Fury Fury Fury

by Salman Rushdie

  What had his father done for a living? Malik was never informed. Was he fat or thin, tall or short? Was his hair wavy or straight? All he could do was look in the mirror. The mystery of his father’s looks would be solved as he grew, and the face in the glass answered his questions. “We are Solankas now,” his mother rebuked him. “It doesn’t matter about that person who never existed and who certainly doesn’t exist now. Here is your true father, who puts food on your plate and clothes on your back. Kiss his feet and do his will.”

  Dr. Solanka was the second husband, a consultant at Breach Candy Hospital and a gifted composer of music in his spare time, and he was indeed a generous provider. However, as Malik discovered, his stepfather required more than just his feet to be kissed. When Malik was six years old, Mrs. Mallika Solanka—who had never conceived again, as if her absconding first husband had taken the secret of fertility away with him—was declared incapable of further childbearing and the boy’s torment began. Bring clothes and let his hair grow long and he will be our daughter as well as our son. No but, husband, how can it be, I mean, is that okay? Sure! Why not? In privacy of home all things decreed by paterfamilias are sanctioned by God. Oh, my weak mother, you brought me ribbons and frocks. And when the bastard told you that your frail constitution, all wheezes and colds, would benefit from daily exercise, when he sent you away for long walks at the Hanging Gardens or Mahalaxmi Racecourse, did you not think to ask why he did not walk by your side; why, dismissing the ayah, he insisted on caring for his little “girl” alone? Oh, my poor dead mother who betrayed her only child. After a whole year of this, Malik had finally screwed up enough courage to ask the unaskable. Mummy, why does Doctor Sahib push me down? What push you down, how push you down, what nonsense is this? Mummy, when he stands there and puts his hand on my head and pushes me down and makes me kneel. When, Mummy, he loosens hispajama, when, Mummy, when he lets it fall. She had hit him then, hard and repeatedly. Never tell me your evil lies again or I will beat you till you are deaf and dumb. For some reason you have a down on this man who is the only father you have ever known. For some reason you don’t want your mother to be happy, so you tell these lies, don’t think I don’t know you, the wickedness in your heart; how do you think it feels when all the mothers say, your Malik, darling, such imagination, ask him a question and who knows what he’ll come out with? Oh, I know what it means: it means you are telling whoppers all over town, and I have an evil liar for a child.

  After that he was deaf and dumb. After that when the pushes came on the top of his beribboned head he thudded obediently to his knees, closed his eyes, and opened his mouth. But long months later things did change. One day Dr. Solanka was visited by Chandra’s father, Mr. Balasubramanyam Venkataraghavan the important banker, and they remained closeted together for more than an hour. Voices were raised, then swiftly lowered. Mallika was summoned, then swiftly dismissed. Malik hung back at the far end of a corridor, wide-eyed, speechless, clinging to a doll. Finally, Mr. Venkat left, looking like thunder, pausing only to pick up and hug Malik (who was dressed for Venkat’s visit in a white shirt and shorts), and to mutter, with high color burning in his face, “Don’t worry, my boy. Quoth the raven: nevermore.” That same afternoon, all the dresses and bows were taken away to be burned; but Malik insisted on being allowed to keep his dolls. Dr. Solanka never laid a finger on him again. Whatever threats Mr. Venkat had made had had their effect. (When Balasubramanyam Venkataraghavan left home to become a sanyasi, ten-year-old Malik Solanka had greatly feared that his stepfather might revert to the old routine. But it seemed Dr. Solanka had learned his lesson. Malik Solanka, however, never spoke to his stepfather again.)

  From that day on Malik’s mother was different, too, interminably apologizing to her young son and weeping without restraint. He could barely speak to her without provoking an awful howl of guilty grief. This alienated Malik. He needed a mother, not a waterworks utility like the one on the Monopoly board. “Please, Ammi,” he scolded her when she had embarked on one of her frequent hug-and-sob fests. “If I can control myself, so can you.” Stung, she let him go, and after that did her weeping privately, muffled by pillows. So life resumed its air of surface normality, Dr. Solanka going about his business, Mallika running the household, and Malik locking his thoughts away, confiding only in whispers, only in the hours of darkness, to the dolls who crowded around him in bed, like guardian angels, like blood kin: the only family he could bring himself to trust.

  “The rest doesn’t matter,” he said, the confession over. “The rest is ordinary—getting on with it, growing up, getting away from them, having my life.” A huge burden had fallen from him. “I don’t have to carry them around anymore,” he added, full of wonder. Neela put her arms around him and moved in even closer. “Now it’s I who have imprisoned you,” she said. “I’m the one asking you to go here, do that. But this time it’s what we both want. In this prison, you’re finally free.” He relaxed against her, even though he knew there was one last gate he had not unlocked: the gate of full disclosure, of absolute, brutal truth, behind which lay the strange thing that had happened between Mila Milo and himself. But that, he persuaded himself catastrophically, was for another day.

  Everywhere on earth—in Britain, in India, in distant Lilliput—people were obsessed by the subject of success in America. Neela was a celebrity back home simply because she had gotten herself a good job—“made it big”—in the American media. In India, great pride was taken in the achievements of U.S.-based Indians in music, publishing (though not writing), Silicon Valley, and Hollywood. British levels of hysteria were even higher. British journalist gets work in U.S.A.! Incredible! British actor to play second lead in American movie! Wow, what a superstar! Cross-dressing British comic wins two Emmys! Amazing—we always knew British transvestism was best! American success had become the only real validation of one’s worth. Ah, genuflection, Malik Solanka thought. Nobody knew how to argue with money these days, and all the money was here in the Promised Land.

  Such reflections had become germane because in his middle fifties he was experiencing the superlative force of a real American hit, a force that blew open all the doors of the city, unlocked its secrets, and invited you to feast until you burst. The Galileo launch, an unprecedented interdisciplinary business enterprise, had gone intergalactic from day one. It turned out to be that happy accident: a necessary myth. LET THE FITTEST SURVIVE T-shirts covered some of the finest chests in the city, becoming a triumphalist slogan for the gym generation that acquired mass public currency overnight. It was proudly worn, too, over some of the flabbiest bellies around, as proof of the wearers’ sense of irony and fun. Demand for the Playstation video game accelerated past all predictions, leaving even Lara Croft floundering in its wake. At the height of the Star Wars phenomenon, spin-off merchandising had accounted for a quarter of the toy industry’s worldwide turnover; since those days, only the Little Brain phenomenon had come close. Now the saga of Galileo-1 was setting new records, and this time the global mania was being driven not by films or television but by website. The new communications medium was finally paying off. After a summer of skepticism about the potential of many massively unprofitable Internet companies, here at last was the prophesied brave new world. Professor Solanka’s surprisingly smooth beast, its hour come around at last, was slouching toward Bethlehem to be born. (There were rough edges, though: in the early days the site often crashed under the sheer weight of hits, which seemed to grow faster than the webspyders’ ability to increase access by replication and mirroring, the spinning of new threads of the shining web.)

  Once again, Solanka’s fictional characters began to burst out of their cages and take to the streets. From around the world came news of their images, grown gigantic, standing many stories high on city walls. They made celebrity public appearances, singing the national anthem at ball games, publishing cookbooks, guest-hosting the Letterman show. The leading young actresses of the day vied publicly for the coveted leading rol
e of Zameen of Rijk and her double, the cyborg Goddess of Victory. And this time Solanka felt none of the old Little Brain frustration, because, as Mila Milo had promised, it really was his show. He marveled at his own excitement. Creative and corporate meetings filled his days. The e-mail standoff with the webspyders was over. Regular “face time” had become essential. The continuing, possibly even growing, anger of sexually spurned, father-fixated Mila was the single fly in this rich, even Croesus-worthy, ointment. Mila and Eddie arrived stone-faced at the crucial meetings and left without offering Solanka a friendly word. However, her hair and eyes spoke volumes. They changed color frequently, burned like a flame one day and glowered blackly the next. Often the contact lenses clashed violently with the hair, suggesting that Mila was in an exceptionally bad mood on that particular day.

  Solanka had no time to deal with the Mila problem. The Galileo project’s ground-floor partners were bursting with ideas about diversification: a restaurant chain! A theme park! A giant Las Vegas hotel, entertainment center and casino in the shape of the two islands of Baburia, to be set in an artificially created “ocean” at the desert’s heart! The number of businesses hammering on the door, pleading to be let in, was almost as hard to set down as the full decimal expression of π. The webspyders created and received new proposals for the future of the property almost every day, and Malik Solanka lost himself in the ecstasy, the furia, of the work.

  The intervention of the living dolls from the imaginary planet Galileo-1 in the public affairs of actually existing Earth had not, however, been foreseen. It was Neela who brought Solanka the news. She arrived at West Seventieth Street in a state of high excitement. Her eyes shone as she spoke. There had been a countercoup in Lilliput. It had begun as a burglary: masked men raided Mildendo’s biggest toy store and made off with its entire, just-imported supply of Kronosian Cyborg masks and costumes. Interestingly—given the name of Neela’s shiny-chested flag-bearing pal—no Baburian outfits were taken. The FRM radicals, the revolutionary Indo-Lilly “Fremen” who had orchestrated the raid, as was afterward revealed, identified strongly with the Puppet Kings, whose inalienable right to being treated as equals—as fully moral and sentient beings—was denied by Mogol the Baburian, their deadly foe, of whom Skyresh Bolgolam was accused of being an avatar.

  So far, the news sounded merely quaint, an exotic, unimportant aberration in the faraway, and therefore easily dismissed, South Pacific. But what followed was not so readily ignored. Thousands of well-disciplined “Filbistani” revolutionaries had made coordinated armed assaults on Lilliput-Blefuscu’s key installations, taking the very largely ceremonial Elbee army by surprise, and engaging the Bolgolamites occupying the Parliament, the radio and TV stations, the telephone company, and the offices of the Lillicon Internet server, as well as the aerodrome and seaport, in fierce and prolonged fighting. The foot soldiers wore the usual hats, shades and kerchiefs to hide their faces, but some officers were more grandly attired. The cyborgs of Akasz Kronos led the way in what, Malik Solanka realized, was no less than a third “revolt of the living dolls.” Many “Dollmakers” and “Zameens” were seen, confidently directing operations. “Let the fittest survive!” the Fremen were heard to shout as they charged the Bolgolamite positions. At the end of this bloody day, the FRM had gained the victory, but the price was high: hundreds dead, hundreds more seriously injured or classified as walking wounded. The medical facilities of Lilliput-Blefuscu were having great difficulty in caring for the casualties with the urgency that their injuries made necessary. Some of the wounded died while waiting to be treated. The noise of pain and fear filled the little nation’s hospital corridors throughout the night.

  As Lilliput-Blefuscu resumed contact with the outside world, it emerged that both President Golbasto Gue and the leader of the original and now failed coup, Skyresh Bolgolam, had been taken alive. The leader of the FRM uprising, who was dressed from head to foot in a Kronos/Dollmaker costume and who referred to himself only as Commander Akasz, went briefly on LBTV to announce his operation’s success, to praise the martyrs, and to announce, with clenched fist, “The fittest have survived!” Then he announced his demands: the restitution of the ditched Golbasto constitution and the trial of the Bolgolam gang for high treason, which, under Elbee law, was punishable by death, although no executions had occurred in living memory and none would be expected in this case. He further stated that he, “Commander Akasz of the Fremen,” demanded the right to be consulted about Lilliput-Blefuscu’s next government and had his own slate of candidates for inclusion in that administration. He specified no post for himself, a piece of false modesty that fooled nobody. Bal Thackeray in Bombay and Jörg Haider in Austria had proved that a man didn’t have to hold public office to run the show. A genuine strongman had emerged. Until his demands were met, “Commander Akasz” concluded, he would “invite the respected president and the traitor Bolgolam to remain in the Parliament building as his personal guests.”

  Solanka was troubled; the old problem of ends and means again. “Commander Akasz” didn’t sound to him like the servant of a just cause, and while, Solanka granted, Mandela and Gandhi weren’t the only models for revolutionaries to consider, bully-boy tactics needed always to be called by their right name. Neela, though, was elated. “The incredible thing is that it’s so unlike Indo-Lillys to be like this: militarized, disciplined, taking action in their own defense instead of just weeping and wringing their hands. What a miracle he’s worked, don’t you think?” She was leaving for Mildendo in the morning, she said. “Be happy for me. This coup makes my film really sexy. The phone’s been ringing off the hook all day.” Malik Solanka, standing at one of the high peaks of his life, feeling, like Gulliver or Alice, like a giant among pygmies, invincible, invulnerable, suddenly felt tiny invisible fingers tugging at his garments, as if a horde of little goblins were trying to drag him down to Hell. “It is him, you know,” Neela added. “‘Commander Akasz,’ I mean. I’ve seen the tape and there’s no doubt. That body: I’d know it again anywhere. He really is quite a guy.”

  The speed of contemporary life, thought Malik Solanka, outstripped the heart’s ability to respond. Jack’s death, Neela’s love, the defeat of fury, Asmaan’s elephant, Eleanor’s grief, Mila’s hurt, the contemptuous triumphalism of the plumber Schlink, summer’s end, the Bolgolam coup in Lilliput-Blefuscu, Solanka’s own jealousy of the FRM radical Babur, his quarrel with Neela, the shrieks in the night, the telling of his back-story, the high-speed development of the Galileo-Puppet Kings project and its gigantic success, the countercoup of “Commander Akasz,” Neela’s imminent departure: such an acceleration of the temporal flow was almost comically overpowering. Neela herself felt none of this; a creature of speed and motion, a child of her hopped-up age, she accepted the current rate of change as normal. “You sound so old when you talk that way,” she chided him. “Stop it and come here at once.” Their farewell lovemaking was unhurriedly, deliriously prolonged. No problems there of excessive postmodern rapidity. There were evidently still a few areas in which slowness was valued by the young.

  He slipped into dreamless sleep but awoke, two hours later, into a nightmare. Neela was still there—she was often happy to sleep over at Solanka’s place, although she continued to dislike waking up beside him in her own bed, a double standard that he’d accepted without demur—but there was a stranger in the room, there actually was a large, no, a very large man standing by Solanka’s side of the bed, holding up—oh, awful mirror of Solanka’s own misdeed!—an ugly-looking knife. Coming fully awake at once, Solanka sat bolt upright in bed. The intruder greeted him, vaguely waving the blade in his direction. “Professor,” Eddie Ford said, not without courtesy. “Glad you could be with us tonight.”

  Once before, some years ago in London, Solanka had had a knife pulled on him by a flash young black kid, who leapt out of a convertible and insisted on using a phone booth that Solanka was just entering. “It’s a woman, man,” he reasoned. “It’s urgent, right?”
When Solanka said that his own call was important, too, the youth freaked out. “I’ll cut you, you bastard, don’t think I won’t. I don’t give a fuck, me.” Solanka had worked hard on his body language. The thing was not to act too scared or too confident. A fine line had to be walked. He also fought to keep his voice level. “That would be bad for me,” he’d said, “but also bad for you.” Then came a staring match, which Solanka was not stupid enough to win. “Okay, fuck you, you cunt, okay?” the knife man said, and went in to make his call. “Hey, baby, forget him, baby, let me show you what that sad sack could never know.” He began crooning into the telephone receiver lines that Solanka recognized as Bruce Springsteen’s. “Tell me now, baby, is your daddy home, did he go and leave you all alone, uh-huh, I got a bad desire; oh, oh, oh, I’m on fire.” Solanka walked quickly away, rounded a corner, and fell back, trembling, against a wall.