In the swift rage roused by that cry, and the amazement of wondering what peril could wring such a shriek from Valeria’s reckless lips, Conan forgot Olmec. He pushed past the prince and started down the stair. Awakening instinct brought him about again, just as Olmec struck with his great malletlike fist. The blow, fierce and silent, was aimed at the base of Conan’s brain. But the Cimmerian wheeled in time to receive the buffet on the side of his neck instead. The impact would have snapped the vertebræ of a lesser man. As it was, Conan swayed backward, but even as he reeled he dropped his sword, useless at such close quarters, and grasped Olmec’s extended arm, dragging the prince with him as he fell. Headlong they went down the steps together, in a revolving whirl of limbs and heads and bodies. And as they went Conan’s iron fingers found and locked in Olmec’s bull-throat.
The barbarian’s neck and shoulder felt numb from the sledge-like impact of Olmec’s huge fist, which had carried all the strength of the massive forearm, thick triceps and great shoulder. But this did not affect his ferocity to any appreciable extent. Like a bulldog he hung on grimly, shaken and battered and beaten against the steps as they rolled, until at last they struck an ivory panel-door at the bottom with such an impact that they splintered it its full length and crashed through its ruins. But Olmec was already dead, for those iron fingers had crushed out his life and broken his neck as they fell.
Conan rose, shaking the splinters from his great shoulder, blinking blood and dust out of his eyes.
He was in the great throneroom. There were fifteen people in that room besides himself. The first person he saw was Valeria. A curious black altar stood before the throne-dais. Ranged about it, seven black candles in golden candle-sticks sent up oozing spirals of thick green smoke, disturbingly scented. These spirals united in a cloud near the ceiling, forming a smoky arch above the altar. On that altar lay Valeria, stark naked, her white flesh gleaming in shocking contrast to the glistening ebon stone. She was not bound. She lay at full length, her arms stretched out above her head to their fullest extent. At the head of the altar knelt a young man, holding her wrists firmly. A young woman knelt at the other end of the altar, grasping her ankles. Between them she could neither rise nor move.
Eleven men and women of Tecuhltli knelt dumbly in a semicircle, watching the scene with hot, lustful eyes.
On the ivory throne-seat Tascela lolled. Bronze bowls of incense rolled their spirals about her; the wisps of smoke curled about her naked limbs like caressing fingers. She could not sit still; she squirmed and shifted about with sensuous abandon, as if finding pleasure in the contact of the smooth ivory with her sleek flesh.
The crash of the door as it broke beneath the impact of the hurtling bodies caused no change in the scene. The kneeling men and women merely glanced incuriously at the corpse of their prince and at the man who rose from the ruins of the door, then swung their eyes greedily back to the writhing white shape on the black altar. Tascela looked insolently at him, and sprawled back on her seat, laughing mockingly.
“Slut!” Conan saw red. His hands clenched into iron hammers as he started for her. With his first step something clanged loudly and steel bit savagely into his leg. He stumbled and almost fell, checked in his headlong stride. The jaws of an iron trap had closed on his leg, with teeth that sank deep and held. Only the ridged muscles of his calf saved the bone from being splintered. The accursed thing had sprung out of the smoldering floor without warning. He saw the slots now, in the floor where the jaws had lain, perfectly camouflaged.
“Fool!” laughed Tascela. “Did you think I would not guard against your possible return? Every door in this chamber is guarded by such traps. Stand there and watch now, while I fulfill the destiny of your handsome friend! Then I will decide your own.”
Conan’s hand instinctively sought his belt, only to encounter an empty scabbard. His sword was on the stair behind him. His poniard was lying back in the forest, where the dragon had torn it from his jaw. The steel teeth in his leg were like burning coals, but the pain was not as savage as the fury that seethed in his soul. He was trapped, like a wolf. If he had had his sword he would have hewn off his leg and crawled across the floor to slay Tascela. Valeria’s eyes rolled toward him with mute appeal, and his own helplessness sent red waves of madness surging through his brain.
Dropping on the knee of his free leg, he strove to get his fingers between the jaws of the trap, to tear them apart by sheer strength. Blood started from beneath his finger nails, but the jaws fitted close about his leg in a circle whose segments jointed perfectly, contracted until there was no space between his mangled flesh and the fanged iron. The sight of Valeria’s naked body added flame to the fire of his rage.
Tascela ignored him. Rising languidly from her seat she swept the ranks of her subjects with a searching glance, and asked: “Where are Xamec, Zlanath and Tachic?”
“They did not return from the catacombs, princess,” answered a man. “Like the rest of us, they bore the bodies of the slain into the crypts, but they have not returned. Perhaps the ghost of Tolkemec took them.”
“Be silent, fool!” she ordered harshly. “The ghost is a myth.”
She came down from her dais, playing with a thin gold-hilted dagger. Her eyes burned like nothing on the hither side of hell. She paused beside the altar and spoke in the tense stillness.
“Your life shall make me young, white woman!” she said. “I shall lean upon your bosom and place my lips over yours, and slowly – ah, slowly! – sink this blade through your heart, so that your life, fleeing your stiffening body, shall enter mine, making me bloom again with youth and with life everlasting!”
Slowly, like a serpent arching toward its victim, she bent down through the writhing smoke, closer and closer over the now motionless woman who stared up into her glowing dark eyes – eyes that grew larger and deeper, blazing like black moons in the swirling smoke. The kneeling people gripped their hands and held their breath, tense for the bloody climax, and the only sound was Conan’s fierce panting as he strove to tear his leg from the trap.
All eyes were glued on the altar and the white figure there; the crash of a thunderbolt could hardly have broken the spell, yet it was only a low cry that shattered the fixity of the scene and brought all whirling about – a low cry, yet one to make the hair stand up stiffly on the scalp. They looked, and they saw.
Framed in the door to the left of the dais stood a nightmare figure. It was a man, with a tangle of white hair and a matted white beard that fell over his breast. Rags only partly covered his gaunt frame, revealing half-naked limbs strangely unnatural in appearance. The skin was not like that of a normal human. There was a suggestion of scaliness about it, as if the owner had dwelt long under conditions almost antithetical to those conditions under which human life ordinarily thrives. And there was nothing at all human about the eyes that blazed from the tangle of white hair. They were great gleaming disks that stared unwinkingly, luminous, whitish, and without a hint of normal emotion or sanity. The mouth gaped, but no coherent words issued – only a high-pitched tittering.
“Tolkemec!” whispered Tascela, livid, while the others crouched in speechless horror. “No myth, then, no ghost! Set! You have dwelt for twelve years in darkness! Twelve years among the bones of the dead! What grisly food did you find? What mad travesty of life did you live, in the stark blackness of that eternal night? I see now why Xamec and Zlanath and Tachic did not return from the catacombs – and never will return. But why have you waited so long to strike? Were you seeking something, in the pits? Some secret weapon you knew was hidden there? And have you found it at last?”
That hideous tittering was Tolkemec’s only reply, as he bounded into the room with a long leap that carried him over the secret trap before the door – by chance, or by some faint recollection of the ways of Xuchotl. He was not mad, as a man is mad. He had dwelt apart from humanity so long that he was no longer human. Only an unbroken thread of memory embodied in hate and the urge for vengeance had co
nnected him with the humanity from which he had been cut off, and held him lurking near the people he hated. Only that thin string had kept him from racing and prancing off for ever into the black corridors and realms of the subterranean world he had discovered, long ago.
“You sought something hidden!” whispered Tascela, cringing back. “And you have found it! You remember the feud! After all these years of blackness, you remember!”
For in the lean hand of Tolkemec now waved a curious jade-hued wand, on the end of which glowed a knob of crimson shaped like a pomegranate. She sprang aside as he thrust it out like a spear, and a beam of crimson fire lanced from the pomegranate. It missed Tascela, but the woman holding Valeria’s ankles was in the way. It smote between her shoulders. There was a sharp crackling sound and the ray of fire flashed from her bosom and struck the black altar, with a snapping of blue sparks. The woman toppled sidewise, shriveling and withering like a mummy even as she fell.
Valeria rolled from the altar on the other side, and started for the opposite wall on all fours. For hell had burst loose in the throneroom of dead Olmec.
The man who had held Valeria’s hands was the next to die. He turned to run, but before he had taken half a dozen steps, Tolkemec, with an agility appalling in such a frame, bounded around to a position that placed the man between him and the altar. Again the red fire-beam flashed and the Tecuhltli rolled lifeless to the floor, as the beam completed its course with a burst of blue sparks against the altar.
Then began slaughter. Screaming insanely the people rushed about the chamber, caroming from one another, stumbling and falling. And among them Tolkemec capered and pranced, dealing death. They could not escape by the doors; for apparently the metal of the portals served like the metal-veined stone altar to complete the circuit for whatever hellish power flashed like thunderbolts from the witch-wand the ancient waved in his hand. When he caught a man or a woman between him and a door or the altar, that one died instantly. He chose no special victim. He took them as they came, with his rags flapping about his wildly gyrating limbs, and the gusty echoes of his tittering sweeping the room above the screams. And bodies fell like falling leaves about the altar and at the doors. One warrior in desperation rushed at him, lifting a dagger, only to fall before he could strike. But the rest were like crazed cattle, with no thought for resistance, and no chance of escape.
The last Tecuhltli except Tascela had fallen when the princess reached the Cimmerian and the girl who had taken refuge beside him. Tascela bent and touched the floor, pressing a design upon it. Instantly the iron jaws released the bleeding limb and sank back into the floor.
“Slay him if you can!” she panted, and pressed a heavy knife into his hand. “I have no magic to withstand him!”
With a grunt he sprang before the women, not heeding his lacerated leg in the heat of the fighting-lust. Tolkemec was coming toward him, his weird eyes ablaze, but he hesitated at the gleam of the knife in Conan’s hand. Then began a grim game, as Tolkemec sought to circle about Conan and get the barbarian between him and the altar or a metal door, while Conan sought to avoid this and drive home his knife. The women watched tensely, holding their breath.
There was no sound except the rustle and scrape of quick-shifting feet. Tolkemec pranced and capered no more. He realized that grimmer game confronted him than the people who had died screaming and fleeing. In the elemental blaze of the barbarian’s eyes he read an intent deadly as his own. Back and forth they weaved, and when one moved the other moved as if invisible threads bound them together. But all the time Conan was getting closer and closer to his enemy. Already the coiled muscles of his thighs were beginning to flex for a spring, when Valeria cried out. For a fleeting instant a bronze door was in line with Conan’s moving body. The red line leaped, searing Conan’s flank as he twisted aside, and even as he shifted he hurled the knife. Old Tolkemec went down, truly slain at last, the hilt vibrating on his breast.
Tascela sprang – not toward Conan, but toward the wand where it shimmered like a live thing on the floor. But as she leaped, so did Valeria, with a dagger snatched from a dead man, and the blade, driven with all the power of the pirate’s muscles, impaled the princess of Tecuhltli so that the point stood out between her breasts. Tascela screamed once and fell dead, and Valeria spurned the body with her heel as it fell.
“I had to do that much, for my own self-respect!” panted Valeria, facing Conan across the limp corpse.
“Well, this cleans up the feud,” he grunted. “It’s been a hell of a night! Where did these people keep their food? I’m hungry.”
“You need a bandage on that leg.” Valeria ripped a length of silk from a hanging and knotted it about her waist, then tore off some smaller strips which she bound efficiently about the barbarian’s lacerated limb.
“I can walk on it,” he assured her. “Let’s begone. It’s dawn, outside this infernal city. I’ve had enough of Xuchotl. It’s well the breed exterminated itself. I don’t want any of their accursed jewels. They might be haunted.”
“There is enough clean loot in the world for you and me,” she said, straightening to stand tall and splendid before him.
The old blaze came back in his eyes, and this time she did not resist as he caught her fiercely in his arms.
“It’s a long way to the coast,” she said presently, withdrawing her lips from his.
“What matter?” he laughed. “There’s nothing we can’t conquer. We’ll have our feet on a ship’s deck before the Stygians open their ports for the trading season. And then we’ll show the world what plundering means!”
Cimmeria
Written in Mission, Texas, February, 1932; suggested by the memory of the hill-country above Fredericksburg seen in a mist of winter rain.
– Robert E. Howard
I remember
The dark woods, masking slopes of sombre hills;
The grey clouds’ leaden everlasting arch;
The dusky streams that flowed without a sound,
And the lone winds that whispered down the passes.
Vista on vista marching, hills on hills,
Slope beyond slope, each dark with sullen trees,
Our gaunt land lay. So when a man climbed up
A rugged peak and gazed, his shaded eye
Saw but the endless vista – hill on hill,
Slope beyond slope, each hooded like its brothers.
It was a gloomy land that seemed to hold
All winds and clouds and dreams that shun the sun,
With bare boughs rattling in the lonesome winds,
And the dark woodlands brooding over all,
Not even lightened by the rare dim sun
Which made squat shadows out of men; they called it
Cimmeria, land of Darkness and deep Night.
It was so long ago and far away
I have forgot the very name men called me.
The axe and flint-tipped spear are like a dream,
And hunts and wars are shadows. I recall
Only the stillness of that sombre land;
The clouds that piled forever on the hills,
The dimness of the everlasting woods.
Cimmeria, land of Darkness and the Night.
Oh, soul of mine, born out of shadowed hills,
To clouds and winds and ghosts that shun the sun,
How many deaths shall serve to break at last
This heritage which wraps me in the grey
Apparel of ghosts? I search my heart and find
Cimmeria, land of Darkness and the Night.
Appendices
BARBARIAN AT THE PANTHEON-GATES
by Steven Tompkins
In [Frederick Jackson] Turner’s intellectual scenario, the frontier was visualized as a terrain on which two kingdoms of force, “savagery and civilization,” stood toe to toe contending for supremacy. As long as neither held dominance there was danger, but there was also boundless freedom. Into this landscape came the archetypal American, an Americ
an who was free in a way that no American has been free since. Free to choose patterns of conduct from an infinity of choices, free to move easily back and forth across the line which separated savagery and civilization, free to take the best from the wilderness and the best that civilization had to offer, free to create his self from the materials of a totally unrestricted environment.
– Tom Pilkington, State of Mind: Texas Literature and Culture
That knocking you hear, polite but persistent, is the people who assembled Volumes I and II of The Best of Robert E. Howard, addressing themselves to the front door of the American literary pantheon. Let’s be upfront while we’re out front: not only do we put Howard’s finest work on a pedestal, we’ve even gone so far as to pick out a place of honor for that pedestal within the pantheon’s marmoreal recesses. These books are designed to be more than just a Petition for Admittance; our aim has been a show of force, an effort to rout derisive interdiction with a decisive intervention in a debate that’s been too non-evidentiary for too long.
In a sense that debate has been underway since at least the fall of 1934, while Howard was still writing – let’s join a conversation already in progress back then between two cousins, both small-town schoolteachers in West Texas, as they discuss a writer dismissed by one as small-time. Enid Gwathmey refuses to accept “the pulp and confession magazines as legitimate starting places for writers. Good stories had stood the test of time. Examples of good writing were put into literature books.” That’s all Novalyne Price, to whose invaluable 1986 memoir One Who Walked Alone we owe the recap of this cousinly disagreement, needs in order to pounce:
“You read Edgar Allan Poe, don’t you? I heard you talking about him to your class the other day.”
She looked at me as if I had the measles. “Poe is a good writer,” she said. “I was pointing out what a wonderful choice of words he had; I was trying to get my students to enjoy using words carefully to improve their writing.”
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