“It’s pretty cold in here,” Will agreed. He put the kit in his briefcase. Lena flinched when he snapped the locks shut. The sound echoed like a gunshot. Or a cell door closing.
The car magazines. The dirty sheets on the bed. The lack of even the most basic facilities. There was no way Allison Spooner had lived in this desolate garage.
Tommy Braham had.
CHAPTER ELEVEN
BROCK’S FUNERAL HOME WAS HOUSED IN ONE OF THE OLDEST buildings in Grant County. The Victorian castle, complete with turrets, had been built in the early 1900s by the man in charge of maintenance at the railroad yard. That he had used funds embezzled from the railroad company was a matter later settled by the state prosecutor. The castle had eventually been auctioned on the courthouse steps to John Brock, the local mortician.
Sara had heard from her grandpa Earnshaw that everyone in town had breathed a sigh of relief when the Brocks left Main Street—especially the butcher who’d had the unfortunate luck of being their next-door tenant. The basement and first floor of the Victorian had been turned into a funeral parlor, while the top floor was reserved for the family.
Sara had grown up with Dan Brock. He’d been an awkward, serious boy, the sort of child who was more comfortable around adults than children his own age. She witnessed firsthand the relentless teasing Dan had experienced in grade school. Bullies had latched onto him like piranha and had not stopped until junior high, when Dan shot past six feet tall. As the tallest girl in her class, then the tallest person in school but for Dan, Sara had always appreciated having him around.
And yet, she still couldn’t look at him without seeing the gangly ten-year-old boy girls had screeched at on the bus for having dead people’s cooties.
A funeral was just letting out as Sara pulled into the parking lot. Death was a brisk business, even in the worst economies. The old Victorian was well cared for. The paint was fresh and there was a new tile roof. Sara watched the mourners leaving the house, preparing to make the short trek to the burial.
There was a marble headstone at the cemetery with Jeffrey’s name on it. Sara had his ashes back in Atlanta, but his mother had suddenly found her religion and insisted on a proper funeral. The church was so full during the service that the back doors were opened so the people lining the steps could hear the preacher’s voice. People walked to the cemetery rather than drive behind the hearse.
Those closest to Jeffrey had each put something in the coffin that reminded them of their friend, their boss, their mentor. There was an Auburn football program with Jeffrey on the cover supplied by his boyhood friends. Eddie had added a hammer Jeffrey used to help him build a shed in the backyard. Her mother had put in her old frying pan because she’d taught Jeffrey how to fry chicken with it. Tessa provided a postcard he had sent her from Florida. He had always loved teasing her. The postcard read, Glad you’re not here!
A few weeks before Jeffrey had been killed, Sara had given him a signed first edition of MacKinlay Kantor’s Andersonville. Sara had a hard time letting the book go, even though she knew she had to. She couldn’t let the ground cover Jeffrey’s coffin of memories without her own contribution. Dan Brock had sat with her in the living room of her house for hours until she was ready to relinquish the book. She had looked at each page, touched her fingers to the spots where Jeffrey’s hands had rested. Dan had been patient, quiet, but when the time came for him to go, he was crying as hard as Sara.
She took a tissue out of the glove compartment and wiped her eyes. She was going to end up bawling like a baby if she let her mind continue along this track. Her jacket was on the seat beside her but Sara didn’t bother to put it on. She found a clip in the pocket and pulled back her hair. She checked the frizzy mess in the mirror. She should’ve put on some makeup this morning. The freckles across her nose were more pronounced. Her skin looked pale. Sara pushed away the mirror. It was too late to do anything about it now.
The last car pulled into the funeral procession. Sara jumped out of her SUV, barely missing a deep puddle. The rain was beating down and she covered her head with her hands in futility. Brock stood in the doorway, waving to her. His hair looked a bit thinner on the top, but with his three-piece suit and lanky frame, Dan Brock looked much as he had in high school.
“Hey there.” He gave her a quick smile. “You’re the first one here. I told Frank we’d start around eleven-thirty.”
“I thought I could get a head start laying everything out.”
“I think I may have beat you to that.” He gave her a smile that seemed reserved for mourners. “How you holding up, Sara?”
She tried to return the smile, but was unable to answer the question. She’d skipped the pleasantries at the jail yesterday when Brock showed up to claim Tommy Braham’s body, and she felt a little awkward around him now. As usual, Brock smoothed over the moment.
“Aw, come here.” He grabbed her in a bear hug. “You’re looking great, Sara. Really good. I’m so glad you came back for the holiday. Your mama must be happy.”
“My father is, at least.”
He kept his arm around her and led her into the house. “Let’s get out of this inclement weather.”
“Wow.” She stopped at the door, glancing around the wide central hallway. Her parents weren’t the only ones who’d been remodeling lately. The staid décor of the house had been considerably updated. The heavy velvet drapes and dark green carpeting had been replaced with Roman shades and a muted Oriental rug that covered beautiful hardwood floors. Even the viewing rooms had been updated so they no longer resembled formal Victorian parlors.
Brock said, “Mama hates it, so I must’ve done something right.”
“You’ve done a lovely job,” she told him, knowing Brock probably hadn’t gotten many compliments.
“Business has been good.” Brock kept his hand on her back as he led her down the hall. “I’ll have to admit, I’m real torn up about Tommy. He was a good kid. He cut my grass for me.” Brock stopped walking. He looked down at Sara, his attitude changed. “I know people think I’m naïve, give folks too much of the benefit of the doubt, but I can’t see him doing any of this.”
“Killing himself or killing the girl?”
“Both.” Brock chewed his bottom lip for a moment. “Tommy was a happy kid. You know what he was like. Never had a cross word for anybody.”
Sara was circumspect. “People can surprise you.”
“Maybe with their ignorance, thinking just because the kid was slow that his brain just snapped one day and he went on a rampage.”
“You’re right.” Tommy was disabled. He wasn’t psychotic. One had nothing to do with the other.
“The thing that gets me is, she wasn’t killed bad. Not like in a fury.”
“What do you mean?”
He tucked his hand between the buttons of his vest. “You’d just expect more, is all.”
“More?”
His demeanor changed back just as quickly. “Listen to me. You’re the doctor here. You’ll see for yourself, and probably find a lot more than I ever could.” He put his hand on her shoulder. “It’s really good to have you back, Sara. And I want you to know that I’m real happy for you. Don’t listen to what anybody else says.”
Sara didn’t like the sound of that. “Happy about what?”
“Your new fella.”
“My new—”
“Whole town’s buzzing about it. Mama was on the phone all last night.”
Sara felt her face turning red. “Brock—Dan. He’s not really—”
“Shh,” Brock warned. She heard shuffling on the stairs above them. He raised his voice. “Mama, I’m gonna go to the cemetery now to help Mr. Billingham’s people. Sara’ll be downstairs working, so don’t you go and bother her. You hear?”
Audra Brock’s voice was frail, though the old biddy would probably outlive them all. “What’d you say?”
He raised his voice again, cutting to the chase. “I said leave Sara alone.”
There was something like a “humph,” then more shuffling as she made her way back to her room.
Brock rolled his eyes, but his good-natured smile was still on his face. “Everything downstairs is the same as when you left it. I should be back in an hour or so to lend you a hand. Should I put a sign on the door for your fella?”
“He—” Sara stopped herself. “I’ll do it.”
“My office is still in the kitchen. I spiffed it up a bit. Lemme know what you think about it.” He gave her a wave before leaving through the front door.
Sara walked to the back of the house. She had left her purse in the car so she didn’t have a paper or pen to leave Will a note. The Victorian’s kitchen had always served as the office. Brock had finally taken out the old sink and washboard, making the space more conducive to the business of managing death. The coffin display was built into the breakfast nook. Catalogues of flower arrangements were artfully spread out on a mahogany table. Brock’s desk was glass and steel, a very modern design considering he was the oldest soul she had ever met.
She took a Post-it off his blotter and started to write Will a note, then stopped herself. Frank was planning to make an appearance. What could she put on this small square of paper that would tell Will where to go without making Frank suspicious?
Sara tapped the pen to her teeth as she walked to the front door. She finally settled on “down stairs,” writing it as two words, each on its own line. To make it as clear as possible, she drew a large, downward-pointing arrow. That might not do any good, though. Every dyslexic was different, but there were certain characteristics that the majority of them shared. Primary among these was a lack of any sense of direction. It was no wonder Will had gotten lost driving down from Atlanta. Making a phone call wouldn’t have helped matters. Telling a dyslexic to turn right was about as useful as telling a cat to tap-dance.
Sara pressed the note to the glass on the front door. She had agonized over the message this morning, writing it six different times, signing it, not signing it. The smiley face had been a last-minute addition, her way of trying to let Will know that everything was okay between them. A blind man could’ve seen how upset he was last night. Sara felt horrible for embarrassing him. She had never been a smiley face person, but she’d drawn two eyes and a mouth at the corner of the note before sticking it in a baggie under his windshield, hoping that he would take it the right way.
It seemed wildly inappropriate to leave a smiley face on the front door of a funeral home, but she drew a small figure—two eyes and a curved mouth—thinking at least she’d get points for consistency.
The floorboards overhead creaked, and Sara trotted quickly back toward the kitchen. She left the basement door wide open and took the stairs two at a time to avoid Brock’s mother. There was a burglar door at the bottom of the landing. Black metal bars and a mesh screen kept anyone from breaking into the embalming area. You wouldn’t think that a person would want to come down here unless they had to, but many years ago, a couple of kids from the college had busted open the old door in their quest to steal some formaldehyde, a popular choice for cutting powder cocaine. Sara assumed the combination on the keypad hadn’t changed. She entered 1-5-9 and the door clicked open.
Brock kept the area immediately across from the door empty so that no one would accidentally glance through the mesh screen and see something they should never have to see. The buffer zone continued down the long, well-lit hallway. Storage shelves contained various chemicals and supplies with the labels all turned toward the wall so the viewer would not know what he was looking at. Small shoe boxes filled the last metal cabinet; cremains no one had ever bothered to pick up.
At the end of the hall, Brock had posted a sign that Sara recognized from the hospital morgue: Hic locus est ubi mors gaudet succurrere vitae. Roughly translated, “This is the place where death delights to teach the living.”
The swinging doors to the embalming suite were propped open with old bricks from the house. Artificial light bounced off the white tile walls. While the upstairs had been drastically changed, the downstairs looked exactly the same as Sara remembered. There were two stainless steel gurneys in the middle of the room with large industrial lights spring-mounted above them. A workstation stood at the foot of each gurney, plumbing connected at the ends to help evacuate the bodies. Brock had already laid out the autopsy tools—the saws, the scalpels, the forceps, and scissors. He was still using the pruning shears Sara had bought at the hardware store to cut through the breastbone.
The back of the room was wholly devoted to the funeral business. Beside the walk-in freezer was a rolling tray containing the metal trocar that was used to pierce and clean out organs during the embalming process. Neatly tucked into the corner was the embalming machine, which looked like a cross between a buffet-style coffee warmer and a blender. The arterial tube hung limply in the sink. Heavy rubber gloves were laid out on the basin. A butcher’s apron. A pair of construction goggles. A splatter mask. An industrial-sized box of roll cotton for stopping leaks.
Incongruously, there was a hair dryer and a pink makeup kit opened on top of the cotton box. Pots of foundation and various shades of eyeshadows and lip glosses were inside. The logo for “Peason’s Mortuary makeup” was embossed on the inside of the lid.
Sara took a pair of disposable surgical gloves from the box mounted on the wall. She opened the freezer door. A gust of cold air met her. There were three bodies inside, all zipped into black bags. She checked the tags for Allison Spooner.
The bag unzipped with the usual hassle, catching on the bulky black plastic. Allison’s skin had taken on the waxy, iridescent tone of death. Her lips were blackish blue. Pieces of grass and twigs were stuck to her skin and clothing. Small contusions pebbled her mouth and cheeks. Sara slipped on the surgical gloves and gently folded back the girl’s bottom lip. Teeth marks cut into the soft flesh where Allison’s face had been pressed into the ground. The wound had bled before she died. The killer had held her down in order to kill her.
Carefully, Sara turned Allison’s head to the side. The rigor had already dissipated. She could easily see the gaping stab wound at the back of the girl’s neck.
Brock was right. She wasn’t killed bad. There was no fury written on the body, just a deadly, precise incision.
Sara pressed her fingers to the top and bottom of the wound, stretching the skin to reconstruct its probable position at the time of injury. The knife would have been thin, approximately half an inch wide, probably no more than three and a half inches long. The blade had gone in at an angle. The bottom of the incision appeared curved, which meant that the knife had been twisted to ensure maximum damage.
Sara pulled up the girl’s jacket, matching the slice in the material to the wound in the neck. Lena was right about this, at least. The girl had been stabbed from behind. Sara guessed the killer had been right-handed, and very sure of himself. The blow would have been as swift as it was deadly. The hilt of the knife had bruised the skin around the injury. Whoever had killed Allison had not hesitated in driving home the blade, then twisting it for effect.
This was not the work of Tommy Braham.
Sara zipped back the bag with the same difficulty. Before she left the freezer, she put her hand on Tommy’s leg. Obviously, he couldn’t feel the pressure—it was too late for Sara to give him comfort—but it made her feel better knowing that she was going to be the one to take care of him.
She slipped off the gloves and tossed them into the trash as she made her way to the back of the basement. There was a small windowless room that, in the Victorian’s early days, was meant to store wine. Red bricks lined the walls and wrapped around the floor and ceiling. Brock used the space as an office, despite the fact that the temperature was much cooler inside. Sara grabbed the jacket hanging by the door, then quickly changed her mind when she smelled Brock’s aftershave.
The desk was empty but for the autopsy forms and an ink pen. Brock had put together two packets for the procedures.
He’d stuck Post-it notes on each with the name, date of birth, and last known address for each victim.
Georgia law required a medical autopsy to be performed only under certain circumstances. Violent death, death in the workplace, suspicious death, sudden death, unattended death, and surgical death all required further investigation. For the most part, the information gathered was always the same: legal name, aliases, age, height, weight, cause of death. X rays were taken. The stomach contents would be examined. Organs were weighed. Arteries, valves, and veins were explored. Contusions were noted. Traumas. Bite marks. Stretch marks. Lacerations. Scars. Tattoos. Birthmarks. Every detail, remarkable or not, that was found on or in the body had to be noted on the corresponding form.
Sara had hooked her reading glasses on her shirt before getting out of the car. She slipped them on and started on the forms. Most of the paperwork would have to be filled out after the procedures, but every label attached to a specimen or sample had to have her name, the location, and the proper date and time. In addition to that, every form had to have the same information at the bottom along with her signature and license number. She was halfway through the second packet when she heard someone knocking at the metal door.
“Hello?” Will’s voice echoed through the basement.
Sara rubbed her eyes, feeling as if she’d just woken from a nap. “I’ll be right there.” She pushed herself back from the desk and walked toward the stairs. Will was standing on the other side of the security door.
She pushed open the latch. “I guess my notes worked.”
He gave her a careful look, almost like a warning.
Sara waved him back to the autopsy suite.
“Quite a spread,” Will told her, taking in the room. His hands were in his pockets. She saw that his jeans were wet and muddy at the hem.
She asked, “How did it go this morning?”
“The good news is that I found out where Allison was killed.” He told her about his walk in the forest. “We were lucky the rain didn’t wash it all out.”
Broken Page 23
