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Between

Page 18

by Angie Abdou


  up to help. “Sit. Relax.” Vero obeys but really she wants out of the heat

  of the window. The back of her sundress feels drenched, and she knows

  she’ll leave an embarrassing puddle in the chair when she stands. “‘I’m

  sure that’s none of my business, ma’am,’ I say. You know what she says

  back? ‘Well, I just don’t feel comfortable with someone having sex in

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  my house.’ So I say—” Bernie’s voice rises an octave, and again she

  sounds like she’s quoting someone. “You’re welcome to institute house

  rules, of course. Many employees forbid house guests.” Bernie pulls her

  long-sleeved shirt over her head, her face glowing above the sink of hot

  water. Underneath the sleeves, she wears a sky-blue tank top with Shred

  Kelly stencilled across the chest. Likely some band Vero has never

  heard of, a band for people who still have time for energy and fun. She

  has biceps to match her calves. “So I think that’s the end of it, right?

  Wrong. She says, ‘I’m not really comfortable with her having sex in

  other places, either. We’re responsible for her behaviour in this country.’

  Every time Vero hears the word ‘sex,’ she thinks of Shane’s plan to go to

  an adult resort in Jamaica. Hedonism, it’s called. She suspects they will

  go. Shane wants this so badly. She feels weak against the force of that

  will. She can’t think of anything she wants that much. She’s suggested

  alternatives, of course, late at night, under the covers, hands groping

  each other’s bodies, Shane’s naked body as familiar as her own—more

  familiar, even. That’s the only place they speak of this adult holiday.

  “What the hell am I supposed to say to that? ‘We don’t want our

  nanny having sex!’ Just be happy if she’s not having it with your hus-

  band, honey. That’s what I’d like to say.” Bernie doesn’t seem to mind,

  or even notice, that Vero no longer participates in the conversation.

  She speaks straight into the sink of dishes. Maybe she hopes her sto-

  ries will drown there.

  Between the sheets, Vero has suggested tamer versions of Shane’s

  holiday—a trip to the big city where they’re anonymous, a night at

  a sex club, even a prostitute, if he really wants to try this girl-on-girl

  thing, just once. If it’s that important. Vero attempts to imagine her-

  self with a woman, tries to decide if the possibility excites her. But

  even as she does so, she knows a possibility is different than a reality.

  She wonders if Shane knows.

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  Her sex-worker suggestion offended Shane, even though she’d

  been careful to use the term “call girl.”

  “Vero, we’re not the kind of people who pay for it,” he said, in a

  tone that left no doubt the discussion had come to its end. Shane, she

  wanted to say , with the price of your “adult resort,” even at the summer

  rate, we will be paying for it. That’s one thing Vero had begun to

  understand. There’s precious little you don’t pay for in this life, one

  way or another.

  She gets what she paid for in Bikram. She gets sinewy. Goodbye

  lumps. Goodbye rolls. Each time she looks, she sees less and less of

  herself in the mirror. But she also sees more: more ribs, more hips,

  more muscles. If we’re all just dying animals, let me be a strong one, she

  thinks. Vero was most aware of herself as an animal when she gave

  birth to Jamal, leaning into the wall and kicking her back leg, a horse

  making a rut in the dirt. That’s how she thought of it too: her back leg.

  As if she had four. She might as well have been in a barn, pawing in

  the dirt, gnawing on a wooden gate, kicking up clouds of dust. The

  pain made her animal, wild and frothing, but in the end that birth

  satisfied her in a way that the C-section with Eliot had not. Bikram

  Yoga gives her the same satisfaction. It takes her out of her mind and

  into her body. That’s what she means when she tells Shane, “It makes

  me feel alive.”

  She has that same feeling of being alive in her body when Bernie

  hugs her goodbye at the agency door, a sure hand on her waist, her

  newly defined transverse abdominal muscle. Perhaps, Vero thinks, she

  will follow Shane’s lead and take this alive body for a single week of

  adventure, a mere seven days of recaptured youth, one week that will

  not be her real life.

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  CHAPTER TWELVE

  Nobody in the lobby of Hedonism looks like a hedonist. The

  men remind Vero of junior high boys at their first school dance—a

  little too keen, a little too desperate, but working hard not to look

  it. The women don’t look like themselves either. Vero can tell that

  much even without knowing them. They all wear expressions they’ve

  practiced at home in their bathroom mirrors. Vero knows because she

  wears her own carefully practiced expression. It says: I do this all the

  time, no big deal, sex and fun, that’s me.

  And then: Don’t get too close, I never usually do this, it’s not who I am.

  It’s the waffling that betrays Vero and the other women.

  Vero and Shane have decided to use their real first names to avoid

  any embarrassing slips. They won’t offer up last names, though, and

  if anyone asks they’ll use a fake combo: Schanton. Shane and Vero

  Schanton. From Seattle, they’ll say. They’ll be dentists.

  “We’re both dentists?” Vero asks.

  “Sure. Lots of dentists marry each other. They meet at dentist

  school doing dentist things, fall in love over their first root canals.

  Plus, our story doesn’t have to be believable. Everyone will know we’re

  lying. It’s expected.”

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  “Do dentists even go to swinger resorts?” Vero still can’t figure out

  what she’s supposed to call this place. Shane’s nostrils quiver slightly

  as if he’s walked into the kitchen to find old fish under the sink.

  Strike “swinger resort” off the list, then. Perhaps she’s meant to call

  it nothing.

  “Oh yeah. Sure, they swing. Dentists—they’re sickos. They’re into

  everything.”

  Are we sickos, then? she wants to ask, but she just sips her wel-

  come-to-Hedonism piña colada, eyeing the lobby, the pale couples

  arriving, the sun-kissed brown couples leaving. Those leaving wear

  more relaxed expressions and fewer clothes. Their chests puff out,

  shoulder blades pulling in toward each other like Roger has taught

  Vero to do in mountain pose. Vero imitates the posture of the out-

  going guests and tries to guess which of the incoming couples have

  given their real names. There’s a Danielle and Henri from Quebec,

  a Lizette and Georges from Switzerland. There seem to be a lot of

  dentists. In the lobby filled with nude statues, she and Shane shake

  hands with half a dozen couples, all of them assessing their options.

  “Danielle
’s cute, no?” Shane whispers as they follow the concierge

  to their room.

  “Her husband looks creepy.” Vero has grabbed an extra piña colada

  from the welcome tray and speaks with the straw cold against her

  tongue.

  “Who cares about the husband?”

  “Don’t be naïve, Shane. They’re a package deal.” Her flip-flops slap

  against the marble floors, echoing their way down the hallway. “Just

  like we are.”

  Vero smiles at the concierge as he unloads their luggage. No tip-

  ping allowed. She makes her smile suffice.

  “Danielle and Henri don’t seem to speak much English, though,”

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  Vero closes the door softly on the concierge’s back. “That could be

  good.”

  “What do you mean?”

  “The less talking in a place like this, the better.” She aims her empty

  cup at the wastebasket in the far corner of the room. She misses.

  Drops of piña colada sprinkle the bamboo dresser drawers.

  Vero and Shane’s room is small and plain. “Three-star accommo-

  dations for five-star prices,” Vero says, hearing the snarl in her own

  voice. Travel tires her.

  “You pay for the atmosphere here, Vero Baby!” Shane is buoyant.

  Someone has sucked out all Vero’s air and pumped it into him. He

  practically floats.

  You mean you pay for the sex, Vero wants to say, but she stops herself.

  Seattle’s Shane and Vero Schanton are not the kind of people who

  pay for sex. Shane has said so.

  Vero flops down on the bed. A deep crack runs the full length of

  the ceiling. Large germ-bearing insects live there, she knows it. She

  watches the ceiling fan spin around and around and around, thinking,

  Watch your fingers, Eliot, keep an eye on your little brother. She closes her

  eyes and works on her ocean breath, tries to match the rhythm of the

  waves rolling in on the beach below. Holidays always start out rough,

  she reminds herself. She has trouble with transitions, like Eliot. Again

  he’s there with her. She pictures his red face screaming, “I don’t like

  change!” Me neither, Eliot, me neither.

  She’s been tense since the airport. In the cab, Shane practically

  vibrated in the seat next to her, pointing out the “hilarious” road signs:

  Driving Fast Kills.

  Don’t be in a hurry to get to eternity.

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  She faked a laugh, but all she could think was, If I die in this country,

  I will kill you.

  Shane knows to leave her alone when they get to the room. He’s

  seen this Vero before. She needs some space. She spreads out on her

  back like a snow angel, willing the aggravation to rise up and out of

  her stretched limbs. Cheryl claims she can hear Vero’s moods. “It’s

  in your voice,” she says. “I know when to steer clear.” Vero feels it in

  her skin, a tightness, a sensitivity. It was there nearly always after the

  births of Jamal and Eliot, before the arrival of LiLi, so Cheryl stayed

  away. It’s back now.

  Shane sends commentary in over his shoulder as he surveys the

  resort from their balcony—a generous word for the thin space beyond

  the sliding doors.

  “They’re all naked down there. Not a stitch. This is going to be

  wild, Vee. I promise you. A real adventure. Something just for us,

  you’ll see.”

  The concierge warned them about three o’clock storms, though he

  phrased it as a promise rather than a threat. “The lovebirds usually

  like to go in for a nap around then anyway,” he winked. Vero can feel

  a thick warm wind picking up now, carrying the salty air into their

  room.

  She arches her neck to study the painting mounted on the wall

  above their king-sized bed. It’s all breast and butt. A yellow body

  fills the canvas, the grey shadow of spine dividing the piece in two. A

  long thin arm runs from the shoulder in the top corner to the knee

  at the bottom, but the arm is not the only thing out of proportion.

  “This woman’s boob is bigger than her ass,” Vero yells out to Shane,

  still assessing the picture with her head propped upside-down on the

  mattress. “We’ll know it’s time to go home when this art starts look-

  ing good.”

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  Shane chuckles, clearly enjoying his view. “I might never go home.”

  Vero slides to the end of the bed, kicks off her shoes, dangles her

  feet on the cool tiles, and turns on the television. Three channels. “We

  have porn, porn, or porn,” she says loud enough that Shane will hear

  her above the music, which has just cranked up a notch from the pool

  below.

  He dives in the sliding doors, bouncing onto the bed, thick arms

  around her waist. He’s all charged up, the way he used to be after a

  college football match, high on adrenaline and testosterone, pushing

  her onto the bed.

  I’m not your tackling dummy, she wants to say, except that she likes

  it, wants to tackle back, to roughhouse herself out of this mood. Push

  me harder, I dare you.

  “I pick porn,” he says, tugging at her T-shirt with his teeth, pulling

  it up toward her breasts. He’s on top of her and the comforter is rough

  against her sweaty skin.

  “It’s so hot, Shane.”

  “I like it hot,” he says with his mouth full of T-shirt.

  “I’m sticky.”

  “I like it sticky.” He licks the skin along the top of her ribcage.

  Vero rolls toward the sliding doors. She can see the pool deck below,

  full of skin. That’s what they came here for, what they paid for. They

  should be down there. Shane rolls in right behind her. Spooning, they

  called it in the sweet suite. Spooning was what they did after sex. Or

  before sex. Or in between sex. Back then, even something as mundane

  and domestic as cutlery could be sexy. Let’s spoon.

  “Should we go exploring?” She tries to loosen his arms, struggles

  against their embrace. “Check out the resort?” She can’t breathe. He’s

  too tight around her.

  “I am exploring,” he says, snaking his fingers down the front of

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  her shorts. She rolls onto her back, watches the ceiling fan go round,

  listens to the ocean breath rake up and down the back of her throat.

  He has her shirt off, then her shorts, but she’s still not there. She

  can’t blame LiLi now—that set of ears in the basement. LiLi isn’t

  here.

  Vero rolls toward Shane, trying to be a good sport, but pushes away,

  unable to breathe. She remembers this advance and withdrawal too,

  from their younger years, but then it was a tease, a strategy.

  “I’m a little out of practice here,” she apologizes, a hand pressed

  against his chest like she’s straight-arming a linebacker. “This isn’t

  what I do mid-afternoon anymore. I feel like I’ve still got one ear out

  for the boys. An
other for LiLi. Like I’m supposed to be somewhere,

  doing something.”

  “Muscle memory, Vee.” He strokes her straight arm, shakes it loose,

  wraps it around the back of his neck. “The body never forgets. It’s

  like riding a bike.” He squeezes hands on her hips, pressure running

  through each of his fingertips. “Besides, I’ve got somewhere for you

  to be, someone for you to do.” He pulls her on top of him, his teeth

  brushing her collarbone.

  She closes her eyes and moves into Shane’s fingers splayed across

  her lower back, feels that. Lets herself go into the soft breath on

  her neck, feels that. His hardness pressing into her, that. Finally,

  something from her core responds, a loose heat rolling over her, an

  unclenching that she associates with the end of a Bikram class—or

  with her third glass of Malbec.

  Shane is right. Vero’s body does remember. She lets go of her words

  and follows its lead.

  “I think I’m going to like this afternoon nap ritual,” she says after-

  ward, yanking the covers over both of their heads. “But let’s try that

  one more time. Just to be sure.”

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  ◊◊◊

  “I’m not fat. I’m affluent.” The large man drags out the syllables of

  aff- FLU- ent in his heavy Texan accent so that even the word sounds

  fat. He’s not nude but may as well be. He wears the tiniest Speedo

  with an American flag stretched thin across his genitals. “Everyone

  here calls me Hedonism Hal. You don’t need to know any more than

  that. I’m an institution at Hedonism.” He looks toward his wife for

  approval. She lies flat in a lawn chair, her skin as brown as a potato

  sack and just as coarse. “I’m the father of the resort, you could say.

  I’ve walked more nude brides down the aisle than anyone. You need

  giving away, I’m your man.” He sucks loudly on a soggy-tipped cigar.

  Vero studies Hal’s ears while he talks, the lobes fat and heavy. The

  sunburned tips peel in large white flakes that make Vero think of

  snow. Vero has already learned to avoid eye contact in this place where

  every glance can be interpreted as an invitation. Shane’s gone to fetch

  her another dirty monkey—1 ounce each of rum, crème de bananas,

  crème de cacao, and Kahlua, all blended with two scoops of vanilla ice

 

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