Count Magnus and Other Ghost Stories

by M. R. James

  As he looked upon it, a distant, almost inaudible moan seemed to issue from its lips, and the arms began to stir. The terror of the sight forced Stephen backwards, and he awoke to the fact that he was indeed standing on the cold boarded floor of the passage in the full light of the moon. With a courage which I do not think can be common among boys of his age, he went to the door of the bathroom to ascertain if the figure of his dream were really there. It was not, and he went back to bed.

  Mrs. Bunch was much impressed next morning by his story, and went so far as to replace the muslin curtain over the glazed door of the bathroom. Mr. Abney, moreover, to whom he confided his experiences at breakfast, was greatly interested, and made notes of the matter in what he called “his book.”

  The spring equinox was approaching, as Mr. Abney frequently reminded his cousin, adding that this had been always considered by the ancients to be a critical time for the young: that Stephen would do well to take care of himself, and to shut his bedroom window at night; and that Censorinus6 had some valuable remarks on the subject. Two incidents that occurred about this time made an impression upon Stephen’s mind.

  The first was after an unusually uneasy and oppressed night that he had passed—though he could not recall any particular dream that he had had.

  The following evening Mrs. Bunch was occupying herself in mending his nightgown.

  “Gracious me, Master Stephen!” she broke forth rather irritably, “how do you manage to tear your nightdress all to flinders this way? Look here, sir, what trouble you do give to poor servants that have to darn and mend after you!”

  There was indeed a most destructive and apparently wanton series of slits or scorings in the garment, which would undoubtedly require a skilful needle to make good. They were confined to the left side of the chest—long, parallel slits, about six inches in length, some of them not quite piercing the texture of the linen. Stephen could only express his entire ignorance of their origin: he was sure they were not there the night before.

  “But,” he said, “Mrs. Bunch, they are just the same as the scratches on the outside of my bedroom door; and I’m sure I never had anything to do with making them.”

  Mrs. Bunch gazed at him open-mouthed, then snatched up a candle, departed hastily from the room, and was heard making her way upstairs. In a few minutes she came down.

  “Well,” she said, “Master Stephen, it’s a funny thing to me how them marks and scratches can ’a’ come there—too high up for any cat or dog to ’ave made ’em, much less a rat: for all the world like a Chinaman’s finger-nails, as my uncle in the tea-trade used to tell us of when we was girls together. I wouldn’t say nothing to master, not if I was you, Master Stephen, my dear; and just turn the key of the door when you go to your bed.”

  “I always do, Mrs. Bunch, as soon as I’ve said my prayers.”

  “Ah, that’s a good child: always say your prayers, and then no one can’t hurt you.”

  Herewith Mrs. Bunch addressed herself to mending the injured nightgown, with intervals of meditation, until bed-time. This was on a Friday night in March, 1812.

  On the following evening the usual duet of Stephen and Mrs. Bunch was augmented by the sudden arrival of Mr. Parkes, the butler, who as a rule kept himself rather to himself in his own pantry. He did not see that Stephen was there: he was, moreover, flustered, and less slow of speech than was his wont.

  “Master may get up his own wine, if he likes, of an evening,” was his first remark. “Either I do it in the daytime or not at all, Mrs. Bunch. I don’t know what it may be: very like it’s the rats, or the wind got into the cellars; but I’m not so young as I was, and I can’t go through with it as I have done.”

  “Well, Mr. Parkes, you know it is a surprising place for the rats, is the Hall.”

  “I’m not denying that, Mrs. Bunch; and, to be sure, many a time I’ve heard the tale from the men in the shipyards about the rat that could speak.7 I never laid no confidence in that before; but to-night, if I’d demeaned myself to lay my ear to the door of the further bin, I could pretty much have heard what they was saying.”

  “Oh, there, Mr. Parkes, I’ve no patience with your fancies! Rats talking in the wine-cellar indeed!”

  “Well, Mrs. Bunch, I’ve no wish to argue with you: all I say is, if you choose to go to the far bin, and lay your ear to the door, you may prove my words this minute.”

  “What nonsense you do talk, Mr. Parkes—not fit for children to listen to! Why, you’ll be frightening Master Stephen there out of his wits.”

  “What! Master Stephen?” said Parkes, awaking to the consciousness of the boy’s presence. “Master Stephen knows well enough when I’m a-playing a joke with you, Mrs. Bunch.”

  In fact, Master Stephen knew much too well to suppose that Mr. Parkes had in the first instance intended a joke. He was interested, not altogether pleasantly, in the situation; but all his questions were unsuccessful in inducing the butler to give any more detailed account of his experiences in the wine-cellar.

  We have now arrived at March 24, 1812. It was a day of curious experiences for Stephen: a windy, noisy day, which filled the house and the gardens with a restless impression. As Stephen stood by the fence of the grounds, and looked out into the park, he felt as if an endless procession of unseen people were sweeping past him on the wind, borne on resistlessly and aimlessly, vainly striving to stop themselves, to catch at something that might arrest their flight and bring them once again into contact with the living world of which they had formed a part. After luncheon that day Mr. Abney said:

  “Stephen, my boy, do you think you could manage to come to me to-night as late as eleven o’clock in my study? I shall be busy until that time, and I wish to show you something connected with your future life which it is most important that you should know. You are not to mention this matter to Mrs. Bunch nor to anyone else in the house; and you had better go to your room at the usual time.”

  Here was a new excitement added to life: Stephen eagerly grasped at the opportunity of sitting up till eleven o’clock. He looked in at the library door on his way upstairs that evening, and saw a brazier, which he had often noticed in the corner of the room, moved out before the fire; an old silver-gilt cup stood on the table, filled with red wine, and some written sheets of paper lay near it. Mr. Abney was sprinkling some incense on the brazier from a round silver box as Stephen passed, but did not seem to notice his step.

  The wind had fallen, and there was a still night and a full moon. At about ten o’clock Stephen was standing at the open window of his bedroom, looking out over the country. Still as the night was, the mysterious population of the distant moonlit woods was not yet lulled to rest. From time to time strange cries as of lost and despairing wanderers sounded from across the mere. They might be the notes of owls or water-birds, yet they did not quite resemble either sound. Were not they coming nearer? Now they sounded from the nearer side of the water, and in a few moments they seemed to be floating about among the shrubberies. Then they ceased; but just as Stephen was thinking of shutting the window and resuming his reading of Robinson Crusoe, he caught sight of two figures standing on the gravelled terrace that ran along the garden side of the Hall—the figures of a boy and girl, as it seemed; they stood side by side, looking up at the windows. Something in the form of the girl recalled irresistibly his dream of the figure in the bath. The boy inspired him with more acute fear.

  Whilst the girl stood still, half smiling, with her hands clasped over her heart, the boy, a thin shape, with black hair and ragged clothing, raised his arms in the air with an appearance of menace and of unappeasable hunger and longing. The moon shone upon his almost transparent hands, and Stephen saw that the nails were fearfully long and that the light shone through them. As he stood with his arms thus raised, he disclosed a terrifying spectacle. On the left side of his chest there opened a black and gaping rent; and there fell upon Stephen’s brain, rather than upon his ear, the impression of one of those hungry and desolate cri
es that he had heard resounding over the woods of Aswarby all that evening. In another moment this dreadful pair had moved swiftly and noiselessly over the dry gravel, and he saw them no more.

  Inexpressibly frightened as he was, he determined to take his candle and go down to Mr. Abney’s study, for the hour appointed for their meeting was near at hand. The study or library opened out of the front hall on one side, and Stephen, urged on by his terrors, did not take long in getting there. To effect an entrance was not so easy. The door was not locked, he felt sure, for the key was on the outside of it as usual. His repeated knocks produced no answer. Mr. Abney was engaged: he was speaking. What! why did he try to cry out? and why was the cry choked in his throat? Had he, too, seen the mysterious children? But now everything was quiet, and the door yielded to Stephen’s terrified and frantic pushing.

  On the table in Mr. Abney’s study certain papers were found which explained the situation to Stephen Elliott when he was of an age to understand them. The most important sentences were as follows:

  “It was a belief very strongly and generally held by the ancients—of whose wisdom in these matters I have had such experience as induces me to place confidence in their assertions—that by enacting certain processes, which to us moderns have something of a barbaric complexion, a very remarkable enlightenment of the spiritual faculties in man may be attained: that, for example, by absorbing the personalities of a certain number of his fellow-creatures, an individual may gain a complete ascendancy over those orders of spiritual beings which control the elemental forces of our universe.

  “It is recorded of Simon Magus that he was able to fly in the air, to become invisible, or to assume any form he pleased, by the agency of the soul of a boy whom, to use the libellous phrase employed by the author of the Clementine Recognitions, he had ‘murdered.’8 I find it set down, moreover, with considerable detail in the writings of Hermes Trismegistus,9 that similar happy results may be produced by the absorption of the hearts of not less than three human beings below the age of twenty-one years. To the testing of the truth of this receipt I have devoted the greater part of the last twenty years, selecting as the corpora vilia10 of my experiment such persons as could conveniently be removed without occasioning a sensible gap in society. The first step I effected by the removal of one Phœbe Stanley, a girl of gipsy extraction, on March 24, 1792. The second, by the removal of a wandering Italian lad, named Giovanni Paoli, on the night of March 23, 1805. The final ‘victim’—to employ a word repugnant in the highest degree to my feelings—must be my cousin, Stephen Elliott. His day must be this March 24, 1812.

  “The best means of effecting the required absorption is to remove the heart from the living subject, to reduce it to ashes, and to mingle them with about a pint of some red wine, preferably port. The remains of the first two subjects, at least, it will be well to conceal: a disused bathroom or wine-cellar will be found convenient for such a purpose. Some annoyance may be experienced from the psychic portion of the subjects, which popular language dignifies with the name of ghosts. But the man of philosophic temperament—to whom alone the experiment is appropriate—will be little prone to attach importance to the feeble efforts of these beings to wreak their vengeance on him. I contemplate with the liveliest satisfaction the enlarged and emancipated existence which the experiment, if successful, will confer on me; not only placing me beyond the reach of human justice (so-called), but eliminating to a greater extent the prospect of death itself.”

  Mr. Abney was found in his chair, his head thrown back, his face stamped with an expression of rage, fright, and mortal pain. In his left side was a terrible lacerated wound, exposing the heart. There was no blood on his hands, and a long knife that lay on the table was perfectly clean. A savage wild-cat might have inflicted the injuries. The window of the study was open, and it was the opinion of the coroner that Mr. Abney had met his death by the agency of some wild creature. But Stephen Elliott’s study of the papers I have quoted led him to a very different conclusion.

  THE MEZZOTINT

  Some time ago I believe I had the pleasure of telling you the story of an adventure which happened to a friend of mine by the name of Dennistoun, during his pursuit of objects of art for the museum at Cambridge.

  He did not publish his experiences very widely upon his return to England; but they could not fail to become known to a good many of his friends, and among others to the gentleman who at that time presided over an art museum at another University. 1 It was to be expected that the story should make a considerable impression on the mind of a man whose vocation lay in lines similar to Dennistoun’s, and that he should be eager to catch at any explanation of the matter which tended to make it seem improbable that he should ever be called upon to deal with so agitating an emergency. It was, indeed, somewhat consoling to him to reflect that he was not expected to acquire ancient MSS. for his institution; that was the business of the Shelburnian Library.2 The authorities of that might, if they pleased, ransack obscure corners of the Continent for such matters. He was glad to be obliged at the moment to confine his attention to enlarging the already unsurpassed collection of English topographical drawings and engravings possessed by his museum. Yet, as it turned out, even a department so homely and familiar as this may have its dark corners, and to one of these Mr. Williams was unexpectedly introduced.

  Those who have taken even the most limited interest in the acquisition of topographical pictures are aware that there is one London dealer whose aid is indispensable to their researches. Mr. J. W. Britnell publishes at short intervals very admirable catalogues of a large and constantly changing stock of engravings, plans, and old sketches of mansions, churches, and towns in England and Wales. These catalogues were, of course, the ABC of his subject to Mr. Williams: but as his museum already contained an enormous accumulation of topographical pictures, he was a regular, rather than a copious, buyer; and he rather looked to Mr. Britnell to fill up gaps in the rank and file of his collection than to supply him with rarities.

  Now, in February of last year there appeared upon Mr. Williams’s desk at the museum a catalogue from Mr. Britnell’s emporium, and accompanying it was a typewritten communication from the dealer himself. This latter ran as follows:

  DEAR SIR,—

  We beg to call your attention to No. 978 in our accompanying catalogue, which we shall be glad to send on approval.

  Yours faithfully,

  J. W. BRITNELL.

  To turn to No. 978 in the accompanying catalogue was with Mr. Williams (as he observed to himself) the work of a moment, and in the place indicated he found the following entry:

  “978.—Unknown. Interesting mezzotint: View of a manor-house, early part of the century. 15 by 10 inches; black frame. £2 2s.”

  It was not specially exciting, and the price seemed high. However, as Mr. Britnell, who knew his business and his customer, seemed to set store by it, Mr. Williams wrote a postcard asking for the article to be sent on approval, along with some other engravings and sketches which appeared in the same catalogue. And so he passed without much excitement of anticipation to the ordinary labours of the day.

  A parcel of any kind always arrives a day later than you expect it, and that of Mr. Britnell proved, as I believe the right phrase goes, no exception to the rule. It was delivered at the museum by the afternoon post of Saturday, after Mr. Williams had left his work, and it was accordingly brought round to his rooms in college by the attendant, in order that he might not have to wait over Sunday before looking through it and returning such of the contents as he did not propose to keep. And here he found it when he came in to tea, with a friend.

  The only item with which I am concerned was the rather large, black-framed mezzotint of which I have already quoted the short description given in Mr. Britnell’s catalogue. Some more details of it will have to be given, though I cannot hope to put before you the look of the picture as clearly as it is present to my own eye. Very nearly the exact duplicate of it may be seen in a go
od many old inn parlours, or in the passages of undisturbed country mansions at the present moment. It was a rather indifferent mezzotint, and an indifferent mezzotint is, perhaps, the worst form of engraving known. It presented a full-face view of a not very large manor-house of the last century, with three rows of plain sashed windows with rusticated masonry about them, a parapet with balls or vases at the angles, and a small portico in the centre. On either side were trees, and in front a considerable expanse of lawn. The legend “A. W. F. sculpsit” was engraved on the narrow margin; and there was no further inscription. The whole thing gave the impression that it was the work of an amateur. What in the world Mr. Britnell could mean by affixing the price of £2 2s. to such an object was more than Mr. Williams could imagine. He turned it over with a good deal of contempt; upon the back was a paper label, the left-hand half of which had been torn off. All that remained were the ends of two lines of writing: the first had the letters—ngley Hall; the second,—ssex.

  It would, perhaps, be just worth while to identify the place represented, which he could easily do with the help of a gazetteer, and then he would send it back to Mr. Britnell, with some remarks reflecting upon the judgment of that gentlemen.

  He lighted the candles, for it was now dark, made the tea, and supplied the friend with whom he had been playing golf (for I believe the authorities of the University I write of indulge in that pursuit by way of relaxation); and tea was taken to the accompaniment of a discussion which golfing persons can imagine for themselves, but which the conscientious writer has no right to inflict upon any non-golfing persons.

  The conclusion arrived at was that certain strokes might have been better, and that in certain emergencies neither player had experienced that amount of luck which a human being has a right to expect. It was now that the friend—let us call him Professor Binks—took up the framed engraving, and said: