by Mary Shelley
“Then reflect upon domestic life, on the strife, hatred and uncharitableness, that, as sharp spears, pierce one’s bosom at every turn; think of jealousy, midnight murders, envy, want of faith, calumny, ingratitude, cruelty, and all which man in his daily sport inflicts upon man. Think upon disease, plague, famine, leprosy, fever, and all the aching pains our limbs suffer withal; visit in thought the hospital, the lazar house; Oh! surely God’s hand is the chastening hand of a father, that thus torments his children! His children? his eternal enemies! look, I am one! He created the seeds of disease, maremma, thirst, want; he created man, — that most wretched of slaves; oh! know you not what a wretch man is? and what a store house of infinite pain is this much-vaunted human soul? Look into your own heart; or, if that be too peaceful, gaze on mine; I will tear it open for your inspection. There is remorse, hatred, grief — overwhelming, mighty, and eternal misery. God created me: am I the work of a beneficent being? Oh, what spirit mingled in my wretched frame love, hope, energy, confidence, — to find indifference, to be blasted to despair, to be as weak as the fallen leaf, to be betrayed by all! Now I am changed, — I hate; — my energy is spent in curses, and if I trust, it is to be the more deeply wounded.
“Did not the power you worship create the passions of man; his desires which outleap possibility, and bring ruin upon his head? Did he not implant the seeds of ambition, revenge and hate? Did he not create love, the tempter: he who keeps the key of that mansion whose motto must ever be Lasciate ogni speranza voi che intrate.
And the imagination, that masterpiece of his malice; that spreads honey on the cup that you may drink poison; that strews roses over thorns, thorns sharp and big as spears; that semblance of beauty which beckons you to the desert; that apple of gold with the heart of ashes; that foul image, with the veil of excellence; that mist of the maremma, glowing with roseate hues beneath the sun, that creates it, and beautifies it, to destroy you; that diadem of nettles; that spear, broken in the heart! He, the damned and triumphant one, sat meditating many thousand years for the conclusion, the consummation, the final crown, the seal of all misery, which he might set on man’s brain and heart to doom him to endless torment; and he created the Imagination. And then we are told the fault is ours; good and evil are sown in our hearts, and ours is the tillage, ours the harvest; and can this justify an omnipotent deity that he permits one particle of pain to subsist in his world? Oh, never.
“I tell thee what; there is not an atom of life in this all — peopled world that does not suffer pain; we destroy animals; — look at your own dress, which a myriad of living creatures wove and then died; those sables, — a thousand hearts once beat beneath those skins, quenched in the agonies of death to furnish forth that cloak. Yet why not? While they lived, those miserable hearts beat under the influence of fear, cold and famine. Oh! better to die, than to suffer! The whale in the great ocean destroys nations of fish, but thousands live on him and torment him. Destruction is the watchword of the world; the death by which it lives, the despair by which it hopes: oh, surely a good being created all this!
“Let me tell you, that you do ill to ally yourself to the triumphant spirit of evil, leaving the worship of the good, who is fallen and depressed, yet who still lives. He wanders about the world a proscribed and helpless thing, hooted from the palaces of kings, excommunicated from churches; sometimes he wanders into the heart of man, and makes his bosom glow with love and virtue; but so surely as he enters, misfortune, bound to him by his enemy, as a corpse to a living body, enters with him; the wretch who has received his influence, becomes poor, helpless and deserted; happy if he be not burnt at the stake, whipped with iron, torn with red-hot pincers.
“The Spirit of Evil chose a nation for his own; the Spirit of Good tried to redeem that nation from its gulf of vice and misery, and was cruelly destroyed by it; and now, as the masterpiece of the enemy, they are adored together; and he the beneficent, kind and suffering, is made the mediator to pull down curses upon us.
“How quick and secure are the deeds of the evil spirit; how slow and uncertain those of the good! I remember once a good and learned friend of mine telling me, that the country about Athens was adorned by the most exquisite works man had ever produced; marble temples traced with divine sculpture, statues transcending human beauty; the art of man had been exhausted to embellish it, the lives of hundreds of men had been wasted to accomplish it, the genius of the wisest had been employed in its execution; ages had passed, while slowly, year by year, these wonders had been collected; some were almost falling through exceeding age, while others shone in their first infancy. Well: — a king, Philip of Macedon, destroyed all these in three days, burnt them, razed them, annihilated them. This is the proportionate energy of good and evil; the produce of ages is the harvest of a moment; a man may spend years in curbing his passions, in acquiring wisdom, in becoming an angel in excellence; the brutality of a fellow creature, or the chance of war, may fell him in an instant; and all his knowledge and virtues become blank, as a moonless, starless night.
“Euthanasia, my heart aches, and my spirits flag: I was a poor, simple girl; but I have suffered much; and endurance, and bitter experience have let me into the truth of things; the deceitful veil which is cast over this world, is powerless to hide its deformity from me. I see the cruel heart, which lurks beneath the beautiful skin of the pard; I see the blight of autumn in the green leaves of spring, the wrinkles of age in the face of youth, rust on the burnished iron, storm in the very breast of calm, sorrow in the heart of joy; all beauty wraps deformity, as the fruit the kernel; Time opens the shell, the seed is poison.”
The eyes of Beatrice shot forth sparks of fire as she poured out this anathema against the creation; her cheeks were fevered with a hectic glow; her voice, sharp and broken, which was sometimes raised almost to a shriek, and sometimes lowered to a whisper, fell on the brain of Euthanasia like a rain of alternate fire and ice; she shrunk and trembled beneath the flood of terror that inundated and confounded her understanding: but the eloquent prophetess of Evil ceased at last, and, pale and exhausted, she sank down; clasping Euthanasia in her arms, she hid her face on her knees, and sobbed, and wept: “Forgive me, if I have said that which appears to you blasphemy; I will unveil my heart to you, tell you my sufferings, and surely you will then curse with me the author of my being.”
Euthanasia spoke consolation alone; she bade her weep no more; that she need no longer fear or hate; that she might again love, hope and trust; and that she as a tender sister would sympathize with and support her. The undisciplined mind of poor Beatrice was as a flower that droops beneath the storm; but, on the first gleam of sunshine, raises again its head, even though the hail-stones and the wind might have broken and tarnished its leaves and its tints. She looked up, and smiled; “I will do all that you tell me; I will be docile, good and affectionate; — I will be obedient to your smallest sign, kindest, dearest Euthanasia. Trust me, you shall make me a Catholic again, if you will love me unceasingly for one whole year, and in the mean time I do not die. I am very teachable, very, very tractable; but I have suffered greatly, as one day you will know; for I will tell you every thing. Now, good bye; I am very tired, and I think I shall sleep.”
“Sleep then, poor creature; here is a couch ready for you; I will watch near you; and may your dreams be pleasant.”
“Give me your hand then; I will hold it while I rest; how small, and white, and soft it is! Look at mine, it is yellow and dry; once it was like yours; I think it was rather smaller, but never so well shaped; the tips of my fingers and my nails were never dyed by so roseate a tint as this, nor was the palm so silken soft. You are very beautiful, and very good, dear Euthanasia; I hope you are, and will be happy.”
Euthanasia kissed the forehead of this child of imagination and misery; and soon she slept, forgetful of all her sufferings. Euthanasia felt deeply interested in her; she felt that they were bound together, by their love for one who loved only himself; she thought over her wild d
enunciations; and, strange to say, she felt doubly warmed with admiration of the creation, and gratitude towards God, at the moment that Beatrice had painted its defects. She thought of the beauty of the world and the wondrous nature of man, until her mind was raised to an enthusiastic sentiment of happiness and praise. “And you also shall curb your wild thoughts,” whispered Euthanasia, as she looked at the sleeping girl; “I will endeavour to teach you the lessons of true religion; and, in reducing the wandering thoughts of one so lovely and so good, I shall be in part fulfilling my task on the earth.”
For several days after this conversation Beatrice became peaceful and mild, saying little, and appearing complacent, almost content; she attended mass, told her beads, and talked of going to confession. Euthanasia was astounded; she was herself so steady in her principles, so firm in opinion and action, slow to change, but resolute having changed, that she was at a loss to understand the variable feelings and swift mutations of the poor, untaught Beatrice.
“Confess!” she repeated; “you promised that I should convert you in a year; but you have already forsaken your Paterin opinions!”
“No, indeed, I have not; but it is of so little consequence; I would please you, dearest, by seeming what I am not; not that I am sure that I am not what you desire. You know, if God is good, he will forgive my errors: if he is evil, I care not to please him; so I shall endeavour to please the virtuous and kind of this world, and you are one of those, my best friend. Besides, now I think of it, this world seems too beautiful to have been created by an evil spirit; he would have made us all toads, the trees and flowers all mushrooms, and the rocks and mountains would have been huge, formless polypi. Yet there is evil; but I will not trouble myself more about it; you shall form my creed; and, as a lisping infant, with clasped hands, I will repeat my prayers after you.”
“Why so, dearest Beatrice? Why will you not recall the creeds of your childhood, as your adoptive parents taught them you? I cannot school you better than they.”
“My childhood!” cried the prophetess; her eyes becoming dark and stormy, “what to become again a dupe, a maniac? to fall again, as I have fallen? Cease, cease, in mercy cease, to talk of my childhood; days of error, vanity and paradise! My lessons must all be new; all retold in words signifying other ideas than what they signified during my mad, brief dream of youth. Then faith was not a shadow: it was what these eyes saw; I clutched hope, and found it certainty; I heard the angels of heaven, and saw the souls of the departed; can I ever see them again?”
“Sweetest and most unfortunate, drive away memory, and take hope to you. Youth is indeed a dream; and, if I spent it not in your ecstasies, yet believe me I was not then as I am now. I am older than you, and know life better; I have passed the fearful change from dream to reality, and am now calm. I have known all your throes; sometimes indeed they now visit me; but I quench them, cast them aside, tread on them; — so may you.”
“Never! never!” replied Beatrice: “I was born for wretchedness. When the fates twined my destiny, they mingled three threads; the first was green hope, the second purple joy, the third black despair; but the two first were very short, and soon came to an end; a dreary line of black alone remains. Yet I would forget all that; and for many days I have been as calm as a bird that broods, rocked on her tree by a gentle wind; full of a quiet, sleepy life. Should this state continue longer, I might become what you wish me to be; but I find my soul awakening, and I fear a relapse; I fear the return of tears and endless groans. Oh! let me wrap myself round you, my better angel, hope of my life; pour your balmy words upon me; lay your cool, healthful cheek near my burning one, let our pulses beat responsive! Oh! that once I could become less feverish, less wild, less like a dark and crimsoned thunder-cloud, driven away, away, through the unknown wildernesses of sky.”
Euthanasia was glad to hear her suffering friend talk, however wildly; for she observed that, when she had exhausted herself in speech, she became calmer and happier; while, if she brooded silently over her cares, she became almost insane through grief. Occasionally she sought consolation in music; there was something magical in her voice, and in the tones she could draw from the organ or the harp: in her days of glory it had been said, that she was taught to sing by angelic instructors; and now those remembered melodies remained, sole relics of her faded honours. The recollection of this sometimes disturbed her; and she would suddenly break off her song, and peevishly exclaim, that music, like the rest of the world’s masks, contained the soul of bitterness within its form of beauty.
“Not so, dear girl,” said Euthanasia; “Euterpe has ever been so dear a friend of mine, that I cannot permit you to calumniate her unjustly; there is to me an unalloyed pleasure in music. Some blessed spirit, compassionate of man’s estate, and loving him, sent it, to teach him that he is other than what he seems: it comes, like a voice from a far world, to tell you that there are depths of intense emotion veiled in the blue empyrean, and the windows of heaven are opened by music alone. It chastens and lulls our ecstasies; and, if it awakens grief, it also soothes it. But more than to the happy or the sorrowful, music is an inestimable gift to those who forget all sublimer emotions in the pursuits of daily life. I listen to the talk of men; I play with my embroidery-frame; I enter into society: suddenly high song awakens me, and I leave all this tedious routine far, far distant; I listen, till all the world is changed, and the beautiful earth becomes more beautiful. Evening and all its soft delights, morning and all its refreshing loveliness; — noonday, when the busy soul rests, like the sun in its diurnal course, and then gathering new strength, descends; all these, when thought upon, bring pleasure; but music is far more delicious than these. Never do I feel happier and better, than when I have heard sweet music; my thoughts often sleep like young children nestled in their cradles, until music awakens them, and they open their starry eyes. I may be mistaken; but music seems to me to reveal to us some of the profoundest secrets of the universe; and the spirit, freed from prison by its charms, can then soar, and gaze with eagle eyes on the eternal sun of this all-beauteous world.”
Beatrice smiled. — Since her days of happiness had ended, Euthanasia’s enthusiasm had become more concentrated, more concealed; but Beatrice again awoke to her words, and these two ladies, bound by the sweet ties of gratitude and pity, found in each other’s converse some balm for their misfortunes. Circumstances had thus made friends of those whom nature seemed to separate: they were much unlike; but the wild looks of Beatrice sometimes reflected the soft light of Euthanasia’s eyes; and Euthanasia found her heart, which was sinking to apathy, awake again, as she listened to Beatrice. And, though we may be unhappy, we can never be perfectly wretched, while the mind is active; it is inaction alone that constitutes true wretchedness.
In the mean time her own journey to Florence was put off indefinitely. She was too much interested in the fate of Beatrice, and already loved her too well, to desert her; the poor prophetess appeared little capable of the journey, since the most trifling circumstance would awaken her wildest fancies, and fever and convulsions followed. Once indeed Euthanasia had mentioned her wish to go thither; Beatrice looked at her with flashing eyes, and cried, “Did you not promise never to desert me? Are you faithless also?”
“But would you not accompany me?”
“Do you see that river that flows near Lucca?” exclaimed Beatrice. “I fancy that it has flowed through the self-same banks these many thousand years; and sooner will it desert them, than I this town. See you that cypress, that grows towering above all its neighbour trees in that convent-garden, I am as firm to this soil as that; I will never leave this place but by force, and then I die.”
She said these words in her wildest manner; and they were followed by such an annihilation of strength, and such symptoms of fever, that Euthanasia did not again dare mention her removal to Florence. She also suffered less by her continued stay at Lucca; for the feelings of her heart were so completely absorbed in pity and love for Beatrice, that the pa
inful ideas of many years’ growth seemed rooted out by a new and mightier power. She was so little selfish, that she could easily forget her own sorrows, deep as they were, in her sympathy for the unhappy prophetess, who had suffered evils tremendous and irremediable.
Castruccio often sent to learn of the welfare of this poor girl, and Euthanasia answered his enquiries with exactness. She did this; for she thought that perhaps the future destiny of Beatrice was in his hands, and that he might engraft life and even happiness on the blighted plant.
One day Beatrice went out. It was the first time she had quitted the palace; and Euthanasia was vexed and anxious. After an absence of some hours she returned; she was clothed in a great coarse cloak that entirely disguised her; she put it off; and, trembling, blushing, panting, she threw herself into the arms of her protectress.
“I have seen him! I have seen him!”
“Calm yourself, poor fluttering bird; you have seen him: well, well, he is changed, much altered; why do you weep?”
“Aye, he is changed; but he is far more beautiful than ever he was. Oh, Euthanasia, how radiant, how divine he is! His eyes, which, like the eagle’s, could outgaze the sun, yet melt in the sweetest love, as a cloud, shining, yet soft; his brow, manly and expansive, on which his raven curls rest; his upturned lips, where pride, and joy, and love, and wisdom, and triumph live, small spirits, ready to obey his smallest will; and his head, cinctured by a slight diadem, looks carved out by the intensest knowledge of beauty! How graceful his slightest motion! and his voice, — his voice is here,—”
Beatrice put her hand upon her heart; her eyes were filled with tears; and the whole expression of her face was softened and humanized. Suddenly she stopped; she dried her eyes; and, fixing them on Euthanasia, she took her two hands in hers, and looked on her, as if she would read her soul. “Beautiful creature,” she said, “once he told me that he loved you. Did he not? does he not? Why are you separated? do you not love him?”
