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Collected Poetical Works of Francesco Petrarch

Page 19

by Francesco Petrarch


  Nor wrathful glance of heaven so surely sped

  Destruction to man’s sight, as does that eye

  Within whose bright black orb Love’s Deity

  Sharpens each dart, and tips with gold its head.

  Enthroned in radiance there he sits, not blind,

  Quiver’d, and naked, or by shame just veil’d,

  A live, not fabled boy, with changeful wing;

  Thence unto me he lends instruction kind,

  And arts of verse from meaner bards conceal’d,

  Thus am I taught whate’er of love I write or sing.

  NOTT.

  Ne’er from the black and tempest-troubled brine

  The weary mariner fair haven sought,

  As shelter I from the dark restless thought

  Whereto hot wishes spur me and incline:

  Nor mortal vision ever light divine

  Dazzled, as mine, in their rare splendour caught

  Those matchless orbs, with pride and passion fraught,

  Where Love aye haunts his darts to gild and fine.

  Him, blind no more, but quiver’d, there I view,

  Naked, except so far as shame conceals,

  A winged boy — no fable — quick and true.

  What few perceive he thence to me reveals;

  So read I clearly in her eyes’ dear light

  Whate’er of love I speak, whate’er I write.

  MACGREGOR.

  SONNET CXIX.

  Questa umil fera, un cor di tigre o d’ orsa.

  HE PRAYS HER EITHER TO WELCOME OR DISMISS HIM AT ONCE.

  Fiercer than tiger, savager than bear,

  In human guise an angel form appears,

  Who between fear and hope, from smiles to tears

  So tortures me that doubt becomes despair.

  Ere long if she nor welcomes me, nor frees,

  But, as her wont, between the two retains,

  By the sweet poison circling through my veins,

  My life, O Love! will soon be on its lees.

  No longer can my virtue, worn and frail

  With such severe vicissitudes, contend,

  At once which burn and freeze, make red and pale:

  By flight it hopes at length its grief to end,

  As one who, hourly failing, feels death nigh:

  Powerless he is indeed who cannot even die!

  MACGREGOR.

  SONNET CXX.

  Ite, caldi sospiri, al freddo core.

  HE IMPLORES MERCY OR DEATH.

  Go, my warm sighs, go to that frozen breast,

  Burst the firm ice, that charity denies;

  And, if a mortal prayer can reach the skies,

  Let death or pity give my sorrows rest!

  Go, softest thoughts! Be all you know express’d

  Of that unnoticed by her lovely eyes,

  Though fate and cruelty against me rise,

  Error at least and hope shall be repress’d.

  Tell her, though fully you can never tell,

  That, while her days calm and serenely flow,

  In darkness and anxiety I dwell;

  Love guides your flight, my thoughts securely go,

  Fortune may change, and all may yet be well;

  If my sun’s aspect not deceives my woe.

  CHARLEMONT.

  Go, burning sighs, to her cold bosom go,

  Its circling ice which hinders pity rend,

  And if to mortal prayer Heaven e’er attend,

  Let death or mercy finish soon my woe.

  Go forth, fond thoughts, and to our lady show

  The love to which her bright looks never bend,

  If still her harshness, or my star offend,

  We shall at least our hopeless error know.

  Go, in some chosen moment, gently say,

  Our state disquieted and dark has been,

  Even as hers pacific and serene.

  Go, safe at last, for Love escorts your way:

  From my sun’s face if right the skies I guess

  Well may my cruel fortune now be less.

  MACGREGOR.

  SONNET CXXI.

  Le stelle e ‘l cielo e gli elementi a prova.

  LAURA’S UNPARALLELED BEAUTY AND VIRTUE.

  The stars, the elements, and Heaven have made

  With blended powers a work beyond compare;

  All their consenting influence, all their care,

  To frame one perfect creature lent their aid.

  Whence Nature views her loveliness display’d

  With sun-like radiance sublimely fair:

  Nor mortal eye can the pure splendour bear:

  Love, sweetness, in unmeasured grace array’d.

  The very air illumed by her sweet beams

  Breathes purest excellence; and such delight

  That all expression far beneath it gleams.

  No base desire lives in that heavenly light,

  Honour alone and virtue! — fancy’s dreams

  Never saw passion rise refined by rays so bright.

  CAPEL LOFFT.

  The stars, the heaven, the elements, I ween,

  Put forth their every art and utmost care

  In that bright light, as fairest Nature fair,

  Whose like on earth the sun has nowhere seen;

  So noble, elegant, unique her mien,

  Scarce mortal glance to rest on it may dare,

  Love so much softness and such graces rare

  Showers from those dazzling and resistless een.

  The atmosphere, pervaded and made pure

  By their sweet rays, kindles with goodness so,

  Thought cannot equal it nor language show.

  Here no ill wish, no base desires endure,

  But honour, virtue. Here, if ever yet,

  Has lust his death from supreme beauty met.

  MACGREGOR.

  SONNET CXXII.

  Non fur mai Giove e Cesare sì mossi.

  LAURA IN TEARS.

  High Jove to thunder ne’er was so intent,

  So resolute great Cæsar ne’er to strike,

  That pity had not quench’d the ire of both,

  And from their hands the accustom’d weapons shook.

  Madonna wept: my Lord decreed that I

  Should see her then, and there her sorrows hear;

  So joy, desire should fill me to the brim,

  Thrilling my very marrow and my bones.

  Love show’d to me, nay, sculptured on my heart,

  That sweet and sparkling tear, and those soft words

  Wrote with a diamond on its inmost core,

  Where with his constant and ingenious keys

  He still returneth often, to draw thence

  True tears of mine and long and heavy sighs.

  MACGREGOR.

  SONNET CXXIII.

  I’ vidi in terra angelici costumi.

  THE EFFECTS OF HER GRIEF.

  On earth reveal’d the beauties of the skies,

  Angelic features, it was mine to hail;

  Features, which wake my mingled joy and wail,

  While all besides like dreams or shadows flies.

  And fill’d with tears I saw those two bright eyes,

  Which oft have turn’d the sun with envy pale;

  And from those lips I heard — oh! such a tale,

  As might awake brute Nature’s sympathies!

  Wit, pity, excellence, and grief, and love

  With blended plaint so sweet a concert made,

  As ne’er was given to mortal ear to prove:

  And heaven itself such mute attention paid,

  That not a breath disturb’d the listening grove —

  Even æther’s wildest gales the tuneful charm obey’d.

  WRANGHAM.

  Yes, I beheld on earth angelic grace,

  And charms divine which mortals rarely see,

  Such as both glad and pain the memory;

  Vain, light, unreal is all else I trace:

&nbs
p; Tears I saw shower’d from those fine eyes apace,

  Of which the sun ofttimes might envious be;

  Accents I heard sigh’d forth so movingly,

  As to stay floods, or mountains to displace.

  Love and good sense, firmness, with pity join’d

  And wailful grief, a sweeter concert made

  Than ever yet was pour’d on human ear:

  And heaven unto the music so inclined,

  That not a leaf was seen to stir the shade;

  Such melody had fraught the winds, the atmosphere.

  NOTT.

  SONNET CXXIV.

  Quel sempre acerbo ed onorato giorno.

  HE RECALLS HER AS HE SAW HER WHEN IN TEARS.

  That ever-painful, ever-honour’d day

  So left her living image on my heart

  Beyond or lover’s wit or poet’s art,

  That oft to it will doting memory stray.

  A gentle pity softening her bright mien,

  Her sorrow there so sweet and sad was heard,

  Doubt in the gazer’s bosom almost stirr’d

  Goddess or mortal, which made heaven serene.

  Fine gold her hair, her face as sunlit snow,

  Her brows and lashes jet, twin stars her eyne,

  Whence the young archer oft took fatal aim;

  Each loving lip — whence, utterance sweet and low

  Her pent grief found — a rose which rare pearls line,

  Her tears of crystal and her sighs of flame.

  MACGREGOR.

  That ever-honour’d, yet too bitter day,

  Her image hath so graven in my breast,

  That only memory can return it dress’d

  In living charms, no genius could portray:

  Her air such graceful sadness did display,

  Her plaintive, soft laments my ear so bless’d,

  I ask’d if mortal, or a heavenly guest,

  Did thus the threatening clouds in smiles array.

  Her locks were gold, her cheeks were breathing snow,

  Her brows with ebon arch’d — bright stars her eyes,

  Wherein Love nestled, thence his dart to aim:

  Her teeth were pearls — the rose’s softest glow

  Dwelt on that mouth, whence woke to speech grief’s sighs

  Her tears were crystal — and her breath was flame.

  WOLLASTON.

  SONNET CXXV.

  Ove ch’ i’ posi gli occhi lassi o giri.

  HER IMAGE IS EVER IN HIS HEART.

  Where’er I rest or turn my weary eyes,

  To ease the longings which allure them still,

  Love pictures my bright lady at his will,

  That ever my desire may verdant rise.

  Deep pity she with graceful grief applies —

  Warm feelings ever gentle bosoms fill —

  While captived equally my fond ears thrill

  With her sweet accents and seraphic sighs.

  Love and fair Truth were both allied to tell

  The charms I saw were in the world alone,

  That ‘neath the stars their like was never known.

  Nor ever words so dear and tender fell

  On listening ear: nor tears so pure and bright

  From such fine eyes e’er sparkled in the light.

  MACGREGOR.

  SONNET CXXVI.

  In qual parte del cielo, in quale idea.

  HE EXTOLS THE BEAUTY AND VIRTUE OF LAURA.

  Say from what part of heaven ’twas Nature drew,

  From what idea, that so perfect mould

  To form such features, bidding us behold,

  In charms below, what she above could do?

  What fountain-nymph, what dryad-maid e’er threw

  Upon the wind such tresses of pure gold?

  What heart such numerous virtues can unfold?

  Although the chiefest all my fond hopes slew.

  He for celestial charms may look in vain,

  Who has not seen my fair one’s radiant eyes,

  And felt their glances pleasingly beguile.

  How Love can heal his wounds, then wound again,

  He only knows, who knows how sweet her sighs,

  How sweet her converse, and how sweet her smile.

  NOTT.

  In what celestial sphere — what realm of thought,

  Dwelt the bright model from which Nature drew

  That fair and beauteous face, in which we view

  Her utmost power, on earth, divinely wrought?

  What sylvan queen — what nymph by fountain sought,

  Upon the breeze such golden tresses threw?

  When did such virtues one sole breast imbue?

  Though with my death her chief perfection’s fraught.

  For heavenly beauty he in vain inquires,

  Who ne’er beheld her eyes’ celestial stain,

  Where’er she turns around their brilliant fires:

  He knows not how Love wounds, and heals again,

  Who knows not how she sweetly smiles, respires

  The sweetest sighs, and speaks in sweetest strain!

  ANON.

  SONNET CXXVII.

  Amor ed io sì pien di maraviglia.

  HER EVERY ACTION IS DIVINE.

  As one who sees a thing incredible,

  In mutual marvel Love and I combine,

  Confessing, when she speaks or smiles divine,

  None but herself can be her parallel.

  Where the fine arches of that fair brow swell

  So sparkle forth those twin true stars of mine,

  Than whom no safer brighter beacons shine

  His course to guide who’d wisely love and well.

  What miracle is this, when, as a flower,

  She sits on the rich grass, or to her breast,

  Snow-white and soft, some fresh green shrub is press’d

  And oh! how sweet, in some fair April hour,

  To see her pass, alone, in pure thought there,

  Weaving fresh garlands in her own bright hair.

  MACGREGOR.

  SONNET CXXVIII.

  O passi sparsi, o pensier vaghi e pronti.

  EVERY CIRCUMSTANCE OF HIS PASSION IS A TORMENT TO HIM.

  O scatter’d steps! O vague and busy thoughts!

  O firm-set memory! O fierce desire!

  O passion powerful! O failing heart!

  O eyes of mine, not eyes, but fountains now!

  O leaf, which honourest illustrious brows,

  Sole sign of double valour, and best crown!

  O painful life, O error oft and sweet!

  That make me search the lone plains and hard hills.

  O beauteous face! where Love together placed

  The spurs and curb, to strive with which is vain,

  They prick and turn me so at his sole will.

  O gentle amorous souls, if such there be!

  And you, O naked spirits of mere dust,

  Tarry and see how great my suffering is!

  MACGREGOR.

  SONNET CXXIX.

  Lieti flori e felici, e ben nate erbe.

  HE ENVIES EVERY SPOT THAT SHE FREQUENTS.

  Gay, joyous blooms, and herbage glad with showers,

  O’er which my pensive fair is wont to stray!

  Thou plain, that listest her melodious lay,

  As her fair feet imprint thy waste of flowers!

  Ye shrubs so trim; ye green, unfolding bowers;

  Ye violets clad in amorous, pale array;

  Thou shadowy grove, gilded by beauty’s ray,

  Whose top made proud majestically towers!

  O pleasant country! O translucent stream,

  Bathing her lovely face, her eyes so clear,

  And catching of their living light the beam!

  I envy ye her actions chaste and dear:

  No rock shall stud thy waters, but shall learn

  Henceforth with passion strong as mine to burn.

  NOTT.

  O b
right and happy flowers and herbage blest,

  On which my lady treads! — O favour’d plain,

  That hears her accents sweet, and can retain

  The traces by her fairy steps impress’d! —

  Pure shrubs, with tender verdure newly dress’d, —

  Pale amorous violets, — leafy woods, whose reign

  Thy sun’s bright rays transpierce, and thus sustain

  Your lofty stature, and umbrageous crest; —

  O thou, fair country, and thou, crystal stream,

  Which bathes her countenance and sparkling eyes,

  Stealing fresh lustre from their living beam;

  How do I envy thee these precious ties!

  Thy rocky shores will soon be taught to gleam

  With the same flame that burns in all my sighs.

  WROTTESLEY.

  SONNET CXXX.

  Amor, che vedi ogni pensiero aperto.

  HE CARES NOT FOR SUFFERINGS, SO THAT HE DISPLEASE NOT LAURA.

  Love, thou who seest each secret thought display’d,

  And the sad steps I take, with thee sole guide;

  This throbbing breast, to thee thrown open wide,

  To others’ prying barr’d, thine eyes pervade.

  Thou know’st what efforts, following thee, I made,

  While still from height to height thy pinions glide;

  Nor deign’st one pitying look to turn aside

  On him who, fainting, treads a trackless glade.

  I mark from far the mildly-beaming ray

  To which thou goad’st me through the devious maze;

  Alas! I want thy wings, to speed my way —

  Henceforth, a distant homager, I’ll gaze,

  Content by silent longings to decay,

  So that my sighs for her in her no anger raise.

  WRANGHAM.

  O Love, that seest my heart without disguise,

  And those hard toils from thee which I sustain,

  Look to my inmost thought; behold the pain

  To thee unveil’d, hid from all other eyes.

  Thou know’st for thee this breast what suffering tries;

  Me still from day to day o’er hill and plain

  Thou chasest; heedless still, while I complain

  As to my wearied steps new thorns arise.

  True, I discern far off the cheering light

 

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