by Mary Shelley
During this long contest Florence was the head and heart of the resistance made against the emperor. Their detestation of the Imperial power, and their fears of the restoration of their banished Ghibelines, excited them to exert their utmost faculties, in gaining allies, and in the defence of their own town. The death of Henry was to them a bloodless victory; and they hoped that a speedy change in the politics of Italy would establish the universal ascendancy of the Guelphic party.
Pisa had always been constant to the Ghibelines, and friendly to the emperor; by his death they found themselves thrown almost without defence into the hands of the Florentines, their enemies; and they therefore gladly acceded to the moderate terms offered to them by the king of Naples and his ally, Florence, for the establishment of peace in Tuscany. If this treaty had been fulfilled, the hopes of the Ghibelines would have been crushed for ever, nor would Castruccio ever have returned to his country; the scenes of blood and misery which followed would have been spared; and Florence, raising its benign influence over the other Tuscan states, would have been the peace-maker of Italy. Events took a different turn. To understand this it is necessary to look back.
Immediately on the death of Henry, the Pisans, fearful of a sudden incursion of the Florentines, for which they might be unprepared, had engaged in their service a condottiere, Uguccione della Faggiuola, who with his troop of a thousand Germans, took on him the guard of their city. War was the trade of Uguccione; he therefore looked with dismay on the projected peace, and resolved to disturb it. The populace of the Italian towns, ranged under party names, and ever obedient to the watchword and signals of their party, were easily moved to fall on the contrary faction. The Pisan people were Ghibelines; and, while the more moderate among them had advanced far in the negotiating of a peace, Uguccione caused live eagles, the ensigns of the Ghibelines, to be carried through the streets; and the cry of, “Treason from the Guelphs!” was the rallying word of fury to the populace. The magistrates in vain endeavoured to assert their authority; their partizans were dispersed, their captains taken prisoners and put to death, and Uguccione declared general of the war against the Florentines. This active chieftain lost no time in his operations; he marched against the Lucchese, the allies of Florence, ravaged their country, brought them to terms, and made peace with them on condition of their recalling their Ghibeline exiles.
The three years which these events occupied were spent by Castruccio in Lombardy. He made each year a campaign under one or another of the Ghibeline lords of that territory, and passed the winter at Milan. He formed a sincere and lasting friendship with Galeazzo Visconti: but, although this amity contributed to his advancement, his character suffered by the congeniality of sentiment which he acquired with this chief. As they rode, hunted, or fought together, often employed in mutual good — offices one for the other, their affection became stronger; and it was as disinterested and generous as it was firm. Galeazzo sincerely loved Castruccio, and opened to him the dearest secrets of his heart; but these secrets were such as to initiate the latter in the artful policy and unprincipled motives of the Milanese lord, and to make him regard treachery and cruelty as venial faults. He had no saving passion, which by its purity and exalted nature, although it permitted him to forgive, would make him avoid the faults of Galeazzo. Ambition was the ruling feeling of his soul; an ambition for power, conquest and renown, and not for virtue, and that fame, which as the ph*nix, cannot live at the same period as its parent, but springs from his ashes with the strong pinions of immortal being.
It was this aspiring disposition which strongly recommended him to Galeazzo. For it was not with him the wild desire for what he had neither qualities nor capacity to obtain; it was combined with transcendent talents, an energy of action and a clearness of judgement, which greatly surpassed that of his companions. Castruccio was fond of power; yet he was neither arrogant nor tyrannical; words of kindness and winning smiles he bestowed at will on all around. He appeared to fit himself for each scene in which he was to take a part; in the camp he was energetic, valorous, and swift of action; in council he was as prudent and cautious as a grey-haired minister of state: at balls, or during a hunting party, he recommended himself by grace, agility, wit, and a courtesy whose sweetness was untarnished by vanity or presumption. His beauty took a more manly cast; and somewhat of pride, and more of self-confidence, and much of sensibility, were seen in his upturned lip; his eyes, dark as a raven’s wing, were full of fire and imagination; his open forehead was shaded by the hyacinthine curls of his chestnut-coloured hair. His face expressed extreme frankness, a frankness that did not exist in his mind; for his practices among the wily chiefs of Lombardy had robbed him of all ingenuousness of soul, although the traces of that which he once possessed had not faded from his countenance. Amidst all the luxury of Lombardy he was abstemious, nor spent in personal magnificence the money which he rather applied to the equipment of his troop. At length the patient improvement which he had bestowed upon his powers, and his perseverance in preparing for advancement, obtained their due reward; and he among the other Lucchese exiles returned to his native city.
But Castruccio was ill content to return as it were by the endurance of the opposite party; on the contrary he wished to raise his faction to that supremacy which would invest him with dominion as its chief. He therefore carried on a treaty with Uguccione’s army, requiring their assistance for the overthrow of the Guelphs of Lucca, and for placing him in authority over his native town; while the tyrant of Pisa should in return gain a faithful ally, and one more step should be taken towards the final establishment of the Ghibeline ascendancy.
After arranging this scheme, Castruccio and his companions passed the defile of the Serchio; and, advancing towards Lucca, assumed a warlike appearance, and endeavoured to force the gate of San Frediano; the Guelphs opposed him, and battle ensued. In the mean time Uguccione arrived in another direction, and, not finding free entrance at any of the gates, began to batter the wall. The Guelphs, defeated by the Ghibelines, were in no condition to resist; the Ghibelines, headed by Castruccio, considered Uguccione as their ally, and thought not of impeding his operations; indeed they were fully employed in resisting their adversaries, who, though worsted, would not yield. The breach was effected, Uguccione entered triumphantly, and, treating Lucca as a conquered town, delivered it over to be sacked by his troops; while he himself made a rich booty of the treasure of the Pope which had been preserved in the church of San Frediano; Lucca having been selected as the safest deposit for such a treasure.
Uguccione thought no more of his promises to Castruccio, and both parties in Lucca were oppressed alike, by one who believed that the best security for a governor was the cutting off the tallest flowers in the field. The prompt exertions of Castruccio alone saved his native city from utter ruin. He collected his partizans, formed them into a troop, and ranging them under the banners of Uguccione, accepted a command in this chief’s army; thus quieting the invaders’ fears of a resistance which would have been rash and vain, but having at the same time ready at Castruccio’s smallest signal a well armed and disciplined troop, nominally in the service of the tyrant, but really devoted by affection and military oaths to the cause of their immediate commander. Nor did he again betray the confidence of his fellow citizens; but, entering into Uguccione’s counsels, and assuming a tone of power which this chieftain could not resist, Castruccio at the same time opposed a boundary to his arrogance and cruelty.
But, although his first imprudence in inviting Uguccione to the possession of Lucca was pardoned by his countrymen, in consideration of the reparation that he earnestly desired to make, it was looked upon with far different eyes by states who, hating the Pisan Tyrant, and too distant to be acquainted with all the palliating circumstances, regarded Castruccio as a traitor. The news of the entrance of the Ghibeline exiles into Lucca, and the capture of that town by Uguccione, quickly reached his Florentine adversaries, and excited grief and rage in all the hearers. The name of Cast
ruccio as the betrayer of his country was repeated with indignation and hatred.
There was one gentle heart in Florence which felt deep pain, when it heard the name of Antelminelli coupled with an opprobrious epithet. Euthanasia dei Adimari had not forgotten her vow made many years before; she had treasured in her memory the recollection of her young playfellow, and often, when travellers from Lombardy mentioned the name of Castruccio, her fair cheek was suffused by the eloquent blood.
Euthanasia had long been an orphan; her father had died, and by his death was cut the dearest tie she had to earth. While he lived, she had confined herself almost entirely to his room, and serving as eyes to his blinded sense, she was as faithful to his wants as his own orbs had been before their light was quenched. After his death she mingled more with the distinguished youth of Florence, and joined in that society, which, if we may judge from the indications that Dante gives in his prose works, and from the tender and exquisite poetry of Petrarch, was as refined, delicate and cultivated, as the best society amidst the boasted politeness of the present day. Yet among the youth of Florence Euthanasia was as a lily, that overlooks the less illustrious yet beautiful flowers of a garden. Her beauty, her accomplishments, and the gift of flowing yet mild eloquence that she possessed, the glowing brilliancy of her ardent yet tempered imagination, made her the leader of the little band to which she belonged. It is said, that as Dante sighed for Beatrice, so several of the distinguished youths of Florence fed on the graceful motions and sweet words of this celestial girl, who, walking among them, passionless, yet full of enthusiasm, seemed as a link to bind their earthly thoughts to heaven. Often with her mother’s permission Euthanasia retired for months to the castle of ; and alone among the wild Apennines she studied and worshipped nature, while the bright sun warmed the valleys, and threw its beams over the mountains, or when the silver boat of the moon, which displayed in the clear air its heavy lading, sunk swiftly in the west, and numberless stars witnessed her departure. Then again, quitting the eternal, ever-succeeding pages of nature’s volume, she pored over the works she had before read with her father, or the later written poetry of Dante, and incorporated the thoughts of the sublimest geniuses with her own, while the creative fire in her heart and brain formed new combinations to delight and occupy her.
Her young friends hailed with heartfelt joy her return from her seclusion; she joined in all their amusements; who could sing the canzones of those times, or relate a pathetic tale, like Euthanasia? Besides she was so prudent, so wise, and so kind, that her assistance was perpetually claimed and afforded in every little misfortune or difficulty of her friends.
But the age of thoughtlessness and fearless enjoyment passed away, and Euthanasia advanced to womanhood. At this period a succession of events deprived her of her mother and her two brothers, so that she remained sole heiress of the possessions of her family. Independent and powerful, she was as a queen in and the surrounding villages; at Florence she was considered one of its first citizens; and, if power, wealth and respect could have satisfied her, she must have been happy. She had wept bitterly the death of her relations; she grieved for the loss of her brothers, and felt only pain at being advanced to their place. Yet her mind acquired new dignity, and the virtues of her heart new fervour, from the entire independence of her situation, and the opportunities she possessed of doing good. There was none to gainsay her actions, except the rigid censorship of her own reason, and the opinion of her fellow — citizens, to whose love and esteem she aspired. Most of her time was now spent among her dependents at Valperga; the villages under her jurisdiction became prosperous; and the peasantry were proud that their countess preferred her residence among them to the gaieties of Florence. In the winter she visited her friends of that town; and many a noble, who hoped to rival Dante Alighieri or Guido Cavalcanti, sang of the miraculous change of seasons that had been operated on his city; — that their summers were dreary, bare, and deserted, while the soul of loveliness dwelt among them during the formerly dull months of winter.
It is said that during this period she had never loved; she admired the illustrious and energetic spirits of Florence, and she bestowed her affections on several whose virtue and talents claimed by right that meed; but she had never loved. It appears wonderful, that one so sensitive of heart and imagination should have attained her twenty-second year without having experienced the tyranny of that passion; but, if it be true, how tremendous must be the force of that power, which could finally break down the barriers piled by reason and accustomed coldness, and deluge her soul with the sweet waters of earthly love!
She had just entered her twenty-second year, when Castruccio in 1314 returned to Lucca; when under his auspices, the greatest enemy of Florence became master of the neighbour city; when war was declared between the two states, and Castruccio was in arms against the Florentines. The summer was now far advanced; and she hastened to her solitude at . She was hurt at heart; one of her dearest dreams, the excellence of Castruccio, was overthrown; and she wished for a while to shut out from her thoughts all memory of the world, which appeared to bring tumult and discord to trouble her tranquillity. She was unable to do this: she was too well known, and too much loved, not to be sought by those with whom she was acquainted; and she was startled to hear from all sides eulogiums of the talents and soldiership of Castruccio, those of the Ghibelines mingled with hope, those of the Guelphs with fear.
Is there not a principle in the human mind that foresees the change about to occur to it? Is there not a feeling which would warn the soul of peril, were it not at the same time a sure prophecy that that peril is not to be avoided? So felt Euthanasia: and during her evening meditations she often enquired from her own heart, why the name of Castruccio made her cheeks glow; and why praise or dispraise of him seemed to electrify her frame: why a nameless inquietude pervaded her thoughts, before so calm: why, tenderly as she dwelt on the recollection of her infant playmate, she dreaded so much now to see him? And then, strange to say, being thus agitated and fearful, she saw him; and calm more still than the serene depths of a windless heaven, redescended on her soul, and wrapped it in security and joy.
It was not until October, while Euthanasia still lingered at , that Castruccio took up his abode in Lucca. He returned thither, covered with glory, but highly discontented with Uguccione who feared him, and, while he shewed him outward honour, took every occasion to thwart his desires, and to deprive him of all power and voice in his council. But Castruccio was at the head of a large party, who could ill brook the rude arrogance of Uguccione, and the unmasked presumption of his sons. This party augmented every day; it was watched, insulted, and harassed; but all the Ghibeline youth of Lucca made it their boast to attend the person, and partake the counsels of Castruccio.
The winter months were spent in apparent idleness, but in reality in deep plotting on the part of Castruccio. Uguccione was at Pisa, and his son, Francesco, could ill understand the wiles of the pupil of Alberto Scoto. He saw his frank countenance, and watched his gay demeanour; but the conclusion of his observations was, that although Castruccio was careless of danger, and ambitious of glory, he was too fond of pleasure, and of too ingenuous a disposition, to enter into any deep scheme, or to form even the wish of usurping the power of the state.
Castruccio stood on the tower of the Antelminelli palace; young Arrigo Guinigi was at his side; he was surrounded by half a dozen of his most intimate associates, and after having for a while discussed their plans of political conduct, they remained silent. Castruccio was separated from the rest of the group; the tower of Antelminelli overlooked the town of Lucca, and being raised far above its narrow, dark streets, appeared, together with the numerous towers of the city, as forming a separate and more agreeable town for the nobles over the heads of the meaner inhabitants. The valley was stretched around the city; its fields bare of vegetation, and spotted with black patches of leafless woods; and the view was terminated by the hills, crowned with snow, and their sides clothed wi
th the dark verdure of the ilex, while from among their folds peeped the white walls of villages and castles.
Castruccio fixed his eye on one of these castles. The forgotten scenes of his youth thronged into his memory, and oppressed him with their numbers and life; the low voice of his mother sounded in his ears; the venerable form of Adimari stood before him, and it seemed to him as if the slender fingers of the infant Euthanasia pressed his hand. He turned suddenly round, and asked: “Does she still live there?” — pointing to the castle.
“Who? The countess of ?”
“Aye, and her daughter Euthanasia?” Many years had elapsed since he had pronounced that name; he felt his whole frame thrill to its musical sound.
“The present countess,” replied Vanni Mordecastelli, “is young and unmarried” —
“And her name is Euthanasia,” continued count Ludovico de’ Fondi; “she is the daughter of Messer Antonio dei Adimari, who while he lived was one of the leaders of the Guelph party at Florence; and through her mother she possess the castle and villages of .”
“Aye,” cried a youth, “and they say that Ranieri della Fagginola pretends to her hand. It is not well, that the credulity of a woman, who will listen to the first fine speeches that are addressed her, should cause so strong a hold as the castle of to pass into the hands of that insufferable nest of traitors.”
“You are ignorant of whom you talk,” said the aged Fondi, “when you speak thus lightly of the young countess of . She is a lady of great prudence, beauty, and learning; and, although for years she has been sought by the first nobles of Italy, she glories in her independence and solitude. She mingles little with the citizens of this town; her friends reside at Florence, where she often passes many months, associating with its first families.”
“Is she as beautiful, as she is said to be?” asked young Arrigo Guinigi.
