BITCHfest: Ten Years of Cultural Criticism From the Pages of Bitch Magazine

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In the wake of Sassy and as an alternative to the more staid reporting of Ms., Bitch was launched in the mid-nineties as a Xerox-and-staple zine covering the landscape of popular culture from a feminist perspective. Both unabashed in its love for the guilty pleasures of consumer culture and deeply thoughtful about the way the pop landscape reflects and impacts women's lives, Bitch grew to be a popular, full-scale magazine with a readership that stretched worldwide. Today it stands as a touchstone of hip, young feminist thought, looking with both wit and irreverence at the way pop culture informs feminism--and vice versa--and encouraging readers to think critically about the messages lurking behind our favorite television shows, movies, music, books, blogs, and the like. BITCHFest offers an assortment of the most provocative essays, reporting, rants, and raves from the magazine's first ten years, along with new pieces written especially for the collection. Smart, nuanced, cranky, outrageous, and clear-eyed, the anthology covers everything from a 1996 celebration of pre-scandal Martha Stewart to a more recent critical look at the "gayby boom"; from a time line of black women on sitcoms to an analysis of fat suits as the new blackface; from an attempt to fashion a feminist vulgarity to a reclamation of female virginity. It's a recent history of feminist pop-culture critique and an arrow toward feminism's future. **From Publishers WeeklyThis often mind-stretching, occasionally predictable and generally entertaining collection of articles from Bitch magazine has something for every feminist, postfeminist and reactionary. Bitch was founded in 1996 in response to "post-feminism" by "freshly minted liberal arts graduates with crappy day jobs and a serious media jones." With refreshing depth, literacy and humor, these essays explore questions surrounding puberty, gender identity, sex, "domestic arrangements," beauty, pop culture and mainstream media, and media literacy/activism. Tammy Oler examines menarche and female puberty in horror films; Gaby Moss analyzes the media's obsession with "mean girls"; and Lisa Jervis gives a rundown of sex scenes and pride in YA lesbian novels. Leigh Shoemaker puts down Camille Paglia's contention that males are superior due to their urinary "arc of transcendence" by evoking the Virgin Mary's breasts squirting milk through the air into Jesus' mouth. Audry Bilger protests the use of "guys" as gender neutral. Conspicuously absent is any discussion of women and aging. Maybe we'll just have to wait for Bitch's 20th anniversary, when its editors will be pushing 50. (Aug. 15) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist"Whenever anyone has called me a bitch, I have taken it as a compliment," writes comedian Margaret Cho in the foreword to this anthology from the self-proclaimed Queen Bee of Grrrl Zines. Positioned as an antidote to the patronizing pages of Cosmopolitan and Vogue, Bitch revels in its power to provoke as it ponders the landscape of popular culture from a feminist perspective. In honor of the magazine's tenth anniversary, founding editors Jervis and Zeisler have amassed essays (including some specifically commissioned for the collection) on a bounty of brazen topics, from the ramifications of sexual abuse and rape to the lesbian tendencies of Japanese macaques. Its writers are no wallflowers: Leigh Shoemaker's "stand-up" discussion of female urination, for example, adds new meaning to the expression, "Looking out for #1." From transsexuality to body image to gender-bending "slash fiction" that amorously pairs the likes of Captain Kirk and Spock, there's plenty here to amuse and enlighten the target audience--and plenty to rattle the cages of card-carrying macho men and women who might find the racy rants a bit over the top. Allison BlockCopyright © American Library Association. All rights reserved