They Shoot Horses, Don't They?

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"Sordid, pathetic, senselessly exciting. . . has the immediacy and the significance of a nerve-shattering explosion."—The New RepublicThe depression of the 1930s led people to desperate measures to survive. The marathon dance craze, which flourished at that time, seemed a simple way for people to earn extra money dancing the hours away for cash, for weeks at a time. But the underside of that craze was filled with a competition and violence unknown to most ballrooms.Horace McCoy was born near Nashville, Tennessee in 1897. His novels include I Should Have Stayed Home (1938), and Kiss Tomorrow Goodbye (1948).Review"'Sordid, pathetic, senselessly exciting...has the immediacy - and the significance - of a nerve-shattering explosion' New Republic 'Were it not in its physical details so carefully documented, it would be lurid beyond itself' The Nation 'Language is not minced in this short novel which presents life in its most brutal aspect' Saturday Review of Literature" About the AuthorHorace McCoy was born near Nashville, Tennessee in 1897. During his lifetime he travelled all over the US as a salesman and taxi-driver and his varied career included reporting, sports editing, acting as bodyguard to a politician, doubling for a wrestler, and writing for films and magazines. A founder of the celebrated Dallas Little Theatre, his novels include I Should Have Stayed Home (1938), and Kiss Tomorrow Goodbye (1948). He died in 1955.