The Wave

Read The Wave Storyline:

The "New York Times" bestselling author of "Blue Light" returns to the realm of science fiction. Errol is awakened by a strange prank caller claiming to be his father, who has been dead for several years. Curious, and not a little unnerved, Errol sneaks into the graveyard where his father is buried. What he finds will change his life forever.From Publishers WeeklyWhen Errol's long-dead father calls him in the middle of the night, Errol learns about "the Wave," a billion-year-old organism slowly creeping to Earth's surface and reanimating corpses into healthy vibrant replicas of their former selves with virtually intact memories. The more Errol learns, the more he comes to respect and identify with the living organism and seeks to protect it from the deadly machinations of the military. As the tale unravels through Errol's eyes, Tim Cain provides a steady and smooth tone for the narrative passages that corresponds well to Errol's speaking parts. Cain's use of emphasis for particular words and sentences jump out so that even the most inattentive listener picks up the important pieces. The soft and gentle style spoken by Errol's father, GT, generally corresponds to the nature of his character. GT's tone might also ignite the image of a hippie, which makes sense given the peace and love that his species promote. Cain's other vocal characterizations maintain a decent semblance to the people described within the text. His distinct, deep voice delivers emotion and intensity throughout the story, making it easy for any listener to enjoy. Simultaneous release with the Aspect hardcover (Reviews, Nov. 7). (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistMosley's wandered off turf again, writing imitation Dean Koontz and calling it science fiction. Out-of-work programmer Errol Porter lives in his former garage since his wife ditched him and the house was sold. For work he maintains a pottery shop, where he has struck up a relationship with artist Nella, which is good because it gives him someone to tell about the weird phone calls he's been getting from a guy who sounds like his nine-years-dead father. He discovers it is his dad, but he's only 20 and says that he really just embodies Errol's father's memories and is actually part of the "wave" that a meteor brought to earth one and a half billion years ago. "Goofy," Errol thinks, until he is hauled away by a secret army operation that already knows about the wave because of other reanimated dead people. The army's bent on destroying the revenants and every other manifestation of the wave, including Errol if they find he has been "infected." Errol escapes and joins the wave people in fleeing and trying to hide their life source. In the process, Errol boffs several other women, gets buff, and writes this first-person account. The (mercifully undetailed) sex seems gratuitous, the wave business feels mushy, Errol's captivity and escape are like scenes from a dull-witted fifties "sci-fi" flick, and the characters aren't even strong cardboard. For Mosley completists only. Ray OlsonCopyright © American Library Association. All rights reserved