One night in April when Old Gerard's gray beard was still brown, the door of the shed was pushed open, letting in not only the winds of Spring but a woman wrapped in a green cloak, with a lining of cherry-color and a border of silver flowers and golden cherries. In one hand she swung a crystal lantern set in a silver frame, but it had no light in it; and in the other she held a small slip of a cherry-tree, but it had no bloom on it. Her dress was white, or had been; for the skirts of it, and her mantle, were draggled and sodden, and her green shoes stained and torn, and her long fair hair lay limp and dank upon her mantle whose hood had fallen away, and the shadows round her blue eyes were as black as pools under hedgerows thawing after a frost, and her lovely face was as white as the snowbanks they bed in. Behind her came another woman in a duffle cloak, a crone with eyes as black as sloes, and a skin as brown as beechnuts, and unkempt hair like the fireless smoke of Old Man's Beard straying where it will on the November woodsides. She too was wet and soiled, but full of life where the young one seemed full of death.
The Shepherd looked at this strange pair and said surlily, "What want ye?"
"Shelter," replied the crone.
She pushed the lady, who never spoke, into the shed, and took from her shoulders the wet mantle, and from her hands the lantern and the tree; and led her to the Shepherd's bed and laid her down. Then she spread the mantle over the Shepherd's bench and,
"Lie there," said she, "till love warms ye."
Next she hung the lantern up on a nail in the wall, and,
"Swing there," said she, "till love lights ye."
Last she took the Shepherd's trowel and went outside the shed, and set the cherry-slip beside the door. And she said:
"Grow there, till love blossoms ye."
After this she came inside and sat down at the bedhead.
Gerard the Shepherd, who had watched her proceedings without word or gesture, said to himself, "They've come through the floods."
He looked across at the women and raised his voice to ask, "Did ye come through the floods?"
The lady moaned a little, and the crone said, "Let her be and go to sleep. What does it matter where we came from by night? By daybreak we shall both of us be gone no matter whither."
The Shepherd said no more, for though he was both curious and ill-tempered he had not the courage to disturb the lady, knowing by the richness of her attire that she was of the quality; and the iron of serfdom was driven deep into his soul. So he went to sleep on his stool, as he had been bidden. But in the middle of the night he was awakened by a gusty wind and the banging of his door; and he started up rubbing his knuckles in his eyes, saying, "I've been dreaming of strange women, but was it a dream or no?" He peered about the shed, and the crone had vanished utterly, but the lady still lay on his bed. And when he went over to look at her, she was dead. But beside her lay a newborn child that opened its eyes and wailed at him.
Then the Shepherd ran to his open door and stared into the blowing night, but there were no more signs of the crone without than there were within. So he fastened the latch and came back to the bedside, and examined the child.--
(But at this point Martin Pippin interrupted himself, and seizing the rope of the swing set it rocking violently.
Joyce: I shall fall! I shall fall!
Martin: Then you will be no worse off than I, who have fallen already. For I see you do not like my story.
Joyce: What makes you say so?
Martin: Till now you listened with all your ears, but a moment ago you turned away your head a moment too late to hide the disappointment in your eyes.
Joyce: It is true I am disappointed. Because the beautiful lady is dead, and how can a love-story be, if half the lovers are dead?
Martin: Dear Mistress Joyce, what has love to do with death? Love and death are strangers and speak in different tongues. Women may die and men may die, but lovers are ignorant of mortality.
Joyce (pouting): That may be, singer. But lovers are also a man and a woman, and the woman is dead, and the love-tale ended before we have even heard it. You should not have let the woman die. What sort of love-tale is this, now the woman is dead?
Martin: Are not more nests than one built in a spring-time?--Give me, I pray you, two hairs of your head.
She plucked two and gave them to him, turning her pouting to laughing. One of them Martin coiled and held before his lips, and blew on it.
"There it flies," said he, and gave her back the second hair. "Hold fast by this and keep it from its fellow with all your might, for to part true mates baffles the forces of the universe. And when you give me this second hair again I swear I will send it where it will find its fellow. But I will never ask for it until, my story ended, you say to me, I am content.'")
Examining the child (repeated Martin) the Shepherd discovered it to be a lusty boy-child, and this rejoiced him, so that while the baby wept he laughed aloud.
"It is better to weep for something than for nothing," said he, "and to laugh for something likewise. Tears are for serfs and laughter is for freedmen." For he had conceived the plan of selling the child to his master, the Lord of Combe Ivy, and buying his freedom with the purchase money. So in the morning he carried the body of the lady into the heart of the copse, and there he dug a grave and laid her in it in her white gown. And afterwards he went up hill and down dale to his master, and said he had a man for sale. The Lord of Combe Ivy, who was a jovial lord and a bachelor, laughed at the tale he had to tell; but being always of the humor for a jest he paid the Shepherd a gold piece for the child, and promised him another each midnight on the anniversary of its birth; but on the twenty-first anniversary, he said, the Shepherd was to bring back the twenty-one gold pieces he had received, and instead of adding another to them he would take them again, and make the serf a freedman, and the child his serf.
"For," said the Lord of Combe Ivy, "an infant is a poor deal for a man in his prime, as you are, but a youth come to manhood is a good exchange for a graybeard, as you will be. Therefore rear this babe as you please, and if he live to manhood so much the better for you, but if he die first it's all one to me."
The Shepherd had hoped for a better bargain, but he must needs be content with seeing liberty at a distance. So he returned to his shed on the hills and made a leather purse to keep his gold-piece in, and hung it round his neck, touching it fifty times a day under his shirt to be sure it was still there. And presently he sought among his ewes one who had borne her young, saying, "You shall mother two instead of one." And the baby sucked the ewe like her very lamb, and thrived upon the milk. And the shepherd called the child Gerard after himself, "since," he said, "it is as good a name for a shepherd as another"; and from that time they became the Young and Old Gerards to all who knew them.
So the Young Gerard grew up, and as he grew the cherry-tree grew likewise, but in the strangest fashion; for though it flourished past all expectation, it never put forth either leaf or blossom. This bitterly vexed Old Gerard, who had hoped in time for fruit, and the frustration of his hopes became to him a cause of grievance against the boy. A further grudge was that by no manner of means could he succeed in lighting any wick or candle in the silver lantern, of which he desired to make use.
"But if your tree and your lantern won't work," said he, "it's no reason why you shouldn't." So he put Young Gerard to work, first as sheepboy to his own flock, but later the boy had a flock of his own. There was no love lost between these two, and kicks and curses were the young one's fare; for he was often idle and often a truant, and none was held responsible for him except the old shepherd who was selling him piece-meal, year by year, to their master. Because of what depended on him, Old Gerard was constrained to show him some sort of care when he would liever have wrung his neck. The boy's fits exasperated the man; whether he was cutting strange capers and laughing without reason, as he frequently did, or sitting a whole evening in a morose dream, staring at the fire or at the stars, and saying never a word. The boy's coloring was a
s mingled as his moods, a blend of light and dark--black hair, brown skin, blue eyes and golden lashes, a very odd anomaly.
(Martin: What is it, Mistress Joyce?
Joyce: I said nothing, Master Pippin.
Martin: I thought I heard you sigh.
Joyce: I did not--you did not.
Martin: My imagination exceeds all bounds.)
Because of their mutual dislike, when the boy was put in charge of his own sheep the two shepherds spent their days apart. The Old Gerard grazed his flock to the east as far as Chantry, but the Young Gerard grazed his flock to the west as far as Amberley, whose lovely dome was dearer to him than all the other hills of Sussex. And here he would sit all day watching the cloud-shadows stalk over the face of the Downs, or slipping along the land below him, with the sun running swiftly after, like a carpet of light unrolling itself upon a dusky floor. And in the evening he watched the smoke going up from the tiny cottages till it was almost dark, and a hundred tiny lights were lit in a hundred tiny windows. Sometimes on his rare holidays, and on other days too, he ran away to the Wildbrooks to watch the herons, or to find in the water-meadows the tallest kingcups in the whole world, and the myriad treasures of the river--the giant comfrey, purple and white, meadowsweet, St. John's Wort, purple loose-strife, willowherb, and the ninety-nine-thousand-nine-hundred- and-ninety-five others, or whatever number else you please, that go to make a myriad. He came to know more about the ways of the Wildbrooks than any other lad of those parts, and one day he rediscovered the Lost Causeway that can be traveled even in the floods, when the land lies under a lake at the foot of the hills. He kept this, like many other things, a secret; but he had one more precious still.
For as he lay and watched the play of sun and shadow on the plains, he fancied a world of strange places he had known, somewhere beyond the veils of light and mist that hung between his vision and the distance, and he fell into a frequent dream of tunes and laughter, and sunlit boughs in blossom, and dancing under the boughs; or of fires burning in the open night, and a wilder singing and dancing in the starlight; and often when his body was lying on the round hill, or by the smoky hearth, his thoughts were running with lithe boys as strong and careless as he was, or playing with lovely free-limbed girls with flowing hair. Sometimes these people were fair and bright-haired and in light and lovely clothing, and at others they were dark, with eyes of mischief, and clad in the gayest rags; and sometimes they came to him in a mingled company, made one by their careless hearts.
One evening in April, on the twelfth anniversary, when Young Gerard came to gather his flock, a lamb was missing; so to escape a scolding he waited awhile on the hills till Old Gerard should be gone about his business. What this was Young Gerard did not know, he only knew that each year on this night the old shepherd left him to his own devices, and returned in the small hours of the morning. Not therefore until he judged that the master must have left the hut, did the boy fold his sheep; and this done he ran out on the hills again, seeking the lost lamb. For careless though he was he cared for his sheep, as he did for all things that ran on legs or flew on wings. So he went swinging his lantern under the stars, singing and whistling and smelling the spring. Now and then he paused and bleated like a ewe; and presently a small whimper answered his signal.
"My lost lamb crying on the hills," said Young Gerard. He called again, but at the sound of his voice the other stopped, and for a moment he stood quite still, listening and perplexed.
"Where are you, my lamb?" said he.
"Here," said a little frightened voice behind a bush.
He laughed aloud and went forward, and soon discovered a tiny girl cowering under a thorn. When she saw him she ran quickly and grasped his sleeve and hid her face in it and wept. She was small for her years, which were not more than eight.
Young Gerard, who was big for his, picked her up and looked at her kindly and curiously.
"What is it, you little thing?" said he.
"I got lost," said the child shyly through her tears.
"Well, now you're found," said Young Gerard, "so don't cry any more."
"Yes, but I'm hungry," sobbed the child.
"Then come with me. Will you?"
"Where to?"
"To a feast in a palace."
"Oh, yes!" she said.
Young Gerard set her on his shoulder, and went back the way he had come, till the dark shape of his wretched shed stood big between them and the sky.
"Is this your palace?" said the child.
"That's it," said Young Gerard.
"I didn't know palaces had cracks in the walls," said she.
"This one has," explained Young Gerard, "because it's so old." And she was satisfied.
Then she asked, "What is that funny tree by the door?"
"It's a cherry-tree."
"My father's cherry-trees have flowers on them," said she.
"This one hasn't," said Young Gerard, "because it's not old enough."
"One day will it be?" she asked.
"One day," he said. And that contented her.
He then carried her into the shed, and she looked around eagerly to see what a palace might be like inside; and it was full of flickering lights and shadows and the scent of burning wood, and she did not see how poor and dirty the room was; for the firelight gleamed upon a mass of golden fruit and silver bloom embroidered on the covering of the settle by the hearth, and sparkled against a silver and crystal lantern hanging in the chimney. And between the cracks on the walls Young Gerard had stuck wands of gold and silver palm and branches of snowy blackthorn, and on the floor was a dish full of celandine and daisies, and a broken jar of small wild daffodils. And the child knew that all these things were the treasures of queens and kings.
"Why don't you have that?" she asked, pointing to the crystal lantern as Young Gerard set down his horn one.
"Because I can't light it," said he.
"Let ME light it!" she begged; so he fetched it from its nail, and thrust a pine twig in the fire and gave her the sweet-smoking torch. But in vain she tried to light the wick, which always spluttered and went out again. So seeing her disappointment Young Gerard hung the lantern up, saying, "Firelight is prettier." And he set her by the fire and filled her lap with cones and dry leaves and dead bracken to burn and make crackle and turn into fiery ferns. And she was pleased.
Then he looked about and found his own wooden cup, and went away and came back with the cup full of milk, set on a platter heaped with primroses, and when he brought it to her she looked at it with shining eyes and asked:
"Is this the feast?"
"That's it," said Young Gerard.
And she drank it eagerly. And while she drank Young Gerard fetched a pipe and began to whistle tunes on it as mad as any thrush, and the child began to laugh, and jumped up, spilling her leaves and primroses, and danced between the fitful lights and shadows as though she were, now a shadow taken shape, and now a flame. Whenever he paused she cried, "Oh, let me dance! Don't stop! Let me go on dancing!" until at the same moment she dropped panting on the hearth and he flung his pipe behind him and fell on his back with his heels in the air, crying, "Pouf! d'you think I've the four quarters of heaven in my lungs, or what?" But as though to prove he had yet a capful of wind under his ribs, he suddenly began to sing a song she'd never heard before, and it went like this:
I looked before me and behind, I looked beyond the sun and wind, Beyond the rainbow and the snow, And saw a land I used to know. The floods rolled up to keep me still A captive on my heavenly hill, And on their bright and dangerous glass Was written, Boy, you shall not pass! I laughed aloud, You shining seas, I'll run away the day I please! I am not winged like any plover Yet I've a way shall take me over, I am not finned like any bream Yet I can cross you, lake and stream. And I my hidden land shall find That lies beyond the sun and wind-- Past drowned grass and drowning trees I'll run away the day I please, I'll run like one whom nothing harms With my bonny in my arms.
"What doe
s that mean?" asked the child.
"I'm sure I don't know," said Young Gerard. He kicked at the dying log on the hearth, and sent a fountain of sparks up the chimney. The child threw a dry leaf and saw it shrivel, and Young Gerard stirred the white ash and blew up the embers, and held a fan of bracken to them, till the fire ran up its veins like life in the veins of a man, and the frond that had already lived and died became a gleaming spirit, and then it too fell in ashes among the ash. Then Young Gerard took a handful of twigs and branches, and began to build upon the ash a castle of many sorts of wood, and the child helped him, laying hazel on his beech and fir upon his oak; and often before their turret was quite reared a spark would catch at the dry fringes of the fir, or the brown oakleaves, and one twig or another would vanish from the castle.
"How quickly wood burns," said the child.
"That's the lovely part of it," said Young Gerard, "the fire is always changing and doing different things with it."
And they watched the fire together, and smelled its smoke, that had as many smells as there were sorts of wood. Sometimes it was like roast coffee, and sometimes like roast chestnuts, and sometimes like incense. And they saw the lichen on old stumps crinkle into golden ferns, or fire run up a dead tail of creeper in a red S, and vanish in mid-air like an Indian boy climbing a rope, or crawl right through the middle of a birch-twig, making hieroglyphics that glowed and faded between the gray scales of the bark. And then suddenly it caught the whole scaffolding of their castle, and blazed up through the fir and oak and spiny thorns and dead leaves, and the bits of old bark all over blue-gray-green rot, and the young sprigs almost budding, and hissing with sap. And for one moment they saw all the skeleton and soul of the castle without its body, before it fell in.
The child sighed a little and yawned a little and said:
"How nice it is to live in a palace. Who lives here with you?"
"My friends," said Young Gerard, poking at the log with a bit of stick.
"What are your friends like?" she asked him, rubbing her knuckles in her eyes.
Martin Pippin in the Apple Orchard Page 8
