Remote Control ns-1

Read Remote Control ns-1 Storyline:

A rogue Special Air Service agent on the lam in suburban America with the seven-year-old daughter of a murdered colleague. Sounds like the latest Bruce Willis vehicle, costarring that little girl from the Pepsi commercials. But McNab, a former SAS agent himself and author of two nonfiction books on the subject, manages to balance the clich?s and cuteness with large doses of tradecraft taken from his 17 years of undercover experience. When Nick Stone describes how to maintain a fictitious address or reveals the secrets of tracing a call made from a public telephone, the details ring trueAand help get us over some of the more ludicrous speed bumps in his story. Stone, tracking two Irish terrorists from London to Washington, is suddenly ordered back home on the next available flight. His old mate Kevin Brown, now with the Drug Enforcement Agency, lives nearby, so Nick decides to drop in. He finds a slaughterhouse: Kev, his wife, and youngest daughter have been murdered, but daughter Kelly has survived in a special hideout. Prying information from the shocked child, Stone links the killers to either the CIA, the DEA or his own organization Awhich means that he and Kelly are on the run from everybody. As Nick trundles the spunky youngster from one seedy motel to another, stuffs her with junk food and teaches her the rudiments of espionage, he puts together a picture of why Kevin and his family were killedAa connection between a terrorist bomb scare in Gibraltar in 1988, the Colombian drug cartel and high-level intelligence agency skullduggery. The vast network of sinister collaborations isn't startling, but McNab reliably delivers the believable, real-life details and keeps readers' attention with steady, careful prose until the predictable but satisfying end. (June) FYI: Remote Control was the number one bestseller in London's Sunday Times for seven weeks. Because of McNab's SAS involvement, and his wanted status by several terrorist groups, he makes no public appearances.