by Mary Shelley
Ethel lived alone in their lonely dwelling. Had she been of a more advanced age when taken from England, her curiosity might have been excited by the singularity of her position; but we rarely reason about that which has remained unchanged since infancy; taking it as a part of the immutable order of things, we yield without a question to its controul. Ethel did not know that she was alone. Her attendants she was attached to, and she idolized her father; his image filled all her little heart. Playmate she had none, save a fawn and a kid, a dog grown old in her service, and a succession of minor favourites of the animal species.
It was Fitzhenry’s wish to educate his daughter to all the perfection of which the feminine character is susceptible. As the first step, he cut her off from familiar communication with the unrefined, and, watching over her with the fondest care, kept her far aloof from the very knowledge of what might, by its baseness or folly, contaminate the celestial beauty of her nature. He resolved to make her all that woman can be of generous, soft, and devoted; to purge away every alloy of vanity and petty passion — to fill her with honour, and yet to mould her to the sweetest gentleness: to cultivate her tastes and enlarge her mind, yet so to controul her acquirements, as to render her ever pliant to his will. She was to be lifted above every idea of artifice or guile, or the caballing spirit of the worldling — she was to be single-hearted, yet mild. A creature half poetry, half love — one whose pure lips had never been tainted by an untruth — an enthusiastic being, who could give her life away for the sake of another, and yet who honoured herself as a consecrated thing reserved for one worship alone. She was taught that no misfortune should penetrate her soul, except such as visited her affections, or her sense of right; and that, set apart from the vulgar uses of the world, she was connected with the mass only through another — that other, now her father and only friend — hereafter, whosoever her heart might select as her guide and head. Fitzhenry drew his chief ideas from Milton’s Eve, and adding to this the romance of chivalry, he satisfied himself that his daughter would be the embodied ideal of all that is adorable and estimable in her sex.
The instructor can scarcely give sensibility where it is essentially wanting, nor talent to the unpercipient block. But he can cultivate and detect the affections of the pupil, who puts forth, as a parasite, tendrils by which to cling, not knowing to what — to a supporter or a destroyer. The careful rearer of the ductile human plant can instil his own religion, and surround the soul by such a moral atmosphere, as shall become to its latest day the air it breathes. Ethel, from her delicate organization and quick parts, was sufficiently plastic in her father’s hands. When not with him, she was the playmate of nature. Her birds and pet animals — her untaught but most kind nurse, were her associates: she had her flowers to watch over, her music, her drawings, and her books. Nature, wild, interminable, sublime, was around her. The ceaseless flow of the brawling stream, the wide-spread forest, the changes of the sky, the career of the wide-winged clouds, when the winds drove them athwart the atmosphere, or the repose of the still, and stirless summer air, the stormy war of the elements, and the sense of trust and security amidst their loudest disturbances, were all circumstances to mould her even unconsciously to an admiration of all that is grand and beautiful.
A lofty sense of independence is, in man, the best privilege of his nature. It cannot be doubted, but that it were for the happiness of the other sex that she were taught more to rely on and act for herself. But in the cultivation of this feeling, the education of Fitzhenry was lamentably deficient. Ethel was taught to know herself dependent; the support of another was to be as necessary to her as her daily food. She leant on her father as a prop that could not fail, and she was wholly satisfied with her condition. Her peculiar disposition of course tinged Fitzhenry’s theories with colours not always their own, and her entire want of experience in intercourse with her fellow-creatures, gave a more decided tone to her sense of dependence than she could have acquired, if the circumstances of her daily life had brought her into perpetual collision with others. She was habitually cheerful even to gaiety; yet her character was not devoid of petulence, which might become rashness or self-will if left to herself. She had a clear and upright spirit, and suspicion or unkindness roused her to indignation, or sunk her into the depths of sorrow. Place her in danger, and tell her she must encounter it, and she called up all her courage and became a heroine; but on less occasions, difficulties dismayed and annoyed her, and she longed to escape from them into that dreamy existence, for which her solitary mode of life had given her a taste: active in person, in mind she was too often indolent, and apt to think that while she was docile to the injunctions of her parent, all her duties were fulfilled. She seldom thought, and never acted, for herself.
With all this she was so caressingly affectionate, so cheerful and obedient, that she inspired her father with more than a father’s fondness. He lived but for her and in her. Away, she was present to his imagination, the loadstone to draw him home, and to fill that home with pleasure. He exalted her in his fancy into angelic perfection, and nothing occurred to blot the fair idea. He in prospect gave up his whole life to the warding off every evil from her dear and sacred head. He knew, or rather believed, that while we possess one real, devoted, and perfect friend, we cannot be truly miserable. He said to himself — though he did not love to dwell on the thought — that of course cares and afflictions might hereafter befal her; but he was to stand the shield to blunt the arrows of sorrow — the shelter in which she might find refuge from every evil ministration. The worst ills of life, penury and desertion, she could never know; and surely he, who would stand so fast by her through all — whose nightly dream and waking thought was for her good, would even, when led to form other connexions in life, so command her affections as to be able to influence her happiness.
Not being able to judge by comparison, Ethel was unaware of the peculiarity of her good fortune in possessing such a father. But she loved him entirely; looked up to him, and saw in him the reward of every exertion, the object of each day’s employment. In early youth we have no true notion of what the realities of life are formed, and when we look forward it is without any correct estimate of the chances of existence. Ethel’s visionary ideas were all full of peace, seclusion, and her father. America, or rather the little village of the Illinois which she inhabited, was all the world to her; and she had no idea that nearly every thing that connected her to society existed beyond the far Atlantic, in that tiny isle which made so small a show upon her maps. Fitzhenry never mentioned these things to his daughter. She arrived at the age of fifteen without forming a hope that should lead her beyond the pale which had hitherto enclosed her, or having imagined that any train of circumstances might suddenly transplant her from the lonely wilderness to the thronged resorts of mankind.
CHAPTER IV.
Les deserts sont faits pour les amants, mais l’amour
ne se fait pas aux deserts.
— Le Barbier de Paris.
Twelve years had led Ethel from infancy to childhood; and from child’s estate to the blooming season of girlhood. It had brought her father from the prime of a man’s life, to the period when it began to decline. Our feelings probably are not less strong at fifty than they were ten or fifteen years before; but they have changed their objects, and dwell on far different prospects. At five-and-thirty a man thinks of what his own existence is; when the maturity of age has grown into its autumn, he is wrapt up in that of others. The loss of wife or child then becomes more deplorable, as being impossible to repair; for no fresh connexion can give us back the companion of our earlier years, nor a “new sprung race” compensate for that, whose career we hoped to see run. Fitzhenry had been a man of violent passions; they had visited his life with hurricane and desolation; — were these dead within him? The complacency that now distinguished his physiognomy seemed to vouch for internal peace. But there was an abstracted melancholy in his dark eyes — a look that went beyond the objects immediately before
him, that seemed to say that he often anxiously questioned fate, and meditated with roused fears on the secrets of futurity.
Educating his child, and various other employments, had occupied and diverted him. He had been content; he asked for no change, but he dreaded it. Often when packets arrived from England he hesitated to open them. He could not account for his new-born anxieties. Was change approaching? “How long will you be at peace?” Such warning voice startled him in the solitude of the forests: he looked round, but no human being was near, yet the voice had spoken audibly to his sense; and when a transient air swept the dead leaves near, he shrunk as if a spirit passed, invisible to sight, and yet felt by the subtle atmosphere, as it gave articulation and motion to it.
“How long shall I be at peace?” A thrill ran through his veins. “Am I then now at peace? Do love, and hate, and despair, no longer wage their accustomed war in my heart? and is it true that gently flowing as my days have lately been, that during their course I have not felt those mortal throes that once made life so intolerable a burthen? It is so. I am at peace; strange state for suffering mortality! And this is not to last? My daughter! there only am I vulnerable; yet have I surrounded her with a sevenfold shield. My own sweet Ethel! how can I avert from your dear head the dark approaching storm?
“But this is folly. These waking dreams are the curse of inaction and solitude. Yesterday I refused to accompany the exploring party. I will go — I am not old; fatigue, as yet, does not seem a burthen; but I shall sink into premature age, if I allow this indolence to overpower me. I will set out on this expedition, and thus I shall no longer be at peace.” Fitzhenry smiled as if thus he were cheating destiny.
The proposed journey was one to be made by a party of his fellow-settlers, to trace the route between their town and a large one, two hundred miles off, to discover the best mode of communication. There was nothing very arduous in the undertaking. It was September, and hunting would diversify the tediousness of their way. Fitzhenry left his daughter under the charge of her attendants, to amuse herself with her books, her music, her gardening, her needle, and, more than all, her new and very favourite study of drawing and sketching. Hitherto the pencil had scarcely been one of her occupations; but an accident gave scope to her acquiring in it that improvement for which she found that she had prodigious inclination, and she was assured, no inconsiderable talent.
The occasion that had given rise to this new employment was this. Three or four months before, a traveller arrived for the purpose of settling, who claimed a rather higher intellectual rank than those around him. He was the son of an honest tradesman of the city of London. He displayed early signs of talent, and parental fondness gave him opportunities of cultivating it. The means of his family were small, but some of the boy’s drawings having attracted the attention of an artist, he entered upon the profession of a painter, with sanguine hopes of becoming hereafter an ornament to it.
Two obstacles were in the way of his success. He wanted that intense love of his art — that enthusiastic perseverance in labour, which distinguishes the man of genius from the man of talent merely. He regarded it as a means, not an end. Probably therefore he did not feel that capacity in himself for attaining first-rate excellence, which had been attributed to him. He had a taste also for social pleasures and vulgar indulgencies, incompatible with industry and with that refinement of mind which is so necessary an adjunct to the cultivation of the imaginative arts. Whitelock had none of all this; but he was quick, clever, and was looked on among his associates as a spirited, agreeable fellow. The death of his parents left him in possession of their little wealth: depending for the future on the resources which his talent promised him, he dissipated the two or three hundred pounds which formed his inheritance: debt, difficulties, with consequent abstraction from his profession, completed his ruin. He arrived at the Illinois in search of an uncle, on whose kindness he intended to depend, with six dollars in his purse. His uncle had long before disappeared from that part of the country. Whitelock found himself destitute. Neither his person, which was diminutive, nor his constitution, which was delicate, fitted him for manual labour; nor was he acquainted with any mechanic art. What could he do in America? He began to feel very deeply the inroads of despair, when hearing of the superior wealth of Mr. Fitzhenry, and that he was an Englishman, he paid him a visit, feeling secure that he could interest him in his favour.
The emigrant’s calculations were just. His distinguished countryman exerted himself to enable the young man to obtain a subsistence. He established him in a school, and gave him his best counsels how to proceed. Whitelock thanked him; commenced the most odious task of initiating the young Americans in the rudiments of knowledge, and sought meanwhile to amuse himself to the best of his power. Fitzhenry’s house he first made his resort. He was not to be baffled by the reserved courtesy of his host. The comfort and English appearance of the exile’s dwelling were charming to him; and while he could hear himself talk, he fancied that every one about him must be satisfied. Fitzhenry was excessively annoyed. There was an innate vulgarity in his visitant, and an unlicensed familiarity that jarred painfully with the refined habits of his sensitive nature. Still, in America he had been forced to tolerate even worse than this, and he bore Whitelock’s intrusions as well as he could, seeking only to put such obstacles in the way of his too frequent visits, as would best serve to curtail them. Whitelock’s chief merit was his talent; he had a real eye for the outward forms of nature, for the tints in which she loves to robe herself, and the beauty in which she is for ever invested. He occupied himself by sketching the surrounding scenery, and gave life and interest to many a savage glade and solitary nook, which, till he came, had not been discovered to be picturesque. Ethel regarded his drawings with wonder and delight, and easily obtained permission from her father to take lessons in the captivating art. Fitzhenry thought that of all occupations, that of the pencil, if pursued earnestly and with real taste, most conduced to the student’s happiness. Its scope is not personal display, as is the case most usually with music, and yet it has a visible result which satisfies the mind that something has been done. It does not fatigue the attention like the study of languages, yet it suffices to call forth the powers, and to fill the mind with pleasurable sensations. It is a most feminine occupation, well replacing, on a more liberal and rational scale, the tapestry of our grandmothers. Ethel had already shown a great inclination for design, and her father was glad of so favourable an opportunity for cultivating it. A few difficulties presented themselves. Whitelock had brought his own materials with him, but he possessed no superfluity — and they were not to be procured at the settlement. The artist offered to transfer them all for Ethel’s convenience to her own abode, so that he might have free leave to occupy himself there also. Fitzhenry saw all the annoyances consequent on this plan, and it was finally arranged that his daughter should, three or four times a week, visit the school-house, and in a little room, built apart for her especial use, pursue her study.
The habit of seeing and instructing his lovely pupil awoke new ideas in Whitelock’s fruitful brain. Who was Mr. Fitzhenry? What did he in the Illinois? Whitelock sounded him carefully, but gathered no information, except that this gentleman showed no intention of ever quitting the settlement. But this was much. He was evidently in easy circumstances — Ethel was his only child. She was here a garden-rose amidst briars, and Whitelock flattered himself that his position was not materially different. Could he succeed in the scheme that all these considerations suggested to him, his fortune was made, or, at least, he should bid adieu for ever to blockhead boys and the dull labours of instruction. As these views opened upon him, he took more pains to ingratiate himself with Fitzhenry. He became humble; he respectfully sought his advice — and while he contrived a thousand modes of throwing himself in his way, he appeared less intrusive than before — and yet he felt that he did not get on. Fitzhenry was kind to him, as a countryman in need of assistance; he admired his talent as an artis
t, but he shrunk from the smallest approach to intimacy. Whitelock hoped that he was only shy, but he feared that he was proud; he tried to break through the barrier of reserve opposed to him, and he became a considerable annoyance to the recluse. He waylaid him during his walks with his daughter — forced his company upon them, and forging a thousand obliging excuses for entering their dwelling, he destroyed the charm of their quiet evenings, and yet tempered his manners with such shows of humility and gratitude as Fitzhenry could not resist.
Whitelock next tried his battery on the young lady herself. Her passion for her new acquirement afforded scope for his enterprizing disposition. She was really glad to see him whenever he came; questioned him about the pictures which existed in the old world, and, with a mixture of wonder and curiosity, began to think that there was magic in an art, that produced the effects which he described. With all the enthusiasm of youth, she tried to improve herself, and the alacrity with which she welcomed her master, or hurried to his school, looked almost like — Whitelock could not exactly tell what, but here was ground to work upon.
When Fitzhenry went on the expedition already mentioned, Ethel gave up all her time, with renewed ardour, to her favourite pursuit. Early in the morning she was seen tripping down to the school-house, accompanied by her faithful negro woman. The attendant used her distaff and spindle, Ethel her brush, and the hours flew unheeded. Whitelock would have been glad that her eyes had not always been so intently fixed on the paper before her. He proposed sketching from nature. They made studies from trees, and contemplated the changing hues of earth and sky together. While talking of tints, and tones of colour spread over the celestial hemisphere and the earth beneath, were it not an easy transition to speak of those which glistened in a lady’s eye, or warmed her cheek? In the solitude of his chamber, thus our adventurer reasoned; and wondered each night why he hesitated to begin. Whitelock was short and ill-made. His face was not of an agreeable cast: it was impossible to see him without being impressed with the idea that he was a man of talent; but he was otherwise decidedly ugly. This disadvantage was counterbalanced by an overweening vanity, which is often to be remarked in those whose personal defects place them a step below their fellows. He knew the value of an appearance of devotion, and the power which an acknowledgment of entire thraldom exercises over the feminine imagination. He had succeeded ill with the father; but, after all, the surest way was to captivate the daughter: the affection of her parent would induce him to ratify any step necessary to her happiness; and the chance afforded by this parent’s absence for putting his plan into execution, might never again occur — why then delay?
