Admission

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"Admissions. Admission. Aren't there two sides to the word? And two opposing sides...It's what we let in, but it's also what we let out." For years, 38-year-old Portia Nathan has avoided the past, hiding behind her busy (and sometimes punishing) career as a Princeton University admissions officer and her dependable domestic life. Her reluctance to confront the truth is suddenly overwhelmed by the resurfacing of a life-altering decision, and Portia is faced with an extraordinary test. Just as thousands of the nation's brightest students await her decision regarding their academic admission, so too must Portia decide whether to make her own ultimate admission.Admission is at once a fascinating look at the complex college admissions process and an emotional examination of what happens when the secrets of the past return and shake a woman's life to its core.From Publishers WeeklyPortia Nathan, the overly dedicated 38-year-old Princeton admissions officer, narrator of Korelitz's overthought fourth novel, finds purpose in her gatekeeper role. But her career and conscience are challenged after she visits a down-at-the-heels New England town on a scouting trip and meets Jeremiah, a talented but rough-around-the-edges 17-year-old who maybe doesn't measure up as Princeton material. The real rub is how making his acquaintance forces Portia to confront a painful secret from her past that ties into some domestic discord with her professor friend, David, and may lead her into a career-endangering fracas with the admissions board. The narrative is slow out of the gate, though it gets some pep once the Jeremiah-Portia angle comes into focus. And even if Portia tends to ruminate in an precious way, Korelitz makes good use of the sociological issues tied up in elite university admissions. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From The New YorkerPortia Nathan is a thirty-eight-year-old admissions officer at Princeton University, a place so discriminating that it can afford to turn down applicants who are “excellent in all of the ordinary ways” in favor of the utterly extraordinary—“Olympic athletes, authors of legitimately published books, Siemens prize winners, working film or Broadway actors, International Tchaikovsky Competition violinists.” Portia compares her job to “building a better fruit basket” and achieves career success by helping her institution pluck the most exotic specimens, but her personal life is permanently on hold because of a traumatic incident from her own college years that she has never come to terms with. Although the reader may unravel the mystery of Portia’s past before the plot does, the novel gleams with acute insights into what most consider a deeply mysterious process. Copyright ©2008 Click here to subscribe to The New Yorker