Complete Works of Robert Louis Stevenson

by Robert Louis Stevenson

  Gaunt. The chest? (He leaps, R., and examines chest.) Ah!

  Pew. Leastways, I was to ‘elp him, by his account of it, while he nailed the rhino, and then took and carried off that lovely maid of yours; for a lovely maid she is, and one as touched old Pew’s ‘art Cap’n, when I ‘eard that, my blood biled. ‘Young man,’ I says, ‘you don’t know David Pew,’ I says; and with that I ups and does my dooty by him, cutlass and all, like a lion-’arted seaman, though blind. [And then in comes you, and I gives him up: as you know for a fack is true, and I’ll subscribe at the Assizes. And that, if you was to cut me into junks, is the truth, the ‘ole truth, and nothing but the truth, world without end, so help me, amen; and if you’ll ‘and me over the ‘oly Bible, me not having such a thing about me at the moment, why, I’ll put a oath upon it like a man.]

  Arethusa. Father, have you heard?

  [Gaunt. I know this man, Arethusa, and the truth is not in him.

  Arethusa. Well, and why do we wait? We know Kit, do we not?

  Kit. Ay, Captain, you know the pair of us, and you can see his face and mine.]

  Gaunt. Christopher, the facts are all against you. I find you here in my house at midnight: you who at least had eyes to see, and must have known whither you were going. It was this man, not you, who called me up: and when I came in, it was he who was uppermost and who gave you up to justice. This unsheathed cutlass is yours; there hangs the scabbard, empty; and as for the dark lantern, of what use is light to the blind? and who could have trimmed and lighted it but you?

  Pew. Ah, Cap’n, what a ‘ed for argyment!

  Kit. And now, sir, now that you have spoken, I claim the liberty to speak on my side.

  Gaunt. Not so. I will first have done with this man. David Pew, it were too simple to believe your story as you tell it; but I can find no testimony against you. From whatever reason, assuredly you have done me service. Here are five guineas to set you on your way. Begone at once; and while it is yet time, think upon your repentance.

  Pew. Cap’n, here’s my respecks. You’ve turned a pious man, Cap’n; it does my ‘art good to ‘ear you. But you ain’t the only one. O no! I came about and paid off on the other tack before you, I reckon: you ask the Chaplain of the Fleet else, as called me on the quarter-deck before old Admiral ‘Awke himself (touching his hat), my old commander. [‘David Pew,’ he says, ‘five-and-thirty year have I been in this trade, man and boy,’ that chaplain says, ‘and damme, Pew,’ says he, ‘if ever I seen the seaman that could rattle off his catechism within fifty mile of you. Here’s five guineas out of my own pocket,’ he says; ‘and what’s more to the pint,’ he says, ‘I’ll speak to my reverend brother-in-law, the Bishop of Dover,’ he says; ‘and if ever you leave the sea, and wants a place as beadle, why damme,’ says he, ‘you go to him, for you’re the man for him, and him for you.’

  Gaunt. David Pew, you never set your foot on a King’s ship in all your life. There lies the road.

  Pew. Ah, you was always a ‘ard man, Cap’n, and a ‘ard man to believe, like Didymus the ‘Ebrew prophet. But it’s time for me to go, and I’ll be going. My service to you, Cap’n: and I kiss my ‘and to that lovely female.

  ’Time for us to go,

  Time for us to go,

  And when we’d clapped the hatches on,

  ’Twas time for us to go.’

  SCENE IV

  Kit, Arethusa, Gaunt

  Arethusa. Now, Kit?

  Kit. Well, sir, and now?

  Gaunt. I find you here in my house at this untimely and unseemly hour; I find you there in company with one who, to my assured knowledge, should long since have swung in the wind at Execution Dock. What brought you? Why did you open my door while I slept to such a companion? Christopher French, I have two treasures. One (laying his hand on Arethusa’s shoulder) I know you covet. Christopher, is this your love?

  Kit. Sir, I have been fooled and trapped. That man declared he knew you, declared he could make you change your mind about our marriage. I was drunk, sir, and I believed him: heaven knows I am sober now, and can see my folly; but I believed him then, and followed him. He brought me here, he told me your chest was full of gold that would make men of us for life. At that I saw my fault, sir, and drew my cutlass; and he, in the wink of an eye, roared out for help, leaped at my throat like a weasel and had me rolling on the floor. He was quick, and I, as I tell you, sir, was off my balance.

  Gaunt. Is this man, Pew, your enemy?

  Kit. No sir; I never saw him till to-night.

  Gaunt. Then, if you must stand the justice of your country, come to the proof with a better plea. What? lantern and cutlass yours; you the one that knew the house; you the one that saw; you the one overtaken and denounced; and you spin me a galley yarn like that? If that is all your defence, you’ll hang, sir, hang.

  Arethusa. Ah! Father, I give him up: I will never see him, never speak to him, never think of him again; I take him from my heart; I give myself wholly up to you and to my mother; I will obey you in every point — O, not at a word merely — at a finger raised! I will do all this; I will do anything — anything you bid me; I swear it in the face of heaven. Only — Kit! I love him, father, I love him. Let him go.

  [Gaunt. Go?

  Arethusa. You let the other. Open the door again — for my sake, father — in my mother’s name — O, open the door and let him go.]

  Kit. Let me go? My girl, if you had cast me out is morning, good and well: I would have left you, though it broke my heart. But it’s a changed story now; now I’m down on my luck, and you come and stab me from behind. I ask no favour, and I’ll take none; I stand here on my innocence, and God helping me I’ll clear my good name, and get your love again, if it’s love worth having. [Now, Captain Gaunt, I’ve said my say, and you may do your pleasure. I am my father’s son, and I never feared to face the truth.

  Gaunt. You have spoken like a man, French, and you may go. I leave you free.

  Kit. Nay, sir, not so: not with my will. I’m accused and counted guilty; the proofs are against me; the girl I love has turned upon me. I’ll accept no mercy at your hands.] Captain Gaunt, I am your prisoner.

  Arethusa. Kit, dear Kit —

  Gaunt. Silence! Young man, I have offered you liberty without bond or condition. You refuse. You shall be judged. Meanwhile (opening the door, R.), you will go in here. I keep your cutlass. The night brings counsel: to-morrow shall decide. (He locks Kit in, leaving the key in the door.)

  SCENE V

  Gaunt, Arethusa, afterwards Pew

  Arethusa. Father, you believe in him; you do; I know you do.

  Gaunt. Child, I am not given to be hasty. I will pray and sleep upon this matter. (A knocking at the door, C.) Who knocks so late? (He opens.)

  Pew (entering). Cap’n, shall I fetch the constable?

  Gaunt. No.

  Pew. No? Have ye killed him?

  Gaunt. My man, I’ll see you into the road. (He takes Pew by the arm, and goes out with him.)

  SCENE VI

  Arethusa

  Arethusa. (Listens; then running to door, R.) Kit — dearest! wait! I will come to you soon. (Gaunt re-enters, C., as the drop falls.)

  ACT IV.

  The Stage represents the Admiral’s house, as in Acts I. and III. A chair, L., in front. As the curtain rises, the Stage is dark. Enter Arethusa, L., with candle; she lights another; and passes to door, R., which she unbolts. Stage light

  SCENE I

  Arethusa, Kit

  Arethusa. Come, dear Kit, come!

  Kit. Well, I’m here.

  Arethusa. O Kit, you are not angry with me.

  Kit. Have I reason to be pleased?

  Arethusa. Kit, I was wrong. Forgive me.

  Kit. O yes. I forgive you. I suppose you meant it kindly; but there are some kindnesses a man would rather die than take a gift of. When a man is accused, Arethusa, it is not that he fears the gallows — it’s the shame that cuts him. At such a time as that, the way to help was to stand to your belief. Yo
u should have nailed my colours to the mast, not spoke of striking them. If I were to be hanged to-morrow, and your love there, and a free pardon and a dukedom on the other side — which would I choose?

  Arethusa. Kit, you must judge me fairly. It was not my life that was at stake, it was yours. Had it been mine — mine, Kit — what had you done, then?

  Kit. I am a downright fool; I saw it inside out. Why, give you up, by George!

  Arethusa. Ah, you see! Now you understand. It was all pure love. When he said that word — O! — death and that disgrace! . . . But I know my father. He fears nothing so much as the goodness of his heart; and yet it conquers. He would pray, he said: and to-night, and by the kindness of his voice, I knew he was convinced already. All that is wanted, is that you should forgive me.

  Kit. Arethusa, if you looked at me like that I’d forgive you piracy on the high seas. I was only sulky; I was boxed up there in the black dark, and couldn’t see my hand. It made me pity that blind man, by George!

  Arethusa. O, that blind man! The fiend! He came back, Kit: did you hear him? he thought we had killed you — you!

  Kit. Well, well, it serves me right for keeping company with such a swab.

  Arethusa. One thing puzzles me: how did you get in? I saw my father lock the door.

  Kit. Ah, how? That’s just it. I was a sheet in the wind, you see. How did we? He did it somehow. . . . By George, he had a key! He can get in again.

  Arethusa. Again? that man!

  Kit. Ay, can he! Again! When he likes!

  Arethusa. Kit, I am afraid. O Kit, he will kill my father.

  Kit. Afraid. I’m glad of that. Now, you’ll see I’m worth my salt at something. Ten to one he’s back to Mrs. Drake’s. I’ll after, and lay him aboard.

  Arethusa. O Kit, he is too strong for you.

  Kit. Arethusa, that’s below the belt! Never you fear; I’ll give a good account of him.

  Arethusa (taking cutlass from the wall). You’ll be none the worse for this, dear.

  Kit. That’s so (making cuts). All the same, I’m half ashamed to draw on a blind man; it’s too much odds. (He leaps suddenly against the table.) Ah!

  Arethusa. Kit! Are you ill?

  Kit. My head’s like a humming top; it serves me right for drinking.

  Arethusa. O, and the blind man! (She runs, L., to the corner cupboard, brings a bottle and glass, and fills and offers glass.) Here, lad, drink that.

  Kit. To you! That’s better. (Bottle and glass remain on Gaunt’s table.)

  Arethusa. Suppose you miss him?

  Kit. Miss him! The road is straight; and I can hear the tap-tapping of that stick a mile away.

  Arethusa (listening). St! my father stirring in his room!

  Kit. Let me get clear; tell him why when I’m gone. The door — ?

  Arethusa. Locked!

  Kit. The window!

  Arethusa. Quick, quick! (She unfastens R. window, by which Kit goes out.)

  SCENE II

  Arethusa, Gaunt entering L.

  Arethusa. Father, Kit is gone . . . He is asleep.

  Gaunt. Waiting, waiting and wearying. The years, they go so heavily, my Hester still waiting! (He goes R. to chest, which he opens.) That is your chain; it’s of Guinea gold; I brought it you from Guinea. (Taking out chain.) You liked it once; it pleased you long ago; O, why not now — why will you not be happy now? . . . I swear this is my last voyage; see, I lay my hand upon the Holy Book and swear it. One more venture — for the child’s sake, Hester; you don’t think upon your little maid.

  Arethusa. Ah, for my sake, it was for my sake!

  Gaunt. Ten days out from Lagos. That’s a strange sunset, Mr. Yeo. All hands shorten sail! Lay aloft there, look smart! . . . What’s that? Only the negroes in the hold . . . Mr. Yeo, she can’t live long at this; I have a wife and child in Barnstaple. . . . Christ, what a sea! Hold on, for God’s sake — hold on fore and aft! Great God! (as thought the sea were making a breach over the ship at the moment).

  Arethusa. O!

  Gaunt. They seem quieter down below there . . . No water — no light — no air — seven days battened down, and the seas mountain high, and the ship labouring hell-deep! Two hundred and five, two hundred and five, two hundred and five — all to eternal torture!

  Arethusa. O pity him, pity him! Let him sleep, let him forget! Let her prayers avail in heaven, and let him rest!

  Gaunt. Hester, no, don’t smile at me. Rather tears! I have seen you weep — often, often; two hundred and five times. Two hundred and five! (With ring.) Hester, here is your ring (he tries to put the ring on his finger). How comes it in my hand? Not fallen off again? O no, impossible! it was made smaller, dear, it can’t have fallen off! Ah, you waste away. You must live, you must, for the dear child’s sake, for mine, Hester, for mine! Ah, the child. Yes. Who am I to judge? Poor Kit French! And she, your little maid, she’s like you, Hester, and she will save him! How should a man be saved without a wife?

  Arethusa. O father, if you could but hear me thank and bless you! (The tapping of Pew’s stick is heard approaching. Gaunt passes L. front and sits.)

  Gaunt (beginning to count the taps). One — two — two hundred and five

  Arethusa (listening). God help me, the blind man! (She runs to door, C.; the key is put into the lock from without, and the door opens.)

  SCENE III

  Arethusa (at back of stage by the door); Gaunt (front L.); to these, Pew, C.

  Pew (sotto voce). All snug. (Coming down.) So that was you, my young friend Christopher, as shot by me on the road; and so you was hot foot after old Pew? Christopher, my young friend, I reckon I’ll have the bowels out of that chest, and I reckon you’ll be lagged and scragged for it. (At these words Arethusa locks the door, and takes the key.) What’s that? All still. There’s something wrong about this room. Pew, my ‘art of oak, you’re queer to-night; brace up, and carry off. Where’s the tool? (Producing knife.) Ah, here she is; and now for the chest; and the gold; and rum — rum — rum. What! Open? . . . old clothes, by God! . . . He’s done me; he’s been before me; he’s bolted with the swag; that’s why he ran: Lord wither and waste him forty year for it! O Christopher, if I had my fingers on your throat! Why didn’t I strangle the soul out of him? I heard the breath squeak in his weasand; and Jack Gaunt pulled me off. Ah, Jack, that’s another I owe you. My pious friend, if I was God Almighty for five minutes! (Gaunt rises and begins to pace the stage like a quarterdeck, L.) What’s that? A man’s walk. He don’t see me, thank the blessed dark! But it’s time to slip, my bo. (He gropes his way stealthily till he comes to Gaunt’s table, where he burns his hand in the candle.) A candle — lighted — then it’s bright as day! Lord God, doesn’t he see me? It’s the horrors come alive. (Gaunt draws near and turns away.) I’ll go mad, mad! (He gropes to the door, stopping and starting.) Door. (His voice rising for the first time, sharp with terror.) Locked? Key gone? Trapped! Keep off — keep off of me — keep away! (Sotto voce again.) Keep your head, Lord have mercy, keep your head. I’m wet with sweat. What devil’s den is this? I must out — out! (He shakes the door vehemently.) No? Knife it is then — knife — knife — knife! (He moves with the knife raised towards Gaunt, intently listening, and changing his direction as Gaunt changes his position on the stage.)

  Arethusa (rushing to intercept him). Father, father, wake!

  Gaunt. Hester, Hester! (He turns, in time to see Arethusa grapple Pew in the centre of the Stage, and Pew force her down.)

  Arethusa. Kit! Kit!

  Pew (with the knife raised). Pew’s way!

  SCENE IV

  To these, Kit

  (He leaps through window, R., and cuts Pew down. At the same moment, Gaunt, who has been staring helplessly at his daughter’s peril, fully awakes.)

  Gaunt. Death and blood! (Kit, helping Arethusa, has let fall the cutlass. Gaunt picks it up and runs on Pew.) Damned mutineer, I’ll have your heart out! (He stops, stands staring, drops cutlass, falls upon his knees.) God forgive me! Ah, foul sins, wo
uld you blaze forth again? Lord, close your ears! Hester, Hester, hear me not! Shall all these years and tears be unavailing?

  Arethusa. Father, I am not hurt.

  Gaunt. Ay, daughter, but my soul — my lost soul!

  Pew (rising on his elbow). Rum? You’ve done me. For God’s sake, rum. (Arethusa pours out a glass, which Kit gives to him.) Rum? This ain’t rum; it’s fire! (With great excitement.) What’s this? I don’t like rum? (Feebly.) Ay, then, I’m a dead man, and give me water.

  Gaunt. Now even his sins desert him.

  Pew (drinking water). Jack Gaunt, you’ve always been my rock ahead. It’s thanks to you I’ve got my papers, and this time I’m shipped for Fiddler’s Green. Admiral, we ain’t like to meet again, and I’ll give you a toast: Here’s Fiddler’s Green, and damn all lubbers! (Seizing Gaunt’s arm.) I say — fair dealings, Jack! — none of that heaven business: Fiddler’s Green’s my port, now, ain’t it?

  Gaunt. David, you’ve hove short up, and God forbid that I deceive you. Pray, man, pray; for in the place to which you are bound there is no mercy and no hope.

  Pew. Ay, my lass, you’re black, but your blood’s red, and I’m all a-muck with it. Pass the rum, and be damned to you. (Trying to sing) —

  ‘Time for us to go,

  Time for us—’

  (He dies.)

  Gaunt. But for the grace of God, there lies John Gaunt! Christopher, you have saved my child; and I, I, that was blinded with self-righteousness, have fallen. Take her, Christopher; but O, walk humbly!