for he was so much charmed by Filomena’s grace and beauty, that at the end of three days’ courtship he made her a formal offer of marriage, which was accepted by her no less joyfully than by her father, who perceived in an English son-in-law a rich and unfailing source of revenue. After an unostentatious marriage, at which the English ambassador acted as one of the witnesses, Sir Hercules and his bride returned by sea to England, where they settled down, as it proved, to a life of uneventful happiness.
“Crome and its household of dwarfs delighted Filomena, who felt herself now for the first time to be a free woman living among her equals in a friendly world. She had many tastes in common with her husband, especially that of music. She had a beautiful voice, of a power surprising in one so small, and could touch A in alt without effort. Accompanied by her husband on his fine Cremona fiddle, which he played, as we have noted before, as one plays a bass viol, she would sing all the liveliest and tenderest airs from the operas and cantatas of her native country. Seated together at the harpsichord, they found that they could with their four hands play all the music written for two hands of ordinary size, a circumstance which gave Sir Hercules unfailing pleasure.
“When they were not making music or reading together, which they often did, both in English and Italian, they spent their time in healthful outdoor exercises, sometimes rowing in a little boat on the lake, but more often riding or driving, occupations in which, because they were entirely new to her, Filomena especially delighted. When she had become a perfectly proficient rider, Filomena and her husband used often to go hunting in the park, at that time very much more extensive than it is now. They hunted not foxes nor hares, but rabbits, using a pack of about thirty black and fawn-coloured pugs, a kind of dog which, when not overfed, can course a rabbit as well as any of the smaller breeds. Four dwarf grooms, dressed in scarlet liveries and mounted on white Exmoor ponies, hunted the pack, while their master and mistress, in green habits, followed either on the black Shetlands or on the piebald New Forest ponies. A picture of the whole hunt — dogs, horses, grooms, and masters — was painted by William Stubbs, whose work Sir Hercules admired so much that he invited him, though a man of ordinary stature, to come and stay at the mansion for the purpose of executing this picture. Stubbs likewise painted a portrait of Sir Hercules and his lady driving in their green enamelled calash drawn by four black Shetlands. Sir Hercules wears a plum-coloured velvet coat and white breeches; Filomena is dressed in flowered muslin and a very large hat with pink feathers. The two figures in their gay carriage stand out sharply against a dark background of trees; but to the left of the picture the trees fall away and disappear, so that the four black ponies are seen against a pale and strangely lurid sky that has the golden-brown colour of thunderclouds lighted up by the sun.
“In this way four years passed happily by. At the end of that time Filomena found herself great with child. Sir Hercules was overjoyed. ‘If God is good,’ he wrote in his day-book, ‘the name of Lapith will be preserved and our rarer and more delicate race transmitted through the generations until in the fullness of time the world shall recognise the superiority of those beings whom now it uses to make mock of.’ On his wife’s being brought to bed of a son he wrote a poem to the same effect. The child was christened Ferdinando in memory of the builder of the house.
“With the passage of the months a certain sense of disquiet began to invade the minds of Sir Hercules and his lady. For the child was growing with an extraordinary rapidity. At a year he weighed as much as Hercules had weighed when he was three. ‘Ferdinando goes crescendo,’ wrote Filomena in her diary. ‘It seems not natural.’ At eighteen months the baby was almost as tall as their smallest jockey, who was a man of thirty-six. Could it be that Ferdinando was destined to become a man of the normal, gigantic dimensions? It was a thought to which neither of his parents dared yet give open utterance, but in the secrecy of their respective diaries they brooded over it in terror and dismay.
“On his third birthday Ferdinando was taller than his mother and not more than a couple of inches short of his father’s height. ‘To-day for the first time’ wrote Sir Hercules, ‘we discussed the situation. The hideous truth can be concealed no longer: Ferdinando is not one of us. On this, his third birthday, a day when we should have been rejoicing at the health, the strength, and beauty of our child, we wept together over the ruin of our happiness. God give us strength to bear this cross.’
“One summer holidays about three years later Ferdinando returned to Crome accompanied by a very large mastiff dog. He had bought it from an old man at Windsor who had found the beast too expensive to feed. It was a savage, unreliable animal; hardly had it entered the house when it attacked one of Sir Hercules’s favourite pugs, seizing the creature in its jaws and shaking it till it was nearly dead. Extremely put out by this occurrence, Sir Hercules ordered that the beast should be chained up in the stable-yard. Ferdinando sullenly answered that the dog was his, and he would keep it where he pleased. His father, growing angry, bade him take the animal out of the house at once, on pain of his utmost displeasure. Ferdinando refused to move. His mother at this moment coming into the room, the dog flew at her, knocked her down, and in a twinkling had very severely mauled her arm and shoulder; in another instant it must infallibly have had her by the throat, had not Sir Hercules drawn his sword and stabbed the animal to the heart. Turning on his son, he ordered him to leave the room immediately, as being unfit to remain in the same place with the mother whom he had nearly murdered. So awe-inspiring was the spectacle of Sir Hercules standing with one foot on the carcase of the gigantic dog, his sword drawn and still bloody, so commanding were his voice, his gestures, and the expression of his face that Ferdinando slunk out of the room in terror and behaved himself for all the rest of the vacation in an entirely exemplary fashion. His mother soon recovered from the bites of the mastiff, but the effect on her mind of this adventure was ineradicable; from that time forth she lived always among imaginary terrors.
“The two years which Ferdinando spent on the Continent, making the Grand Tour, were a period of happy repose for his parents. But even now the thought of the future haunted them; nor were they able to solace themselves with all the diversions of their younger days. The Lady Filomena had lost her voice and Sir Hercules was grown too rheumatical to play the violin. He, it is true, still rode after his pugs, but his wife felt herself too old and, since the episode of the mastiff, too nervous for such sports. At most, to please her husband, she would follow the hunt at a distance in a little gig drawn by the safest and oldest of the Shetlands.
“The day fixed for Ferdinando’s return came round. Filomena, sick with vague dreads and presentiments, retired to her chamber and her bed. Sir Hercules received his son alone. A giant in a brown travelling-suit entered the room. ‘Welcome home, my son,’ said Sir Hercules in a voice that trembled a little.
“’I hope I see you well, sir.’ Ferdinando bent down to shake hands, then straightened himself up again. The top of his father’s head reached to the level of his hip.
“Ferdinando had not come alone. Two friends of his own age accompanied him, and each of the young men had brought a servant. Not for thirty years had Crome been desecrated by the presence of so many members of the common race of men. Sir Hercules was appalled and indignant, but the laws of hospitality had to be obeyed. He received the young gentlemen with grave politeness and sent the servants to the kitchen, with orders that they should be well cared for.
“The old family dining-table was dragged out into the light and dusted (Sir Hercules and his lady were accustomed to dine at a small table twenty inches high). Simon, the aged butler, who could only just look over the edge of the big table, was helped at supper by the three servants brought by Ferdinando and his guests.
“Sir Hercules presided, and with his usual grace supported a conversation on the pleasures of foreign travel, the beauties of art and nature to be met with abroad, the opera at Venice, the singing of the orphans in the churches of the same city, and on other topics of a similar nature. The young men were not particularly attentive to his discourses; they were occupied in watching the efforts of the butler to change the plates and replenish the glasses. They covered their laughter by violent and repeated fits of coughing or choking. Sir Hercules affected not to notice, but changed the subject of the conversation to sport. Upon this one of the young men asked whether it was true, as he had heard, that he used to hunt the rabbit with a pack of pug dogs. Sir Hercules replied that it was, and proceeded to describe the chase in some detail. The young men roared with laughter.
“When supper was over, Sir Hercules climbed down from his chair and, giving as his excuse that he must see how his lady did, bade them good-night. The sound of laughter followed him up the stairs. Filomena was not asleep; she had been lying on her bed listening to the sound of enormous laughter and the tread of strangely heavy feet on the stairs and along the corridors. Sir Hercules drew a chair to her bedside and sat there for a long time in silence, holding his wife’s hand and sometimes gently squeezing it. At about ten o’clock they were startled by a violent noise. There was a breaking of glass, a stamping of feet, with an outburst of shouts and laughter. The uproar continuing for several minutes, Sir Hercules rose to his feet and, in spite of his wife’s entreaties, prepared to go and see what was happening. There was no light on the staircase, and Sir Hercules groped his way down cautiously, lowering himself from stair to stair and standing for a moment on each tread before adventuring on a new step. The noise was louder here; the shouting articulated itself into recognisable words and phrases. A line of light was visible under the dining-room door. Sir Hercules tiptoed across the hall towards it. Just as he approached the door there was another terrific crash of breaking glass and jangled metal. What could they be doing? Standing on tiptoe he managed to look through the keyhole. In the middle of the ravaged table old Simon, the butler, so primed with drink that he could scarcely keep his balance, was dancing a jig. His feet crunched and tinkled among the broken glass, and his shoes were wet with spilt wine. The three young men sat round, thumping the table with their hands or with the empty wine bottles, shouting and laughing encouragement. The three servants leaning against the wall laughed too. Ferdinando suddenly threw a handful of walnuts at the dancer’s head, which so dazed and surprised the little man that he staggered and fell down on his back, upsetting a decanter and several glasses. They raised him up, gave him some brandy to drink, thumped him on the back. The old man smiled and hiccoughed. ‘To-morrow,’ said Ferdinando, ‘we’ll have a concerted ballet of the whole household.’ ‘With father Hercules wearing his club and lion-skin,’ added one of his companions, and all three roared with laughter.
“Sir Hercules would look and listen no further. He crossed the hall once more and began to climb the stairs, lifting his knees painfully high at each degree. This was the end; there was no place for him now in the world, no place for him and Ferdinando together.
“His wife was still awake; to her questioning glance he answered, ‘They are making mock of old Simon. To-morrow it will be our turn.’ They were silent for a time.
“At last Filomena said, ‘I do not want to see to-morrow.’
“’It is better not,’ said Sir Hercules. Going into his closet he wrote in his day-book a full and particular account of all the events of the evening. While he was still engaged in this task he rang for a servant and ordered hot water and a bath to be made ready for him at eleven o’clock. When he had finished writing he went into his wife’s room, and preparing a dose of opium twenty times as strong as that which she was accustomed to take when she could not sleep, he brought it to her, saying, ‘Here is your sleeping-draught.’
“Filomena took the glass and lay for a little time, but did not drink immediately. The tears came into her eyes. ‘Do you remember t
he songs we used to sing, sitting out there sulla terrazza in the summer-time?’ She began singing softly in her ghost of a cracked voice a few bars from Stradella’s ‘Amor amor, non dormir piu.’ ‘And you playing on the violin, it seems such a short time ago, and yet so long, long, long. Addio, amore, a rivederti.’ She drank off the draught and, lying back on the pillow, closed her eyes. Sir Hercules kissed her hand and tiptoed away, as though he were afraid of waking her. He returned to his closet, and having recorded his wife’s last words to him, he poured into his bath the water that had been brought up in accordance with his orders. The water being too hot for him to get into the bath at once, he took down from the shelf his copy of Suetonius. He wished to read how Seneca had died. He opened the book at random. ‘But dwarfs,’ he read, ‘he held in abhorrence as being lusus naturae and of evil omen.’ He winced as though he had been struck. This same Augustus, he remembered, had exhibited in the amphitheatre a young man called Lucius, of good family, who was not quite two feet in height and weighed seventeen pounds, but had a stentorian voice. He turned over the pages. Tiberius, Caligula, Claudius, Nero: it was a tale of growing horror. ‘Seneca his preceptor, he forced to kill himself.’ And there was Petronius, who had called his friends about him at the last, bidding them talk to him, not of the consolations of philosophy, but of love and gallantry, while the life was ebbing away through his opened veins. Dipping his pen once more in the ink he wrote on the last page of his diary: ‘He died a Roman death.’ Then, putting the toes of one foot into the water and finding that it was not too hot, he threw off his dressing-gown and, taking a razor in his hand, sat down in the bath. With one deep cut he severed the artery in his left wrist, then lay back and composed his mind to meditation. The blood oozed out, floating through the water in dissolving wreaths and spirals. In a little while the whole bath was tinged with pink. The colour deepened; Sir Hercules felt himself mastered by an invincible drowsiness; he was sinking from vague dream to dream. Soon he was sound asleep. There was not much blood in his small body.”
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