God and our good cause fight upon our side,
The prayers of holy saints and wronged souls,
Like high-reared bulwarks244, stand before our faces,
Richard except245, those whom we fight against
Had rather have us win than him they follow:
For what is he they follow? Truly, gentlemen,
A bloody tyrant and a homicide:
One raised in blood, and one in blood established249;
One that made means250 to come by what he hath,
And slaughtered those that were the means to help him:
A base foul stone, made precious by the foil252
Of England's chair, where he is falsely253 set:
One that hath ever been God's enemy.
Then if you fight against God's enemy,
God will in justice ward256 you as his soldiers:
If you do swear to put a tyrant down,
You sleep in peace, the tyrant being slain:
If you do fight against your country's foes,
Your country's fat shall pay your pains the hire260:
If you do fight in safeguard of your wives,
Your wives shall welcome home the conquerors:
If you do free your children from the sword,
Your children's children quits it in your age.264
Then, in the name of God and all these rights,
Advance your standards266, draw your willing swords.
For me, the ransom of my bold attempt267
Shall be this cold corpse on the earth's cold face:
But if I thrive269, the gain of my attempt
The least of you shall share his part thereof.
Sound drums and trumpets boldly and cheerfully.
God and Saint George272, Richmond and victory!
[Exeunt]
Enter King Richard, Ratcliffe and Catesby [with Attendants and Soldiers]
RICHARD What said Northumberland as touching273 Richmond?
RATCLIFFE That he was never trained up in arms.
RICHARD He said the truth: and what said Surrey then?
RATCLIFFE He smiled and said, 'The better for our purpose.'
RICHARD He was in the right, and so indeed it is.
Clock strikes
Tell the clock there. Give me a calendar.278
Who saw the sun today?
RATCLIFFE Not I, my lord.
RICHARD Then he disdains to shine, for by the book281
He should have braved the east282 an hour ago
A black283 day will it be to somebody. Ratcliffe!
RATCLIFFE My lord?
RICHARD The sun will not be seen today:
The sky doth frown and lour286 upon our army.
I would these dewy tears were from287 the ground.
Not shine today? Why, what is that to me
More than to Richmond? For the selfsame heaven
That frowns on me looks sadly290 upon him.
Enter Norfolk
NORFOLK Arm, arm, my lord: the foe vaunts291 in the field.
He arms
RICHARD Come, bustle, bustle. Caparison292 my horse.
Call up Lord Stanley, bid him bring his power.
I will lead forth my soldiers to the plain,
And thus my battle shall be ordered:
My foreward shall be drawn296 in length,
Consisting equally of horse and foot297:
Our archers shall be placed in the midst;
John Duke of Norfolk, Thomas Earl of Surrey,
Shall have the leading of the foot and horse.
They thus directed301, we will follow
In the main battle, whose puissance302 on either side
Shall be well winged with our chiefest303 horse.
This, and Saint George to boot!304 What think'st thou, Norfolk?
NORFOLK A good direction, warlike sovereign.
Shows a paper
This found I on my tent this morning:
Reads
'Jockey307 of Norfolk, be not so bold,
For Dickon thy master is bought and sold.308'
RICHARD A thing devised by the enemy.
Go, gentleman, every man to his charge
Let not our babbling dreams affright our souls:
For conscience is a word that cowards use,
Devised at first to keep the strong in awe.
Our strong arms be our conscience, swords our law.
March on, join bravely, let us to't pell-mell315:
If not to heaven, then hand in hand to hell.--
His oration to his army
What shall I say more than I have inferred?317
Remember whom you are to cope318 withal:
A sort319 of vagabonds, rascals and runaways,
A scum of Bretons and base lackey peasants,
Whom their o'er-cloyed321 country vomits forth
To desperate adventures and assured destruction.
You sleeping safe, they bring you to unrest:
You having lands, and blest with beauteous wives,
They would restrain the one, distain325 the other.
And who doth lead them but a paltry fellow326,
Long kept in Bretagne at our mother's327 cost?
A milksop328, one that never in his life
Felt so much cold as over-shoes in snow?329
Let's whip these stragglers330 o'er the seas again,
Lash hence these overweening rags331 of France,
These famished beggars, weary of their lives,
Who, but for dreaming on this fond exploit333,
For want334 of means, poor rats, had hanged themselves.
If we be conquered, let men conquer us,
And not these bastard Bretons, whom our fathers
Have in their own land beaten, bobbed and thumped337,
And on record, left them the heirs of shame.338
Shall these enjoy our lands? Lie339 with our wives?
Ravish340 our daughters?
Drum afar off
Hark! I hear their drum.
Fight, gentlemen of England! Fight boldly, yeomen!341
Draw, archers, draw your arrows to the head!
Spur your proud horses hard, and ride in blood343:
Amaze the welkin with your broken344 staves!
Enter a Messenger
What says Lord Stanley? Will he bring his power?
MESSENGER My lord, he doth deny346 to come.
RICHARD Off with his son George's head!
NORFOLK My lord, the enemy is past the marsh348
After the battle let George Stanley die.
RICHARD A thousand hearts are great350 within my bosom.
Advance our standards, set upon our foes.
Our ancient word of courage352, fair Saint George,
Inspire us with the spleen of fiery dragons!353
Upon them! Victory sits on our helms.
[Exeunt]
Alarum, excursions. Enter Catesby
CATESBY Rescue, my lord of Norfolk, rescue, rescue!
The king enacts more wonders than a man356,
Daring an opposite357 to every danger:
His horse is slain, and all on foot he fights,
Seeking for Richmond in the throat of death.
Alarums. Enter Richard
Rescue, fair lord, or else the day is lost!
RICHARD A horse! A horse! My kingdom for a horse!
CATESBY Withdraw, my lord: I'll help you to a horse.
RICHARD Slave, I have set my life upon a cast363,
And I will stand the hazard of the die.364
I think there be six Richmonds365 in the field:
Five have I slain today instead of him.
A horse! A horse! My kingdom for a horse!
[Exeunt]
Alarum. Enter Richard and Richmond: they fight. Richard is slain. Retreat and flourish. Enter Richmond, Derby bearing the crown, with divers other Lords
RICHMOND God and your arms be praised, victoriou
s friends!
The day is ours, the bloody dog is dead.
DERBY Courageous Richmond, well hast thou acquit thee.370
Lo, here, these long-usurped royalties371
From the dead temples of this bloody wretch
Have I plucked off, to grace thy brows withal:
Wear it and make much of it.
RICHMOND Great God of heaven, say 'Amen' to all!
But, tell me, is young George Stanley living?
DERBY He is, my lord, and safe in Leicester town,
Whither, if you please, we may withdraw us.
RICHMOND What men of name379 are slain on either side?
DERBY John Duke of Norfolk, Walter Lord Ferris,
Sir Robert Brackenbury, and Sir William Brandon.
RICHMOND Inter their bodies as become their births382:
Proclaim a pardon to the soldiers fled
That in submission will return to us:
And then, as we have ta'en the sacrament385,
We will unite the white rose and the red.386
Smile heaven upon this fair conjunction387,
That long have frowned upon their enmity!
What traitor hears me and says not 'Amen'?
England hath long been mad, and scarred herself;
The brother blindly shed the brother's blood,
The father rashly slaughtered his own son,
The son, compelled, been butcher to the sire393:
All this divided York and Lancaster,
Divided in their dire division.
O, now let Richmond and Elizabeth,
The true succeeders397 of each royal house,
By God's fair ordinance398 conjoin together.
And let thy heirs -- God, if thy will be so --
Enrich the time to come with smooth-faced peace,
With smiling plenty and fair prosperous days!
Abate the edge402 of traitors, gracious Lord,
That would reduce403 these bloody days again,
And make poor England weep in streams of blood;
Let them not live to taste this land's increase405
That would with treason wound this fair land's peace.
Now civil wounds are stopped407, peace lives again:
That she may long live here, God say 'Amen'!
Exeunt
TEXTUAL NOTES
Q = First Quarto text of 1597
F = First Folio text of 1623
F2 = a correction introduced in the Second Folio text of 1632
Ed = a correction introduced by a later editor SD = stage direction
SH = speech heading (i.e. speaker's name) List of parts = Ed
1.1.1 SH RICHARD = Ed. Not in F 77 was ... his = Q. F = was, for her 1.2.210 SH RICHARD = Q. F assigns line to Lady Anne
1.3.6 If ... me? accidentally printed twice in F 17 come the lords = Q. F = comes the Lord 158 of spelled off in F 305 on = Q. F = an 310 SH QUEEN ELIZABETH = Q. F = Mar. 343 SH FIRST MURDERER = Ed. F = Vil. (for Villain)
2.1.108 at = Q. F = and
2.2.1 SH BOY = Q. F = Edw. 3 you = Q. Not in F 47 I = Q. Not in F 83 weep = Q. F = weepes 84-5 and ... they = Q. F = so do not they (i.e. one line omitted due to eyeskip) 87 Pour spelled Power in F 121 Ludlow = Q. F = London 146 God's = Q. F = God 153 Ludlow = Q. F = London 3.1.124 as = Q. F = as, as, 3.4.26 cue spelled Q in F
3.5.104 Penker = Ed. F = Pevker
4.1.16 SH BRACKENBURY = Ed. F = Lieu.
Act 4 Scene 4 = Ed. F = Scena Tertia 36 seniory = Q. F = signeurie 44 holp'st spelled hop'st in F 289 this is not = Q. F2. F = this not 370 Harp ... past mistakenly printed after the following line in F 442 SD Exit [Queen Elizabeth] = Ed. F = Exit (directly after her last speech) 457 Ratcliffe = Ed. F = Catesby 519 SH SECOND = Ed. Not in F 522 SH THIRD = Ed. Not in F 535 SH FOURTH = Ed. Not in F 538 Breton spelled Brittaine in F 544 Brittany spelled Brittaine in F
Act 4 Scene 5 = Ed. F = Scena Quarta 10 Ha'rfordwest = Ed. F = Hertford West 5.2.11 centre = Q. F = Centry 5.3.29 you = F2. F = your 122 SH GHOST OF PRINCE EDWARD = Ed. F = Gh 128 SH GHOST OF KING HENRY VI = Ed. F = Ghost 135 SH GHOST OF CLARENCE = Ed. F = Ghost 143 SH GHOST OF RIVERS = Ed. F = Riu 145 SH GHOST OF GREY = Ed. F = Grey. 146 SH GHOST OF VAUGHAN = Ed. F = Vaugh. 150 SH GHOST OF HASTINGS = Ed. F = Gho. 155 SH GHOSTS OF PRINCES = Ed. F = Ghosts. 158 souls bid = Q. F = soule bids 163 SH GHOST OF ANNE = Ed. F = Ghost 171 SH GHOST OF BUCKINGHAM = Ed. F = Ghost 225 SH LORDS = Q. F = Richm. 317 SD his ... army = Q. Not in F 341 Fight = Q. F = Right 354 helms = Q. F = helpes
QUARTO PASSAGES THAT DO
NOT APPEAR IN THE FOLIO
Lines are numbered continuously, for ease of reference.
Following 4.2.103:
BUCKINGHAM My lord!
RICHARD How chance the prophet2 could not at that time Have told me, I being by, that I should kill him3?
BUCKINGHAM My lord, your promise for the earldom,--
RICHARD Richmond! When last I was at Exeter5, The mayor in courtesy showed me the castle,
And called it Rougemont7: at which name I started, Because a bard8 of Ireland told me once I should not live long after I saw Richmond.
BUCKINGHAM My lord!
RICHARD Ay, what's o'clock?
BUCKINGHAM I am thus bold to put your grace in mind Of what you promised me.
RICHARD Well, but what's o'clock?
BUCKINGHAM Upon the stroke of ten.
RICHARD Well, let it strike.
BUCKINGHAM Why let it strike?
RICHARD Because that, like a Jack, thou keep'st the stroke18
Betwixt thy begging and my meditation19.
I am not in the giving vein today.
Following 5.3.212:
RICHARD O Ratcliffe, I have dreamed a fearful dream!
What thinkest thou, will our friends prove all true?22
RATCLIFFE No doubt, my lord.
SCENE-BY-SCENE ANALYSIS
ACT 1 SCENE 1
Lines 1-41: The play opens with a soliloquy by Richard, revealing his skillful use of language. He outlines recent history, emphasizing that the action of this play is part of a wider series of events. The civil war between the royal Houses of York and Lancaster has ended, and Yorkist Edward IV is king, creating a "glorious summer" of peace in contrast to the previous "winter" of "discontent." Richard's speech moves away from matters of state toward himself, creating links and tensions between political and personal. Richard describes how men who were soldiers are now lovers. He claims that his own physical deformities prevent him from courting, describing himself bitterly as "Deformed" and "unfinished." His apparent preoccupation with his looks establishes the play's interest in appearance and identity (genuine and feigned). He declares that since he "cannot prove a lover" he will "prove a villain" and outlines his plans against his brothers, the king and the Duke of Clarence. He has set abroad rumors of a prophecy, "which says that 'G' / Of Edward's heirs the murderer shall be," the first in a series of references to prophecies, dreams, and omens. Richard sees Clarence being led in, guarded, and cuts short his soliloquy, urging his thoughts to "Dive" down to his "soul," emphasizing his ability to conceal his true self and the disparity between appearance and reality.
Lines 42-147: Richard asks why Clarence is being taken to the Tower. Clarence reveals that it is because his name "is George," showing that Richard's false prophecy has had effect on Edward, who "hearkens after prophesies and dreams" (although, ironically, being Duke of Gloucester, Richard himself is also "G"). Richard feigns sympathy and suggests that Clarence's downfall is the result of the influence of the queen. Various political undercurrents are revealed: we also learn that the Lord Chamberlain, Hastings, has been freed from the Tower, apparently due to the influence of the king's mistress, Jane Shore. Lord Brackenbury claims that he has been charged with ensuring that "no man shall have private conference" with Clarence, but Richard argues that they are discussing "no treason" and assures Clarence that he will speak to the king. Clarence is led away as Hastings arrives, vowing revenge on the "kit
es and buzzards" who have had him arrested, establishing the animal imagery that recurs through the play. Hastings reports that the king is "sickly, weak and melancholy." Richard feigns sadness, saying that he will follow Hastings to see the king.
Lines 148-165: Richard fears that Edward will die before Clarence has been executed. He plans to see that Clarence is "packed with post-horse up to heaven" by stirring up Edward's hatred. Once Clarence and Edward are dead, he will "bustle in." He reveals his plan to marry Lady Anne Neville. Although the specific reasons for this remain a "secret close intent," it is clearly a political move. Despite acknowledging that he killed both Anne's husband and Henry VI (her father-in-law), Richard seems confident that he will achieve this, suggesting a confidence with the opposite sex that his earlier speech denied and illustrating the complexities of his characterization.
ACT 1 SCENE 2
Lines 1-233: The guarded coffin of Henry VI is brought on, attended by Anne. She laments the fall of the House of Lancaster and the death of Henry, and curses Richard. She wishes him a worse fate than "spiders" and "toads," reinforcing the animal imagery introduced in the previous scene. She instructs the men carrying Henry's coffin to carry him to Chertsey Monastery. Richard enters and commands the men to put the coffin down. Anne compares his entrance to that of a "fiend" conjured up by a "black magician," introducing a series of images associating Richard with hell. She uncovers Henry's body and invites everyone look at "dead Henry's wounds," calling on God to revenge his death. Richard appeals to be allowed to explain. He describes Anne as an angel and "divine perfec tion," which aims at flattery but also contrasts with the hellish images she uses for him, establishing them as opposing representatives of good and evil. The balance of imagery is reflected in the stichomythic structure of their argument. Initially, Anne seems to be a worthy opponent in what Richard calls their "keen encounter of ... wits." Richard's mastery over language and ability to manipulate become evident, however, as he overcomes Anne's anger. He claims that he killed Anne's husband because he loves her. He praises her beauty and offers her his sword, saying that if her "vengeful heart cannot forgive" she must kill him. She cannot, and, despite fearing that both Richard's tongue and heart are false, she softens. He places a ring on her finger, claiming his heart is hers, and begs to be allowed to take Henry's body to Chertsey so that he may "wet his grave" with "repentant tears." Pleased that he has "become so penitent," she agrees.
Lines 234-272: Richard instructs the men to take Henry to White-friars, not Chertsey. Any vicarious belief the audience may have had in his sincerity is destroyed as he marvels at his ability to manipulate Anne (and, perhaps, us) and comments that he has her, but "will not keep her long." He appears surprised that Anne finds him "a marv'llous proper man," despite his physical appearance, and resolves to employ "a score or two of tailors / To study fashions to adorn my body." The clothing imagery reinforces the obsession with appearance and identity, as do repeated references to looking glasses.
Richard III (Modern Library Classics) Page 14
