BOOKS BY
CHRIS BOHJALIAN
Novels
The Light in the Ruins
The Sandcastle Girls
The Night Strangers
Secrets of Eden
Skeletons at the Feast
The Double Bind
Before You Know Kindness
The Buffalo Soldier
Trans-Sister Radio
The Law of Similars
Midwives
Water Witches
Past the Bleachers
Hangman
A Killing in the Real World
Essay Collections
Idyll Banter
This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2014 by Chris Bohjalian
All rights reserved. Published in the United States by Doubleday, a division of Random House LLC, New York, and in Canada by Random House of Canada Limited, Toronto, Penguin Random House companies.
www.doubleday.com
DOUBLEDAY and the portrayal of an anchor with a dolphin are registered trademarks of Random House LLC.
Jacket design by Emily Mahon
Jacket photograph © Tim Georgeson/Gallery Stock
Library of Congress Cataloging-in-Publication Data
Bohjalian, Chris.
Close your eyes, hold hands / by Chris Bohjalian. — First edition.
pages cm
1. Teenage girls—Fiction. 2. Runaways—Fiction. I. Title.
PS3552.O495C58 2014
813′.6—dc23
2013034613
ISBN 978-0-385-53483-3 (hardcover)
ISBN 978-0-385-53484-0 (eBook)
v3.1
For Jenny Jackson
and
Khatchig Mouradian:
Godparents.
For Grace Experience:
Voice.
Contents
Cover
Other Books by This Author
Title Page
Copyright
Dedication
Epigraph
Prologue
B.C.
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
A.C.
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Epilogue
Acknowledgments
A Note About the Author
If I can stop one heart from breaking,
I shall not live in vain;
EMILY DICKINSON
Tell all the Truth but tell it slant—
EMILY DICKINSON
PROLOGUE
I built an igloo against the cold out of black plastic trash bags filled with wet leaves. It wasn’t perfect. The winds were coming across the lake, and the outside wall that faced the water was flat—not like the igloos I had seen on TV somewhere or I guess in a book. It looked like the wall on the inside of a cave: flat and kind of scaly. But the outside wall that faced the city looked round like a melon. I couldn’t stand all the way up inside it, but in the middle I could crouch like a hunchback. It was big enough for three people to lie down if you curled up, and one night we had to squeeze in four. But most of the time it was just Cameron and me. I really had to trust the fuck out of someone before I would let them anywhere near Cameron in the night. But, the truth is, people came and went. You know how it is. Especially in the winter. But the igloo kept me warm. Warmer, anyway. I mean, it’s not like I got frostbite. I knew kids and grown-ups who did. I knew one kid who got gangrene. They say the doctors had to cut off both of his feet, but I don’t know that for a fact because I never saw him again.
I’m going to try and tell you only the things that I know for a fact are true. When I’m guessing, I’ll be honest and tell you I’m guessing.
You build the igloos in the day when the leaves are soaked but the ice has melted from the sun, and then they freeze at night inside the bags. So does the water on the outside of the bags; that’s why the bags stick together like glue.
Some people said I left the shelter because someone must have tried to rape me. No one tried to rape me. I left for a couple of reasons. I mean, I did feel kind of hounded—by the other girls, one especially, but not by the people who ran the place. The “staff.” Whatever. One of the girls was starting to suspect who I was, and I knew that once my secret was out, she’d turn me in. I thought she’d want no part of me. And you know what? I wouldn’t have blamed her. A lot of days I wanted no part of me.
Also, I knew the staff wanted me gone. Or, at least, they wanted to figure out who I really was. They were getting pretty frustrated because they couldn’t find my parents. My story was starting to unravel. So, I just left.
Given that I was always kind of—and here’s a pretty awesome little euphemism—a troubled teen, it’s a miracle that the counselors who ran the shelter didn’t send me packing a lot sooner. It wouldn’t have surprised a lot of people who knew me if I really had managed to get myself thrown out on my ass. But I didn’t. That’s not what happened. I was already plenty scared, and so I tried playing by the rules. I tried to behave. But it didn’t work. And so it would be the last time I’d try for a while.
This was back in the days when the city was still trying to figure out what to do with the walkers. Technically, I was a walker, even though I didn’t walk. I stole a bike and rode to the city from the Northeast Kingdom. I don’t know how many miles that is, but it took me two full days, because I hadn’t ridden a bike since I was in, like, fourth or fifth grade. The worst was going up and over the mountains. I just walked the bike up the eastern slopes. That took an entire afternoon right there. One time a guy in a bread truck gave me a lift, but he only took me about twenty miles. Still, a lot of those miles were uphill, so I was grateful. Lots of people—most people—had families or friends in the city or the suburbs around Lake Champlain who could take them in. And people were taking in total strangers. Vermonters are like that. I guess decent people anywhere are like that. But there were still a lot of walkers just pitching tents in City Hall Park or sleeping in their cars or pickups or out in the cold, or building their igloos down by the water. Squatters. Refugees.
I guess it would have been a lot worse if Reactor Number Two had exploded, as well. You know, gone totally Chernobyl. But it didn’t. It was only Reactor Number One that melted down and blew up.
When I was a little kid, I used to take my American Girl dolls and play orphanage. The make-believe stories were always based on A Little Princess. The movie and the book. Whatever. One of my dolls would be a beautiful rich girl who suddenly winds up poor and in an orphanage. No mom or dad, no aunts or uncles. Some of the other girls hate her, but some love her. The woman I had running the place was always a total whack-job bully. Think of that lunatic in the musical Annie. She was the model. So, I guess, Annie was an inspiration, too. When I got bored, I’d simply have the girl rescued. Her dad or her mom and dad would just show up at the orphanage. Boom. Game over.
Sometimes I tried playing the game with Barbies, but that never worked. The Barbies looked pretty hot. If they were going to be trapped somewhere, it sure wasn’t going to b
e in an orphanage. It was going to be someplace way more awful. I know that now, too.
My family had a beautiful woodstove. Not one of those black boxes that look like they do nothing but pollute the crap out of the air. It was made of gray soapstone that was almost the color of my mom’s favorite piece of jewelry: an antique necklace that was made of moonstones. I think it had once belonged to my grandmother. It was Danish. Anyway, the woodstove had a window in the front that was shaped like the window in a castle or a palace. I’m sure there’s a word for that shape, and I will look it up.
My dad or mom would build a fire in the woodstove when we were all home on the weekend and hanging around in the den. The den was next to the kitchen, and the woodstove would heat the den and the kitchen and even the TV room on the other side of the kitchen. The rooms had baseboards and LP gas heat, too, of course. The whole house did. It was pretty new. I know now that a lot of people called our kind of house a meadow mansion or a McMansion behind our backs, but we didn’t build it. We just moved there from a suburb of New York City when I was a little kid.
There was a thermostat stuck through a pipe-cleaner-sized hole in the stovepipe about a foot and a half above the soapstone box. When we had a fire going, my dad wanted it to be around four hundred to six hundred degrees. When it got above six hundred, one of us would close up the flue and the temperature would go down. If it got above eight hundred, you were in danger of a chimney fire. The thermostat was kind of like a car’s speedometer: the numbers went a lot higher than you were ever going to need. It went up to seventeen hundred, and you were totally fucked if it ever got that high. We’re talking chimney fire for sure.
My parents’ running joke when the woodstove thermostat climbed above six or seven hundred? It was “Chernobyling”—or about to melt down. I can still hear my mom’s voice when she would say that to my dad when he would come home from skiing late on a Saturday afternoon: “Honey, be sure and watch the stove when you add a log tonight. The damn thing nearly Chernobyled this afternoon.” You wouldn’t know it from the things people write or say about my dad these days, but he could be very funny. My mom, too. They could both be very funny.
I guess that’s why I use “Chernobyl” like a verb.
I don’t use Fukushima or Fukushima Daiichi like verbs.
But I could. After all, Fukushima had a pretty fucked-up end, too. And it even sounds a bit like a swear.
I don’t know why I began my story with the igloo. The igloo was really the beginning of the end—or, maybe, the end of the beginning. Here’s a sentence I read about me in one of the hospital staff’s case management notes: “Every kinship had fallen away.” Well, yeah. Duh. Even Maggie—my dog—was gone.
By the time I was building my igloo, the worst of the shit-storm was over. At least it was for most of Vermont. It wasn’t for me, of course. It wasn’t for a lot of us from up in that corner of the Kingdom. But it was for most everyone else. By the time I was building my igloo, I was just another one of the homeless kids who freaked out the middle-aged people at the Banana Republic or Williams-Sonoma when they saw me on the street or in the mall in Burlington.
So, maybe I shouldn’t begin with the igloo. Maybe I should begin with the posse and the SSI apartment where we crashed. That was a home, too, if a home is a place where you can say you lived for a while. Or I could begin with the Oxies—the OxyContin. Or the robbery. Or Andrea Simonetti, who for a few months was like a sister to me, but now I have no idea where she is and I worry. Or I could begin with Poacher or the johns or the tents with the squatters. Or the shelter—with the girls in the shelter. Or the people who tried to help me. (Yeah, there were sometimes people who wanted to help me.) Or I could begin with Cameron.
Or maybe I should just begin at the beginning. With Reactor Number One.
B.C.
Chapter 1
It was the middle of June, and we only had two days of school left. We had one more day of exams and then one day when most of us would either not show up or, if we did, the teachers were pretty chill and didn’t mind what we did so long as we didn’t get stoned in their face or do something ridiculous that would make them look bad or get ourselves killed. I was in eleventh grade. It was midmorning, and I had just taken my physics final. I did okay, I think, but who knows? Doesn’t matter now and, to be honest, I really didn’t care that much even then. Besides, I was going to be a poet and a novelist, if only because I figured poet and novelist was a career choice that meant little or no human interaction. I kind of understood at a young age that I didn’t play well with most other kids in the sandbox. (Not all, of course. I mean, I had friends. Not many, but a few.) Anyway, I really believed I was going to write great books. I honestly thought like that. I was going to go to Amherst—the town, not the college, because there was no way I was getting into the college—and find out who Emily Dickinson actually was. You know, get the real dish. Discover things about her that no one else knew. Friends. Lovers. A secret society. Not kidding. I thought like that. We had the same first name, and her poems were as short as mine. Hers, of course, were better. But you see my point. There wasn’t a lot of logic to the connection. Still, she wasn’t hugely social, and we had that in common, too.
Dare you see a soul at the white heat?
Then crouch within the door.
Red is the fire’s common tint;
But when the vivid ore
Has sated flame’s conditions,
Its quivering substance plays
Without a color but the light
Of unanointed blaze.
Obviously this poem wasn’t about a nuclear core. But it could be, right, if you didn’t know it had been written in the 1860s? Also, Emily’s pure hell on a computer’s spell check—and this poem isn’t anywhere near the grammatical nightmare that some of her other work is. I used to love that, too.
That day a bunch of kids in the tenth and eleventh grades were just hanging out on the side of the cafeteria with all the windows that looked out on the courtyard, watching it rain, when we heard the sirens from the fire station. The courtyard had a couple of concrete tables and benches where mostly seniors went, especially the smokers, but it had been raining for days—weeks, actually, since Memorial Day weekend—and so nobody was out there now. There were mushrooms growing up between the tiles outside, that’s how wet it was. But the windows were open, and so even with the sound of the rain we could hear the sirens. Most of the seniors had peaced out by then because they were done with high school and knew what they were doing in September. A lot of us usually got out, you know. People outside the Kingdom think we’re all dumb shits up here, and a lot of us are; but a lot of us aren’t. I went to Reddington Academy, which is named after the town, and was built and funded years and years ago by a guy named James Howard Haverford. He fought in the Civil War and then made a fortune making sewing machines. Every kid in Newport and Reddington and Barton and Lowell goes to the Academy for free, like it’s a public school, but it’s also a pretty expensive boarding school and students from something like seventeen states and a couple of countries come here every year. There are about four hundred locals and about two hundred boarders. Or there were. The school is still closed and will be pretty much forever.
It was ten o’clock in the morning, so they weren’t serving lunch yet. I was sitting on the table and kind of flirting with a boy named Ethan Gale, who was sitting on the bench. I was wearing pretty tight jeans and I had kicked off my sneakers, so I was barefoot. I don’t know why, but being barefoot always made me feel very sexy. Think poet. We were talking about a couple of local girls who worked after school at this nearby fitness club and, looking back, being kind of snarky. But the two of them sort of didn’t know what they were doing and just sat behind the front desk where gym members were supposed to sign in. If someone dropped a boatload of weights on his chest or something, he was completely screwed, because those girls sure as hell wouldn’t have known what to do. I mean, they were perfectly nice, but what the hel
l they were doing working at a gym was completely beyond Ethan and me.
Ethan was a junior and, like me, he was a local. His dad was the Eye on the Sky—the meteorologist for Vermont Public Radio—which meant that Ethan was kind of a celebrity because his dad’s voice was super well known. But it also meant that we gave Ethan cascades of shit because even a very good weatherman is wrong, like, half the time.
My dad sometimes joked about that. “What a great job,” he would say. “Imagine if pilots only had to be right half the time. Or doctors. Or architects. But the guys who try and forecast the weather? We sure cut them a lot of slack. And no matter how many times they’re wrong, we still tune in.” See what I mean about my dad? We used to have some very impressive fights—not nearly the shouting matches I used to have with my mom, but still pretty gnarly—but he really was kind of funny.
And, of course, he was very smart. I agree with him about the weather. With all the satellites and stuff we have orbiting the earth, I have no idea how you could ever get the weather wrong. Really, I don’t. And doesn’t the weather usually just move from west to east? Frankly, I’d think you could just call some town a few hours away in New York or Ontario and ask what the hell was going on outside the window. But technology is what it is. It doesn’t always work. Exhibit A? A nuclear reactor, apparently.
I always figured Ethan was going places. Maybe he still is. Maybe, like me, he kind of gave up. I should make a note to see if he’s anywhere on Facebook. I should make a note to see if lots of people are anywhere on Facebook. I haven’t been super social the last year—even less than before the meltdown, if that’s possible. I know Ethan’s dad is no longer on the radio; they have a new Eye on the Sky. But that might only be because VPR doesn’t broadcast from the Fairbanks Museum in St. Johnsbury anymore. St. J. isn’t in the Exclusion Zone, but it’s close. Lots of people left, most of the town, they tell me.
Close Your Eyes, Hold Hands Page 1
