The Body from the Past
Page 1
The Body from the Past
Books by Judi Lynn
Mill Pond Romances
COOKING UP TROUBLE
OPPOSITES DISTRACT
LOVE ON TAP
SPICING THINGS UP
FIRST KISS, ON THE HOUSE
SPECIAL DELIVERY
Jazzi Sanders Mysteries
THE BODY IN THE ATTIC
THE BODY IN THE WETLANDS
THE BODY IN THE GRAVEL
THE BODY IN THE APARTMENT
THE BODY FROM THE PAST
Published by Kensington Publishing Corporation
Table of Contents
Books by Judi Lynn
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Please turn the page for some yummy recipes from Jazzi’s kitchen!
The Body from the Past
Judi Lynn
LYRICAL UNDERGROUND
Kensington Publishing Corp.
www.kensingtonbooks.com
To the extent that the image or images on the cover of this book depict a person or persons, such person or persons are merely models, and are not intended to portray any character or characters featured in the book.
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.
LYRICAL UNDERGROUND BOOKS are published by
Kensington Publishing Corp.
119 West 40th Street
New York, NY 10018
Copyright © 2020 by Judith Post
All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.
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Special book excerpts or customized printings can also be created to fit specific needs. For details, write or phone the office of the Kensington Sales Manager: Kensington Publishing Corp., 119 West 40th Street, New York, NY 10018. Attn. Sales Department. Phone: 1-800-221-2647.
Lyrical Underground and Lyrical Underground logo Reg. US Pat. & TM Off.
First Electronic Edition: September 2020
ISBN-13: 978-1-5161-1021-6 (ebook)
ISBN-10: 1-5161-1021-8 (ebook)
First Print Edition: September 2020
ISBN-13: 978-1-5161-1024-7
ISBN-10: 1-5161-1024-2
Printed in the United States of America
Dedication
I have a lot of people to thank. Writing a book takes months, and my handsome husband, John, puts up with late suppers and fretting when chapters don’t work with aplomb and constant support. He even sweeps and mops to help me eke out more writing time. He’s a keeper.
My writers’ club, the Summit City Scribes, meets twice a month, and when we get together and talk about our projects, we’re always supportive of one another, even when we offer critiques. They constantly recharge my writing batteries.
M. L. Rigdon, aka Julia Donner, is my much-admired writer friend in whichever genre she’s working on at the moment and my trusted critique partner. She, and my daughter Holly, read my first drafts, brave souls, and help me make them better.
My Jazzi books would never have found a home without my wonderful agent, Lauren Abramo, and my equally wonderful editor, John Scognamiglio, and the entire Kensington team that works on them. My thanks go to: Alexandra Nicolajsen, Larissa Ackerman, Lauren Jernigan, James Akinaka, Michelle Addo, and Rebecca Cremonese. And for my fantastic covers—Tammy Seidick.
I have to give a special mention to a dear friend of my husband and me, Ralph Miser, who is an expert house fixer-upper and all-around fount of interesting ideas for how to find clues for murder while working on a house project. Thank you, Ralph!
Chapter 1
Jazzi opened one eye to scowl at the alarm clock. She hadn’t heard it go off before she felt Ansel’s hand patting her fanny. How had she missed her wake-up buzz? The world was still blurry, so she squinted to focus better. And that was when it hit her. It wasn’t six thirty yet. She opened her other eye and turned to glare at her husband.
Her tall, blond Viking grinned, unrepentant. “I thought we could get an early start on our new fixer-upper.”
She groaned. She’d rather have had another half hour of sleep. Inky raised his head, looking irritated. Her black cat relied on the alarm, too. Marmalade, their nice cat, walked over Ansel’s torso to snuggle between them. Ansel stroked her orange fur. Ansel’s beloved pug, George, snored in his dog bed, as usual.
With a sigh, Jazzi swung her legs over the side of the bed. “I’m up. I’m moving.”
Ansel was more excited than usual about this house. So was her cousin, Jerod. Jerod had found it in a quaint, small town southwest of River Bluffs, farther than they usually drove for a job, but they got it at such a good price, it was worth the extra effort. Merlot was a college town a half hour from River Bluffs, with a population close to six thousand. She and Ansel lived on the north side of town, so their drive would be longer than Jerod’s.
They’d spent all summer and the start of fall working on a house north of River Bluffs in Auburn, Indiana. That town was quaint and charming, too. And they’d made so much money on their project that they’d all decided it was worth driving if they found a special house. And this one was even better than the last.
Jazzi pushed tangled, honey-blond hair out of her face. It had been damp when she fell asleep last night and it had dried funny. No matter. She always pulled it into a ponytail for work. Ansel was tugging on worn jeans and a T-shirt when she stumbled past him to the bathroom. She stopped to ask, “You aren’t going to fall in love with this place when we fix it, are you? I don’t want to move, no matter how awesome it is.”
It was awesome. It looked like it could have been pulled right out of an English novel with its stone exterior, three chimneys, and arched windows. The main structure was three stories high and the wing on the side was two. The house was big, with lots of charm, large rooms, and as much curb appeal as their own stone cottage.
Ansel shook his head. “I love our place
. It’s plenty big enough for us, and we have enough property for our pond and gazebo. I never want to leave here.”
Good. She felt the same way, especially since they’d renovated every square inch of it except the basement. And Ansel was already making noises about that. If she wasn’t careful, they’d be turning half of it into a playroom, like they’d helped Jerod do with his.
Mollified, she hurried to get ready, and ten minutes later, she and Ansel were leading the cats downstairs to the kitchen. George, as usual, was carried by Ansel. The pug didn’t like stairs. All three pets went straight to their food bowls, and while she fed them, Ansel poured coffee and started the toast. He barely gave her enough time to pack sandwiches and chips in the cooler for their lunch before he loaded everything, including George, into their work van and turned west toward Merlot. The drive took forty-five minutes.
Jazzi tugged her hoodie shut against the morning chill. Early October days were warm enough, but mornings and evenings were cooler. She glanced at the trees. Too early to see any color yet. In another two weeks, the woods would blaze with reds and golds.
The thought reminded her of their last Halloween. Not the best time for them. They’d been drawn into solving another murder, and that time, instead of finding her aunt’s body in their attic, this one had been propped right on their front stoop. She sighed. She and Ansel had made a pledge: no more bodies.
When Ansel pulled into the driveway of the Merlot house, Jerod’s pickup was already there. Her cousin was standing in the front yard, staring at their new project. Ansel went to join him, carrying George. Jazzi tugged the cooler out of the back of the van and, setting it beside the open door, went to join them.
“It’s a beauty, isn’t it?” Jerod asked. “With a new roof, it will look even better.”
“I’ve been thinking about that.” Jazzi licked her lips.
“When you do that, you’ve thought of something that’s going to cost more money.” Her cousin raised an eyebrow. “Spill it, cuz, but it had better be good.”
“You know how much I love English mysteries. Well, I always like the descriptions of English gardens and thatched roofs.”
“We can’t do thatch here,” Ansel said, interrupting.
“No, but we can do fake shake shingles. They’d give sort of the same effect.”
Jerod rubbed his chin, studying the façade of the house. “You know, those just might be worth it on this place. It would fit the vibe of the rest of the house.”
Ansel nodded agreement. “I’ll give you a yes vote, too. This house deserves something extra.”
That had been easier than she expected. Just wait ’til Ansel shared his ideas for the house with Jerod. There was a small room on the first floor that he was dying to make into a library. And he’d already shown her pictures of how he’d like to do the front foyer and create a small mudroom in the back hallway off the patio.
Finished looking, the guys grabbed their gear and Jazzi got the cooler, then they headed inside. Jerod called to order the shingles they wanted, and then he pulled on his heavy work gloves. The previous owner had warned them that she’d left some furniture behind. They had to clear it out. For once, the rooms downstairs and up were so large, they wouldn’t have to knock out walls. The interior of the house was in good shape, except someone had gone crazy with wallpaper upstairs. Every room had some. It all needed to be stripped. The wooden floors could be refinished except in the kitchen, and they might have to refinish the graceful, curved stairs and railings, too. The kitchen and every bathroom needed to be gutted, and the basement’s cement was crumbling. No structural problems, just old cement, worn with time. They’d have to add a new layer on the floor and walls, as well as a new furnace and central air. It sounded like a lot, but they usually had more to deal with.
This time around, they could focus on making every improvement add to the character of the house. Their first job? Clean out every room so that they could get started. Jazzi carried the cooler into the kitchen and tucked it against the wall where the kitchen table used to sit. For once, they’d decided not to gut the kitchen until later in their project. That way, they’d have a refrigerator and sink for their lunches.
Jerod scowled at the pine cupboards and linoleum floor. “The woman who owned this place loved to entertain. You’d have thought she’d spend the money to spiff up the kitchen.”
Ansel shrugged, carrying George’s dog bed to a corner of the room. He took the thickly padded oval from project to project. George immediately curled in it to supervise. “There’s a big dining room. She probably only prepped food in here.”
Jerod had talked to her. They hadn’t. “She didn’t cook. She catered.”
“Well, there’s your answer.” Jazzi plugged in the coffee urn and turned it on. “She never spent time in this room.”
“Sort of like my wife.” Jerod constantly fussed about Franny’s cooking. “I married a wonderful woman, but if I don’t cook, it’s safer to grab food on the way home.”
“We all have different loves and talents,” Jazzi reminded him.
“I guess. She’s a whiz when it comes to furniture restoration.”
“There you go.” Jazzi looked out the kitchen window at the patio and backyard. The landscaping looked professional. And one of the added bonuses of this house was that a balcony led off the upstairs hallway, forming a roof for the patio beneath it. Two more great places to entertain.
Ansel followed her gaze. “I bet it was hard for the owner to leave this house.”
Jerod shook his head. “Madeline gave lots and lots of parties, and that’s how she met her new husband. After he attended one of them, they kept in touch. That’s why she sold this place to us for the same price she paid for it originally. Once he popped the question, she wanted to sell it fast and move east to marry him.”
Jazzi pursed her lips, trying to remember the house’s history. “She got it at a good price, too, didn’t she?”
Jerod nodded. “The same family owned it for years, passed it down through the generations, but the last of the Hodgkills sold it cheap and moved away the minute the ink dried on the contract.”
Jazzi glanced around at the grand, old place. “How could you give up such a beautiful family legacy? It makes you wonder, doesn’t it? There’s probably a story behind that.”
“Hey, it worked in our favor.” With a shrug, Jerod reached for a gateleg table in the entryway. “But enough talking. Time to start working. Let’s get this place ready to go.” He picked up the table. “Anyone want this? It’s a great antique.”
Jazzi and Ansel shook their heads. “No place to put it,” Ansel said. “Give it to Franny. She’ll make it look good again.”
It would be quick work getting the inside ready to paint. They’d decided to start on the roof first, though, because it was October and the weather might not hold.
The guys decided to tackle the downstairs, and Jazzi headed up to the bedrooms. There were five of them, and three baths. When they’d walked through the house, they’d seen most of them before the owner had to leave for a business meeting. They’d seen enough, though, that they knew the structure of the place was solid, and the house was a good buy.
The third step from the top creaked. She made a mental note to fix it, then started on the rooms on the left side of the wide hallway at the top of the stairs. Only a few night tables and a mirror were left in those, and she carried them into the hallway. Once that was done, she crossed to the last room on the right side of the hall, close to the French doors that opened onto the balcony. This room was the only one that was shut up. She pushed on its door, but it wouldn’t open. The knob wouldn’t turn. It was locked.
She went to the top of the stairs and called down, “A room’s locked up here. Did we get a key for it?”
Jerod stopped what he was doing to come to look up at her, frowning. “I forgot about that. The owne
r told me about it, said it was locked when she bought the house. She had plenty of other bedrooms, so she just never bothered with it. And she never found a key.”
“What do you want me to do?”
“Take off the door handle and hardware and break in. We have to get inside it, one way or another.”
With a nod, Jazzi returned to the room and got busy, unscrewing the hardware and removing the knob. When they were off, she reached inside to the working mechanisms and clicked the door open. Then she stood and stared.
So much dust covered a double bed that its soft pink comforter looked gray. Strings of dust hung like Spanish moss from its pink canopy. Posters of movie stars who’d been popular when Jazzi was in high school were taped to the walls, their edges yellowed and curling. In the corner, tubes of lipsticks littered the top of a makeup table with an oval mirror—all buried under a thick gray coating. Cobwebs dangled to eye level and more dust coated the floor and its flowered rugs. Jazzi crossed the room to raise the blind on the wide window and sneezed. Dust flew everywhere. A hope chest sat under the window. She shivered, memories of Aunt Lynda’s folded skeleton returning. She reached for its lid, then yanked her hand away.
The closet door stood open a crack. Cautiously, she pushed it wider with her toe, keeping a safe distance away. Clothes lined the rod that stretched across it. High heels sat under party dresses with matching colors, followed by slip-ons and gym shoes for jeans and flirty skirts. It felt like she’d walked into a time warp.
Why hadn’t anyone ever emptied this room? Or at least cleaned it? She walked to the top of the stairs and called down to the guys. “You might want to see this.”
Jerod carried a floor lamp to the door and started up the stairs. “Did someone leave a loose floorboard with a stash of money hidden under it?”
“Always the optimist. No. You’ve got to see this for yourselves.”
Ansel climbed up after him, and she led them to the pink room. They stopped and stared. Jerod scratched his head and gave a low whistle. “Curiouser and curiouser.”