Fifth Business

by Robertson Davies

  The procession completed, I was hidden in the Tecumseh House until 5:30, when I was to have a state supper at the reeve’s house. When I write “hidden” I mean it literally. My fellow townsmen felt that it would be unseemly for me to stroll about the streets, like an ordinary human being, before my apotheosis that night, so I was put in the best bedroom in our hotel, upon the door of which a Canadian Red Ensign had been tacked, and the barman, Joe Gallagher, was given strict orders to keep everyone away from me. So there I sat by my window, looking across a livery-stable yard toward St James’ Presbyterian Church, occasionally reading War and Peace (for I was now well embarked on the big, meaty novels I had longed for at the Front), but mostly too excited to do anything but marvel at myself and wonder when I would be free to do as I pleased.

  Freedom was certainly not to be mine that day. At six I supped ceremonially at the reeve’s; there were so many guests that we ate on the lawn from trestle tables, consuming cold chicken and ham, potato salad and pickles in bewildering variety, and quantities of ice cream, pie, and cake. We then set the whole banquet well awash inside ourselves with hot, strong coffee. Our progress to the Athelstan Opera House was stately, as befitted the grandees of the occasion, and we arrived ten minutes before the scheduled proceedings at 7:30.

  If you are surprised that so small a place should have an Opera House, I should explain that it was our principal hall of assembly, upstairs in the Athelstan Block, which was the chief business premises of our village, and built of brick instead of the more usual wood. It was a theatre, right enough, with a stage that had a surprising roller curtain, on which was handsomely painted a sort of composite view, or evocation, of all that was most romantic in Europe; it is many years since I saw it, but I clearly remember a castle on the shores of a lagoon, where gondolas appeared amid larger shipping, which seemed to be plying in and out of Naples, accommodated at the foot of snowtopped Alps. The floor of the Opera House was flat, as being more convenient for dancing, but this was compensated for by the fact that the stage sloped forward toward the footlights, at an angle which made sitting on chairs a tricky and even perilous feat. I do not know how many people it seated, but it was full on this occasion, and people stood or sat in the aisles on extra chairs, borrowed from an undertaker.

  The reeve and I and the other notables climbed a back stairs and pushed our way through the scenery to the chairs that had been set for us on the stage. Beyond the curtain we heard the hum of the crowd above the orchestra of piano, violin, and trombone. A little after the appointed time—to allow for latecomers, said the reeve, but no latecomer could have squeezed in—the curtain rose (swaying menacingly inward toward us as it did so), and we were revealed, set off against a set of scenery that portrayed a dense and poisonously green forest. Our chairs were arranged in straight rows behind a table supporting two jugs of water and fully a dozen glasses, to succour the speakers in their thirst. We were a fine group: three clergymen, the magistrate, the Member of Parliament and the Member of the Legislature, the Chairman of the Continuation School Board, and seven members of the township council sat on the stage, as well as the reeve and myself. I expect we looked rather like a minstrel show. I was the only man in uniform on the stage itself, but in the front row were six others, and on the right-hand end of this group sat Percy Boyd Staunton, in a major’s uniform, and at his side was Leola Cruikshank.

  On the fourth finger of Leola’s left hand was a large diamond ring. Diana had taught me something of these refinements and I got the message at once, as that ring flashed its signals to me during the applause that greeted our appearance. Was I stricken to the heart? Did I blench and feel that all my glory was as dross? No; I was rather pleased. There was one of my homecoming problems solved already, I reflected. Nevertheless I was a little put out and thought that Leola was a sneak not to have informed me of this development in one of her letters.

  The purpose of the gathering was plainly signalled by the Union Jack that swathed the speaker’s table and a painted streamer that hung above our heads in the toxic forest. “Welcome To Our Brave Boys Back From The Front,” it shouted, in red and blue letters on a white ground. We stood solemnly at attention while the piano, violin, and trombone worked their way through God Save the King, O Canada, and, for good measure, The Maple Leaf Forever. But we did not then rush greedily upon the noblest splendours of the evening. We began with a patriotic concert, to hone our fervour to a finer edge.

  Muriel Parkinson sang about the Rose that Blows in No-Man’s Land, and when she shrieked (for her voice was powerful rather than sweet) that “midst the war’s great curse stood the Red Cross Nurse,” many people mopped their eyes. She then sang a song about Joan of Arc, which was a popular war number of the day, and thus a delicate compliment was paid to France, our great ally. Muriel was followed by a female child, unknown to me, who recited Pauline Johnson’s poem Canadian Born, wearing Indian dress; it was at this point that I became aware that one of our Brave Boys, namely George Muskrat the Indian sniper, who had picked off Germans just as he used to pick off squirrels, was not present. George was not a very respectable fellow (he drank vanilla extract, which was mostly alcohol, to excess, and shouted in the streets when on a toot), and he had not been given any medals.

  The female child reciter had an encore and was well into it before the applause for her first piece had quite subsided. Then, for no perceptible reason, another girl played two pieces on the piano, not very well; one was called Chanson des Fleurs and the other La Jeunesse, so perhaps they were further compliments to the French. Then a fellow with a local reputation as a wit, named Murray Tiffin, “entertained”; he was often asked to “entertain” at church evenings, but this was his greatest opportunity so far, and he toiled like a cart horse to divert us with riddles, jokes, and imitations, all of some local application.

  “What’s the bravest thing a man can do?” he demanded. “Is it go right out to Africa and shoot a lion? No! That’s not the bravest thing a man can do! Is it capture a German machine-gun nest singlehanded?” (Great applause, during which I, the worst actor in the world, tried to feign a combination of modesty and mirth.) “No! The bravest thing a man can do is go to the Deptford Post Office at one minute past six on a Saturday night and ask Jerry Williams for a one-cent stamp!” (Uncontrollable mirth, and much nudging and waving at the postmaster, who tried to look like a man who dearly loved a joke against his cranky self.)

  Then Murray got off several other good ones, about how much cheaper it was to buy groceries in Bowles Corners than it was even to steal them from the merchants of Deptford, and similar local wit of the sort that age cannot wither nor custom stale; I warmed to Murray, for although his jokes were clean they had much of the quality that had assured my own rest-camp success as Charlie Chaplin.

  When Murray had offended individually at least half the people present and delighted us all collectively, the reeve rose and began, “But to strike a more serious note—” and went on to strike that note for at least ten minutes. We were gathered, he said, to honour those of our community who had risked their lives in defence of liberty. When he had finished, the Methodist parson told us, at some length, how meritorious it was to risk one’s life in defence of liberty. Then Father Regan solemnly read out the eleven names of the men from our little part of the world who had been killed in service; Willie’s was among them, and I think it was in that moment that I really understood that I would never see Willie again. The Reverend Donald Phelps prayed that we might never forget them, at some length; if God had not been attending to the war, He knew a good deal more about it, from our point of view, by the time Phelps had finished. The Member of the Legislature told us he would not detain us long and talked for forty minutes about the future and what we were going to do with it, building on the sacrifices of the past four years, particularly in the matter of improving the provincial road system. Then the Member of Parliament was let loose upon us, and he talked for three minutes more than one hour, combining patriotism wi
th a good partisan political speech, hinting pretty strongly that although Lloyd George, Clemenceau, and Wilson were unquestionably good men, Sir Robert Borden had really pushed the war to a successful conclusion.

  It was by now ten o’clock and even the thirst of a Canadian audience for oratory was almost slaked. Only the great moments that were to follow could have held them. But here it was that the reeve took his second bite at us; in order that Deptford might never forget those who had fought and returned, he said, and in order that our heroes should never lose sight of Deptford’s gratitude, every one of us was to receive an engraved watch. Nor was this all. These were no ordinary watches but railway watches, warranted to tell time accurately under the most trying conditions, and probably for all eternity. We understood the merit of these watches because, as we all knew, his son Jack was a railwayman, a brakeman on the Grand Trunk, and Jack swore that these were the best watches to be had anywhere. Whereupon the watches were presented, three by the reeve himself and three by the Member of the Legislature.

  As his name and glory were proclaimed, each man in the front row climbed up the steps that led to a pass-door at the side of the stage, squeezed through the green scenery, and made his way to the centre of the platform, while his relatives and townsmen cheered, stamped, and whistled. Percy Boyd Staunton was the sixth, the only officer in the group and the only man who accepted his watch with an air; he had put on his cap before coming to the stage, and he saluted the Member of the Legislature smartly, then turned and saluted the audience; it was a fine effect, and as I grinned and clapped, my stomach burned with jealousy.

  I should have been generous, for I was number seven, a V.C., the only man to be given a seat on the stage, and the only man to receive his watch from the hands of our Member of Parliament. He made a speech. “Sergeant Dunstable Ramsay,” said he, “I acclaim you as a hero tonight—” and went on for quite a while, though I could not judge how long, because I stood before him feeling a fool and a fake as I had not done when I stood before my King. But at last he handed me the railway watch, and as I had left my hat outside I could not salute, so I had to bob my head, and then bob it at the audience, who cheered and stamped, rather longer than they had done for Percy, I believe. But my feelings were so confused that I could not enjoy it; I heartily wished to get away.

  We concluded by singing God Save the King again in a classy version in which Muriel Parkinson was supposed to sing some parts alone and the rest of us to join in when she gave a signal; but there were a few people who droned along with her all the way, somewhat spoiling the effect. But when it was done we were free. Nobody seemed inclined to hurry away, and when I had made my way through the green scenery and down the steps by the pass-door I was surrounded by old friends and acquaintances who wanted to talk and shake my hand. I hurried through them as quickly as I could without being rude or overlooking anyone, but I had a little task to perform—a notion I had thought of during the long hour of the Member’s speech, and I wanted to be sure I had a good audience. At last I reached Percy and Leola; I seized his hand and shook it vigorously, and then seized Leola in a bear-hug and kissed her resoundingly and at what Deptford would certainly have regarded as a very familiar length.

  Leola had always been the kind of girl who closed her eyes when you kissed her, but I kept mine well open and I could see that her eyeballs were rolling wildly beneath her lids; Diana had taught me a thing or two about kisses, and I gave her a pretty good example of that art.

  “Darling,” I shouted, not letting her go, “you don’t know how good it is to see you!”

  Percy was grinning nervously. Public kissing was not so common then as it is now, and certainly not in our village. “Dunny, Leola and I have a secret to tell you—not that it will be secret long, of course—but we want you to be the first to hear—outside our families, of course—but we’re engaged.” And he sprayed his manly grin from side to side, for we were in the middle of a crowd and everybody could hear. There was a happy murmur, and a few people clapped.

  I counted three, just to make sure that there was the right sort of pause, then I shook his hand again and roared, “Well, well, the best man has won!”—and kissed Leola again, not so long or so proprietorially, but to show that there had been a contest and that I had been a near winner myself, and had shown some speed in the preliminary heats.

  It was a good moment and I enjoyed it thoroughly. Percy was wearing a few medals, the admirable D.S.O. but otherwise minor things, mostly for having been at particular engagements. I have already said that I am not much of an actor, but I gave a powerful, if crude impersonation of the hero who is tremendous on the field of Mars but slighted in the courts of Venus. I am sure that there are people in Deptford to this day who remember it.

  I suppose it was mean. But Percy, in his officer’s smart uniform, got under my skin just as he had always done, and as for Leola, I didn’t particularly want her but resented anybody else having her. I promised that this would be a frank record, so far as I can write one, and God forbid that I should pretend that there is not a generous measure of spite in my nature.

  This encounter put us in one of those uneasy situations that are forced on people by fate, for to the crowd—and at that moment Deptford was the whole world—we were the master-spirits of the evening: two men, one of whom was a hero without a left leg and the other a handsome and rich young fellow, only somewhat less a hero, who had aspired to the hand of the prettiest girl in the village, and the winner had been acclaimed; we were a splendidly sentimental story made flesh, and it would have been maladroit in the extreme—a real flying in the face of Providence—if we had not stayed together so people could marvel at us and wonder about us. That was why we went to the bonfire as a threesome.

  The bonfire was arranged to take place outside the combination village hall, public library, courthouse, and fire hall; it was to be a gay conclusion, an anti-masque, to the high proceedings in the Opera House. There we had been solemn, acclaiming the heroic young and listening to the wise old: here the crowd was lively and expectant; children dodged to and fro, and there was a lot of laughter about nothing in particular. But not for long. In the distance we heard a great beating on pots and pans and blowing of tin horns, and down our main street came a procession, lit by the flame of brooms dipped in oil—a ruddy, smoky light—accompanying Marshal Foch, the two John Bulls, Uncle Sam, Gallant Little Belgium, the whole gang, dragging at a rope’s end Deptford’s own conception of the German Emperor, fat Myron Papple, whose writhings and caperings outdid his afternoon efforts as the death aria of an opera tenor outdoes his wooing in Act One.

  “Hang him!” we heard the representatives of the Allies shouting as they drew near, and the crowd around the village hall took it up. “Hang him!” they yelled. “Hang the Kaiser!”

  Hang him they did. A rope was ready on the flagpole, and during some scrambling preparations a sharp eye would have seen Myron slip away into the darkness as an effigy was tied to the rope by the neck and hauled slowly up the pole. As it rose, one of the Red Cross nurses set fire to it with a broom torch, and by the time it reached the top the figure was burning merrily.

  Then the cheers were loud, and the children hopped and scampered round the foot of the flagpole, shouting, “Hang the Kaiser!” with growing hysteria; some of them were much too small to know what hanging was, or what a Kaiser might be, but I cannot call them innocent, for they were being as vicious as their age and experience allowed. And the people in the crowd, as I looked at them, were hardly recognizable as the earnest citizens who, not half an hour ago, had been so biddable under the spell of patriotic oratory, so responsive to Canadian Born, so touched by the romantic triangle of Leola, and Percy, and myself. Here they were, in this murky, fiery light, happily acquiescent in a symbolic act of cruelty and hatred. As the only person there, I suppose, who had any idea of what a really bad burn was like, I watched them with dismay that mounted towards horror, for these were my own people.

  Leola’s fa
ce looked very pretty as she turned it upward towards the fire, and Percy was laughing and looking about him for admiration as he shouted in his strong, manly voice, “Hang the Kaiser!”

  Myron Papple, an artist to his fingertips, had climbed into the tower of the village hall, so that his screams and entreaties might proceed as near as possible from the height of the burning figure. I could hear him long after I had crept away to my bed in the Tecumseh House. I had not wanted to stay till the end.

  (8)

  The next day was a Saturday, and I had plenty to do. Though still an object of wonder, I was now free to move about as I pleased, and my first move was to get the keys of my old home from the magistrate and make a melancholy tour through its six rooms. Everything was where I knew it should be, but all the objects looked small and dull—my mother’s clock, my father’s desk, with the stone on it he had brought from Dumfries and always used as a paperweight; it was now an unloved house, and want of love had withered it. I picked up a few things I wanted—particularly something that I had long kept hidden—and got out as fast as I could.

  Then I went to see Ada Blake, the girl Willie had been sweet on, and had a talk with her; Ada was a fine girl, and I liked her very much, but of course the Willie she remembered was not the brother I knew. I judge they had been lovers, briefly, and that was what Willie meant to her: to me his chief significance now was that he had died twice, and that the first time Mrs Dempster had brought him back to life. I certainly had no intention of visiting Dr McCausland, to see if he had changed his opinion on that subject, though I did chat with two or three of our village elders before getting my midday dinner at the hotel.