by Mary Shelley
‘And was it my appearance in that attractive state and winning costume that softened the hard heart of Constance?’ asked Gaspar, smiling at this painting of what would never be.
‘Even so,’ replied Constance; ‘for my heart whispered me that this was my doing; and who could recall the life that waned in your pulses — who restore, save the destroyer? My heart never warmed to my living, happy knight as then it did to his wasted image as it lay, in the visions of night, at my feet. A veil fell from my eyes; a darkness was dispelled from before me. Methought I then knew for the first time what life and what death was. I was bid believe that to make the living happy was not to injure the dead; and I felt how wicked and how vain was that false philosophy which placed virtue and good in hatred, and unkindness. You should not die; I would loosen your chains and save you, and bid you live for love. I sprang forward, and the death I deprecated for you would, in my presumption, have been mine, — then, when first I felt the real value of life, — but that your arm was there to save me, your dear voice to bid me be blest for evermore.’
THE END
THE SWISS PEASANT
WHY IS THE MIND of man so apt to be swayed by contraries? why does the imagination for ever paint the impossible in glittering tints, and the hearts of wayward mortals cling, with the greatest tenacity, to what, eel-like, is bent on escaping from their grasp? Why — to bring the matter home — is solitude abhorrent to me, now that I enjoy it in perfection? I have apostrophised the coy nymph in ball-rooms, when the bright lamps of heaven were shamed by brighter earth-stars, and lamented her absence at a pic-nic party, where the nightingale was silenced by the fiddle, and the flowery turf was strewed with the impertinent finery of ugly old women, and the greenwood shade made redolent with the fumes of roasted fowls.
And now, O solitude! I abjure thee, in thy fitting temple — in Switzerland — among cloud-piercing mountains, by the resounding waves of the isle-surrounding lake. I am beside the waters of Uri — where Tell lived — in Brunnen, where the Swiss patriots swore to die for freedom. It rains — magic word to destroy the spell to which these words give rise — the clouds envelop the hills — the white mists veil the ravines — there is a roar and a splash in my ears — and now, and then, the vapours break and scatter themselves, and I see something dark between, which is the hoar side of a dark precipice, but which might as well be the turf stack or old wall that bounded Cumberland’s view as he wrote the “Wheel of Fortune.”
The sole book that I possess is the Prisoner of Chillon. I have read it through three times within an hour. — Its noble author composed it to beguile weary hours like these when he remained rain-bound for three days in a little inn on the shores of the Lake of Geneva; and cannot I, following with unequal steps, so cheat the minutes in this dim spot? I never, by the by, could invent the commonest incident. As a man of honour, of course I never lie; but, as a nursery child and schoolboy, I never did; simply, as I remember, because I never could concoct one — but a true tale was lately narrated to me by its very heroine, the incidents of which haunt my memory, adorned as they were, by her animated looks and soft silvery accent. Let me try to record them, stripped though they must be of their greatest charm.
I was, but a week ago, travelling with my friend Ashburn in a coupée, in the district of Subiaco, in the ecclesiastical territory. We were jolted along a rough ravine, through which the river Anio sped, and beetling mountains and shady trees, a distant convent and a picturesque cell on a hill, formed a view which so awoke the pictorial propensities of my friend, that he stopped the coupée (though we were assured that we should never reach our inn by nightfall, and that the road was dangerous in the dark), took out his portfolio, and began to sketch. As he drew I continued to speak in support of an argument we had entered upon before. I had been complaining of the commonplace and ennui of life. Ashburn insisted that our existence was only too full of variety and change — tragic variety and wondrous incredible change.—”Even,” said the painter, “as sky, and earth, and water seem for ever the same to the vulgar eye, and yet to the gifted one assume a thousand various guises and hues — now robed in purple — now shrouded in black — now resplendent with living gold — and anon sinking into sober and unobtrusive gray, so do our mortal lives change and vary. No living being among us but could tell a tale of soul-subduing joys and heart-consuming woes, worthy, had they their poet, of the imagination of Shakspeare or Goethe. The veriest weather-worn cabin is a study for colouring, and the meanest peasant will offer all the acts of a drama in the apparently dull routine of his humble life.”
“This is pure romance,” I replied; “put it to the test. Let us take, for example, yonder woman descending the mountain-path.”
“What a figure!” cried Ashburn; “oh that she would stay thus but one quarter of an hour! — she has come down to bathe her child — her upturned face — her dark hair — her picturesque costume — the little plump fellow bestriding her — the rude scenery around—”
“And the romantic tale she has to tell.”
“I would wager a louis that hers has been no common fate. She steps a goddess — her attitude — her looks, are all filled with majesty.”
I laughed at his enthusiasm, and accepted his bet. We hurried to join our fair peasantess, and thus formed acquaintance with Fanny Chaumont. A sudden storm, as we were engaged conversing with her, came, driven down from the tempest-bearing hills, and she gave us a cordial invitation to her cottage.
It was situated on a sunny slope, yet sheltered from the winds. There was a look of cheerfulness and aisance about it, beyond what is usually met in that part of Switzerland, reminding me of the cottages of the inhabitants of the free states. There, also, we found her husband. I always feel curious to know on whom a woman, who bears the stamp of superior intellect; who is beautiful and refined — for peasant as she was, Fanny was both — has been induced to bestow herself.
Louis Chaumont was considerably older than his wife; he was handsome, with brown lively eyes, curly chesnut hair, a visage embrowned by the sun, bearing every mark of having led an active, even an adventurous life; there was, besides, an expression which, if it were not ferocity, resembled it nearly, in his vivacious glances, and in the sternness of his deeply-lined forehead; while she, in spite of her finely-formed brow, her majestic person, and her large expressive eyes, looked softness and patience itself. There was something incongruous in the pair, and more strangely matched they seemed when we heard their story. It lost me my louis, but proved Fanny at once to be a fitting heroine for romance, and was a lesson, moreover, to teach the strange pranks love can play with us, mingling fire and water, blending in one harmonious concord the harsh base, and melodious tenor of two differently stringed instruments. Though their child was five years old, Fanny and her husband were attached to each other with the tenderness and passion of early love; they were happy — his faults were tempered by her angel disposition, and her too melancholy and feeling-fraught spirit was enlivened and made plastic to the purposes of this world by his energy and activity.
Fanny was a Bernese by birth: she was the child of humble cottagers, one among a large family. They lived on the brow of one summit and at the foot of another. The snowy mountains were piled about them; thaw-fed torrents brawled around; during the night a sound like thunder, a crash among the tempest-beaten pines would tell of an avalanche; or the snow-drift, whirring past the lattice, threatened to bury the little fabric. Winter was the season of peace in the deep vales, not so in the higher district. The peasant was often kept waking by the soft-falling snow which threatened insidiously to encroach on, and to overwhelm his habitation; or a straying cow would lead him far into the depths of the stormy hills, and his fearful family would count in agony the hours of his absence. Perpetual hardship and danger, however, rather brutify than exalt the soul of man; and those of the Swiss who are most deeply planted among the rocky wilds are often stultified and sullen.
Fanny opened her youthful eyes and observatio
n on this scene. She was one of those lovely children only to be seen in Switzerland, whose beauty is heartfelt but indescribable: hers was the smooth candid brow, the large hazel eyes, half soft, half wild; the round dimpled cheek, the full sensitive mouth, the pointed chin, and (as framework to the picture) the luxuriant curly chesnut hair, and voice which is sweetest music. The exceeding beauty of little Fanny gained her the observation of the wife of the governor of the chateau which overlooked and commanded the district, and at ten years of age she became a frequent visitor there. Fanny’s little soul was love, so she soon twined herself round the kind lady’s heart, became a pet with the governor, and the favourite playmate of their only son.
One fête day Fanny had dined at the chateau. It had been fine warm spring weather, but wind and storm came on with the setting sun; the snow began to fall thickly, and it was decided that Fanny must pass the night in the chateau. She had been unusually eager to return home; and when the tempest came on, she crept near her protectress, and begged to be sent to her mother. C’est impossible — Fanny pressed no further, but she clambered to a window, and looked out wistfully to where, hidden by the hills, her parents’ cottage stood. It was a fatal night for her: the thunders of frequent avalanches, the roaring of torrents, the crash of trees, spoke of devastation, and her home was its chief prey. Father, mother, brothers, and sisters, not one survived. Where, the day before, cottage and outhouse and flower-adorned garden had stood, the little lawn where she played, and the grove that sheltered her, there was now a monumental pile of snow, and the rocky path of a torrent; no trace remained, not one survivor to tell the tale. From that night Fanny became a constant inmate of the chateau.
It was Madame de Marville’s project to give her a bourgeois education, which would raise her from the hardships of a peasant’s life, and yet not elevate her above her natural position in society. She was brought up kindly, but humbly; it was the virtues of her disposition which raised her in the eyes of all around her, not any ill-judged favour of her benefactress. The night of the destruction of her family never passed away from her memory; it set a seal of untimely seriousness on her childish brow, awoke deep thoughts in her infant heart, and a strong resolve that while she lived, her beloved friends should find her, as far as her humble powers admitted, a source of good alone — a reason to rejoice that they had saved her from the destruction that had overwhelmed her family.
Thus Fanny grew up in beauty and in virtue. Her smiles were as the rainbows of her native torrents: her voice, her caresses, her light step, her unalterable sweetness and ceaseless devotion to the wishes of others, made her the idol of the family. Henry, the only child of her protectors, was of her own age, or but a few months her senior. Every time Henry returned from school to visit his parents, he found Fanny more beautiful, more kind, more attractive than before; and the first passion his youthful heart knew was for the lovely peasant girl, whose virtues sanctified his home. A look, a gesture betrayed his secret to his mother; she turned a hasty glance on Fanny, and saw on her countenance innocence and confidence alone. Half reassured, yet still fearful, Madame de Marville began to reflect on some cure for the threatened evil. She could not bear to send away Fanny; she was solicitous that her son should for the present reside in his home. The lovely girl was perfectly unconscious of the sentiments of the young seigneur; but would she always continue so? and was the burning heart that warmed her gentle bosom to be for ever insensible to the despotic and absorbing emotions of love?
It was with wonder, and a curious mixture of disappointed maternal pride and real gladness, that the lady, at length, discovered a passion dawning in fair Fanny’s heart for Louis Chaumont, a peasant some ten years older than herself. It was natural that one with such high wrought feelings as our heroine should love one to whom she could look up, and on whom to depend, rather than her childhood’s playmate — the gay thoughtless Henry. Louis’s family had been the victim of a moral ruin, as hers of a physical one. They had been oppressed, reduced to poverty, driven from their homes by some feudal tyrant, and had come poor and forlorn from a distant district. His mother, accustomed to a bourgeois’ life, died broken-hearted: his father, a man of violent passions, nourished in his own and in his son’s heart, sentiments of hatred and revenge against the “proud oppressors of the land.” They were obliged to labour hard, yet in the intervals of work, father and son would read or discourse concerning the ills attendant on humanity, and they traced all to the social system, which made the few, the tyrants of the many.
Louis was handsome, bold, and active; he excelled his compeers in every hardy exercise; his resolution, his eloquence, his daring, made him, in spite of his poverty, a kind of leader among them. He had many faults: he was too full of passion, of the spirit of resistance and revenge; but his heart was kind; his understanding, when not thwarted, strong; and the very depth of his feelings made him keenly susceptible to love. Fanny, in her simple but majestic beauty, in her soft kindness of manner, mingled with the profoundest sensibility, made a deep impression on the young man’s heart. His converse, so different and so superior to those of his fellows, won her attention.
Hitherto Fanny had never given utterance to the secrets of her soul.
Habitual respect held her silent with Madame, and Henry, as spirited and as heedless as a chamois, could ill understand her; but Louis became the depositary of the many feelings which, piled up in secresy and silence, were half awful to herself; he brought reason, or what he deemed such, to direct her heart-born conclusions. To have heard them talk of life and death, and all its shows, you would have wondered by what freak, philosophy had dressed herself in youth and a peasant’s garb, and wandered from the schools to these untaught wilds.
Madame de Marville saw and encouraged this attachment. Louis was not exactly the person she would have selected for Fanny; but he was the only being for whom she had ever evinced a predilection; and, besides, the danser of a misalliance which threatened her own son, rendered her eager to build an insurmountable wall between him and the object of his affections. Thus Fanny enjoyed the heart-gladdening pride of hearing her choice applauded and praised by the person she most respected and loved in the world. As yet, however, love had been covert; the soul but not the apparent body of their intercourse. Louis was kept in awe by this high-minded girl, and Fanny had not yet learned her own secret. It was Henry who made the discovery for them; — Henry, who, with all the impetuosity of his vivacious character, contrived a thousand ways to come between them; who, stung by jealousy to injustice, reviled Louis for his ruin, his poverty, his opinions, and brought the spirit of dissension to disquiet a mind entirely bent, as she imagined, on holy and pure thoughts.
Under this clash of passion, the action of the drama rapidly developed itself, and, for nearly a year, a variety of scenes were acted among these secluded mountains of no interest save to the parties themselves, but to them fateful and engrossing. Louis and Fanny exchanged vows; but that sufficed not. Fanny insisted on the right of treating with uniform kindness the son of her best friend, in spite of his injustice and insolence. The young men were often, during the rural festivals, brought into angry collision. Fanny was the peacemaker: but a woman is the worst possible mediator between her rival lovers. Henry was sometimes irritated to complain to his father of Louis’s presumption. The spirit of the French revolution then awakening, rendered a peasant’s assumptions peculiarly grating; and it required Madame de Marville’s impartial gentleness to prevent Fanny’s betrothed, as now he was almost considered, from being farther oppressed.
At length it was decided that Henry should absent himself for a time, and visit Paris. He was enraged in the extreme by what he called his banishment. Noble and generous as he naturally was, love was the tyrant of his soul, and drove him almost to crime. He entered into a fierce quarrel with his rival on the very eve of his departure: it ended in a scene of violence and bloodshed. No great real harm was done; but Monsieur de Marville, hitherto scarcely kept back from such a measu
re by his wife, suddenly obtained an order for Louis (his father had died a year before) to quit the territory within twelve hours. Fanny was commanded, as she valued the favour of her friends, to give him up. The young men were both gone before any intercession could avail; and that kind of peace which resembles desolation took possession of the chateau.
Aware of the part she had taken in encouraging Fanny’s attachment to her peasant-lover, Madame de Marville did not make herself a party to the tyranny of her husband; she requested only of her protégée to defer any decisive step, and not to quit her guardianship until the return of her son, which was to take place the following year. Fanny consented to such a delay, although in doing so, she had to resist the angry representations of her lover, who exacted that she should quit the roof of his oppressors. It was galling to his proud spirit that she should continue to receive benefits from them, and injurious to his love that she should remain where his rival’s name was the constant theme of discourse and the object of interest. Fanny in vain represented her debt of gratitude, the absence of Henry, the impossibility that she could feel any undue sentiment towards the young seigneur; not to hate him was a crime in Louis’s eyes; yet how, in spite of his ill conduct, could Fanny hate her childhood’s playmate — her brother? His violent passions excited to their utmost height — jealousy and the sense of impotent indignation raging in his heart — Louis swore to revenge himself on the Marvilles — to forget and to abhor his mistress! — his last words were a malediction on them, and a violent denunciation of scorn upon her.
