Black House

by Stephen King

  Off to his left, a dog growls. Beezer hauls his pistol out of his pocket and listens to the growling keep pace with them as they speed toward the curve. The band of pain in his head widens and intensifies; it seems to push at his eyes from the inside, making them bulge in their sockets. The big dog—it has to be a dog, what else could it be?—is getting closer, and the fury of its noises makes Beezer see a giant, tossing head with blazing red eyes and ropes of slather whipping from a gaping mouth filled with shark’s teeth.

  Two separate things destroy his concentration: the first is that he sees Mouse slamming himself back and forth on his bike as he goes into the curve, as if he is trying to scratch his back on the thickening air; the second is that the pressure behind his eyes triples in force, and immediately after he sees Mouse going into what is surely a fall, the blood vessels in his eyes explode. From deep red, his vision shifts rapidly to absolute black. An ugly voice starts up in his head, saying, Amy zadt in my lap an huggedt mee. I made opp my mindt to eed hurr. How she dud, dud, dud kick an scrutch. I chokked hurr do deff—

  “No!” Beezer shouts, and the voice that is pushing at his eyes drops into a rasping chuckle. For less than a second, he gets a vision of a tall, shadowy creature and a single eye, a flash of teeth beneath a hat or a hood—

  —and the world abruptly revolves around him, and he ends up flat on his back with the bike weighing on his chest. Everything he sees is stained a dark, seething red. Mouse is screaming, and when Beezer turns his head in the direction of the screams, he sees a red Mouse lying on a red road with a huge red dog barreling toward him. Beezer cannot find his pistol; it went sailing into the woods. Shouts, screams, and the roar of motorcycles fill his ears. He scrambles out from under the bike yelling he knows not what. A red Doc flashes by on his red bike and almost knocks him down again. He hears a gunshot, then another.

  Doc sees Beezer glance at him and tries not to show how sick he feels. Dishwater boils in his stomach, and his guts are writhing. It feels like he is going about five miles an hour, the air is so thick and rancid. For some reason, his head weighs thirty or forty pounds, damnedest thing; it would almost be interesting if he could stop the disaster happening inside him. The air seems to concentrate itself, to solidify, and then boom, his head turns into a superheavyweight bowling ball that wants to drop onto his chest. A giant growling sound comes from out of the woods beside him, and Doc almost yields to the impulse to puke. He is dimly aware that Beezer is pulling out his gun, and he supposes he should do the same, but part of his problem is that the memory of a child named Daisy Temperly has moved into his mind, and the memory of Daisy Temperly paralyzes his will.

  As a resident in surgery at the university hospital in Urbana, Doc had performed, under supervision, nearly a hundred operations of every sort and assisted at as many. Until Daisy Temperly was wheeled into the O.R., all of them had gone well. Complicated but not especially difficult or life-threatening, her case involved bone grafts and other repair work. Daisy was being put back together again after a serious auto accident, and she had already endured two previous surgeries. Two hours after the start of the procedure, the head of the department, Doc’s supervisor, was called away for an emergency operation, and Doc was left in charge. Partly because he had been sleep-deprived for forty-eight hours, partly because in his exhaustion he had pictured himself cruising along the highway with Beezer, Mouse, and his other new friends, he made a mistake—not during the operation, but after it. While writing a prescription for medication, he miscalculated the dosage, and two hours later, Daisy Temperly was dead. There were things he could have done to rescue his career, but he did none of them. He was allowed to finish his residency, and then he left medicine for good. Talking to Jack Sawyer, he had vastly simplified his motives.

  The uproar in the middle of his body can no longer be contained. Doc turns his head and vomits as he races forward. It is not the first time he has puked while riding, but it is the messiest and the most painful. The weight of his bowling-ball head means that he cannot extend his neck, so vomit spatters against his right shoulder and right arm; and what comes leaping out of him feels alive and equipped with teeth and claws. He is not surprised to see blood mixed with the vomit erupting from his mouth. His stomach doubles in on itself with pain.

  Without meaning to, Doc has slowed down, and when he accelerates and faces forward again, he sees Mouse topple over sideways and skid behind his bike into the curve up ahead. His ears report a rushing sound, like that of a distant waterfall. Dimly, Mouse screams; equally dimly, Beezer shouts “No!” Right after that, the Beeze runs headlong into a big rock or some other obstruction, because his Electra Glide leaves the ground, flips completely over in the compacted air, and comes down on top of him. It occurs to Doc that this mission is totally FUBAR. The whole world has hung a left, and now they are in deep shit. He does the only sensible thing: he yanks his trusty 9mm out of his pocket and tries to figure out what to shoot first.

  His ears pop, and the sounds around him surge into life. Mouse is still screeching. Doc cannot figure out how he missed hearing the noise of the dog before, because even with the roaring of the cycles and Mouse’s screams, that moving growl is the loudest sound in the woods. The fucking Hound of the Baskervilles is racing toward them, and both Mouse and Beezer are out of commission. From the noise it makes, the thing must be the size of a bear. Doc aims the pistol straight ahead and steers with one hand as he blasts by Beezer, who is wriggling out from beneath his bike. That enormous sound—Doc imagines a bear-sized dog widening its chops around Mouse’s head, and instantly erases the image. Things are happening too fast, and if he doesn’t pay attention, those jaws could close on him.

  He has just time enough to think, That’s no ordinary dog, not even a huge one—

  —when something enormous and black comes charging out of the woods to his right and cuts on a diagonal toward Mouse. Doc pulls the trigger, and at the sound of the pistol the animal whirls halfway around and snarls at him. All Doc can see clearly are two red eyes and an open red mouth with a long tongue and a lot of sharp canine teeth. Everything else is smudgy and indistinct, with no more definition than if it were covered in a swirling cape. A lightning bolt of pure terror that tastes as clean and sharp as cheap vodka pierces Doc from gullet to testicles, and his bike slews its rear end around and comes to a halt—he has stopped it out of sheer reflex. Suddenly it feels like deep night. Of course he can’t see it—how could you see a black dog in the middle of the night?

  The creature whirls around again and streaks toward Mouse.

  It doesn’t want to charge me because of the gun and because the other two guys are right behind me, Doc thinks. His head and arms seem to have gained another forty pounds apiece, but he fights against the weight of his muscles and straightens his arms and fires again. This time he knows he hits that thing, but its only reaction is to shudder off-course for a moment. The big smudge of its head swings toward Doc. The growling gets even louder, and long, silvery streamers of dog drool fly from its open mouth. Something that suggests a tail switches back and forth.

  When Doc looks into the open red gash, his resolve weakens, his arms get heavier, and he is scarcely capable of holding his head upright. He feels as though he is falling down into that red maw; his pistol dangles from his limp hand. In a moment suspended throughout eternity, the same hand scribbles a post-op prescription for Daisy Temperly. The creature trots toward Mouse. Doc can hear Sonny’s voice, cursing furiously. A loud explosion on his right side seals both of his ears, and the world falls perfectly silent. Here we are, Doc says to himself. Darkness at noon.

  For Sonny, the darkness strikes at the same time as the searing pain in his head and his stomach. A single band of agony rips right down through his body, a phenomenon so unparalleled and extreme that he assumes it has also erased the daylight. He and Kaiser Bill are eight feet behind Beezer and Doc, and about fifteen feet up the narrow dirt road. The Kaiser lets go of his handlebars and grips the sides of
his head. Sonny understands exactly how he feels: a four-foot section of red-hot iron pipe has been thrust through the top of his head and pushed down into his guts, burning everything it touches. “Hey, man,” he says, in his misery noticing that the air has turned sludgy, as though individual atoms of oxygen and carbon dioxide are gummy enough to stick to his skin. Then Sonny notices that the Kaiser’s eyes are swimming up toward the back of his head, and he realizes that the man is passing out right next to him. Sick as he is, he has to do something to protect the Kaiser. Sonny reaches out for the other man’s bike, watching as well as he can the disappearance of the Kaiser’s irises beneath his upper eyelids. Blood explodes out of his nostrils, and his body slumps backward on the seat and rolls over the side. For a couple of seconds, he is dragged along by a boot caught in the handlebars, but the boot slips off, and the cycle drifts to a halt.

  The red-hot iron bar seems to rupture his stomach, and Sonny has no choice; he lets the other bike fall and utters a groan and bends sideways and vomits out what feels like every meal he has ever eaten. When nothing is left inside him, his stomach feels better, but John Henry has decided to drive giant rail spikes through his skull. His arms and legs are made of rubber. Sonny focuses on his bike. It seems to be standing still. He does not understand how he can go forward, but he watches a blood-spattered hand gun his bike and manages to stay upright when it takes off. Is that my blood? he wonders, and remembers two long red flags unfurling from the Kaiser’s nose.

  A noise that had been gathering strength in the background turns into the sound of a 747 coming in for a landing. Sonny thinks that the last thing he wants to do today is get a look at the animal capable of making that sound. Mouse was right on the money: this is a bad, bad place, right up there with the charming town of Harko, Illinois. Sonny wishes to encounter no more Harkos, okay? One was enough. So why is he moving forward instead of turning around and running for the sunny peace of Highway 35? Why is he pulling that massive gun out of his pocket? It’s simple. He is not about to let that jet-airplane-dog mess up his homeys, no matter how much his head hurts.

  John Henry keeps pounding in those five-dollar spikes while Sonny picks up speed and squints at the road ahead, trying to figure out what is going on. Someone screams, he cannot identify who. Through the growling, he hears the unmistakable sound of a motorcycle hitting the ground after a flip, and his heart shivers. Beezer should always be point man, he thinks, otherwise we’re asking for punishment. A gun goes off with a loud explosion. Sonny forces himself to press through the gluey atoms in the air, and after another five or six seconds he spots Beezer, who is painfully pushing himself upward beside his toppled bike. A few feet beyond Beezer, Doc’s bulky figure comes into view, sitting astride his bike and aiming his 9 at something in the road ahead of him. Doc fires, and red flame bursts from the barrel of his pistol.

  Feeling more beat-up and useless than ever before in his life, Sonny jumps from his moving bike and runs toward Doc, trying to look past him. The first thing he sees is a flash of light off Mouse’s bike, which comes into view flat on its side about twenty feet down the road, at the top of the curve. Then he finds Mouse, on his ass and scrambling backward from some animal Sonny can barely make out, except for its eyes and teeth. Unconscious of the stream of obscenities that pour from his mouth, Sonny levels his pistol at the creature and fires just as he runs past Doc.

  Doc just stands there; Doc is out for the count. The weird animal up on the road closes its jaws on Mouse’s leg. It is going to rip away a hamburger-sized chunk of muscle, but Sonny hits it with a fucking hollow-point missile from his Magnum, a bit show-offy for target practice but under the circumstances no more than prudent, thank you very much. Contrary to all expectations and the laws of physics, Sonny’s amazing wonderbullet does not knock a hole the size of a football in the creature’s hide. The wonderbullet pushes the animal sideways and distracts it from Mouse’s leg; it does not even knock it down. Mouse sends up a howl of pain.

  The dog whips around and glares at Sonny with red eyes the size of baseballs. Its mouth opens on jagged white teeth, and it snaps the air. Ropes of slime shoot out of its jaws. The creature lowers its shoulders and steps forward. Amazingly, its snarling grows in volume and ferocity. Sonny is being warned: if he does not turn and run, he is next on the menu.

  “Fuck that,” Sonny says, and fires straight at the animal’s mouth. Its whole head should fly apart in bloody rags, but for a second after the Magnum goes off, nothing changes.

  Oh, shit, Sonny thinks.

  The dog-thing’s eyes blaze, and its feral, wedge-shaped head seems to assemble itself out of the darkness in the air and emerge into view. As though an inky robe had been partially twitched aside, Sonny can see a thick neck descending to meaty shoulders and strong front legs. Maybe the tide is turning here, maybe this monster will turn out to be vulnerable after all. Sonny braces his right wrist with his left hand, aims at the dog-thing’s chest, and squeezes off another round. The explosion seems to stuff his ears with cotton. All the railroad spikes in his head heat up like electric coils, and bright pain sings between his temples.

  Dark blood gouts from the creature’s brisket. At the center of Sonny Cantinaro’s being, a pure, primitive triumph bursts into life. More of the monster melts into visibility, the wide back and a suggestion of its rear legs. Of no recognizable breed and four and a half feet high, the dog-thing is approximately the size of a gigantic wolf. When it moves toward him, Sonny fires again. Like an echo, the sound of his gun repeats from somewhere close behind; a bullet like a supercharged wasp zings past his chest.

  The creature staggers back, limping on an injured leg. Its enraged eyes bore into Sonny’s. He risks glancing over his shoulder and sees Beezer braced in the middle of the narrow road.

  “Don’t look at me, shoot!” Beezer yells.

  His voice seems to awaken Doc, who raises his arm and takes aim. Then all three of them are pulling their triggers, and the little road sounds like the firing range on a busy day. The dog-thing (hell hound, Sonny thinks) limps back a step and opens wide its terrible mouth to howl in rage and frustration. Before the howl ends, the creature gathers its rear legs beneath its body, springs across the road, and vanishes into the woods.

  Sonny fights off the impulse to collapse under a wave of relief and fatigue. Doc swivels his body and keeps firing into the darkness behind the trees until Beezer puts a hand on his arm and orders him to stop. The air stinks of cordite and some animal odor that is musky and disgustingly sweet. Pale gray smoke shimmers almost white as it filters upward through the darker air.

  Beezer’s haggard face turns to Sonny, and the whites of his eyes are crimson. “You hit that fucking animal, didn’t you?” Through the wads of cotton in his ears, Beezer’s voice sounds small and tinny.

  “Shit, yes. At least twice, probably three times.”

  “And Doc and I hit it once apiece. What the hell is that thing?”

  “ ‘What the hell’ is right,” Sonny says.

  Weeping with pain, Mouse a third time repeats his cry of “Help me!” and the others hear him at last. Moving slowly and pressing their hands over whatever parts of their bodies hurt the most, they hobble up the road and kneel in front of Mouse. The right leg of his jeans is ripped and soaked with blood, and his face is contorted.

  “Are you assholes deaf?”

  “Pretty near,” Doc says. “Tell me you didn’t take a bullet in your leg.”

  “No, but it must be some kind of miracle.” He winces and inhales sharply. Air hisses between his teeth. “Way you guys were shooting. Too bad you couldn’t draw a bead before it bit my leg.”

  “I did,” Sonny says. “Reason you still got a leg.”

  Mouse peers at him, then shakes his head. “What happened to the Kaiser?”

  “He lost about a liter of blood through his nose and passed out,” Sonny tells him.

  Mouse sighs as if at the frailty of the human species. “I believe we might try to get out of thi
s crazy shithole.”

  “Is your leg all right?” Beezer asks.

  “It’s not broken, if that’s what you mean. But it’s not all right, either.”

  “What?” Doc asks.

  “I can’t say,” Mouse tells him. “I don’t answer medical questions from guys all covered in puke.”

  “Can you ride?”

  “Fuck yes, Beezer—you ever know me when I couldn’t ride?”

  Beezer and Sonny each take a side and, with excruciating effort, lift Mouse to his feet. When they release his arms, Mouse lumbers sideways a few steps. “This is not right,” he says.

  “That’s brilliant,” says Beezer.

  “Beeze, old buddy, you know your eyes are, like, bright red? You look like fuckin’ Dracula.”

  To the extent that hurry is possible, they are hurrying. Doc wants to get a look at Mouse’s leg; Beezer wants to make sure that Kaiser Bill is still alive; and all of them want to get out of this place and back into normal air and sunlight. Their heads pound, and their muscles ache from strain. None of them can be sure that the dog-thing is not preparing for another charge.

  As they speak, Sonny has been picking up Mouse’s Fat Boy and rolling it toward its owner. Mouse takes the handles and pushes his machine forward, wincing as he goes. Beezer and Doc rescue their bikes, and six feet along Sonny pulls his upright out of a snarl of weeds.