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A terrifying new serial-killer thriller featuring Carson Ryder, hero of the bestselling The Hundredth Man.Thirty years after his death, Marsden Hexcamp's ‘Art of the Final Moment’ remains as sought after as ever. But this is no ordinary collection. Hexcamp's portfolio was completed with the aid of a devoted band of acolytes – and half a dozen victims, each of whom was slowly tortured to death so that their final agonies could be distilled into art.When tiny scraps of Hexcamp's ‘art’ begin appearing at murder scenes alongside gruesomely displayed corpses, Detective Carson Ryder and his partner Harry Nautilus must go back three decades in search of answers.Meanwhile an auction has been announced and the death collectors are gathering. These wealthy connoisseurs of serial-killer memorabilia will pay millions to acquire Hexcamp's art – unless Carson and Harry can beat them in their quest for the anti-grail.From Publishers WeeklyOn the trail of a serial killer, Alabama detectives Carson Ryder and Harry Nautilus uncover a network of wealthy collectors who'll pay top dollar for celebrity slayer artifacts. There is some irony that Kerley calls attention to our nation's unhealthy fascination with murderers in the course of a serial killer novel. Reader Hill aids the author's intent by employing a smarmy, supercilious voice for a key broker of the murder memorabilia and other unpleasant vocal characteristics—arrogance, brutishness—for the collectors. He also provides authentic and distinguishing accents for a large cast of mainly deep South dwellers, including gruff African-American Nautilus and Ryder, who narrates the novel with an unwavering easy-going, slightly whimsical drawl. But Hill's most impressive achievement is in turning Ryder's brother Jeremy, an incarcerated homicidal madman who, as written, is essentially one more Hannibal Lecter clone, into an original, mood-swinging nightmare whose 180-degree shifts from croon to rant can add a chill to the hottest summer weather. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistMarsden Hexcamp was murdered in a courtroom 30 years ago by one of his devoted acolytes. It wasn't considered a tragedy. Hexcamp, who would surely have been sentenced to death for a series of grisly murders, painted pictures depicting the crimes he committed, and these "works of art" have become extraordinarily valuable with underground collectors. Mobile, Alabama, police detectives Carson Ryder and Harry Nautilus infiltrate this macabre art world to find clues for a series of contemporary murders that suggest Marsden's handiwork, both in their details and because the killer is leaving behind small pieces of Marsden's art. Assisting Ryder and Nautilus in their investigation, as he did in The Hundredth Man, last year's well-received series debut, is Carson's brother, Jeremy, himself an institutionalized serial killer, who both provides his brother an entree into the world of serial-killer memorabilia and--a la Hannibal Lecter--offers insight into the mind of a killer. A genuinely creepy journey into madmen and their devoted followers. Wes LukowskyCopyright © American Library Association. All rights reservedPages of The Death Collectors :