Burning Your Boats: Collected Short Stories

by Angela Carter

  I don’t believe you. Besides, aren’t you afraid of the wolves?

  He only tapped the gleaming butt of his rifle and grinned.

  Is it a bet? he asked her. Shall we make a game of it? What will you give me if I get to your grandmother’s house before you?

  What would you like? she asked disingenuously.

  A kiss.

  Commonplaces of a rustic seduction; she lowered her eyes and blushed.

  He went through the undergrowth and took her basket with him but she forgot to be afraid of the beasts, although now the moon was rising, for she wanted to dawdle on her way to make sure the handsome gentleman would win his wager.

  Grandmother’s house stood by itself a little way out of the village. The freshly falling snow blew in eddies about the kitchen garden and the young man stepped delicately up the snowy path to the door as if he were reluctant to get his feet wet, swinging his bundle of game and the girl’s basket and humming a little tune to himself.

  There is a faint trace of blood on his chin; he has been snacking on his catch.

  He rapped upon the panels with his knuckles.

  Aged and frail, granny is three-quarters succumbed to the mortality the ache in her bones promises her and almost ready to give in entirely. A boy came out from the village to build up her hearth for the night an hour ago and the kitchen crackles with busy firelight. She has her Bible for company, she is a pious old woman. She is propped up on several pillows in the bed set into the wall peasant-fashion, wrapped up in the patchwork quilt she made before she was married, more years ago than she cares to remember. Two china spaniels with liver-coloured blotches on their coats and black noses sit on either side of the fireplace. There is a bright rug of woven rags on the pantiles. The grandfather clock ticks away her eroding time.

  We keep the wolves outside by living well.

  He rapped upon the panels with his hairy knuckles.

  It is your granddaughter, he mimicked in a high soprano.

  Lift up the latch and walk in, my darling.

  You can tell them by their eyes, eyes of a beast of prey, nocturnal, devastating eyes as red as a wound; you can hurl your Bible at him and your apron after, granny, you thought that was a sure prophylactic against these infernal vermin . . . now call on Christ and his mother and all the angels in heaven to protect you but it won’t do you any good.

  His feral muzzle is sharp as a knife; he drops his golden burden of gnawed pheasant on the table and puts down your dear girl’s basket, too. Oh, my God, what have you done with her?

  Off with his disguise, that coat of forest-coloured cloth, the hat with the feather tucked into the ribbon; his matted hair streams down his white shirt and she can see the lice moving in it. The sticks in the hearth shift and hiss; night and the forest has come into the kitchen with darkness tangled in its hair.

  He strips off his shirt. His skin is the colour and texture of vellum. A crisp stripe of hair runs down his belly, his nipples are ripe and dark as poison fruit but he’s so thin you could count the ribs under his skin if only he gave you the time. He strips off his trousers and she can see how hairy his legs are. His genitals, huge. Ah! huge.

  The last thing the old lady saw in all this world was a young man, eyes like cinders, naked as a stone, approaching her bed.

  The wolf is carnivore incarnate.

  When he had finished with her, he licked his chops and quickly dressed himself again, until he was just as he had been when he came through her door. He burned the inedible hair in the fireplace and wrapped the bones up in a napkin that he hid away under the bed in the wooden chest in which he found a clean pair of sheets. These he carefully put on the bed instead of the tell-tale stained ones he stowed away in the laundry basket. He plumped up the pillows and shook out the patchwork quilt, he picked up the Bible from the floor, closed it and laid it on the table. All was as it had been before except that grandmother was gone. The sticks twitched in the grate, the clock ticked and the young man sat patiently, deceitfully beside the bed in granny’s nightcap.

  Rat-a-tap-tap.

  Who’s there, he quavers in granny’s antique falsetto.

  Only your granddaughter.

  So she came in, bringing with her a flurry of snow that melted in tears on the tiles, and perhaps she was a little disappointed to see only her grandmother sitting beside the fire. But then he flung off the blanket and sprang to the door, pressing his back against it so that she could not get out again.

  The girl looked round the room and saw there was not even the indentation of a head on the smooth cheek of the pillow and how, for the first time she’d seen it so, the Bible lay closed on the table. The tick of the clock cracked like a whip. She wanted her knife from her basket but she did not dare to reach for it because his eyes were fixed upon her – huge eyes that now seemed to shine with a unique, interior light, eyes the size of saucers, saucers full of Greek fire, diabolic phosphorescence.

  What big eyes you have.

  All the better to see you with.

  No trace at all of the old woman except for a tuft of white hair that had caught in the bark of an unburned log. When the girl saw that, she knew she was in danger of death.

  Where is my grandmother?

  There’s nobody here but we two, my darling.

  Now a great howling rose up all around them, near, very near as close as the kitchen garden, the howling of a multitude of wolves; she knew the worst wolves are hairy on the inside and she shivered, in spite of the scarlet shawl she pulled more closely round herself as if it could protect her although it was as red as the blood she must spill.

  Who has come to sing us carols, she said.

  Those are the voices of my brothers, darling; I love the company of wolves. Look out of the window and you’ll see them.

  Snow half-caked the lattice and she opened it to look into the garden. It was a white night of moon and snow; the blizzard whirled round the gaunt, grey beasts who squatted on their haunches among the rows of winter cabbage, pointing their sharp snouts to the moon and howling as if their hearts would break. Ten wolves; twenty wolves – so many wolves she could not count them, howling in concert as if demented or deranged. Their eyes reflected the light from the kitchen and shone like a hundred candles.

  It is very cold, poor things, she said; no wonder they howl so.

  She closed the window on the wolves’ threnody and took off her scarlet shawl, the colour of poppies, the colour of sacrifices, the colour of her menses, and, since her fear did her no good, she ceased to be afraid.

  What shall I do with my shawl?

  Throw it on the fire, dear one. You won’t need it again.

  She bundled up her shawl and threw it on the blaze, which instantly consumed it. Then she drew her blouse over her head; her small breasts gleamed as if the snow had invaded the room.

  What shall I do with my blouse?

  Into the fire with it, too, my pet.

  The thin muslin went flaring up the chimney like a magic bird and now off came her skirt, her woollen stockings, her shoes, and on to the fire they went, too, and were gone for good. The firelight shone through the edges of her skin; now she was clothed only in her untouched integument of flesh. This dazzling, naked she combed out her hair with her fingers; her hair looked white as the snow outside. Then went directly to the man with red eyes in whose unkempt mane the lice moved; she stood up on tiptoe and unbuttoned the collar of his shirt.

  What big arms you have.

  All the better to hug you with.

  Every wolf in the world now howled a prothalamion outside the window as she freely gave him the kiss she owed him.

  What big teeth you have!

  She saw how his jaw began to slaver and the room was full of the clamour of the forest’s Liebestod but the wise child never flinched, even as he answered: All the better to eat you with.

  The girl burst out laughing; she knew she was nobody’s meat. She laughed at him full in the face, she ripped off his shirt for him
and flung it into the fire, in the fiery wake of her own discarded clothing. The flames danced like dead souls on Walpursignacht and the old bones under the bed set up a terrible clattering but she did not pay them any heed.

  Carnivore incarnate, only immaculate flesh appeases him.

  She will lay his fearful head on her lap and she will pick out the lice from his pelt and perhaps she will put the lice into her mouth and eat them, as he will bid her, as she would do in a savage marriage ceremony.

  The blizzard will die down.

  The blizzard died down, leaving the mountains as randomly covered with snow as if a blind woman had thrown a sheet over them, the upper branches of the forest pines limed, creaking, swollen with the fall.

  Snowlight, moonlight, a confusion of paw-prints.

  All silent, all silent.

  Midnight; and the clock strikes. It is Christmas day, the werewolves’ birthday, the door of the solstice stands wide open; let them all sink through.

  See! sweet and sound she sleeps in granny’s bed, between the paws of the tender wolf.

  Wolf-Alice

  Could this ragged girl with brindled lugs have spoken like we do she would have called herself a wolf, but she cannot speak, although she howls because she is lonely – yet ‘howl’ is not the right word for it, since she is young enough to make the noise the pups do, bubbling, delicious, like that of a panful of fat on the fire. Sometimes the sharp ears of her foster kindred hear her across the irreparable gulf of absence; they answer her from faraway pine forest and the bald mountain rim. Their counterpoint crosses and criss-crosses the night sky; they are trying to talk to her but they cannot do so because she does not understand their language even if she knows how to use it for she is not a wolf herself, although suckled by wolves.

  Her panting tongue hangs out; her red lips are thick and fresh. Her legs are long, lean and muscular. Her elbows, hands and knees are thickly callused because she always runs on all fours. She never walks; she trots or gallops. Her pace is not our pace.

  Two-legs looks, four-legs sniffs. Her long nose is always a-quivering, sifting every scent it meets. With this useful tool, she lengthily investigates everything she glimpses. She can net so much more of the world than we can through the fine, hairy sensitive filters of her nostrils that her poor eyesight does not trouble her. Her nose is sharper by night than our eyes are by day so it is the night she prefers, when the cool reflected light of the moon does not make her eyes smart and draws out the various fragrances from the woodland where she wanders when she can. But the wolves keep well away from the peasants’ shotguns, now, and she will no longer find them there.

  Wide shoulders, long arms and she sleeps succinctly curled into a ball as if she were cradling her spine in her tail. Nothing about her is human except that she is not a wolf; it is as if the fur she thought she wore had melted into her skin and become part of it, although it does not exist. Like the wild beasts, she lives without a future. She inhabits only the present tense, a fugue of the continuous, a world of sensual immediacy as without hope as it is without despair.

  When they found her in the wolf’s den beside the bullet-riddled corpse of her foster mother, she was no more than a little brown scrap so snarled in her own brown hair they did not at first think she was a child but a cub; she snapped at her would-be saviours with her spiky canines until they tied her up by force. She spent the first days amongst us crouched stock-still, staring at the whitewashed wall of her cell in the convent to which they took her. The nuns poured water over her, poked her with sticks to rouse her. Then she might snatch bread from their hands and race with it into a corner to mumble it with her back towards them; it was a great day among the novices when she learned to sit up on her hind legs and beg for a crust.

  They found, if she were treated with a little kindness, she was not intractable. She learned to recognise her own dish; then, to drink from a cup. They found that she could quite easily be taught a few, simple tricks but she did not feel the cold and it took a long time to wheedle a shift over her head to cover up her bold nakedness. Yet she always seemed wild, impatient of restraint, capricious in temper; when the Mother Superior tried to teach her to give thanks for her recovery from the wolves, she arched her back, pawed the floor, retreated to a far corner of the chapel, crouched, trembled, urinated, defecated – reverted entirely, it would seem, to her natural state. Therefore, without a qualm, this nine days’ wonder and continuing embarrassment of a child was delivered over to the bereft and unsanctified household of the Duke.

  Deposited at the castle, she huffed and snuffled and smelled only a reek of meat, not the least whiff of sulphur, nor of familiarity. She settled down on her hunkers with that dog’s sigh that is only the expulsion of breath and does not mean either relief or resignation.

  The Duke is sere as old paper; his dry skin rustles against the bedsheets as he throws them back to thrust out his thin legs scabbed with old scars where thorns score his pelt. He lives in a gloomy mansion, all alone but for this child who has as little in common with the rest of us as he does. His bedroom is painted terracotta, rusted with a wash of pain, like the interior of an Iberian butcher’s shop, but for himself, nothing can hurt him since he ceased to cast an image in the mirror.

  He sleeps in an antlered bed of dull black wrought iron until the moon, the governess of transformations and overseer of somnambulists, pokes an imperative finger through the narrow window and strikes his face: then his eyes start open.

  At night, those huge, inconsolable, rapacious eyes of his are eaten up by swollen, gleaming pupil. His eyes see only appetite. These eyes open to devour the world in which he sees, nowhere, a reflection of himself; he passed through the mirror and now, henceforward, lives as if upon the other side of things.

  Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

  By the red early hour of midwinter sunset, all the doors are barred for miles. The cows low fretfully in the byre when he goes by, the whimpering dogs sink their noses in their paws. He carries on his frail shoulders a weird burden of fear; he is cast in the role of the corpse-eater, the body-snatcher who invades the last privacies of the dead. He is white as leprosy, with scrabbling fingernails, and nothing deters him. If you stuff a corpse with garlic, why, he only slavers at the treat: cadavre provençal. He will use the holy cross as a scratching post and crouch above the font to thirstily lap up holy water.

  She sleeps in the soft, warm ashes of the hearth; beds are traps, she will not stay in one. She can perform a few, small tasks to which the nuns trained her, she sweeps up the hairs, vertebrae and phalanges that litter his room into a dustpan, she makes up his bed at sunset, when he leaves it and the grey beasts outside howl, as if they know his transformation is their parody. Unkind to their prey, to their own they are tender; had the Duke been a wolf, they would have angrily expelled him from the pack, he would have had to lollop along miles behind them, creeping in submission on his belly up to the kill only after they had eaten and were sleeping, to gnaw the well-chewed bones and chew the hide. Yet, suckled as she was by wolves on the high uplands where her mother bore and left her, only his kitchen maid, who is not wolf or woman, knows no better than to do his chores for him.

  She grew up with wild beasts. If you could transport her, in her filth, rags and feral disorder, to the Eden of our first beginnings where Eve and grunting Adam squat on a daisy bank, picking the lice from one another’s pelts, then she might prove to be the wise child who leads them all and her silence and her howling a language as authentic as any language of nature. In a world of talking beasts and flowers, she would be the bud of f
lesh in the kind lion’s mouth: but how can the bitten apple flesh out its scar again?

  Mutism is her lot; though, now and then, she will emit an involuntary rustle of sound, as if the unused chords in her throat were a wind-harp that moved with the random impulses of the air, her whisper, more obscure than the voices of the dumb.

  Familiar desecrations in the village graveyard. The coffin had been ripped open with the abandon with which a child unwraps a gift on Christmas morning and, of its contents, not a trace could be found but for a rag of the bridal veil in which the corpse had been wrapped that was caught, fluttering, in the brambles at the churchyard gate so they knew which way he had taken it, towards his gloomy castle.

  In the lapse of time, the trance of being of that exiled place, this girl grew amongst things she could neither name nor perceive. How did she think, how did she feel, this perennial stranger with her furred thoughts and her primal sentience that existed in a flux of shifting impressions; there are no words to describe the way she negotiated the abyss between her dreams, those wakings strange as her sleepings. The wolves had tended her because they knew she was an imperfect wolf; we secluded her in animal privacy out of fear of her imperfection because it showed us what we might have been, and so time passed, although she scarcely knew it. Then she began to bleed.

  Her first blood bewildered her. She did not know what it meant and the first stirrings of surmise that ever she felt were directed towards its possible cause. The moon had been shining into the kitchen when she woke to feel the trickle between her thighs and it seemed to her that a wolf who, perhaps, was fond of her, as wolves were, and who lived, perhaps, in the moon? must have nibbled her cunt while she was sleeping, had subjected her to a series of affectionate nips too gentle to wake her yet sharp enough to break the skin. The shape of this theory was blurred yet, out of it, there took root a kind of wild reasoning, as it might have from a seed dropped in her brain off the foot of a flying bird.