by Mary Shelley
A succession of arrivals in the bay of Kardamyla had kept poor Zella watching for many nights. Her attendant had, in despair of ever seeing her sleep again, drugged with opium the few eates she persuaded her to eat, but the poor woman did not calculate on the power of mind over body, of love over every enemy, physical or moral, arrayed against it. Zella lay on her couch, her spirit somewhat subdued, but her heart alive, her eves unclosed. In the night, led by some unexplained impulse, she crawled to her lattice, and saw a little sacoleva enter the bay; it ran in swiftly, under favour of the wind, and was lost to her sight under a jutting crag. Lightly she trod the marble floor of her chamber; she drew a large shawl close round her; she descended the rocky pathway, and reached, with swift steps, the beach — still the vessel was invisible, and she was half inclined to think that it was the offspring of her excited imagination — yet she lingered.
She felt a sickness at her very heart whenever she attempted to move, and her eyelids weighed down in spite of herself. The desire of sleep at last became irresistible; she lay down on the shingles, reposed her head on the cold, hard pillow, folded her shawl still closer, and gave herself up to forgetfulness.
So profoundly did she slumber under the influence of the opiate, that for many hours she was insensible of any change in her situation. By degrees only she awoke, by degrees only became aware of the objects around her; the breeze felt fresh and free — so was it ever on the wave-beaten coast; the waters rippled near, their dash had been in her ears as she yielded to repose; but this was not her stony couch, that canopy, not the dark overhanging cliff. Suddenly she lifted up her head — she was on the deck of a small vessel, which was skimming swiftly over the ocean-waves — a cloak of sables pillowed her head; the shores of Cape Matapan were to her left, and they steered right towards the noonday sun. Wonder rather than fear possessed her: with a quick hand she drew aside the sail that veiled her from the crew — the dreaded Albanian was sitting close at her side, her Constans cradled in his arms — she uttered a cry — Cyril turned at the sound, and in a moment she was folded in his embrace.
THE END
THE FALSE RHYME
Come, tell me where the maid is found
Whose heart can love without deceit,
And I will range the world around
To sigh one moment at her feet. — THOMAS MOORE
ON a fine July day, the fair Margaret, Queen of Navarre, then on a visit to her royal brother, had arranged a rural feast for the morning following, which Francis declined attending. He was melancholy; and the cause was said to be some lover’s quarrel with a favourite dame. The morrow came, and dark rain and murky clouds destroyed at once the schemes of the courtly throng. Margaret was angry, and she grew weary: her only hope for amusement was in Francis, and he had shut himself up — an excellent reason why she should the more desire to see him. She entered his apartment: he was standing at the casement, against which the noisy shower beat, writing with a diamond on the glass. Two beautiful dogs were his sole companions. As Queen Margaret entered, he hastily let down the silken curtain before the window, and looked a little confused.
“What treason is this, my liege,” said the queen, “which crimsons your cheek? I must see the same.”
“It is treason,” replied the king, “and therefore, sweet sister, thou mayest not see it.”
This the more excited Margaret’s curiosity, and a playful contest ensued: Francis at last yielded: he threw himself on a huge high-backed settee; and as the lady drew back the curtain with an arch smile, he grew grave and sentimental, as he reflected on the cause which had inspired his libel against all womankind.
“What have we here?” cried Margaret: “nay, this is lèse majesté —
‘Souvent femme varie, Bien fou qui s’y fie!’
Very little change would greatly amend your couplet: — would it not run better thus —
‘Souvent homme varie,
Bien folle qui s’y fie’?
I could tell you twenty stories of man’s inconstancy.”
“I will be content with one true tale of woman’s fidelity,” said Francis, drily; “but do not provoke me. I would fain be at peace with the soft Mutabilities, for thy dear sake.”
“I defy your grace,” replied Margaret, rashly, “to instance the falsehood of one noble and well reputed dame.”
“Not even Emilie de Lagny?” asked the king.
This was a sore subject for the queen. Emilie had been brought up in her own household, the most beautiful and the most virtuous of her maids of honour. She had long loved the Sire de Lagny, and their nuptials were celebrated with rejoicings but little ominous of the result. De Lagny was accused but a year after of traitorously yielding to the emperor a fortress under his command, and he was condemned to perpetual imprisonment. For some time Emilie seemed inconsolable, often visiting the miserable dungeon of her husband, and suffering on her return, from witnessing his wretchedness, such paroxysms of grief as threatened her life. Suddenly, in the midst of her sorrow, she disappeared; and inquiry only divulged the disgraceful fact, that she had escaped from France, bearing her jewels with her, and accompanied by her page, Robinet Leroux. It was whispered that, during their journey, the lady and the stripling often occupied one chamber; and Margaret, enraged at these discoveries, commanded that no further quest should be made for her lost favourite.
Taunted now by her brother, she defended Emilie, declaring that she believed her to be guiltless, even going so far as to boast that within a month she would bring proof of her innocence.
“Robinet was a pretty boy,” said Francis, laughing.
“Let us make a bet,” cried Margaret: “if I lose, I will bear this vile rhyme of thine as a motto to my shame to my grave; if I win—”
“I will break my window, and grant thee whatever boon thou askest.” The result of this bet was long sung by troubadour and minstrel. The queen employed a hundred emissaries — published rewards for any intelligence of Emilie — all in vain. The month was expiring, and Margaret would have given many bright jewels to redeem her word. On the eve of the fatal day, the jailor of the prison in which the Sire de Lagny was confined sought an audience of the queen; he brought her a message from the knight to say, that if the Lady Margaret would ask his pardon as her boon, and obtain from her royal brother that he might be brought before him, her bet was won. Fair Margaret was very joyful, and readily made the desired promise. Francis was unwilling to see his false servant, but he was in high good humour, for a cavalier had that morning brought intelligence of a victory over the Imperialists. The messenger himself was lauded in the despatches as the most fearless and bravest knight in France. The king loaded him with presents, only regretting that a vow prevented the soldier from raising his visor or declaring his name.
That same evening as the setting sun shone on the lattice on which the ungallant rhyme was traced, Francis reposed on the same settee, and the beautiful Queen of Navarre, with triumph in her bright eyes, sat beside him. Attended by guards, the prisoner was brought in: his frame was attenuated by privation, and he walked with tottering steps. He knelt at the feet of Francis, and uncovered his head; a quantity of rich golden hair then escaping, fell over the sunken cheeks and pallid brow of the suppliant. “We have treason here!” cried the king: “sir jailor, where is your prisoner?”
“Sire, blame him not,” said the soft faltering voice of Emilie; “wiser men than he have been deceived by woman. My dear lord was guiltless of the crime for which he suffered. There was but one mode to save him: — I assumed his chains — he escaped with poor Robinet Leroux in my attire — he joined your army: the young and gallant cavalier who delivered the despatches to your grace, whom you overwhelmed with honours and reward, is my own Enguerrard de Lagny. I waited but for his arrival with testimonials of his innocence, to declare myself to my lady, the queen. Has she not won her bet? And the boon she asks—”
“Is de Lagny’s pardon,” said Margaret, as she also knelt to the king: “spare your f
aithful vassal, sire, and reward this lady’s truth.”
Francis first broke the false-speaking window, then he raised the ladies from their supplicatory posture.
In the tournament given to celebrate this “Triumph of Ladies,” the Sire de Lagny bore off every prize; and surely there was more loveliness in Emilie’s faded cheek — more grace in her emaciated form, type as they were of truest affection — than in the prouder bearing and fresher complexion of the most brilliant beauty in attendance on the courtly festival.
TRANSFORMATION
Forthwith this frame of mine was wrench’d
With a woful agony,
Which forced me to begin my tale,
And then it set me free.
Since then, at an uncertain hour,
That agony returns;
And till my ghastly tale is told
This heart within me burns.
— COLERIDGE’S ANCIENT MARINER.
I have heard it said, that, when any strange, supernatural, and necromantic adventure has occurred to a human being, that being, however desirous he may be to conceal the same, feels at certain periods torn up as it were by an intellectual earthquake, and is forced to bare the inner depths of his spirit to another. I am a witness of the truth of this. I have dearly sworn to myself never to reveal to human ears the horrors to which I once, in excess of fiendly pride, delivered myself over. The holy man who heard my confession, and reconciled me to the church, is dead.
None knows that once —
Why should it not be thus? Why tell a tale of impious tempting of Providence, and soul-subduing humiliation? Why? answer me, ye who are wise in the secrets of human nature! I only know that so it is; and in spite of strong resolve — of a pride that too much masters me — of shame, and even of fear, so to render myself odious to my species — I must speak.
Genoa! my birth-place — proud city! looking upon the blue waves of the Mediterranean sea — dost thou remember me in my boyhood, when thy cliffs and promontories, thy bright sky and gay vineyards, were my world? Happy time! when to the young heart the narrow-bounded universe, which leaves, by its very limitation, free scope to the imagination, enchains our physical energies, and, sole period in our lives, innocence and enjoyment are united. Yet, who can look back to childhood, and not remember its sorrows and its harrowing fears? I was born with the most imperious, haughty, tameless spirit, with which ever mortal was gifted. I quailed before my father only; and he, generous and noble, but capricious and tyrannical, at once fostered and checked the wild impetuosity of my character, making obedience necessary, but inspiring no respect for the motives which guided his commands. To be a man, free, independent; or, in better words, insolent and domineering, was the hope and prayer of my rebel heart.
My father had one friend, a wealthy Genoese noble, who in a political tumult was suddenly sentenced to banishment, and his property confiscated. The Marchese Torella went into exile alone. Like my father, he was a widower: he had one child, the almost infant Juliet, who was left under my father’s guardianship. I should certainly have been an unkind master to the lovely girl, but that I was forced by my position to become her protector. A variety of childish incidents all tended to one point, — to make Juliet see in me a rock of refuge; I in her, one, who must perish through the soft sensibility of her nature too rudely visited, but for my guardian care. We grew up together. The opening rose in May was not more sweet than this dear girl. An irradiation of beauty was spread over her face. Her form, her step, her voice — my heart weeps even now, to think of all of relying, gentle, loving, and pure, that was enshrined in that celestial tenement. When I was eleven and Juliet eight years of age, a cousin of mine, much older than either — he seemed to us a man — took great notice of my playmate; he called her his bride, and asked her to marry him. She refused, and he insisted, drawing her unwillingly towards him. With the countenance and emotions of a maniac I threw myself on him — I strove to draw his sword — I clung to his neck with the ferocious resolve to strangle him: he was obliged to call for assistance to disengage himself from me. On that night I led Juliet to the chapel of our house: I made her touch the sacred relics — I harrowed her child’s heart, and profaned her child’s lips with an oath, that she would be mine, and mine only.
Well, those days passed away. Torella returned in a few years, and became wealthier and more prosperous than ever. When I was seventeen, my father died; he had been magnificent to prodigality; Torella rejoiced that my minority would afford an opportunity for repairing my fortunes. Juliet and I had been affianced beside my father’s deathbed — Torella was to be a second parent to me.
I desired to see the world, and I was indulged. I went to Florence, to Rome, to Naples; thence I passed to Toulon, and at length reached what had long been the bourne of my wishes, Paris. There was wild work in Paris then. The poor king, Charles the Sixth, now sane, now mad, now a monarch, now an abject slave, was the very mockery of humanity. The queen, the dauphin, the Duke of Burgundy, alternately friends and foes — now meeting in prodigal feasts, now shedding blood in rivalry — were blind to the miserable state of their country, and the dangers that impended over it, and gave themselves wholly up to dissolute enjoyment or savage strife. My character still followed me. I was arrogant and self-willed; I loved display, and above all, I threw all control far from me. Who could control me in Paris? My young friends were eager to foster passions which furnished them with pleasures. I was deemed handsome — I was master of every knightly accomplishment. I was disconnected with any political party. I grew a favourite with all: my presumption and arrogance were pardoned in one so young: I became a spoiled child. Who could control me? not the letters and advice of Torella — only strong necessity visiting me in the abhorred shape of an empty purse. But there were means to refill this void. Acre after acre, estate after estate, I sold. My dress, my jewels, my horses and their caparisons, were almost unrivalled in gorgeous Paris, while the lands of my inheritance passed into possession of others.
The Duke of Orleans was waylaid and murdered by the Duke of Burgundy. Fear and terror possessed all Paris. The dauphin and the queen shut themselves up; every pleasure was suspended. I grew weary of this state of things, and my heart yearned for my boyhood’s haunts. I was nearly a beggar, yet still I would go there, claim my bride, and rebuild my fortunes. A few happy ventures as a merchant would make me rich again. Nevertheless, I would not return in humble guise. My last act was to dispose of my remaining estate near Albaro for half its worth, for ready money. Then I despatched all kinds of artificers, arras, furniture of regal splendour, to fit up the last relic of my inheritance, my palace in Genoa. I lingered a little longer yet, ashamed at the part of the prodigal returned, which I feared I should play. I sent my horses. One matchless Spanish jennet I despatched to my promised bride; its caparisons flamed with jewels and cloth of gold. In every part I caused to be entwined the initials of Juliet and her Guido. My present found favour in hers and in her father’s eyes.
Still to return a proclaimed spendthrift, the mark of impertinent wonder, perhaps of scorn, and to encounter singly the reproaches or taunts of my fellow-citizens, was no alluring prospect. As a shield between me and censure, I invited some few of the most reckless of my comrades to accompany me: thus I went armed against the world, hiding a rankling feeling, half fear and half penitence, by bravado and an insolent display of satisfied vanity.
I arrived in Genoa. I trod the pavement of my ancestral palace. My proud step was no interpreter of my heart, for I deeply felt that, though surrounded by every luxury, I was a beggar. The first step I took in claiming Juliet must widely declare me such. I read contempt or pity in the looks of all. I fancied, so apt is conscience to imagine what it deserves, that rich and poor, young and old, all regarded me with derision. Torella came not near me. No wonder that my second father should expect a son’s deference from me in waiting first on him. But, galled and stung by a sense of my follies and demerit, I strove to throw the blame on others. We k
ept nightly orgies in Palazzo Carega. To sleepless, riotous nights, followed listless, supine mornings. At the Ave Maria we showed our dainty persons in the streets, scoffing at the sober citizens, casting insolent glances on the shrinking women. Juliet was not among them — no, no; if she had been there, shame would have driven me away, if love had not brought me to her feet.
I grew tired of this. Suddenly I paid the Marchese a visit. He was at his villa, one among the many which deck the suburb of San Pietro d’Arena. It was the month of May — a month of May in that garden of the world — the blossoms of the fruit trees were fading among thick, green foliage; the vines were shooting forth; the ground strewed with the fallen olive blooms; the fire-fly was in the myrtle hedge; heaven and earth wore a mantle of surpassing beauty. Torella welcomed me kindly, though seriously; and even his shade of displeasure soon wore away. Some resemblance to my father — some look and tone of youthful ingenuousness, lurking still in spite of my misdeeds, softened the good old man’s heart. He sent for his daughter — he presented me to her as her betrothed. The chamber became hallowed by a holy light as she entered. Hers was that cherub look, those large, soft eyes, full dimpled cheeks, and mouth of infantine sweetness, that expresses the rare union of happiness and love. Admiration first possessed me; she is mine! was the second proud emotion, and my lips curled with haughty triumph. I had not been the enfant gâté of the beauties of France not to have learnt the art of pleasing the soft heart of woman. If towards men I was overbearing, the deference I paid to them was the more in contrast. I commenced my courtship by the display of a thousand gallantries to Juliet, who, vowed to me from infancy, had never admitted the devotion of others; and who, though accustomed to expressions of admiration, was uninitiated in the language of lovers.
