by Mary Shelley
Having rapidly detailed his history, he now sought to win the favourable ear of Adalinda, who stood with averted and angry looks. He tried by the varied shows of passion and tenderness to move her heart. Was he not, in truth, the object of her love? Was it not he who scaled her balcony at Villa Spina? He recalled scenes of mutual overflow of feeling to her mind, thus urging arguments the most potent with a delicate woman: pure blushes tinged her cheek, but horror of the deceiver predominated over every other sentiment. He swore that as soon as they should be united he would free Ferdinand, and bestow competency, nay, if so she willed it, half his possessions, on him. She coldly replied, that she would rather share the chains of the innocent and misery, than link herself with imposture and crime. She demanded her liberty, but the untamed and even ferocious nature that had borne the deceiver through his career of crime now broke forth, and he invoked fearful imprecations on his head, if she ever quitted the castle except as his wife. His look of conscious power and unbridled wickedness terrified her; her flashing eyes spoke abhorrence: it would have been far easier for her to have died than have yielded the smallest point to a man who made her feel for one moment his irresistible power, arising from her being an unprotected woman, wholly in his hands. She left him, feeling as if she had just escaped from the impending sword of an assassin.
One hour’s deliberation suggested to her a method of escape from her terrible situation. In a wardrobe at the castle lay in their pristine gloss the habiliments of a page of her mother, who had died suddenly, leaving these unworn relics of his station. Dressing herself in these, she tied up her dark shining hair, and even, with a somewhat bitter feeling, girded on the slight sword that appertained to the costume. Then, through a private passage leading from her own apartment to the chapel of the castle, she glided with noiseless steps, long after the Ave Maria sounded at twenty-four o’clock, had, on a November night, given token that half an hour had passed since the setting of the sun. She possessed the key of the chapel door — it opened at her touch; she closed it behind her, and she was free. The pathless hills were around her, the starry heavens above, and a cold wintry breeze murmured around the castle walls; but fear of her enemy conquered every other fear, and she tripped lightly on, in a kind of ecstasy, for many a long hour over the stony mountain-path — she, who had never before walked more than a mile or two at any time in her life, — till her feet were blistered, her slight shoes cut through, her way utterly lost. At morning’s dawn she found herself in the midst of the wild ilex-covered Apennines, and neither habitation nor human being apparent.
She was hungry and weary. She had brought gold and jewels with her, but here were no means of exchanging these for food. She remembered stories of banditti; but none could be so ruffian-like and cruel as him from whom she fled. This thought, a little rest, and a draught of water from a pure mountain-spring, restored her to some portion of courage, and she continued her journey. Noonday approached; and, in the south of Italy, the noonday sun, when unclouded, even in November, is oppressively warm, especially to an Italian woman, who never exposes herself to its beams. Faintness came over her. There appeared recesses in the mountain-side along which she was travelling, grown over with bay and arbutus: she entered one of these, there to repose. It was deep, and led to another that opened into a spacious cavern lighted from above: there were cates, grapes, and a flagon of wine, on a rough hewn table. She looked fearfully around, but no inhabitant appeared. She placed herself at the table, and, half in dread, ate of the food presented to her, and then sat, her elbow on the table, her head resting on her little snow-white hand; her dark hair shading her brow and clustering round her throat. An appearance of languor and fatigue diffused through her attitude, while her soft black eyes filled at intervals with large tears, as pitying herself, she recurred to the cruel circumstances of her lot. Her fanciful but elegant dress, her feminine form, her beauty and her grace, as she sat pensive and alone in the rough unhewn cavern, formed a picture a poet would describe with delight, an artist love to paint.
“She seemed a being of another world; a seraph, all light and beauty; a Ganymede, escaped from his thrall above to his natal Ida. It was long before I recognised, looking down on her from the opening hill, my lost Adalinda.” Thus spoke the young Count Eboli, when he related this story; for its end was as romantic as its commencement.
When Ferdinand had arrived a galley-slave in Calabria, he found himself coupled with a bandit, a brave fellow, who abhorred his chains, from love of freedom, as much as his fellow-prisoner did, from all the combination of disgrace and misery they brought upon him. Together they devised a plan of escape, and succeeded in effecting it. On their road, Ferdinand related his story to the outlaw, who encouraged him to hope a favourable turn of fate; and meanwhile invited and persuaded the desperate man to share his fortunes as a robber among the wild hills of Calabria.
The cavern where Adalinda had taken refuge was one of their fastnesses, whither they betook themselves at periods of imminent danger for safety only, as no booty could be collected in that unpeopled solitude; and there, one afternoon, returning from the chase, they found the wandering, fearful, solitary, fugitive girl; and never was lighthouse more welcome to tempest-tost sailor than was her own Ferdinand to his lady-love.
Fortune, now tired of persecuting the young noble, favoured him still further. The story of the lovers interested the bandit chief, and promise of reward secured him. Ferdinand persuaded Adalinda to remain one night in the cave, and on the following morning they prepared to proceed to Naples; but at the moment of their departure they were surprised by an unexpected visitant: the robbers brought in a prisoner — it was the impostor. Missing on the morrow her who was the pledge of his safety and success, but assured that she could not have wandered far, he despatched emissaries in all directions to seek her; and himself, joining in the pursuit, followed the road she had taken, and was captured by these lawless men, who expected rich ransom from one whose appearance denoted rank and wealth. When they discovered who their prisoner was, they generously delivered him up into his brother’s hands.
Ferdinand and Adalinda proceeded to Naples. On their arrival, she presented herself to Queen Caroline; and, through her, Murat heard with astonishment the device that had been practised on him. The young Count was restored to his honours and possessions, and within a few months afterwards was united to his betrothed bride.
The compassionate nature of the Count and Countess led them to interest themselves warmly in the fate of Ludovico, whose subsequent career was more honourable but less fortunate. At the intercession of his relative, Gioacchino permitted him to enter the army, where he distinguished himself, and obtained promotion. The brothers were at Moscow together, and mutually assisted each other during the horrors of the retreat. At one time overcome by drowsiness, the mortal symptom resulting from excessive cold, Ferdinand lingered behind his comrades; but Ludovico refusing to leave him, dragged him on in spite of himself, till, entering a village, food and fire restored him, and his life was saved. On another evening, when wind and sleet added to the horror of their situation, Ludovico, after many ineffective struggles, slid from his horse lifeless; Ferdinand was at his side, and, dismounting, endeavoured by every means in his power to bring back pulsation to his stagnant blood. His comrades went forward, and the young Count was left alone with his dying brother in the white boundless waste. Once Ludovico opened his eyes and recognised him; he pressed his hand, and his lips moved to utter a blessing as he died. At that moment the welcome sounds of the enemy’s approach roused Ferdinand from the despair into which his dreadful situation plunged him. He was taken prisoner, and his life was thus saved. When Napoleon went to Elba, he, with many others of his countrymen, was liberated, and returned to Naples.
THE MOURNER
One fatal remembrance, one sorrow that throws
Its bleak shade alike o’er our joys and our woes,
To which life nothing darker or brighter can bring,
For whic
h joy has no balm, and affliction no sting!
— MOORE.
A gorgeous scene of kingly pride is the prospect now before us! — the offspring of art, the nursling of nature — where can the eye rest on a landscape more deliciously lovely than the fair expanse of Virginia Water, now an open mirror to the sky, now shaded by umbrageous banks, which wind into dark recesses, or are rounded into soft promontories? Looking down on it, now that the sun is low in the west, the eye is dazzled, the soul oppressed, by excess of beauty. Earth, water, air, drink to overflowing, the radiance that streams from yonder well of light: the foliage of the trees seems dripping with the golden flood; while the lake, filled with no earthly dew, appears but an imbasining of the sun-tinctured atmosphere; and trees and gay pavilion float in its depth, more clear, more distinct, than their twins in the upper air. Nor is the scene silent: strains more sweet than those that lull Venus to her balmy rest, more inspiring than the song of Tiresias which awoke Alexander to the deed of ruin, more solemn than the chantings of St. Cecilia, float along the waves and mingle with the lagging breeze, which ruffles not the lake. Strange, that a few dark scores should be the key to this fountain of sound; the unconscious link between unregarded noise, and harmonies which unclose paradise to our entranced senses!
The sun touches the extreme boundary, and a softer, milder light mingles a roseate tinge with the fiery glow. Our boat has floated long on the broad expanse; now let it approach the umbrageous bank. The green tresses of the graceful willow dip into the waters, which are checked by them into a ripple. The startled teal dart from their recess, skimming the waves with splashing wing. The stately swans float onward; while innumerable water fowl cluster together out of the way of the oars. The twilight is blotted by no dark shades; it is one subdued, equal receding of the great tide of day, which leaves the shingles bare, but not deformed. We may disembark and wander yet amid the glades, long before the thickening shadows speak of night. The plantations are formed of every English tree, with an old oak or two standing out in the walks. There the glancing foliage obscures heaven, as the silken texture of a veil a woman’s lovely features: beneath such fretwork we may indulge in light-hearted thoughts; or, if sadder meditations lead us to seek darker shades, we may pass the cascade towards the large groves of pine, with their vast undergrowth of laurel, reaching up to the Belvidere; or, on the opposite side of the water, sit under the shadow of the silver-stemmed birch, or beneath the leafy pavilions of those fine old beeches, whose high fantastic roots seem formed in nature’s sport; and the near jungle of sweet-smelling myrica leaves no sense unvisited by pleasant ministration.
Now this splendid scene is reserved for the royal possessor; but in past years, while the lodge was called the Regent’s Cottage, or before, when the under ranger inhabited it, the mazy paths of Chapel Wood were open, and the iron gates enclosing the plantations and Virginia Water were guarded by no Cerberus untamable by sops. It was here, on a summer’s evening, that Horace Neville and his two fair cousins floated idly on the placid lake,
“In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.”
Neville had been eloquent in praise of English scenery. “In distant climes,” he said, “we may find landscapes grand in barbaric wildness, or rich in the luxuriant vegetation of the south, or sublime in Alpine magnificence. We may lament, though it is ungrateful to say so on such a night as this, the want of a more genial sky; but where find scenery to be compared to the verdant, well-wooded, well-watered groves of our native land; the clustering cottages, shadowed by fine old elms; each garden blooming with early flowers, each lattice gay with geraniums and roses; the blue-eyed child devouring his white bread, while he drives a cow to graze; the hedge redolent with summer blooms; the enclosed cornfields, seas of golden grain, weltering in the breeze; the stile, the track across the meadow, leading through the copse, under which the path winds, and the meeting branches overhead, which give, by their dimming tracery, a cathedral-like solemnity to the scene; the river, winding ‘with sweet inland murmur;’ and, as additional graces, spots like these — Oases of taste — gardens of Eden — the works of wealth, which evince at once the greatest power and the greatest will to create beauty?
“And yet,” continued Neville, “it was with difficulty that I persuaded myself to reap the best fruits of my uncle’s will, and to inhabit this spot, familiar to my boyhood, associated with unavailing regrets and recollected pain.”
Horace Neville was a man of birth — of wealth; but he could hardly be termed a man of the world. There was in his nature a gentleness, a sweetness, a winning sensibility, allied to talent and personal distinction, that gave weight to his simplest expressions, and excited sympathy for all his emotions. His younger cousin, his junior by several years, was attached to him by the tenderest sentiments — secret long — but they were now betrothed to each other — a lovely, happy pair. She looked inquiringly; but he turned away. “No more of this,” he said; and giving a swifter impulse to their boat, they speedily reached the shore, landed, and walked through the long extent of Chapel Wood. It was dark night before they met their carriage at Bishopsgate.
A week or two after, Horace received letters to call him to a distant part of the country: it even seemed possible that he might be obliged to visit an estate in the north of Ireland. A few days before his departure, he requested his cousin to walk with him. They bent their steps across several meadows to Old Windsor churchyard. At first he did not deviate from the usual path; and as they went they talked cheerfully — gaily: the beauteous sunny day might well exhilarate them; the dancing waves sped onwards at their feet, the country church lifted its rustic spire into the bright pure sky. There was nothing in their conversation that could induce his cousin to think that Neville had led her hither for any saddening purpose; but when they were about to quit the churchyard, Horace, as if he had suddenly recollected himself, turned from the path, crossed the greensward, and paused beside a grave near the river. No stone was there to commemorate the being who reposed beneath — it was thickly grown with rich grass, starred by a luxuriant growth of humble daisies: a few dead leaves, a broken bramble twig, defaced its neatness; Neville removed these, and then said, “Juliet, I commit this sacred spot to your keeping while I am away. —
“There is no monument,” he continued; “for her commands were implicitly obeyed by the two beings to whom she addressed them. One day another may lie near, and his name will be her epitaph. — I do not mean myself,” he said, half smiling at the terror his cousin’s countenance expressed; “but promise me, Juliet, to preserve this grave from every violation. I do not wish to sadden you by the story; yet, if I have excited your curiosity — your interest, I should say — I will satisfy it; but not now — not here.”
Leaving the churchyard, they found their horses in attendance, and they prolonged their ride across Bishopsgate Heath. Neville’s mind was full of the events to which he had alluded: he began the tale, and then abruptly broke off. It was not till the following day, when, in company with her sister, they again visited Virginia Water, that, seated under the shadow of its pines, whose melodious swinging in the wind breathed unearthly harmony, and looking down upon the water, association of place, and its extreme beauty, reviving, yet soothing, the recollections of the past, unasked by his companions, Neville at once commenced his story.
“I was sent to Eton at eleven years of age. I will not dwell upon my sufferings there; I would hardly refer to them, did they not make a part of my present narration. I was a fag to a hard taskmaster; every labour he could invent — and the youthful tyrant was ingenious — he devised for my annoyance; early and late, I was forced to be in attendance, to the neglect of my school duties, so incurring punishment. There were worse things to bear than these: it was his delight to put me to shame, and, — finding that I had too much of my mother in my blood, — to endeavour to compel me to acts of cruelty from which my nature revolted — I refused to obey. Speak of West Indian
slavery! I hope things may be better now; in my days, the tender years of aristocratic childhood were yielded up to a capricious, unrelenting, cruel bondage, far beyond the measured despotism of Jamaica.
“One day — I had been two years at school, and was nearly thirteen — my tyrant, I will give him no other name, issued a command, in the wantonness of power, for me to destroy a poor little bullfinch I had tamed and caged. In a hapless hour he found it in my room, and was indignant that I should dare to appropriate a single pleasure. I refused, stubbornly, dauntlessly, though the consequence of my disobedience was immediate and terrible. At this moment a message came from my tormentor’s tutor — his father had arrived. ‘Well, old lad,’ he cried, ‘I shall pay you off some day!’ Seizing my pet at the same time, he wrung its neck, threw it at my feet, and, with a laugh of derision, quitted the room.
“Never before — never may I again feel the same swelling, boiling fury in my bursting heart; — the sight of my nursling expiring at my feet — my desire of vengeance — my impotence, created a Vesuvius within me, that no tears flowed to quench. Could I have uttered — acted — my passion, it would have been less torturous: it was so when I burst into a torrent of abuse and imprecation. My vocabulary — it must have been a choice collection — was supplied by him against whom it was levelled. But words were air — I desired to give more substantial proof of my resentment — I destroyed every thing in the room belonging to him; I tore them to pieces, I stamped on them, crushed them with more than childish strength. My last act was to seize a timepiece, on which my tyrant infinitely prided himself, and to dash it to the ground. The sight of this, as it lay shattered at my feet, recalled me to my senses, and something like an emotion of fear allayed the tumult in my heart. I began to meditate an escape: I got out of the house, ran down a lane, and across some meadows, far out of bounds, above Eton. I was seen by an elder boy, a friend of my tormentor. He called to me, thinking at first that I was performing some errand for him; but seeing that I shirked, he repeated his ‘Come up!’ in an authoritative voice. It put wings to my heels; he did not deem it necessary to pursue. — But I grow tedious, my dear Juliet; enough that fears the most intense, of punishment both from my masters and the upper boys, made me resolve to run away. I reached the banks of the Thames, tied my clothes over my head, swam across, and, traversing several fields, entered Windsor Forest, with a vague childish feeling of being able to hide myself for ever in the unexplored obscurity of its immeasurable wilds. It was early autumn; the weather was mild, even warm; the forest oaks yet showed no sign of winter change, though the fern beneath wore a yellowy tinge. I got within Chapel Wood; I fed upon chestnuts and beechnuts; I continued to hide myself from the gamekeepers and woodmen. I lived thus two days.
