WRATH OF THE GODS

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WRATH OF THE GODS Page 33

by Glyn Iliffe


  ‘And if you’ve a received a little help with these labours, then it’s because people wanted to help you. Not out of fear, but out of love. Iolaus is right to love you. You may be brutal, short-tempered and excessive, but you’re also honest, loyal and kind-hearted – things I never thought I would see in you, or say about you. While Eurystheus fumed that you were helping the poor in the slums, where you were sent to be humiliated, I was seeing a side of you I never knew existed. While he ranted that you were trying to turn the people against him, I saw a man using his strength to aid the weak. I saw a man far greater than myself, with my intellectual snobbery and my selfish grief over a dead wife. I never deserved Iolaus. But you do.’

  They arrived at the gates to the lower city, which were opened to allow them through. The streets beyond were empty, except for a few stray dogs that barked at them as they passed. Iphicles showed no signs of returning to the citadel, and for once Heracles was glad of his brother’s company.

  ‘You’ve changed, too,’ he said. ‘To admit your own arrogance, your coldness towards Iolaus – that’s more than I ever expected from you.’

  Iphicles laughed.

  ‘When they told me you’d been found in Copreus’s room, I knew the gods were giving me a chance; a labour of my own to help redeem me from the terrible things I’ve done to my son. I thought that if I could help undo some of Copreus’s scheming, I might make Iolaus hate me less. Heracles, I know where Megara is.’

  ‘Then tell me!’ Heracles said, facing his brother. ‘If she’s in danger, I must go to her at once.’

  ‘Do you still love her? Do you still hope she could love you again, after all that happened?’

  ‘I killed the children that she bore me – murdered them with these hands, which will always bear their blood. Nothing can erase that, even if I complete all the labours Eurystheus gives me; even though I wasn’t in my right mind when I did it. She has every right to hate me, but I will go to her all the same. I owe her that much, and if by saving her I can lessen some of her anger against me, then it will be worth it.

  ‘Besides,’ he added, ‘I haven’t given up hope for her, for us . You can shake your head, but why would Copreus use her as leverage over me? Why would he do that if he thought there was nothing binding me to her, or her to me? She must have said something, showed some sign that she still cared for me. And for that, I would fight a hundred Nemean Lions.’

  ‘It might as well be a hundred Nemean Lions,’ Iphicles said. ‘Copreus sent her to Themiscyra, on the shores of the Black Sea.’

  ‘To the Amazons ?’ Heracles asked.

  ‘The man values his own life.’

  ‘Then I will leave at once.’

  ‘It’s not that easy. You’re still a slave. You can’t sail to Themiscyra unless Eurystheus gives you his permission first – and if you break your oath of service, then you will have broken the terms set by the oracle. All the labours you’ve completed so far will have been for nothing.’

  They passed through the gates and out into the sprawl of hovels beyond the battlements. The moon was high now, casting a web of silver over the fields and woods beyond. All was still, offering a rare moment of peace in a life that had succumbed to unending grief and hardship, in a world filled by the wrath of the gods. It was an illusion, too, a fleeting glimpse of a serenity he would never again know. And suddenly, his world had become harder still. The woman he loved was held prisoner by savage warriors, renowned for their skill in battle and their contempt for men; yet, as a slave, he could not lift a finger to help her, unless he first gained the permission of a dismal fool, whose greatest pleasure was to cause him as much suffering as possible. Meanwhile, the man who had brought about the destruction of his once happy life was free to gloat at his misery, safe from his revenge.

  ‘Then I’m lost,’ he said.

  ‘Not quite,’ Iphicles replied. ‘There is one way to get you to Themiscyra. And Eurystheus is going to send you there himself.’

  Glossary

  A

  Abderus – young Pheraean soldier

  Achilles – renowned Greek warrior

  Admete – daughter of Eurystheus

  Admetus – king of Pherae

  Agrius – a centaur

  Aithre – former slave of Heracles and Megara

  Anchius – a centaur

  Aphrodite – goddess of love

  Apollo – archer god, associated with music, song and healing

  Arcadia – region in the northern Peloponnese

  Ares – god of war

  Artemis – moon-goddess associated with childbirth, noted for her virginity and vengefulness

  Augeias – king of Elis

  B

  Bistones – Thracian tribe

  Boeotia – region in northern Greece

  C

  Calyce – priestess of Aphrodite

  Carnus – Pheraean soldier

  Ceryneia – region in the northern Peloponnese

  Ceryneian Hind – white deer with golden antlers and bronze hooves, sacred to Artemis

  Charis – high priestess of Hera

  Cnossus – Cretan city

  Copreus – adviser to King Eurystheus

  Creon – king of Thebes and father of Megara

  Creontiades – son of Heracles and Megara

  D

  Daitor – farmer from Elis

  Deicoon – youngest son of Heracles and Megara

  Diomedes – king of the Bistones

  Dresos – merchant galley captain

  E

  Elis – region in the north-western Peloponnese

  Erginus – king of Orchomenus

  Erymanthus (Mount) – mountain in the north-western Peloponnese

  Erymanthean Boar – monster that lived on Mount Erymanthus

  Europa – Phoenician princess, seduced by Zeus

  Eurystheus – king of Mycenae and Tiryns; cousin of Heracles

  G

  Golgos – Pheraean soldier

  H

  Hades – god of the Underworld

  Hephaistos – god of fire; blacksmith to the gods of Olympus

  Hera – queen of the gods, married to Zeus

  Heracles – son of Zeus

  I

  Iolaus – nephew and squire of Heracles

  Iphicles – twin brother of Heracles and adviser to King Eurystheus

  Ismenus – river in Boeotia

  Ithaca – island in the Ionian Sea

  L

  Lacius – herald to King Admetus

  Lernea – swamp in the Argolid

  Lernean Hydra – many-headed serpent, offspring of Echidna and Typhon

  Leucus – orphan boy aided by Heracles and Iolaus

  M

  Megara – wife of Heracles and daughter of Creon

  Melos – island in the Aegean Sea

  Minos – king of Crete

  Mnesos – farmer from Elis, son-in-law of Daitor

  Mycenae – city in north-eastern Peloponnese

  N

  Nemea – region north of Mycenae

  Nemean Lion – monster, offspring of Echidna and Typhon

  Nessus – a centaur

  O

  Odysseus – king of Ithaca

  Omeros – Ithacan bard

  Orchomenus – city in Boeotia, northern Greece

  P

  Pagasaean Gulf – body of water in southern Thessaly

  Pancratis – Pheraean soldier

  Parnassus (Mount) – mountain in central Greece and home of the Pythian oracle

  Pasiphaë – wife of King Minos

  Peneius – river in Thessaly

  Penelope – wife of Odysseus

  Pherae – city in Thessaly

  Pholoë – mountain home of the centaurs

  Pholus – a centaur, friend and teacher of Heracles

  Poseidon – god of the sea

  Pythoness – high priestess of the Pythian oracle

  R

  Rhadamanthys – brother of King Mino
s

  S

  Sarpedon – brother of King Minos

  Stymphalus – river in Arcadia

  T

  Tethris – river in Crete

  Thaleia – child kidnapped by the Nemean Lion

  Thebes – city in Boeotia, northern Greece

  Thelpusa – city in Arcadia

  Therimachus – eldest son of Heracles and Megara

  Thespius – king of Thespiae in Boeotia

  Thessaly – region in northern Greece

  Thestor – messenger from Phegia

  Thrace – region on the northern coast of the Aegean Sea

  Thyestes – Tirynian rebel

  Tirida – city in Thrace

  Tiryns – city in north-eastern Peloponnese

  Troy – chief city of Ilium

  Tydeus – commander of the Tirynian guard

  X

  Xuthus – Pheraean soldier

  Z

  Zeus – the king of the gods

  Author’s Note

  The Greek myths we know today are rarely true to one version of a particular story or character, and are usually a hotchpotch of different accounts that have accumulated over the centuries. Ancient poets, dramatists or historians did not regard the myths as sacrosanct, so felt free to portray them in whatever way suited their purposes. In my novelizations of the labours of Heracles, I’ve tried to follow the story as it was laid down in Pseudo-Apollodorus’s Bibliotheca , with bits thrown in from other versions. However, I’ve also taken a few liberties to make some of the original stories more palatable to modern tastes.

  According to Pseudo-Apollodorus, the oracle at Delphi ordered Heracles to serve Eurystheus for twelve years, during which time he would have to complete ten impossible labours (which became twelve, after Heracles infringed the rules on two of the labours and they were subsequently discounted). Once the tasks were completed, he would become a god. I have removed any notion that he was to become a slave for a set period of time. I have also emphasized that the purpose of the tasks was to gain redemption for his crimes, rather than the reward of immortality.

  Though it is well-known that Hephaistos created a golden net to catch Aphrodite and Ares in bed together, none of the ancient writers suggest that Heracles used this in any of his labours. Neither did he flood King Augeias’s palace with excreta. Although Augeias did agree to pay Heracles a tithe of his cattle, and then denied making any such promise, their dispute was settled in a most un-Heraclean way: in court. When Augeias’s own son testified against his father, the judge decided the matter in Heracles’s favour and the full payment was made. Unfortunately for Heracles, it gave Eurystheus an excellent excuse to disregard the labour.

  In most accounts, Heracles climbed a mountain and used a wooden rattle, or a pair of bronze castanets (called krotala ), to scare the Stymphalian Birds from the marsh where they had settled. He then shot several of them as they flew away. It all seemed a bit too easy, so I added the repeated journeys into the middle of the swamp and the use of the net to squeeze a little more drama out of the labour.

  Bull leaping really was a sport on ancient Crete, as testified to by wall paintings and other artworks found during archaeological digs at the Palace of Knossos. It is still carried on today in some parts of Spain and France. As for the Cretan Bull, the infamous result of Pasiphaë’s union with this monster was the Minotaur, which King Minos then hid in a labyrinth beneath his palace. However, Pasiphaë did not help Heracles to capture the bull, a feat which he managed single-handedly.

  After capturing the man-eating horses of King Diomedes (not to be confused with Diomedes, King of Argos, who gained fame during the Trojan War), Heracles and his companions were pursued by a powerful force of Bistones. In some versions of the myth, he dug a channel that allowed the sea to flood the plain between him and his enemies. He had already diverted a river to clean out the stables of King Augeias, but to carry out a similar exploit before a tide of charging Bistones seemed unlikely, so I had him use his strength to breach a dam instead.

  Copreus was, indeed, Eurystheus’s herald. However, he had no part in causing Heracles’s madness. This was induced by Hera, whose hatred for her husband’s bastard I have not exaggerated.

  About Glyn Iliffe

  Glyn Iliffe studied English and Classics at the University of Reading, where he developed his passion for Greek mythology. Well-travelled, Glyn has visited nearly forty countries, trekked in the Himalayas, hitchhiked across North America, and had his collarbone broken by a bull in Pamplona.

  He is married with two daughters and lives in Leicestershire. His first novel was King of Ithaca , part of the popular Adventures of Odysseus series.

  For more information visit www.glyniliffe.com

  Praise for Glyn Iliffe

  ‘The world of this novel appears as many scholars see that of Homer: a rich melange of different eras… It has suspense, treachery and bone-crunching action… It will leave fans of the genre eagerly awaiting the rest of the series’

  Harry Sidebottom,

  author of the bestselling Warrior of Rome series

  ‘Not since the late David Gemmell has anyone managed to make the legends and heroic myths of the Greeks at Troy so grittily real, so marinated in sweat and blood and dark deeds’

  Rob Low,

  author of The Oathsworn and The Kingdom series

  ‘From one adventure to another the pace never lets up. Like Homer’s original, Glyn Iliffe’s series is destined to become a classic!’

  Steven A. McKay,

  author of Wolf’s Head

  ‘Iliffe has given the world of Greek myth full rein in his story, which makes it a whole different beast, and a fascinating one at that… The result? Magnificent.’

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  author of the Tales of the Empire series

  ‘Iliffe is a talented storyteller’

  Times Literary Supplement

  ‘A ripping swords-and-sandals treatment of The Iliad’

  The Telegraph

  ‘A thrilling adventure full of bloody battles, vibrant characters and the heart-stopping romance that makes ancient Greece so universally appealing. Dazzling drama on a grand scale’

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  ‘A must read for those who enjoy good old epic battles, chilling death scenes and the extravagance of ancient Greece’

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  ‘The reader does not need to be a classicist by any means to enjoy this epic and stirring tale. It makes a great novel and would be an even better film’

  Historical Novels Review

  ‘Another gripping and thrilling tale from the new demi-god of the genre, one which fans will relish getting stuck into’

  The Catholic Herald

  ‘Iliffe knows like no other how to capture the visceral clumsiness of ancient combat and seamanship in all its stomach-wrenching intensity, injecting the action with more than enough adrenaline… Drawing vivid scenery and immediate action together in a uniquely economical and well-paced style of writing, Iliffe’s talents are subtly sublime, guiding the reader through Homeric myth with a steady and seasoned hand’

  Edinburgh Book Review

  ‘Iliffe displays his thorough knowledge of classical literature, vividly bringing to life the glories of Troy and the bloodiness of Bronze Age warfare. A slow start yields quickly to a satisfying tale of politics, romance, and war under the shadow of the Olympian gods in this comprehensive retelling of the genesis of the Trojan War’

  Publishers Weekly

  ‘A cracking overall arc and an author who believes in working the story up so that the reader gets not only the glory but the true horror of this type of battlefield… add to the mix a great sense of pace which when backed with Iliffe’s own writing style made this a book to stand out. I’ll eagerly await future instalments’

  Falcata Times

  ‘The narrative account and description in the telling of the story is strong. I felt drawn-in at the first page. The character
s came alive in my mind, and their stories were vivid and powerful’

  Impressions in Ink

  ‘With a series like this, when the plots and characters are so well known and loved, it has to be a hard task to write them while retaining a sense of tension, suspense and excitement. But have no fear, the book is a joy to read from beginning to end’

  The Review Group

  ‘I found it utterly fascinating, the historic detail was excellent… I can absolutely recommend it’

  Book Talk Bournemouth

  ‘If you are a fan of Bernard Cornwell, Simon Scarrow and Conn Iggulden you will enjoy this. If you don’t already know the story, it doesn’t matter; and if you do, there are some surprising plot twists to keep readers on their toes’

  Myshelf

  ‘The author brings the reader into the constant drama surrounding Odysseus, Eperitus and the rest of the Ithacans; bringing to life the horrors faced, the circumstances that threaten to unravel everything they hold dear. I kept thinking, man, how much more can they take?’

  Hoover Book Review

  Also by Glyn Iliffe

  The greatest battles need the greatest warriors

  Mythical warrior Odysseus battles ancient armies, vengeful demi-gods and man-eating monsters in The Adventures of Odysseus …

  First published in the United Kingdom in 2018 by Canelo

  Canelo Digital Publishing Limited

  57 Shepherds Lane

  Beaconsfield, Bucks HP9 2DU

  United Kingdom

  Copyright © Glyn Iliffe, 2018

  The moral right of Glyn Iliffe to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988.

 

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