Arena One: Slaverunners (Book #1 of the Survival Trilogy)

by Morgan Rice

The gunshot is deafening, and a moment later, the car is splattered in blood. I am so overcome by adrenaline, I don’t even know who fired first.

  I am shocked as I look down and realize that I shot him in the head.

  A screaming erupts. I look to the back seat and see that the young girl sitting behind the driver’s side is shrieking. She suddenly leans forward, pulls herself out from the back, jumps out, and hits the snow running.

  For a moment, I debate whether to chase her down—she is clearly in shock, and in her state, who knows if she even knows where she’s going. In this weather, and in this remote location, I doubt she can survive long.

  But I think of Bree, and have to stay focused. She is what matters most now. I can’t afford to waste time tracking this girl down. I turn and watch her run, and it feels odd to think of her as being so much younger than I am. In truth, she is probably close to my age.

  I check the reaction of the captured boy in the backseat, maybe twelve. But he just sits there, staring, frozen. He looks to me like he’s in a catatonic state. He’s not even blinking. I wonder if he’s had some kind of psychotic break. I stand and look over at Ben, who still stands there, staring down at the dead corpse. He doesn’t say a word.

  The gravity of what I have done suddenly hits me: I have just killed a man. Never in my life did I think I would. I have always felt bad even killing an animal, and I realize I should feel awful.

  But I am too numb. Right now, all I feel is that I did what I had to to defend myself. He was a slaverunner after all, and he came up here to hurt us. I realize I should feel more remorse—but I don’t. That frightens me. I can’t help but wonder if I’m more like Dad than I care to admit.

  Ben is useless, still standing there, staring, so I run around to his side of the car, open the passenger side door and begin to yank out the body. It is heavy.

  “Help me!” I snap. I am annoyed by his inaction—especially while the other slaverunners are getting away.

  Finally, Ben hurries over and helps me. We drag it out, the blood staining our clothes, walk it a few feet, then throw it into the snow, which turns red. I reach down and quickly strip the corpse of its gun and ammo, realizing Ben is too passive, or isn’t thinking clearly.

  “Take his clothes,” I say. “You’ll need them.”

  I don’t waste any more time. I run back to our car, open the driver’s side door and jump in. I go to turn the keys, when I suddenly look down and check the ignition. They are missing.

  My heart drops. I check the floor of the car frantically, then the seats, then the dash. Nothing. The keys must have fallen out in the crash.

  I look outside, at the snow, and notice some unusual markings that might indicate a trail from the keys. I get down, kneeling in the snow, and comb frantically through it, searching. I feel more and more desperate. It is like finding a needle in a haystack.

  But suddenly, a miracle happens: my hand strikes something small. I comb the snow more carefully, and am flooded with relief to see it’s the keys.

  I jump back in the car, turn the ignition, and the car roars to life. This vehicle is some kind of modified muscle car, something like an old Camaro, and the engine roars way too loud; I can already tell it will be a fast ride. I only hope it’s fast enough to catch the other one.

  I am about to put it into gear and take off when I look over and see Ben, still standing there, staring down at the corpse. He still hasn’t stripped the corpse’s clothing, even though he is standing there, freezing. I guess seeing the death affected him more than it did me. I have lost all patience and for a moment I debate just taking off; but then I realize that it wouldn’t be fair to leave him here alone, especially since he—or his body weight, at least—saved me back there on the bridge.

  “I’M LEAVING!” I shriek at him. “GET IN!”

  That snaps him out of it. He comes running over, jumps in and slams the door. Just as I am about to gun it, he turns and looks in the backseat.

  “What about him?” he asks.

  I follow his gaze and see, in the backseat, the catatonic boy, still sitting there and staring.

  “You want out?” I ask the boy. “Now’s your chance.”

  But he keeps staring straight ahead, not responding. I don’t have the luxury of time to figure it out; there have been too many delays already. If he won’t decide, I’ll decide for him. Coming along with us might kill him—but leaving him here will definitely kill him. He’s coming with us.

  I peel out, getting back onto the highway with a thud. I am pleased to see the car is still running, and is faster than I could imagine. I am also pleased to see it handles well on the snowy highway. I hit the clutch and give it gas and shift to second gear, then to third, then fourth…. I am grateful Dad taught me how to drive stick—another manly thing I probably never should have learned as a teenage girl, and another thing I resented at the time but am thankful for now. I watch the speedometer climb: 80…90…100…110…120…. I am unsure how hard to push it. I worry that if I go too fast I’ll lose control in the snow, especially since this highway hasn’t been maintained in years—and because, with the snow covering, I can’t even see the potholes. If we hit just one big hole, or one patch of ice, we could be off the road. I get it up just a bit more, to 130, and decide to hold it there.

  I look over at Ben and see he has just finished buckling his seatbelt and is now gripping the dash, his knuckles white, looking straight ahead at the road in fear.

  “You killed him,” he says.

  I can barely hear him over the roar of the engine, and I wonder if I just imagined it, or if it was my conscience speaking. But Ben turns and looks at me, and repeats it:

  “You killed that man,” he says louder, as if amazed such a thing could happen.

  I’m not sure how to respond.

  “Yes I did,” I say finally, annoyed. I don’t need him reminding me of it. “Do you have a problem with that?”

  Slowly, he shakes his head. “I’ve just never seen a man killed before.”

  “I did what I had to do,” I snap back, defensive. “He was reaching for a gun.”

  I give it more gas, hitting 135, and as we turn the bend, I am relieved to spot the other car on the horizon. I am catching up, speeding faster than they dare to. At this rate, in a few minutes I might just catch them. I am encouraged.

  I am sure they spot us—I just hope they don’t realize it’s us. Maybe they think the other slaverunners got their car back on the road. I don’t think they saw our encounter.

  I give it even more gas, hitting 140, and the distance starts to close.

  “What are you going to do when you catch them?” Ben suddenly screams, and I can hear the panic in his voice.

  That is exactly what I have been wondering. I don’t know yet. I just know I need to catch up to them.

  “We can’t shoot at their car, if that’s what you’re thinking,” he says. “The bullet might kill my brother—or your sister.”

  “I know,” I reply. “We’re not going to shoot. We’re going to run them off the road,” I say, suddenly deciding.

  “That’s crazy!” he yells, gripping the dashboard tighter as we close the gap even more. Snow is bouncing off our windshield like crazy, and I feel like I’m in one of those videogames going out of control. The Taconic twists, narrowing as we go.

  “That could kill them!” he yells. “What good will that do? My brother will die in there!”

  “My sister is in there, too!” I shout back. “You think I want her dead?”

  “So then what are you thinking!?” he screams.

  “You have any other ideas!?” I shout back. “You expect me to just pull up and ask them to pull over?”

  He is silent.

  “We have to stop them,” I continue. “If they reach the city, we’ll never get them back. That’s a certain death. At least this gives them a chance.”

  Just as I get ready to floor it one more time, suddenly, the slaverunners surprise me, and slow down. They
slow so much that in moments I pull up beside them. At first I can’t understand why they are doing this, and then I realize: they think we are their partners. They still don’t realize it’s us.

  We pull up, and just as I prepare to turn hard on the wheel, to smash into them, their tinted passenger-side window lowers. The grinning face of a slaverunner appears, his facemask raised; he still assumes I am one of his.

  I lower my window, scowling back: I want him to have one good look at me before I send him to hell.

  His smile suddenly drops, as his expression morphs into one of shock. I still have the element of surprise, and am about to turn hard on the wheel, when suddenly, I am distracted: as I look over, I catch a glimpse of Bree in the backseat. She is alive. She looks back at me, and I can see the fear in her eyes.

  Suddenly, we hit a pothole. The sound is deafening, and our car shakes as if a bomb has gone off. It jolts me so hard that my head slams into the metal ceiling, and my teeth smash into each other. I feel as if I’ve lost a filling. Our car swerves wildly, and it takes me several seconds to regain control and straighten it out. It was a close call. It was stupid of me: I never should have taken my eyes off the road. We’ve lost speed, and the other vehicle has sped up, and is now a good fifty yards ahead of us. Worse, now they know we’re not one of theirs.

  I floor it again: 130…140…. I step on the gas until the pedal is touching the floor, but it won’t go any further. The speedometer hits 150. I assume the car in front of me has the capacity to go as fast, but they, clearly, are being more sensible. The icy conditions on this road are risky at even 80 miles an hour, and they are not willing to take the extra risk. But I have nothing to lose. If I lose Bree, I have nothing left to live for anyway.

  We are closing in on them again. They are thirty yards away…twenty.

  Suddenly, their passenger window rolls down, and light reflects off of something shiny. I realize, too late, what it is: a gun.

  I slam on the brakes, just as they fire several times. I duck as the bullets bounce off our hood and windshield, and the metallic sound of ricocheting bullets fills our ears. At first I think we’re finished, but then I realize the bullets haven’t penetrated: this car must be bulletproof.

  “You’re going to get us killed!” Ben yells. “Stop this! There has to be another way!”

  “There’s no other way!” I scream back, more to assure myself than him.

  I have crossed some sort of line inside, and I absolutely refuse to back down.

  “There is no other way,” I repeat quietly to myself, my eyes locked on the road.

  I step on it one more time, swerving to the side, then floor it, coming up alongside them. With one strong pull on the wheel, I smash into them hard, just as the slaverunner is reaching out with his gun again. My front fender hits their rear wheel. Their car swerves wildly, and so does mine. For a moment, we are both all over the road. They smash into a metal railing, then bounce back and smash into me. I smash into the metal railing on my side.

  The highway opens up and the railings disappear, and there is flat farmland on either side of us. It is perfect. I know I can take them out now. I floor it one more time, preparing to swerve again. I have them perfectly in my sights, and reach up to turn the wheel.

  Suddenly, there is a gleam of metal as the slaverunner reaches out again, gun in hand.

  “WATCH OUT!” Ben yells.

  But it is too late. Gunshots ring out, and before I can swerve, the bullets rip into our front tires. I lose complete control of the car. Ben screams, as we go flying across the road. So, despite myself, do I.

  My universe is upside down, as the car tumbles, and we spin again and again.

  My head smashes against the metal roof. I feel the sharp tug of the seatbelt digging into my chest, and the world is just a blur through the windshield. There is the sound of metal crunching in my ears, so loud, I can hardly think.

  The last thing I remember is wishing my Dad were here to see me now, to see how close I had come. I wonder if he would be proud.

  And then, after one final crash, my world goes black.

  T E N